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The Broken Window (Lincoln Rhyme #8)
8.5
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Quadriplegic detective Lincoln Rhyme is back in a chilling new thriller from the master of suspense,...
Struck Dead (Forensic Instincts #10)
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The fragile line between life and death… Families that will never be the same… When a tragic...
Suspense Mystery Thriller
Maximum Pressure (Claudia Rose Forensic Handwriting Mysteries #9)
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Old friendships turn deadly and the past comes back to haunt Claudia Rose in unexpected ways. ...
Crime Thriller Psychological Suspense
The Killer’s Wife
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A serial killer, a woman on the run, and an obsessive parole officer tangle in a psychological net...
Psychological Thriller Suspense
Resurrection Kill
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An amnesic psychiatrist returns to the hospital where she was institutionalized as a teen to find...
Historical Fiction Thriller Suspense
Kristy H (1252 KP) rated Cross Her Heart in Books
Mar 11, 2019
Intruiging thriller though it didn't "wow" me
Lisa lives a quiet life with her teenage daughter, Ava. She keeps a close-hold on her, which chafes on Ava, who is ready for independence from her mother. But Lisa has a good reason. She has a secret past: one she's never shared with Ava or even her best friend and co-worker, Marilyn. All that changes when Ava rescues a young boy from drowning at a local fair. Her picture and Lisa's are splashed across the news and papers, threatening the world Lisa has so carefully constructed. As things begin to fall apart, each of the three women must begin to confront the many secrets they have been keeping.
I wasn't sure what to expect with this book. I seem to be one of the few people left on the planet who hasn't read Pinborough's Behind Her Eyes. However, all the hype about that one probably raised my expectations for this novel. I will admit, I found it to be oddly captivating. It's told from the points of view of Lisa, Ava, and Marilyn and oscillates between the present and the past. As a result the story unfurls slowly, releasing details in increments. It certainly adds to the tension and suspense of the book.
It's clear that all three women have their own secrets, but figuring out what they are is pretty fascinating. The book definitely kept me guessing until the end. Just when I thought I had something figured out, it threw me another curveball. I didn't particularly love Lisa or Ava--Ava more because I felt like I didn't get to know her that well, but I really liked Marilyn. Pinborough is very good at capturing the voices of her characters--each was unique and easy to picture.
In the end, I found the plot for this one to be interesting, and it kept me reading. Still, it's something that I can't really explain, except to say that nothing about this book "wowed" me. I liked it, but didn't love it. There's no real reason that I can put my finger on, just a feeling. Still, this is a very intriguing psychological thriller. It's twisty, with interesting characters. I still need to get to BEHIND HER EYES.
Thank you to William Morrow for my copy!
I wasn't sure what to expect with this book. I seem to be one of the few people left on the planet who hasn't read Pinborough's Behind Her Eyes. However, all the hype about that one probably raised my expectations for this novel. I will admit, I found it to be oddly captivating. It's told from the points of view of Lisa, Ava, and Marilyn and oscillates between the present and the past. As a result the story unfurls slowly, releasing details in increments. It certainly adds to the tension and suspense of the book.
It's clear that all three women have their own secrets, but figuring out what they are is pretty fascinating. The book definitely kept me guessing until the end. Just when I thought I had something figured out, it threw me another curveball. I didn't particularly love Lisa or Ava--Ava more because I felt like I didn't get to know her that well, but I really liked Marilyn. Pinborough is very good at capturing the voices of her characters--each was unique and easy to picture.
In the end, I found the plot for this one to be interesting, and it kept me reading. Still, it's something that I can't really explain, except to say that nothing about this book "wowed" me. I liked it, but didn't love it. There's no real reason that I can put my finger on, just a feeling. Still, this is a very intriguing psychological thriller. It's twisty, with interesting characters. I still need to get to BEHIND HER EYES.
Thank you to William Morrow for my copy!
Mayhawke (97 KP) rated Her Every Fear in Books
Feb 13, 2018
Workaday Thriller
For the record I should say that I listened to the book rather than reading a hard copy, and the reading of the book I was listening to was not the most inspiring. The reader (Juliette Burton) was what I think of as a 'flat' reader - aside from the odd accent adopted to distinguish characters there was little variation in tone and pace through the reading. This is not a style that works for me as I find it detracts from those moments where a writer has obviously written for atmosphere or tension. This is particularly the case where the book in question is a thriller - after all, it's supposed to thrill, not pass by with all the excitement, intrigue and suspense of a banking ad.
In the book's favour I found the main character believable and sympathetic. Her actions and choices, as a trauma survivor, I found more realistic than the standard we are usually given, where a character is given all the most extreme behaviours and responses ,and few if any of the more moderate ones - or if they are they never act upon them. She is likable and logical, even when she knows that her own actions are illogical and driven by fear. Sometimes she submits to the fear, others she doesn't. She is not one-dimensional. The premise for the character that 'she has always been overly-nervous' seems a little superfluous - she has a history that gives her cause enough to be nervous, and I don't think there is anything in her personality that needs justification beyond that.
That said this is not the most inspired of thrillers. There are no real surprises, no great twists or turns . It's a good, readable story( a holiday read, maybe) but it's never going to have you hanging on the edge of your seat, and the end could have been at least one chapter shorter, possibly more. The fact that this so and yet I still wanted to hear more is a testament to writing skill of Swanson and the general readability of the book.
To summarise: I will probably have forgotten I've read this in a month or so, but I wouldn't say it wasn't worth the read, and though demanding or deeply engrossing I enjoyed it while it lasted.
In the book's favour I found the main character believable and sympathetic. Her actions and choices, as a trauma survivor, I found more realistic than the standard we are usually given, where a character is given all the most extreme behaviours and responses ,and few if any of the more moderate ones - or if they are they never act upon them. She is likable and logical, even when she knows that her own actions are illogical and driven by fear. Sometimes she submits to the fear, others she doesn't. She is not one-dimensional. The premise for the character that 'she has always been overly-nervous' seems a little superfluous - she has a history that gives her cause enough to be nervous, and I don't think there is anything in her personality that needs justification beyond that.
That said this is not the most inspired of thrillers. There are no real surprises, no great twists or turns . It's a good, readable story( a holiday read, maybe) but it's never going to have you hanging on the edge of your seat, and the end could have been at least one chapter shorter, possibly more. The fact that this so and yet I still wanted to hear more is a testament to writing skill of Swanson and the general readability of the book.
To summarise: I will probably have forgotten I've read this in a month or so, but I wouldn't say it wasn't worth the read, and though demanding or deeply engrossing I enjoyed it while it lasted.
Emma @ The Movies (1786 KP) rated The Rental (2020) in Movies
Feb 28, 2021
After saying in my review of Tone Deaf that there are a lot of films that seem to be very similar coming out, you'd think I'd choose different films to watch... evidently not.
Charlie and Mina's hard work is finally paying off and they book a holiday home for some well deserved downtime. When they arrive with their partners they attempt to settle into the idyllic setting. But there's something not quite right about their host and their relaxing weekend starts to take a turn.
So... The Rental, Tone Deaf, The Intruder... People go to homes with weird owners and bad things happen. Something grabbed me about this one, it was a little different to the others and I'm glad I didn't dismiss it for the initial similarities.
I think the success for The Rental is its serious tone. In the other two films I mentioned we have an underlying humour, whether intentional or from overacting. It's much more of a thriller that made for some compelling moments.
Although the main cast are very familiar for various things, the "star power" didn't outshine the film around it. It's well balanced, and the chemistry between the four of them is incredibly good. The characters themselves aren't all that exciting though, and normally that would be a massive problem. While it may have been better to have something a little more thrilling happening with them, it actually leaves the film to do its thing around them.
The film was noticeably quiet to me, though the music did pipe up at key points to good effect. (Apart from one point that felt entirely out of place.) The pinpointed music combined with the location worked well together to add to the suspense as the film ramps up.
At only 88 minutes I worried about what a thriller could do in that time, but I needn't have. The build up across the film led well into the "action" of the ending, and that ending really appealed to me for how it dealt with everything that came before it. While I don't think The Rental is going to become a must see movie, it was definitely a pleasant surprise and worth the time I spent watching it.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/the-rental-movie-review.html
Charlie and Mina's hard work is finally paying off and they book a holiday home for some well deserved downtime. When they arrive with their partners they attempt to settle into the idyllic setting. But there's something not quite right about their host and their relaxing weekend starts to take a turn.
So... The Rental, Tone Deaf, The Intruder... People go to homes with weird owners and bad things happen. Something grabbed me about this one, it was a little different to the others and I'm glad I didn't dismiss it for the initial similarities.
I think the success for The Rental is its serious tone. In the other two films I mentioned we have an underlying humour, whether intentional or from overacting. It's much more of a thriller that made for some compelling moments.
Although the main cast are very familiar for various things, the "star power" didn't outshine the film around it. It's well balanced, and the chemistry between the four of them is incredibly good. The characters themselves aren't all that exciting though, and normally that would be a massive problem. While it may have been better to have something a little more thrilling happening with them, it actually leaves the film to do its thing around them.
The film was noticeably quiet to me, though the music did pipe up at key points to good effect. (Apart from one point that felt entirely out of place.) The pinpointed music combined with the location worked well together to add to the suspense as the film ramps up.
At only 88 minutes I worried about what a thriller could do in that time, but I needn't have. The build up across the film led well into the "action" of the ending, and that ending really appealed to me for how it dealt with everything that came before it. While I don't think The Rental is going to become a must see movie, it was definitely a pleasant surprise and worth the time I spent watching it.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/the-rental-movie-review.html
BookInspector (124 KP) rated Good Me, Bad Me in Books
Sep 24, 2020
The description above kind of explains what the books was about, but my description would be something as follows: After the incidents at home, when Milly’s mother got arrested, she lives with new foster family. New mom, dad and sister, but there is the problem there. Her new foster sister hates her and starts bullying her in every way possible. New foster parents have no idea about what is going on under their roof. How Milly is going to deal with all the things which are getting thrown at her? Let me start by saying that it is outstanding psychological thriller, where every chapter breathes of suspense and anticipation of what is going to happen next. I really enjoyed the way this book was written, like a letter to character’s evil mum. At the same time it was laying this story so beautifully, it was real pleasure for me to read it. The language used in the book is really understandable and easy to read, so you can put away the dictionary, will not need it here.
I found the characters very diverse and really disturbed in this publication. All of them had some sort of problem they were suffering from and that made them really interesting. I believe here is where author’s life experience came in. She worked with a lot of disturbed people, children and grownups, so that knowledge where greatly used in this novel. In my opinion, children where the strong characters in this book and not the grownups. Those revenge parts were like honey to sore throat, unexpected and so satisfying, after all the anger caused to me by bullying scenes. There was one thing that didn’t make me very happy, I needed more information about the murders. There were more murders, but only one discussed thoroughly. I am extremely curious how others died. Also I needed to know more about what mom used to do to Annie, I didn’t find given information sufficient. I think more information would’ve helped to understand the main character better. The ending of the book was like a crown on the queen’s head, applause for it! So to conclude, this is a gripping psychological thriller with a lot of twists and turns and I do strongly recommend it. Is there going to be a film? I would not be surprised if there would be.
I found the characters very diverse and really disturbed in this publication. All of them had some sort of problem they were suffering from and that made them really interesting. I believe here is where author’s life experience came in. She worked with a lot of disturbed people, children and grownups, so that knowledge where greatly used in this novel. In my opinion, children where the strong characters in this book and not the grownups. Those revenge parts were like honey to sore throat, unexpected and so satisfying, after all the anger caused to me by bullying scenes. There was one thing that didn’t make me very happy, I needed more information about the murders. There were more murders, but only one discussed thoroughly. I am extremely curious how others died. Also I needed to know more about what mom used to do to Annie, I didn’t find given information sufficient. I think more information would’ve helped to understand the main character better. The ending of the book was like a crown on the queen’s head, applause for it! So to conclude, this is a gripping psychological thriller with a lot of twists and turns and I do strongly recommend it. Is there going to be a film? I would not be surprised if there would be.
Kristy H (1252 KP) rated The Last Time I Lied in Books
Mar 6, 2019
Enjoyable, foreboding thriller
Fifteen years ago at Camp Nightingale, three of Emma's fellow campers disappeared, never to be found again. Ever since then, Emma has felt guilt about the incident and her actions that night. She idolized the three girls, especially beautiful Vivian, the leader of the pack, who bossed around Emma and the other two campers, Allison and Natalie. Since then, Emma--now a painter--has been painting huge canvases of landscapes, where she (secretly) paints the girls within each scene. She holds a successful show of her works, but now she's stuck, unable to paint anything else but "the girls," as she calls them. So when the owner of Camp Nightingale, Francesca Harris-White, turns up at Emma's show and tells her she's reopening the camp and she wants Emma to come back as an painting instructor, Emma agrees. Perhaps this will give her the closure she has always lacked and a chance to move on, to begin painting something else. But once back at the Camp--in the same cabin where her friends disappeared-Emma feels watched. Strange things begin happening and Emma starts to wonder more and more about what really happened fifteen years ago.
Well, this was just a fun thriller and a completely engaging read. I'm so glad I gave it a chance, as--unlike most of the reading population, I actually wasn't a huge fan of Sager's FINAL GIRLS and I wasn't entirely sure I was going to read this one. But it was definitely worth the read! This is a quick read and really enjoyable.
Sager populates the novel with a bunch of mysterious pieces that begin to add up across the story--clues, if you will--but you are left constantly wondering as you read. I personally was guessing up until the end, which I really liked. I am always a fan of a thriller that isn't utterly predictable. The novel is told from Emma's perspective, but flips between the present and the past (fifteen years ago, when the three girls went missing initially). This turns out to be an amazingly effective and compelling storytelling format: I read the entire book in about 24 hours and the first half in one setting. You can't quite pinpoint what draws you in, but you find yourself compulsively turning the pages.
Emma is a wonderful unreliable narrator. I enjoyed that she wasn't the requisite annoying unreliable narrator that we seem to see so often: she's tough, engaging, and just happens to be fairly untrustworthy at times to boot. Just when you start to get a bit frustrated and ready to truly know what Emma lied about, Sager spills the beans and the saga continues, with more crazy reveals.
The scene setting in this one is great; while I've never actually been to camp, Sager sets the stage so perfectly: you can just picture everything. The entire novel has this wonderful layer of creepy and mysterious on top of it all. So much of it seems foreboding, which adds to the suspense. And, as many have mentioned, there is a great twist to the ending, which I personally liked.
Overall, I really enjoyed this thriller. It's foreboding, quite readable, and features a main character who draws you in. Between not enjoying FINAL GIRLS and then seeing so much hype for this one, I was ready to be disappointed, but THE LAST TIME I LIED proved me wrong: it was a really engaging and suspenseful read. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Well, this was just a fun thriller and a completely engaging read. I'm so glad I gave it a chance, as--unlike most of the reading population, I actually wasn't a huge fan of Sager's FINAL GIRLS and I wasn't entirely sure I was going to read this one. But it was definitely worth the read! This is a quick read and really enjoyable.
Sager populates the novel with a bunch of mysterious pieces that begin to add up across the story--clues, if you will--but you are left constantly wondering as you read. I personally was guessing up until the end, which I really liked. I am always a fan of a thriller that isn't utterly predictable. The novel is told from Emma's perspective, but flips between the present and the past (fifteen years ago, when the three girls went missing initially). This turns out to be an amazingly effective and compelling storytelling format: I read the entire book in about 24 hours and the first half in one setting. You can't quite pinpoint what draws you in, but you find yourself compulsively turning the pages.
Emma is a wonderful unreliable narrator. I enjoyed that she wasn't the requisite annoying unreliable narrator that we seem to see so often: she's tough, engaging, and just happens to be fairly untrustworthy at times to boot. Just when you start to get a bit frustrated and ready to truly know what Emma lied about, Sager spills the beans and the saga continues, with more crazy reveals.
The scene setting in this one is great; while I've never actually been to camp, Sager sets the stage so perfectly: you can just picture everything. The entire novel has this wonderful layer of creepy and mysterious on top of it all. So much of it seems foreboding, which adds to the suspense. And, as many have mentioned, there is a great twist to the ending, which I personally liked.
Overall, I really enjoyed this thriller. It's foreboding, quite readable, and features a main character who draws you in. Between not enjoying FINAL GIRLS and then seeing so much hype for this one, I was ready to be disappointed, but THE LAST TIME I LIED proved me wrong: it was a really engaging and suspenseful read. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).