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Kristy H (1252 KP) rated My Husband's Wife in Books
Feb 13, 2018
Lily marries her husband, Ed, only six months after they meet. Lily's adolescence has been marked by family tragedy, and she's determined to move on. But as soon as she and Ed return from their Italian honeymoon, Lily is thrown into her first murder case as a solicitor. She meets her strange client, Joe, accused of murdering his girlfriend. Lily feels an odd affinity for Joe. Soon she is consumed by his case--and Joe himself. Meanwhile, Lily's neighbor, Carla is struggling to find her footing at school. Only nine, she feels like an outsider there, where the kids tease her for being different and fatherless. Lily and Ed become involved in Carla's life--watching her occasionally for her mother--but they have no idea how entwined their lives will become.
This novel is not exactly suspenseful (we're not truly solving a crime, but instead looking into the complex lives of our characters--which albeit may lead to some sort of crimes at times), but I still found it compulsively readable, consuming it in about 2 days. Lily is a unreliable narrator and as such, bits and pieces of her story unfold throughout the book, making us question exactly how much she's told us--and its veracity. There are certainly some "wow" moments as particular plot points are revealed; <i>I appreciated Corry's ability to surprise me early on.</I> (Even if some of these "wow" moments didn't really seem to come up again, or be completely developed into the overall thread of the narrative.)
The novel is definitely a rumination on marriage, faithfulness, and family. The alternating chapters between Lily and Carla help add some heightened tension to the plot, as does an eventual fast forward in time. None of our main characters are particularly sympathetic, but they get into your head quite effectively. The story is far more character-driven and emotional than I expected, yet there are still those "wow" moments I mentioned before. Some of the pieces fit together quite well; others not so much. There's a lot to weave in: Lily's first murder case and her pushy client, Joe; Lily's past; Lily and Ed's son; Carla and her mother; and more. Collectively, these characters bring a great deal of secrets and baggage.
I didn't find the ending completely surprising, as the novel sort of builds up to it, but it's still interesting and intriguing. I enjoyed how all the characters were interrelated and that the novel seemed focused on looking into what made them "tick." I won't lie, though, it did seem like something was missing at times: a piece of plot somewhere or something more to propel the story along. It's hard to describe, but it's almost as if the book just sort of happened, and you're like oh yeah, of course, yes, I see. By the end, nothing was really shocking, per se.
Still, I found the book incredibly readable and oddly fascinating. 3 stars.
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This novel is not exactly suspenseful (we're not truly solving a crime, but instead looking into the complex lives of our characters--which albeit may lead to some sort of crimes at times), but I still found it compulsively readable, consuming it in about 2 days. Lily is a unreliable narrator and as such, bits and pieces of her story unfold throughout the book, making us question exactly how much she's told us--and its veracity. There are certainly some "wow" moments as particular plot points are revealed; <i>I appreciated Corry's ability to surprise me early on.</I> (Even if some of these "wow" moments didn't really seem to come up again, or be completely developed into the overall thread of the narrative.)
The novel is definitely a rumination on marriage, faithfulness, and family. The alternating chapters between Lily and Carla help add some heightened tension to the plot, as does an eventual fast forward in time. None of our main characters are particularly sympathetic, but they get into your head quite effectively. The story is far more character-driven and emotional than I expected, yet there are still those "wow" moments I mentioned before. Some of the pieces fit together quite well; others not so much. There's a lot to weave in: Lily's first murder case and her pushy client, Joe; Lily's past; Lily and Ed's son; Carla and her mother; and more. Collectively, these characters bring a great deal of secrets and baggage.
I didn't find the ending completely surprising, as the novel sort of builds up to it, but it's still interesting and intriguing. I enjoyed how all the characters were interrelated and that the novel seemed focused on looking into what made them "tick." I won't lie, though, it did seem like something was missing at times: a piece of plot somewhere or something more to propel the story along. It's hard to describe, but it's almost as if the book just sort of happened, and you're like oh yeah, of course, yes, I see. By the end, nothing was really shocking, per se.
Still, I found the book incredibly readable and oddly fascinating. 3 stars.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Kristy H (1252 KP) rated Our Little Secret in Books
Apr 12, 2018
Excellent, well-written suspense novel from debut author
"All love stories are crime stories and all crime stories, love. If you say that's not true, you're not looking properly. Perhaps when two people join, it's inevitable, the things they'll damage in each other." ~Angela to Novak*
Angela is being held for interrogation at the police station. Detective Novak wants only thing from her--to know where Saskia is. But Angela cannot comply; instead, she tells Detective Novak a story, one starting with her senior year, when she fell in love with a boy named HP. As she tells her tale, it becomes clear it is one of love, sadness, betrayal, and anger. Does Angela know where Saskia is? And can we trust her?
This was a really fascinating and different book, and it was so refreshing to read something that felt original and unlike so many of the suspense novels I've read lately. I will say upfront: Nay is an excellent storyteller, and I found this novel to be wonderfully written. Parts of this story actually hurt me to read, because it was so vividly told. I could so clearly picture the events unfolding and visualize this tale of teen love gone wrong.
I loved the idea that our entire book is Angela, trapped at the police station, telling the story of the last several years of her life to Detective Novak. It seems unconventional, and it is, but it worked well for me. It took the unreliable narrator trope to a different level, and it was so much better than the drunken, rambling, angry unreliable narrator that we see so often. Angela tells her tale of woe and bitterness to the Detective, with only minor interruptions as he provides some pieces of new evidence that occasionally cast doubt upon her viewpoints. As such, we are left to guess how truthful she is being with all of us. Every statement she makes is charged with double meaning. I found the entire thing to be incredibly compelling and oddly fascinating. I was completely hooked, madly flipping the pages to find out what happened next. Even more, I was amazed at how Nay created sympathy toward a character who wasn't all that likeable at times. I was rooting for her, even when I knew I probably shouldn't.
I felt this faltered only a little near the end, where I wasn't quite sure I was on board with everything, but it certainly wasn't enough to diminish my love of the novel. And the actual ending is excellent and basically redeemed it all. Overall, this was an excellent, well-written, suspenseful novel. Angela is a dynamic and complicated character who immediately draws you in with her narration. I was constantly second-guessing her as I read and found the entire novel to be incredibly powerful and satisfying. Apparently this is Nay's first book, which is even more impressive. Can't wait for the next one. Definitely worth a read! 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
*all quotes from an advanced reader copy and subject to change
Angela is being held for interrogation at the police station. Detective Novak wants only thing from her--to know where Saskia is. But Angela cannot comply; instead, she tells Detective Novak a story, one starting with her senior year, when she fell in love with a boy named HP. As she tells her tale, it becomes clear it is one of love, sadness, betrayal, and anger. Does Angela know where Saskia is? And can we trust her?
This was a really fascinating and different book, and it was so refreshing to read something that felt original and unlike so many of the suspense novels I've read lately. I will say upfront: Nay is an excellent storyteller, and I found this novel to be wonderfully written. Parts of this story actually hurt me to read, because it was so vividly told. I could so clearly picture the events unfolding and visualize this tale of teen love gone wrong.
I loved the idea that our entire book is Angela, trapped at the police station, telling the story of the last several years of her life to Detective Novak. It seems unconventional, and it is, but it worked well for me. It took the unreliable narrator trope to a different level, and it was so much better than the drunken, rambling, angry unreliable narrator that we see so often. Angela tells her tale of woe and bitterness to the Detective, with only minor interruptions as he provides some pieces of new evidence that occasionally cast doubt upon her viewpoints. As such, we are left to guess how truthful she is being with all of us. Every statement she makes is charged with double meaning. I found the entire thing to be incredibly compelling and oddly fascinating. I was completely hooked, madly flipping the pages to find out what happened next. Even more, I was amazed at how Nay created sympathy toward a character who wasn't all that likeable at times. I was rooting for her, even when I knew I probably shouldn't.
I felt this faltered only a little near the end, where I wasn't quite sure I was on board with everything, but it certainly wasn't enough to diminish my love of the novel. And the actual ending is excellent and basically redeemed it all. Overall, this was an excellent, well-written, suspenseful novel. Angela is a dynamic and complicated character who immediately draws you in with her narration. I was constantly second-guessing her as I read and found the entire novel to be incredibly powerful and satisfying. Apparently this is Nay's first book, which is even more impressive. Can't wait for the next one. Definitely worth a read! 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
*all quotes from an advanced reader copy and subject to change
Daniel Boyd (1066 KP) rated Bad Times at the El Royale (2018) in Movies
Oct 24, 2018 (Updated Oct 24, 2018)
Good ensemble cast (2 more)
Cool set design and use of space
Nice cinematography
Enjoy Your Stay
In this day and age, it is becoming increasingly difficult to go into a movie without already knowing a bunch of information about it. Somehow Bad Times At The El Royale managed that. Even though I was a week late to seeing this movie, I was still able to go into it with very little knowledge about what was going to unfold. That in and of itself is an impressive feat in 2018.
I had a great time with this movie. I loved the cast here, Jeff Bridges and Jon Hamm are among my favourite actors working in Hollywood and I though that Chris Hemsworth did a fantastic job playing the villain for a change. The rest of the cast were fantastic too, other than Dakota Johnson, who was pretty wooden, (as we have come to expect from her.) As an aside, Cynthia Erivo's voice completely blew me away, I know that she has done some Broadway shows in the past, but she sounded incredible in this and I liked the way that her singing was tied in with the plot.
Bad Times is written and directed by Drew Goddard, who was also behind Cabin In The Woods and there are some similarities here, if you swap the horror elements out for mystery. I have also seen multiple reviews compare this to a Tarantino movie. There are obviously similarities in the structure that this film uses and the out-of-chronological-order structure that a Tarantino movie tends to follow, but I'd argue that Bad Times has it's own distinct and unique style.
I also thought that the cinematography was very effective throughout the film. The opening scene was very well shot, as was the scene when Hemsworth's character was introduced. The score also worked well with the plot and the dialogue and script were well written too.
The main negative that affected my enjoyment of the movie, were the decisions made regarding the pacing. The movie is split up so that we see things happen out of sequence or they are seen more than once from a different perspective. We are introduced to each new character and then we are given their backstory via a flashback. The main issue with this structure is that the flashbacks break the momentum of the events happening in the current story. Without spoiling too much, towards the end of the movie, everything comes to a head and an intense fight/shootout breaks out. Then, for some unknown reason, the filmmakers decide to slam on the brakes and give us another arbitrary flashback. It totally broke the immersion and intensity of the shootout sequence for me.
Overall, I had a good time watching Bad Times. I had no expectations going in as I didn't know much about the movie other than what had been shown in the trailers and I enjoyed witnessing what the movie had to offer. If you are looking for an exciting, suspenseful thriller, then you could definitely do worse than spending a stay at The El Royale.
I had a great time with this movie. I loved the cast here, Jeff Bridges and Jon Hamm are among my favourite actors working in Hollywood and I though that Chris Hemsworth did a fantastic job playing the villain for a change. The rest of the cast were fantastic too, other than Dakota Johnson, who was pretty wooden, (as we have come to expect from her.) As an aside, Cynthia Erivo's voice completely blew me away, I know that she has done some Broadway shows in the past, but she sounded incredible in this and I liked the way that her singing was tied in with the plot.
Bad Times is written and directed by Drew Goddard, who was also behind Cabin In The Woods and there are some similarities here, if you swap the horror elements out for mystery. I have also seen multiple reviews compare this to a Tarantino movie. There are obviously similarities in the structure that this film uses and the out-of-chronological-order structure that a Tarantino movie tends to follow, but I'd argue that Bad Times has it's own distinct and unique style.
I also thought that the cinematography was very effective throughout the film. The opening scene was very well shot, as was the scene when Hemsworth's character was introduced. The score also worked well with the plot and the dialogue and script were well written too.
The main negative that affected my enjoyment of the movie, were the decisions made regarding the pacing. The movie is split up so that we see things happen out of sequence or they are seen more than once from a different perspective. We are introduced to each new character and then we are given their backstory via a flashback. The main issue with this structure is that the flashbacks break the momentum of the events happening in the current story. Without spoiling too much, towards the end of the movie, everything comes to a head and an intense fight/shootout breaks out. Then, for some unknown reason, the filmmakers decide to slam on the brakes and give us another arbitrary flashback. It totally broke the immersion and intensity of the shootout sequence for me.
Overall, I had a good time watching Bad Times. I had no expectations going in as I didn't know much about the movie other than what had been shown in the trailers and I enjoyed witnessing what the movie had to offer. If you are looking for an exciting, suspenseful thriller, then you could definitely do worse than spending a stay at The El Royale.
The Thief (The Queen's Thief #1)
5.8
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Discover the world of the Queen's Thief New York Times-bestselling author Megan Whalen Turner's...
Kristy H (1252 KP) rated Dead Woman Walking in Books
Nov 5, 2020 (Updated Nov 8, 2020)
Jessica Lane treats her sister, Isabel (known to most as Sister Mary Magdalena, as her sister has been serving in a convent for many years) to a hot air balloon ride for her 40th birthday. But things go awry when Jessica--from the balloon--sees a man murder a young woman. From the ground, he spots her face clearly. Then the balloon crashes, and there is only one survivor. The man knows she can identify him, and he won't stop until the threat to his safety is eliminated. So Jessica runs, unsure of who she can trust, or where she can go, all the while knowing that her beloved sister is dead.
Wow, what a book. I don't want to say more about the plot for risk of spoilers or ruining any of the awesome "whoa" moments you encounter while reading this one. The story flashes back and forth in time as Jessica tells us about the day of the accident and then various pieces of the past. It's a combination of suspenseful, confusing, and spellbinding that will grip you from the very beginning. You're immediately roped in as the balloon crashes and then left wondering about the sisters' past, which is only unveiled in small nuggets.
I found this book to be extremely tense. As in, my body was actually tight while reading. I was rigidly turning pages, wondering what was going to happen next and if Jessica was going to get to safety. Bolton made me suspicious of everything and everyone--I felt like our protagonist: I could trust no one.
One of the best parts of this novel is that in addition to our "Fugitive"-esque plot, we have a fascinating police case weaved in. This really keeps the book moving as the plot continues to thicken. Not only is Jessica being pursued, but we're learning more and more about the case she was researching in the years and months before the crash. In addition, the final layer is the snippets about the sisters and their tangled family past. Somehow, Bolton twists them all together nearly effortlessly. You have to be able to keep track of when everything occurs (the chapters are just marked as "XX amount of time before" the crash), but you get used to it.
I totally guessed one of the big shocking aspects of the novel early on, but I was still second guessing myself the whole time, and it didn't diminish my enjoyment of it whatsoever, plus there was still so much that completely surprised me. To the extent that I wish I had time to go back and read it again and figure out how I missed so many things! Seriously. This book made me go "wow!" multiple times. It captivated me the entire time I was reading it. There was one final twist too many for complete plausibility at the end to get 10 stars, but I still highly recommend this one. A wonderful, spellbinding thriller that cements for me how much I love Bolton's work.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Wow, what a book. I don't want to say more about the plot for risk of spoilers or ruining any of the awesome "whoa" moments you encounter while reading this one. The story flashes back and forth in time as Jessica tells us about the day of the accident and then various pieces of the past. It's a combination of suspenseful, confusing, and spellbinding that will grip you from the very beginning. You're immediately roped in as the balloon crashes and then left wondering about the sisters' past, which is only unveiled in small nuggets.
I found this book to be extremely tense. As in, my body was actually tight while reading. I was rigidly turning pages, wondering what was going to happen next and if Jessica was going to get to safety. Bolton made me suspicious of everything and everyone--I felt like our protagonist: I could trust no one.
One of the best parts of this novel is that in addition to our "Fugitive"-esque plot, we have a fascinating police case weaved in. This really keeps the book moving as the plot continues to thicken. Not only is Jessica being pursued, but we're learning more and more about the case she was researching in the years and months before the crash. In addition, the final layer is the snippets about the sisters and their tangled family past. Somehow, Bolton twists them all together nearly effortlessly. You have to be able to keep track of when everything occurs (the chapters are just marked as "XX amount of time before" the crash), but you get used to it.
I totally guessed one of the big shocking aspects of the novel early on, but I was still second guessing myself the whole time, and it didn't diminish my enjoyment of it whatsoever, plus there was still so much that completely surprised me. To the extent that I wish I had time to go back and read it again and figure out how I missed so many things! Seriously. This book made me go "wow!" multiple times. It captivated me the entire time I was reading it. There was one final twist too many for complete plausibility at the end to get 10 stars, but I still highly recommend this one. A wonderful, spellbinding thriller that cements for me how much I love Bolton's work.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Darren (1599 KP) rated Kill List (2012) in Movies
Sep 13, 2019
Characters – Jay is the former hitmen that is trying to move away from the job, one year after his final job he is talked into one more job which will give him enough money to cover the financial problems his family is going through. The job starts simple enough only for it to turn him into a paranoid angry man who is taking everything personally. Shel is Jay’s wife, she is frustrated with the fact he has spent most of their money forcing him to return to the work he was meant to leave behind, always arguing with him even though it is clear the love between the two is strong. Sam is the innocent young child of the two. Gal is the partner and best friend of Jay, he is the one that tries to keep his head on his shoulders, he sees his friend losing his mind and puts him back on track for the most part.
Performances – Neil Maskell in the leading role is great because we see how he makes us feel as unsettled as his character is meant to be through the film. Michael Smiley as the main supporting character and he helps us understand how things needed to become calm through the bad times. MyAnna Buring as the wife is good without getting that moment that standout.
Story – The story follows two hitmen that must take one job which seems simple only to take a dramatic twist along the way. This is a story which starts out on a path which you know the two hitmen are not the nice guys and soon things just get weird with every encounter things start to play out like they have never dealt with before which only grabs the audience to want to know what will happen next to the characters. this gives us an unsettling feeling from start to finish with a conclusion that will leave you jaw-dropped in true surprise with how everything ended up. This is from director Ben Wheatley who has always managed to give his stories a unique feel, this is why people will rave over this director for years.
Crime/Horror – This movie takes us into the crime world in which Jay and Gal operate in as hitmen, we get to see how they go about this job, conduct kills, clean ups and get on with life. The horror comes from early hints in the film before showing us the true nature to everything going on which will become horrifying,
Settings – The film shows us the settings used by the hitmen to be everyday locations where the predators they believe they are killing operate without anyone knowing. This helps us understand the dangers of not knowing everything about our neighbours.
Scene of the Movie – That ending.
That Moment That Annoyed Me – Jay isn’t the most likeable character.
Final Thoughts – This is easily one of the most shocking and unsettling films you will see, it has suspense throughout and an ending you will NEVER forget.
Overall: Suspenseful treat.
Performances – Neil Maskell in the leading role is great because we see how he makes us feel as unsettled as his character is meant to be through the film. Michael Smiley as the main supporting character and he helps us understand how things needed to become calm through the bad times. MyAnna Buring as the wife is good without getting that moment that standout.
Story – The story follows two hitmen that must take one job which seems simple only to take a dramatic twist along the way. This is a story which starts out on a path which you know the two hitmen are not the nice guys and soon things just get weird with every encounter things start to play out like they have never dealt with before which only grabs the audience to want to know what will happen next to the characters. this gives us an unsettling feeling from start to finish with a conclusion that will leave you jaw-dropped in true surprise with how everything ended up. This is from director Ben Wheatley who has always managed to give his stories a unique feel, this is why people will rave over this director for years.
Crime/Horror – This movie takes us into the crime world in which Jay and Gal operate in as hitmen, we get to see how they go about this job, conduct kills, clean ups and get on with life. The horror comes from early hints in the film before showing us the true nature to everything going on which will become horrifying,
Settings – The film shows us the settings used by the hitmen to be everyday locations where the predators they believe they are killing operate without anyone knowing. This helps us understand the dangers of not knowing everything about our neighbours.
Scene of the Movie – That ending.
That Moment That Annoyed Me – Jay isn’t the most likeable character.
Final Thoughts – This is easily one of the most shocking and unsettling films you will see, it has suspense throughout and an ending you will NEVER forget.
Overall: Suspenseful treat.
Darren (1599 KP) rated El Dorado (1967) in Movies
Sep 13, 2019
Characters – Jay is the former hitmen that is trying to move away from the job, one year after his final job he is talked into one more job which will give him enough money to cover the financial problems his family is going through. The job starts simple enough only for it to turn him into a paranoid angry man who is taking everything personally. Shel is Jay’s wife, she is frustrated with the fact he has spent most of their money forcing him to return to the work he was meant to leave behind, always arguing with him even though it is clear the love between the two is strong. Sam is the innocent young child of the two. Gal is the partner and best friend of Jay, he is the one that tries to keep his head on his shoulders, he sees his friend losing his mind and puts him back on track for the most part.
Performances – Neil Maskell in the leading role is great because we see how he makes us feel as unsettled as his character is meant to be through the film. Michael Smiley as the main supporting character and he helps us understand how things needed to become calm through the bad times. MyAnna Buring as the wife is good without getting that moment that standout.
Story – The story follows two hitmen that must take one job which seems simple only to take a dramatic twist along the way. This is a story which starts out on a path which you know the two hitmen are not the nice guys and soon things just get weird with every encounter things start to play out like they have never dealt with before which only grabs the audience to want to know what will happen next to the characters. this gives us an unsettling feeling from start to finish with a conclusion that will leave you jaw-dropped in true surprise with how everything ended up. This is from director Ben Wheatley who has always managed to give his stories a unique feel, this is why people will rave over this director for years.
Crime/Horror – This movie takes us into the crime world in which Jay and Gal operate in as hitmen, we get to see how they go about this job, conduct kills, clean ups and get on with life. The horror comes from early hints in the film before showing us the true nature to everything going on which will become horrifying,
Settings – The film shows us the settings used by the hitmen to be everyday locations where the predators they believe they are killing operate without anyone knowing. This helps us understand the dangers of not knowing everything about our neighbours.
Scene of the Movie – That ending.
That Moment That Annoyed Me – Jay isn’t the most likeable character.
Final Thoughts – This is easily one of the most shocking and unsettling films you will see, it has suspense throughout and an ending you will NEVER forget.
Overall: Suspenseful treat.
Performances – Neil Maskell in the leading role is great because we see how he makes us feel as unsettled as his character is meant to be through the film. Michael Smiley as the main supporting character and he helps us understand how things needed to become calm through the bad times. MyAnna Buring as the wife is good without getting that moment that standout.
Story – The story follows two hitmen that must take one job which seems simple only to take a dramatic twist along the way. This is a story which starts out on a path which you know the two hitmen are not the nice guys and soon things just get weird with every encounter things start to play out like they have never dealt with before which only grabs the audience to want to know what will happen next to the characters. this gives us an unsettling feeling from start to finish with a conclusion that will leave you jaw-dropped in true surprise with how everything ended up. This is from director Ben Wheatley who has always managed to give his stories a unique feel, this is why people will rave over this director for years.
Crime/Horror – This movie takes us into the crime world in which Jay and Gal operate in as hitmen, we get to see how they go about this job, conduct kills, clean ups and get on with life. The horror comes from early hints in the film before showing us the true nature to everything going on which will become horrifying,
Settings – The film shows us the settings used by the hitmen to be everyday locations where the predators they believe they are killing operate without anyone knowing. This helps us understand the dangers of not knowing everything about our neighbours.
Scene of the Movie – That ending.
That Moment That Annoyed Me – Jay isn’t the most likeable character.
Final Thoughts – This is easily one of the most shocking and unsettling films you will see, it has suspense throughout and an ending you will NEVER forget.
Overall: Suspenseful treat.
Andy K (10823 KP) rated Dial M for Murder (1954) in Movies
Sep 15, 2019
An unsavory proposition
When ranking Hitchcock's elite films, Dial M For Murder doesn't usually get mentioned in the top 5 including Psycho, Rear Window, Vertigo North By Northwest and maybe The Birds, but it should be. I went through a Hitchcock phase myself a few years back (I would think most serious film fans would at some point). Although, I still have several to go, most still hold up as suspense/thriller classics definitely including this film.
Ex tennis pro Tony Wendice, now married to beautiful and wealthy Margot, has discovered her secret, she's been seeing another man. Months earlier he discovered a love letter from her lover in her handbag and secretly blackmailed for with this information.
Tony decides to invite an old college acquaintance, currently an unsavory character over to their home to explain his plot for this man killing his wife. He would then stand to inherit her fortunes as he is the beneficiary of her will. The man agrees so the plot is set.
The next evening, Tony is out with friends (to ensure his alibi) and phones Margot late in the evening so she rises to answer with the perpetrator waiting for her. After he slips a stocking around her neck to strangle her, a struggle ensues. Instead of her murder, Margot manages to stab the assailant in the back with a pair of nearby scissors. The man falls to the ground in pain driving the scissors deeper within finishing the job for him instead.
The ensuing police investigation initially feels the facts just don't add up since there was no break in and the man did not have a key on him, but he did have the love letter Tony planted on him before the police initially arrived. Fingers eventually point toward Margot as the killer since the facts seem to lead that way.
The 3rd act is brilliant in the way the eventual plot is discovered and how the police ensure Tony incriminates himself as the true antagonist.
Hitchcock's use of camera framing and movement to reveal certain scene elements only when he wants you to see them is one of my favorite elements of his films. He obviously chose source materials which suited his natural abilities to tell sinister or suspenseful stories and this one works just as well as some of his more famous classics.
Ray Milland is charming and diabolical as Tony, never letting on to his beautiful wife (the gorgeous Princess Grace Kelly) the dastardly scheme he has cooked up for her demise or his initial deeds of blackmail. The reveal at the beginning of the murder plot takes the audience on maybe a typical Hitchcock suspense route, but you never know where or when the twists are going to come, but you are willing to go along for the ride.
Your emotions turn from shock having seen the murder to disgust when Margot is eventually blamed for it and then finally to delight when Tony performs just as the police want him to in the end.
Ex tennis pro Tony Wendice, now married to beautiful and wealthy Margot, has discovered her secret, she's been seeing another man. Months earlier he discovered a love letter from her lover in her handbag and secretly blackmailed for with this information.
Tony decides to invite an old college acquaintance, currently an unsavory character over to their home to explain his plot for this man killing his wife. He would then stand to inherit her fortunes as he is the beneficiary of her will. The man agrees so the plot is set.
The next evening, Tony is out with friends (to ensure his alibi) and phones Margot late in the evening so she rises to answer with the perpetrator waiting for her. After he slips a stocking around her neck to strangle her, a struggle ensues. Instead of her murder, Margot manages to stab the assailant in the back with a pair of nearby scissors. The man falls to the ground in pain driving the scissors deeper within finishing the job for him instead.
The ensuing police investigation initially feels the facts just don't add up since there was no break in and the man did not have a key on him, but he did have the love letter Tony planted on him before the police initially arrived. Fingers eventually point toward Margot as the killer since the facts seem to lead that way.
The 3rd act is brilliant in the way the eventual plot is discovered and how the police ensure Tony incriminates himself as the true antagonist.
Hitchcock's use of camera framing and movement to reveal certain scene elements only when he wants you to see them is one of my favorite elements of his films. He obviously chose source materials which suited his natural abilities to tell sinister or suspenseful stories and this one works just as well as some of his more famous classics.
Ray Milland is charming and diabolical as Tony, never letting on to his beautiful wife (the gorgeous Princess Grace Kelly) the dastardly scheme he has cooked up for her demise or his initial deeds of blackmail. The reveal at the beginning of the murder plot takes the audience on maybe a typical Hitchcock suspense route, but you never know where or when the twists are going to come, but you are willing to go along for the ride.
Your emotions turn from shock having seen the murder to disgust when Margot is eventually blamed for it and then finally to delight when Tony performs just as the police want him to in the end.
STEINS;GATE HD
Games and Entertainment
10.0
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Since 2009, the STEINS; GATE series has sold over 1,000,000 copies! "STEINS;GATE", based on the...
STEINS;GATE HD KR
Games and Entertainment
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STEINS;GATE has sold over 1,000,000 copies since 2009! "STEINS;GATE", based on the anime currently...