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Black Panther (2018)
Black Panther (2018)
2018 | Action, Drama, Sci-Fi
Well cast (0 more)
Moments of cringe CGI (0 more)
Black Panther exploded into the MCU during the Captain America: Civil War and was a breath of fresh air for the franchise. Finally someone to rival Wolverine for fighting skill and claws. This film follows on from there where Prince T'Challa looks to be crowned as the new king of Wakanda. Wakanda has long hidden its true riches and technological worth from the world and is thought of as a nation of poor farmers. King T'Challa must choose whether to continue the selfish tradition or help the world by sharing their natural resources and technology.
The Black Panther is backed up by an excellent cast of sidekicks and helpers as he looks to crack down on illegal trade of Wakanda's vibranium and retain the throne from a worthy challenger.
My main gripe was some of the CGI. Like with Spiderman, I feel at times there is too much detail, eg when flipping over a car his legs sway around like he's in space. To my mind, he would be more focused and all his limbs would be exactly where they need to be. Also in these instances the feeling of which way up is the right way up got a little lost, which shouldn't happen.
I also felt that Andy Serkis was a little under-used in his role as Claue, similar to CrossBones in Civil War.


I am seriously looking forward to Infinity Wars now!


PS - I don't think the post-credits scene is worth the long wait.
  
Game Of Thrones  - Season 5
Game Of Thrones - Season 5
2015 | Sci-Fi
For the Watch
Contains spoilers, click to show
Season 5 of Game of Thrones (or any following season) never quite hit the heights of seasons 2-4 for me, but it still continued it's run as the absolute prime show of recent television.

Season 5 has some extremely important moments - Danaerys meeting Tyrion and Varys for example - this meeting of characters made the Essos portion of Game of Thrones 100% more interesting for me, and I actually found myself completely involved in the Harpy storyline that runs throughout season 5. In King's Landing, the narrative focuses mainly on the High Sparrow, and his rise to power through religion, so much so, that not even the King has much sway over him.
This inevitably leads to one of the most infamous GoT scenes of all time - Cersei's walk of shame - truly hard to watch - even though she is a hateful character - much like Joffreys story in season 4, the writers manage to evoke sympathy for someone you've been lead to dislike.

And then of course - there's Hardhome - my personal favourite episode of GoT. A sense of dread lingers over the majority of the episode as Jon Snow journeys beyond The Wall, and we're set up for yet another brief tease of the White Walkers - but what we get instead is an insane 20 minutes of absolute Carnage, as the full force of the Night King is realised for the first time - it's an incredible episode within another decent season, which will have you hooked constantly.
  
The Confessions of Frannie Langton
The Confessions of Frannie Langton
Sara Collins | 2019 | Fiction & Poetry, History & Politics, Mystery
9
9.0 (2 Ratings)
Book Rating
“My trial starts the way my life did: a squall of elbows and shoving and spit.”

Sometimes a book just grabs you from the beginning, something tells you that treasure lies here. I felt that within a few paragraphs of The Confessions of Frannie Langton. Sara Collins prefaced the novel with an explanation of her enjoyment of stories from Georgian/Victorian era but also her disappoint that she didn’t feel represented in the literature from that time. Her love of literature and that lack of inclusion drove her to write a novel that filled a gap, filled a need for women like Frances Langton to have a voice.

And what a voice! The author embodies Frannie so well. The first thing that struck me was that Frannie’s voice shone through immediately. She sounds so authentic, within a few lines you are engaged and intrigued. So much of the prose is beautiful and evocative, truly poetic. Sara Collins describes the people and places so deftly, you sense the weight of a sultry Jamaican plantation and the drabness of a grey London suburb. You can almost taste the boiling sugar cane and fall under the sway of the delicious, devilish ‘Black Drop’. It’s difficult to read this book without imagining a BBC period drama, it really would make a good screen adaptation. There is no doubt that Collins is a gifted and accomplished writer, a weaver of words both seductive and threatening. I really enjoyed this novel and would like to read anything new from Sara Collins.