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Bob Mann (459 KP) rated The Wife (2017) in Movies
Sep 28, 2021 (Updated Sep 28, 2021)
Glenn Close … #robbed.
I missed “The Wife” when it came out in September, but finally caught it a few weeks ago. (Been a busy time at work so have a bit of a backlog of reviews!).
The Plot.
Joan Castleman (Glenn Close) is the doting wife of internationally renowned writer Joe Castleman (Jonathan Pryce). As we start the film, Joe has just received a call from Stockholm. No, it’s not an “amusing story about a goat” (for any MM2 fans out there). It’s notification that he is to receive the Nobel prize for literature. As Joan listens to the news on the extension, there is something in her eyes that betrays mixed emotions.
They travel to Sweden (on Concorde, obviously) with their son Max (Max Irons) – a writer at the start of his career. Max and Joe have a strained relationship.
Also in Stockholm is Nathanial Bone (Christian Slater) – the bane of Joe’s life, since he seems insistent on writing the biography of the great man. As Nathanial picks through the history of the couple, things start to unravel in unexpected ways.
What a performance!
The heart of this film, and the main reason for watching what is really a bit of a pot-boiler, is the performance by Glenn Close. It’s a remarkable demonstration of the acting craft and 110% Oscar worthy.
Don’t get me wrong…. as I watched the Oscars live in the wee-hours of Monday morning I let out a WHOOP of joy when our own national treasure Olivia Colman picked up the award. But I have to say that I think Glenn Close was rather robbed. Close can act brilliantly without saying a single word. In fact most of her best scenes are reaction shots to what she is listening to.
In comparison I found Jonathan Pryce to be a soupçon over-the-top as the feted writer, and I didn’t find the portrayal of Bone by Slater to be terribly convincing. So it’s a very mixed acting bag in my view.
Utterly gorgeous in a way that only Swedish women can be is Karin Franz Körlof as the personal photographer Linnea. She can also act!
A perfectly pleasant movie
Directed by Swedish director Björn Runge and with a screenplay by Jane Anderson, it’s a perfectly pleasant way to spend a couple of hours. The story is intriguing enough to keep your interest, although it plays its hand so early that the simmering suspense element ebbs out of the film. A final “Sixth Sense” style of reveal might have been much more effective.
But this is above all a film to relish the performance of Close: the facial acting during the speech at the awards ceremony is something that should be studied at acting schools for years to come.
The Plot.
Joan Castleman (Glenn Close) is the doting wife of internationally renowned writer Joe Castleman (Jonathan Pryce). As we start the film, Joe has just received a call from Stockholm. No, it’s not an “amusing story about a goat” (for any MM2 fans out there). It’s notification that he is to receive the Nobel prize for literature. As Joan listens to the news on the extension, there is something in her eyes that betrays mixed emotions.
They travel to Sweden (on Concorde, obviously) with their son Max (Max Irons) – a writer at the start of his career. Max and Joe have a strained relationship.
Also in Stockholm is Nathanial Bone (Christian Slater) – the bane of Joe’s life, since he seems insistent on writing the biography of the great man. As Nathanial picks through the history of the couple, things start to unravel in unexpected ways.
What a performance!
The heart of this film, and the main reason for watching what is really a bit of a pot-boiler, is the performance by Glenn Close. It’s a remarkable demonstration of the acting craft and 110% Oscar worthy.
Don’t get me wrong…. as I watched the Oscars live in the wee-hours of Monday morning I let out a WHOOP of joy when our own national treasure Olivia Colman picked up the award. But I have to say that I think Glenn Close was rather robbed. Close can act brilliantly without saying a single word. In fact most of her best scenes are reaction shots to what she is listening to.
In comparison I found Jonathan Pryce to be a soupçon over-the-top as the feted writer, and I didn’t find the portrayal of Bone by Slater to be terribly convincing. So it’s a very mixed acting bag in my view.
Utterly gorgeous in a way that only Swedish women can be is Karin Franz Körlof as the personal photographer Linnea. She can also act!
A perfectly pleasant movie
Directed by Swedish director Björn Runge and with a screenplay by Jane Anderson, it’s a perfectly pleasant way to spend a couple of hours. The story is intriguing enough to keep your interest, although it plays its hand so early that the simmering suspense element ebbs out of the film. A final “Sixth Sense” style of reveal might have been much more effective.
But this is above all a film to relish the performance of Close: the facial acting during the speech at the awards ceremony is something that should be studied at acting schools for years to come.
Yannis Philippakis recommended West Coast by Studio in Music (curated)
Acanthea Grimscythe (300 KP) rated The Ritual (2017) in Movies
May 12, 2018
Contains spoilers, click to show
If you’re browsing Netflix for a horror movie, The Ritual is definitely one worth checking out. Set in a foreboding, heavily wooded landscape of the Swedish mountains, this horror film reminds viewers that maybe, just maybe you should think twice about taking that shortcut – because you know, clearly that horror movie trope hasn’t been done enough.
Nevermind that, though. Starting off with a group of friends discussing their next vacation, we soon learn which character is the biggest coward of the troupe – Luke, The Ritual‘s first bloodletting comes fairly early on. Unintentionally, Luke and Robert (Rafe Spall and Paul Reid, respectively) stumble upon a robbery whilst they are inside a liquor store. Luke, in a cowardly manner, retreats and in his endeavor to do so, hits a few bottles and makes a noise, alerting the robbers to Robert’s presence and thus resulting directly in Robert’s murder. The guilt eats at him later on, but during the entire fiasco, Luke makes no attempt to come to Robert’s aid; he only watches as his friend is brutally slaughtered. (Okay, that one might be a bit of a hyperbole compared to later scenes, but I digress.)
As a direct result of this incident, the remaining quartet, which consists of Hutch (Robert James-Collier), Phil (Arsher Ali), and Dom (Sam Troughton) in addition to Luke, decide to go hiking in memory of Robert – a trip they’d originally ridiculed him about in the earlier bar scene. And thus, we have the set up of The Ritual.
Plotwise, I felt The Ritual was fairly solid as far as cult movies go – if a bit overplayed. Group of guys goes on a trip. Someone gets injured. They try to take a shortcut back. Things go badly. Of course, there’s a bit more of an occult flavor to it, one that’s a bit more haunting in quality which is nice, but overall it’s nothing new. The difference here is it is something that is done well as opposed to half-assed.
When we get to characters though, the only one that’s even remotely likable in my opinion is Phil. The others are all self-centered assholes or, in Luke’s case, cowards. Dom’s got the luck of a bag of rocks tossed into a lake and told to float, and Hutch… we’ll leave it at that. Luke’s character, on the other hand, experiences major growth. Earlier in the film, we watch him suffer from the inability to act; by the end of the film he is forced into action: either he redeems himself, or he dies.
Another aspect of this film that I love is its absolutely breathtaking shots. I hate using adverbs that I’ve already used earlier in a review, but haunting is such an apt description of the shots taken of the Swedish forests and mountains that we see in The Ritual. Those scenes, coupled with the disturbing echoes of Luke’s guilt really have a way of balancing out the movie.
Nevermind that, though. Starting off with a group of friends discussing their next vacation, we soon learn which character is the biggest coward of the troupe – Luke, The Ritual‘s first bloodletting comes fairly early on. Unintentionally, Luke and Robert (Rafe Spall and Paul Reid, respectively) stumble upon a robbery whilst they are inside a liquor store. Luke, in a cowardly manner, retreats and in his endeavor to do so, hits a few bottles and makes a noise, alerting the robbers to Robert’s presence and thus resulting directly in Robert’s murder. The guilt eats at him later on, but during the entire fiasco, Luke makes no attempt to come to Robert’s aid; he only watches as his friend is brutally slaughtered. (Okay, that one might be a bit of a hyperbole compared to later scenes, but I digress.)
As a direct result of this incident, the remaining quartet, which consists of Hutch (Robert James-Collier), Phil (Arsher Ali), and Dom (Sam Troughton) in addition to Luke, decide to go hiking in memory of Robert – a trip they’d originally ridiculed him about in the earlier bar scene. And thus, we have the set up of The Ritual.
Plotwise, I felt The Ritual was fairly solid as far as cult movies go – if a bit overplayed. Group of guys goes on a trip. Someone gets injured. They try to take a shortcut back. Things go badly. Of course, there’s a bit more of an occult flavor to it, one that’s a bit more haunting in quality which is nice, but overall it’s nothing new. The difference here is it is something that is done well as opposed to half-assed.
When we get to characters though, the only one that’s even remotely likable in my opinion is Phil. The others are all self-centered assholes or, in Luke’s case, cowards. Dom’s got the luck of a bag of rocks tossed into a lake and told to float, and Hutch… we’ll leave it at that. Luke’s character, on the other hand, experiences major growth. Earlier in the film, we watch him suffer from the inability to act; by the end of the film he is forced into action: either he redeems himself, or he dies.
Another aspect of this film that I love is its absolutely breathtaking shots. I hate using adverbs that I’ve already used earlier in a review, but haunting is such an apt description of the shots taken of the Swedish forests and mountains that we see in The Ritual. Those scenes, coupled with the disturbing echoes of Luke’s guilt really have a way of balancing out the movie.
Christine A. (965 KP) rated Stalker (Joona Linna #5) in Books
Mar 21, 2019
5th novel in the Joona Linna series. Can stand-alone
I was provided with a complimentary copy of this book so I could give an honest review.
Stalker by Lars Kepler is the 5th novel in the Swedish police series involving the main character, Joona Linna. Linna is a detective who is on the hunt of an obsessive, stalking serial killer who secretly video records his victims before brutally murdering them. He taunts police by sending them videos showing the victim alive and clearly unaware they are being recorded.
This novel can stand-alone but, according to reviews on Goodreads, the earlier novels provide information and background stories on characters in the series. I have never read the previous books but have had several of them on my "want to read" list since the 4th book, Sandman, could be found all over social media last year.
I was hesitant to start the series because, I have found when a book has that much hype surrounding it, it feels like a disappointment when reading. I did not feel that when reading Stalker. The novel started off slowly. This may be because I was not familiar with the characters. Familiar or not, after the slow start, I was sucked into the story and will be moving the rest of the series to the top of my "want to read" list.
Review published on Philomathinphila.com on 3/21/19.
Stalker by Lars Kepler is the 5th novel in the Swedish police series involving the main character, Joona Linna. Linna is a detective who is on the hunt of an obsessive, stalking serial killer who secretly video records his victims before brutally murdering them. He taunts police by sending them videos showing the victim alive and clearly unaware they are being recorded.
This novel can stand-alone but, according to reviews on Goodreads, the earlier novels provide information and background stories on characters in the series. I have never read the previous books but have had several of them on my "want to read" list since the 4th book, Sandman, could be found all over social media last year.
I was hesitant to start the series because, I have found when a book has that much hype surrounding it, it feels like a disappointment when reading. I did not feel that when reading Stalker. The novel started off slowly. This may be because I was not familiar with the characters. Familiar or not, after the slow start, I was sucked into the story and will be moving the rest of the series to the top of my "want to read" list.
Review published on Philomathinphila.com on 3/21/19.
Lenard (726 KP) rated Gloria Bell (2019) in Movies
Mar 27, 2019
Julianne Moore (1 more)
Supporting cast
Dance Your Cares Away
Contains spoilers, click to show
Dancing is an art form. It is freedom. It can be both joyful or sadness. Dance is a metaphor for the ups and downs, ins and outs of life. Gloria loves to dance and goes out dancing whenever she gets the chance. Her job in insurance is mundane and joyless. Her children are both grown. Her daughter is a yoga instructor in a relationship with a Swedish big wave surfer, the symbol of YOLOism. Her son is raising a son alone while his millenial wife discovers herself or finds inner peace or some granola truism. Her ex-husband is out of her life amd played by hangdog Brad Garrett. The nights out dancing are a way to live for her. One night she meets a hot-blooded recent divorcee who ignites a untapped passion in her. He reads Latin American poetry and owns an amusement park with automatic paintball guns. Something doesn't feel completely right with this man though. His thirtyish daughters constantly call him, abandoning her in key spots. The relationship drains her and she refuses to dance. Until she realizes the truth and then avenges herself with his gifted gun. Kind of ironic that he is cheating with her and he gets angry when she ignores him while with her immediate family. In the end, she dances at her friend's daughter's wedding and finds her own inner joy.
Erika Kehlet (21 KP) rated The Hidden Child (Patrik Hedström, #5) in Books
Feb 21, 2018
Had I realized when I picked it up that this was the 4th book in a series, I would have looked for the first book to start at the beginning. I didnt feel like I was missing anything starting at this point in the story, however. The relationships between characters were either evident or explained well enough that you can easily read or listen to this book without having read the previous books, and not feel lost.
A lot of Swedish crime fiction has a particular melancholy feel to it, and The Hidden Child is no exception. The author did injected occasional brief moments of humor into the story that helped lighten the mood, however, and they kept it from feeling too dark.
The story is told in both in the present, and through flashbacks, in the time around WW2. It follows the police investigation into the murder of a local historian, as well as the family drama unfolding as Erica Faulk digs into her mothers past. The two series of events turn out to be more intertwined than anyone could have imagined, and even though I could see where it was going, the story didnt give everything away at once and I didnt really know what had happened until the end.
If you are a fan of police procedural and / or historical mysteries, give this one a try!
A lot of Swedish crime fiction has a particular melancholy feel to it, and The Hidden Child is no exception. The author did injected occasional brief moments of humor into the story that helped lighten the mood, however, and they kept it from feeling too dark.
The story is told in both in the present, and through flashbacks, in the time around WW2. It follows the police investigation into the murder of a local historian, as well as the family drama unfolding as Erica Faulk digs into her mothers past. The two series of events turn out to be more intertwined than anyone could have imagined, and even though I could see where it was going, the story didnt give everything away at once and I didnt really know what had happened until the end.
If you are a fan of police procedural and / or historical mysteries, give this one a try!
Leigh J (71 KP) rated Midsommar (2019) in Movies
Nov 11, 2019
The Wicker Man 2.0
Contains spoilers, click to show
Grieving over the Murder/Suicide of her mentally ill Sister and Parents, Dani decides to get away for a while to Hårga, in Hälsingland, the Swedish community that her and her Boyfriend Christian's mutual friend Pele lives in. Christian and Dani's relationship is at breaking point (unbeknownst to Dani) and the other 2 friends of Christian are encouraging him to finally split with Dani. However, feeling bad about what happened to her Family, Christian and Pele ask Dani to take the trip with them and on to Hälsingland the group of 5 friends go. On the first leg of the road to Hälsinglang, where it is their time to have a special festival called Midsommar, they hang out in a field where they are prompted to partake in some Magic Mushrooms, to which they all have a nice trip before moving on to the "Community". Hälsinglang is a beautiful and seemingly gentle and friendly community, however small cracks start to appear... and Dani's friends start to go missing. Is this community, in fact, a Cult? Or will Dani find the salvation she so desperately needs...
I have to admit, Ari Aster hasn't had me from the jump. Hereditary in my opinion is a bit beige and "meh", but the Culty look of Midsommar attracted my attention straight away and did not disappoint! It's visually beautiful and the story is actually very tragic and gives you a realistic look as to why and how some people actually do join cults. It's an absolutely mind blowing watch and a Movie that I see myself watching many more times in the future. Well done, Ari Aster!
I have to admit, Ari Aster hasn't had me from the jump. Hereditary in my opinion is a bit beige and "meh", but the Culty look of Midsommar attracted my attention straight away and did not disappoint! It's visually beautiful and the story is actually very tragic and gives you a realistic look as to why and how some people actually do join cults. It's an absolutely mind blowing watch and a Movie that I see myself watching many more times in the future. Well done, Ari Aster!
Rachel Unthank recommended Frost and Fire by The Watersons in Music (curated)
Acanthea Grimscythe (300 KP) rated Jordskott - Season 1 in TV
May 12, 2018
If you’re looking for something in the flavor of Grimm and Supernatural, the Swedish drama Jordskott may be right up your alley. Despite being found on horror streaming service Shudder, the series doesn’t have a whole bunch of the horror elements. What it does have, for the first season at least, is a decent storyline.
The characters in Jordskott are rather bland, unfortunately and they are not its strong point. The main character, Eva Thörnblad is an heiress who returns home to where seven years ago, her daughter Josefine disappeared. Much of her role in the series involved losing cars (she went through three in the first season), disobeying orders, brazenly rushing into things, and deflecting an all too beautifully sweet love interest. (I adore Tom Aronsson as a character.) After she’s put on leave from her job in Stockholm dealing with hostage negotiation, she manages to get herself brought onto the Silverhöjd case.
Wass is, perhaps, the strongest of the characters we meet, and certainly does the most actively throughout the first season.
In this world, myth blends into fantasy, bringing several creatures from Scandinavian and Norwegian lore into the story. These creatures are surfacing more and more frequently as the forest, facing certain doom from the company that Eva’s father founded, reacts angrily to human actions. It’s really a reminder that we should consider the natural world around us for what it is: a boon to our lives.
I lost interest in the second season, as it seems to mostly be a rehash of the first, with a slightly altered storyline. Now it’s something big in Stockholm that’s upsetting natural order, versus Silverhöjd. This series is definitely worth a watch of at least the first season.
The characters in Jordskott are rather bland, unfortunately and they are not its strong point. The main character, Eva Thörnblad is an heiress who returns home to where seven years ago, her daughter Josefine disappeared. Much of her role in the series involved losing cars (she went through three in the first season), disobeying orders, brazenly rushing into things, and deflecting an all too beautifully sweet love interest. (I adore Tom Aronsson as a character.) After she’s put on leave from her job in Stockholm dealing with hostage negotiation, she manages to get herself brought onto the Silverhöjd case.
Wass is, perhaps, the strongest of the characters we meet, and certainly does the most actively throughout the first season.
In this world, myth blends into fantasy, bringing several creatures from Scandinavian and Norwegian lore into the story. These creatures are surfacing more and more frequently as the forest, facing certain doom from the company that Eva’s father founded, reacts angrily to human actions. It’s really a reminder that we should consider the natural world around us for what it is: a boon to our lives.
I lost interest in the second season, as it seems to mostly be a rehash of the first, with a slightly altered storyline. Now it’s something big in Stockholm that’s upsetting natural order, versus Silverhöjd. This series is definitely worth a watch of at least the first season.
ClareR (5577 KP) rated The Silver Road in Books
Mar 7, 2019
A wonderful debut
This is a novel of love and loss, guilt and grief, and of family in both the good and bad sense of the word. It has been translated so well from the Swedish by Susan Beard that I didn't actually occur to me that it had been translated at all.
Lille's daughter has been missing for three years, and he spends every night of the summer driving the Silver Road in an effort to find her. This has caused the breakdown of his marriage, and he has a tenuous grasp on his sanity: he drinks too much, he smokes too much, and he sleeps too little in the summer. His wife has left him, and he spends a lot of time alone with the ghost of the daughter he is searching for.
Enter Meja: her mother has mental health problems, and has decided to move in with a man she has only met online. Meja is used to being her mothers carer, and she's used to a series of men moving in and out of their lives. This is such an emotional novel. I became really invested in the characters of Lelle and Meja. There was a real atmosphere of sadness around both of them.
The peripheral characters were really well written as well: from the ex-wife to the local police officer, from the family of 'Preppers' to Meja's mother and her new boyfriend, Torbjorn.
I loved the atmosphere of this book: there was an air of 'something drastic is going to happen very soon', and the melancholy was palpable. Although the subject matter was very sad, it really was a joy to read.
Many thanks to Readers First, The Pigeonhole and the publisher for the chance to read this book.
Lille's daughter has been missing for three years, and he spends every night of the summer driving the Silver Road in an effort to find her. This has caused the breakdown of his marriage, and he has a tenuous grasp on his sanity: he drinks too much, he smokes too much, and he sleeps too little in the summer. His wife has left him, and he spends a lot of time alone with the ghost of the daughter he is searching for.
Enter Meja: her mother has mental health problems, and has decided to move in with a man she has only met online. Meja is used to being her mothers carer, and she's used to a series of men moving in and out of their lives. This is such an emotional novel. I became really invested in the characters of Lelle and Meja. There was a real atmosphere of sadness around both of them.
The peripheral characters were really well written as well: from the ex-wife to the local police officer, from the family of 'Preppers' to Meja's mother and her new boyfriend, Torbjorn.
I loved the atmosphere of this book: there was an air of 'something drastic is going to happen very soon', and the melancholy was palpable. Although the subject matter was very sad, it really was a joy to read.
Many thanks to Readers First, The Pigeonhole and the publisher for the chance to read this book.