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David McK (3425 KP) rated Blue beetle (2023) in Movies
Oct 28, 2023
I'm not sure whether this is officially considered to be one of the last movies in the DC EU (DC Extended Universe) or one of the first in the new DCU (DC Universe) but, regardless, it's about a Superhero that I have never really heard of before and know nothing about.
Like, I suspect, most people.
Anyway, it stars that Mexican kid from Cobra Kai as Jaime Reyes who finds himself in possession of a relic of alien technology, that attempts to form a symbiosis with him and bestows powers upon him (in a world which already includes the DC Holy Trinity of Batman, Superman and Wonder Woman).
What happens, them, comes across as a mix of Spider-Man and Iron Man (especially), with a hint of Venom, Shazam and Batman also all thrown in for good measure!
In short: been there, seen that, got the t-shirt ...
Like, I suspect, most people.
Anyway, it stars that Mexican kid from Cobra Kai as Jaime Reyes who finds himself in possession of a relic of alien technology, that attempts to form a symbiosis with him and bestows powers upon him (in a world which already includes the DC Holy Trinity of Batman, Superman and Wonder Woman).
What happens, them, comes across as a mix of Spider-Man and Iron Man (especially), with a hint of Venom, Shazam and Batman also all thrown in for good measure!
In short: been there, seen that, got the t-shirt ...
Lenard (726 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 2, 2019
Oh no there goes Boston?
Four years ago, Godzilla awoke and destroyed San Francisco. A small boy was trampled. While the mother worked on a way to communicate with monsters, the father ran away and went into wildlife photography. Now, working for Monarch, the monster hunting secret organization, mom is captured and her Orca device is being used to wake up all the monsters (I refuse to call them Titans). Plot twist: mom wants the monsters to destroy everything so the Earth can rebuild itself. Yes, another ecoterrorist plot. There is also some lesson about symbiosis and invasive species but that is for ecology class. Anyway, a few times, Godzilla shows up just in time to save the puny humans who have tried for 65 years to kill him. Why are all these doctors and professors so dumb in these Godzilla movies? Everything they do leads to another problem like they never consider the consequences of their action if it alleviates the present predicament.
Andy K (10821 KP) rated Aquaman (2018) in Movies
Jun 12, 2019
The underwater eye candy made it a fun watch!
I knew there was a reason a bought a 75" television. It is for movies like Aquaman. Ok fine, the screenplay isn't very good at times and I did not enjoy some of Aquaman's one liners, although I do not know if that is true to the comic character or not.
Having not known much about the character other than what has already appeared in the collective recent DCU films, I was eager to learn more about his origins and his universe.
His mother escapes her arranged marriage by coming to the surface and meeting a lighthouse keeper whom she grows to love and has their child. He will grow up to be the Atlantian who should be king but does not want the responsibility.
The film reminded me a lot of a Thor movie at times, just this time under water instead of an Asgard realm bereft with creatures big and small.
The real star of this was the underwater realm itself. The lighting, glowing and use of color was unlike any movie released to date I have seen and that says a lot. The visuals were not only groundbreaking and striking in their depth and complexity (which normally I rip on CGI puke movies), but served to compliment the actors and story in symbiosis.
I couldn't believe the number of negative reviews on IMDb for this film (although haters gotta hate everything these days). I think you can look past a little corny dialogue and let yourself get lost within the visual splendor that is Aquaman!
Having not known much about the character other than what has already appeared in the collective recent DCU films, I was eager to learn more about his origins and his universe.
His mother escapes her arranged marriage by coming to the surface and meeting a lighthouse keeper whom she grows to love and has their child. He will grow up to be the Atlantian who should be king but does not want the responsibility.
The film reminded me a lot of a Thor movie at times, just this time under water instead of an Asgard realm bereft with creatures big and small.
The real star of this was the underwater realm itself. The lighting, glowing and use of color was unlike any movie released to date I have seen and that says a lot. The visuals were not only groundbreaking and striking in their depth and complexity (which normally I rip on CGI puke movies), but served to compliment the actors and story in symbiosis.
I couldn't believe the number of negative reviews on IMDb for this film (although haters gotta hate everything these days). I think you can look past a little corny dialogue and let yourself get lost within the visual splendor that is Aquaman!
Andy K (10821 KP) rated Naked Lunch (1991) in Movies
Sep 28, 2019
Exterminate all rational thought.
The closing line from Roger Ebert's TV review of Naked Lunch was "I love what he did, but I hate it!"
Director David Cronenberg has always been known as someone who pushes the envelope of film storytelling to its limit. This is not more on display in maybe any of his films more than it is in Naked Lunch.
In 1952 New York, pest exterminator Bill Lee has an problem in his life. His wife, Joan, has begun using and is now addicted to his "bug powder" he uses in his job. She shoots it into her veins for her narcotics addiction. She is so full of the intoxicant she can even breath on cockroaches to kill them . Bill is arrested for his involvement and begins to trip himself.
His high continues as he now believes he is a secret agent who has been told he must murder his wife. He returns home and actually accidentally does so in a case of ironic accomplishment.
His trip takes him to North Africa where he meets a slew of bizarre and unsavory characters in his attempt to complete his ongoing "mission". He writes a series of articles using a typewriter which continually morphs into a giant cockroach. He finds another man who lets him borrow his typewriter in which his living typewriter is maimed and killed by Bill's device. Another man Bill meets may actually be a giant killer centipede in disguise!
If this doesn't make a lot of sense, I don't think it is really supposed to. Cronenberg's film, according to the writer/director himself, is an amalgam of not only the source material novel by William S. Burroughs, but also other works by the author and even some aspects of Burroughs' own life including the wife shooting incident.
Pretty much right from the start you know you are in for something very unusual when Lee starts having a conversation with his bug typewriter 15 minutes into the film. Then add another conversation with a giant "mugwump" sitting at a bar, a bug that bizarrely speaks in a voice from his bulbous anus and the fore mentioned giant centipede, you have a film in which you never are fully aware of what is real or what has become a drug-filled fantasy.
Cronenberg's fascination with the "body horror" style of film goes way back to some of his earlier films including The Brood and Scanners as well as They Fly remake. All his skill at creating one of a kind images are on full display here and you can't take your eyes off the screen as a result.
The entire cast really inhabit their roles including Peter Weller (who turned down Robocop 3 for this role) as Lee. His monotone, stoic delivery and minimalist physicality is perfect for this role. Throw in supporting performances by Ian Holm, Judy Davis and even Roy Scheider and you have found a perfect ensemble for this strange acid trip of a film.
The jazz soundtrack is also legendary including saxophone maestro Ornette Coleman off a score from Howard Shore. The improvisation and inconsistent melodies are a partnership with the unusual story taking place and form a symbiosis with the film.
You definitely leave the film wondering what you have just watched; however, sometimes that s a good thing. The director makes you think about what you have watched and decide for yourself the important elements what what is actually true.
I wish more films were like this!
Director David Cronenberg has always been known as someone who pushes the envelope of film storytelling to its limit. This is not more on display in maybe any of his films more than it is in Naked Lunch.
In 1952 New York, pest exterminator Bill Lee has an problem in his life. His wife, Joan, has begun using and is now addicted to his "bug powder" he uses in his job. She shoots it into her veins for her narcotics addiction. She is so full of the intoxicant she can even breath on cockroaches to kill them . Bill is arrested for his involvement and begins to trip himself.
His high continues as he now believes he is a secret agent who has been told he must murder his wife. He returns home and actually accidentally does so in a case of ironic accomplishment.
His trip takes him to North Africa where he meets a slew of bizarre and unsavory characters in his attempt to complete his ongoing "mission". He writes a series of articles using a typewriter which continually morphs into a giant cockroach. He finds another man who lets him borrow his typewriter in which his living typewriter is maimed and killed by Bill's device. Another man Bill meets may actually be a giant killer centipede in disguise!
If this doesn't make a lot of sense, I don't think it is really supposed to. Cronenberg's film, according to the writer/director himself, is an amalgam of not only the source material novel by William S. Burroughs, but also other works by the author and even some aspects of Burroughs' own life including the wife shooting incident.
Pretty much right from the start you know you are in for something very unusual when Lee starts having a conversation with his bug typewriter 15 minutes into the film. Then add another conversation with a giant "mugwump" sitting at a bar, a bug that bizarrely speaks in a voice from his bulbous anus and the fore mentioned giant centipede, you have a film in which you never are fully aware of what is real or what has become a drug-filled fantasy.
Cronenberg's fascination with the "body horror" style of film goes way back to some of his earlier films including The Brood and Scanners as well as They Fly remake. All his skill at creating one of a kind images are on full display here and you can't take your eyes off the screen as a result.
The entire cast really inhabit their roles including Peter Weller (who turned down Robocop 3 for this role) as Lee. His monotone, stoic delivery and minimalist physicality is perfect for this role. Throw in supporting performances by Ian Holm, Judy Davis and even Roy Scheider and you have found a perfect ensemble for this strange acid trip of a film.
The jazz soundtrack is also legendary including saxophone maestro Ornette Coleman off a score from Howard Shore. The improvisation and inconsistent melodies are a partnership with the unusual story taking place and form a symbiosis with the film.
You definitely leave the film wondering what you have just watched; however, sometimes that s a good thing. The director makes you think about what you have watched and decide for yourself the important elements what what is actually true.
I wish more films were like this!
