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Gareth von Kallenbach (980 KP) rated The Lego Batman Movie (2017) in Movies
Jul 12, 2019
You know a movie is going to be hilarious when you find yourself laughing
out loud before the beginning credits start.
It’s no surprise a second film was in development after the massive success
of the first LEGO movie in 2014. The lengthy list of Batman movies/TV
shows that have existed–yes, this film actually addresses each one–always
ask the questions, but never quite answers them. The LEGO Batman movie
will answer them all for you in the best way LEGO movies can–with major
master builder craftsmanship, sarcasm, and slapstick humor.
In serious denial about his loneliness, Batman (Will Arnett) spends most of
his days saving Gotham from the Joker(Zach Gilfianakis), eating alone, and
watching sappy romantic comedies. He never lets anyone get close enough to
him for fear that he will lose them just like he lost his parents when he
was a young boy.
Commissioner Jim Gordon (Hector Elizondo) retires thus handing the baton
and Bat signal over to his daughter, Barbara Gordon (Rosario Dawson). The
newly appointed commissioner decides that Gotham Police Department should
take a more involved approach instead of just relying on one person to
fight crime. Of course, Batman isn’t having it—he works alone!
By this point in the film, Batman has managed to adopt a son, Dick Grayson
(Michael Cera), released the kracken on some of movies most notorious (some
forgettable) villains, and broken up one of the greatest relationships ever
to exist. I don’t want to give away too much because there are some great
cameos.
In true LEGO spirit, this movie addresses the importance of relationships,
working together, being part of a team, and trust. Batman is such an
important character to pop culture–we all have our own interpretation of
him–our ideals, our definition of a hero, and our own moral choices. It’s
nice to have this refreshing and comical take with way more depth,
creativity, and character development than we’ve seen from some of DCs
latest feature films. If you’re not too big on delving into the dark side
and complexity of Batman, don’t fret. Just sit back, relax, laugh, and
enjoy a wonderful movie for the whole family. Be sure and stay till the
end to watch the credits. The reason we all have come to love Batman
throughout the years is addressed and appreciated.
out loud before the beginning credits start.
It’s no surprise a second film was in development after the massive success
of the first LEGO movie in 2014. The lengthy list of Batman movies/TV
shows that have existed–yes, this film actually addresses each one–always
ask the questions, but never quite answers them. The LEGO Batman movie
will answer them all for you in the best way LEGO movies can–with major
master builder craftsmanship, sarcasm, and slapstick humor.
In serious denial about his loneliness, Batman (Will Arnett) spends most of
his days saving Gotham from the Joker(Zach Gilfianakis), eating alone, and
watching sappy romantic comedies. He never lets anyone get close enough to
him for fear that he will lose them just like he lost his parents when he
was a young boy.
Commissioner Jim Gordon (Hector Elizondo) retires thus handing the baton
and Bat signal over to his daughter, Barbara Gordon (Rosario Dawson). The
newly appointed commissioner decides that Gotham Police Department should
take a more involved approach instead of just relying on one person to
fight crime. Of course, Batman isn’t having it—he works alone!
By this point in the film, Batman has managed to adopt a son, Dick Grayson
(Michael Cera), released the kracken on some of movies most notorious (some
forgettable) villains, and broken up one of the greatest relationships ever
to exist. I don’t want to give away too much because there are some great
cameos.
In true LEGO spirit, this movie addresses the importance of relationships,
working together, being part of a team, and trust. Batman is such an
important character to pop culture–we all have our own interpretation of
him–our ideals, our definition of a hero, and our own moral choices. It’s
nice to have this refreshing and comical take with way more depth,
creativity, and character development than we’ve seen from some of DCs
latest feature films. If you’re not too big on delving into the dark side
and complexity of Batman, don’t fret. Just sit back, relax, laugh, and
enjoy a wonderful movie for the whole family. Be sure and stay till the
end to watch the credits. The reason we all have come to love Batman
throughout the years is addressed and appreciated.
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MichaelS (0 KP) rated Justice League (2017) in Movies
Feb 20, 2018
"Meanwhile, at the Hall Of Justice..."
This movie is the culmination of a childhood full of Saturday mornings in front of the tv in pajamas with a bowl of cereal. "Superfriends" was superheroes at it's most basic. The bad guys wanted to take over or destroy the world and the good guys have to stop them. That was the depth of the plots for both those classic cartoons, and this movie. It's pure cartoon fun brought to life, and I loved every minute of it.
The plot only serves as a reason for these heroes to come together. So you can say that story is not a top priority. Character is the name of the game here, and on that level, the movie is gold. Each character is fully realized, with their own individual situation they need to grow from. Every hero is given his or her moment to shine as an individual. When they stand as a team, it's some of the best superhero action we've ever gotten.
The performances of the League members is spot on across the board. Every character is presented exactly the way they should be. Ben Affleck continues to prove all the doubters wrong, by giving us the best live action version of Batman we've ever seen. Right from the start you see how he demands fear from evildoers, but filled with hope for the good things in the world. Gal Gadot IS Wonder Woman. If there was any doubt left after her solo movie, it should be thoroughly erased now. She's strong in body, mind, and spirit. Jason Mamoa forever erases the idea of Aquaman being the wimpiest superhero. His "surfer dude" take on the character brings all the recklessness and abandon you'd expect from a beach bum. He's almost like a Spartan soldier that lives for the excitement of battle. Ezra Miller brings a youthful excitement of someone who is simply jazzed by what he, and others, can do with their abilities. He's almost the comic relief until you realize that the excited reactions he gives to everything is exactly what we would to if we were dropped in that situation.
SPOILER TERRITORY....skip to "END SPOILERS" if you don't want anything ruined
Although it should really come as no surprise to anyone, Superman does indeed return from the dead in this movie. Not only is that he's resurrected very cool, but the aftermath gives us the best fight scene of the film. Superman vs The Justice League. 'nuff said? I've always loved Henry Cavill as Superman, but now he owns the role. He has grown from a man filled with self doubt, trying to find his place in the world, to a man who now fully realizes who he is, and what purpose he serves to mankind. Lots of great Superman stuff in this movie, and that is the thing I'm most thankful for.
END SPOILERS
This is the most fun I've had with a superhero movie in a long time. It may not have the deepest plot, but that is fine with me, because this is truly a comic book come to life. It's full of the action and joyful spirit that the boy in me tuned into every weekend. Now, if the post credit scene in the movie delivers, it REALLY will be everything that the classic Challenges Of The Superfriends, and reduce me to that boy in pajamas again, cereal in hand, and a smile on my face.
The plot only serves as a reason for these heroes to come together. So you can say that story is not a top priority. Character is the name of the game here, and on that level, the movie is gold. Each character is fully realized, with their own individual situation they need to grow from. Every hero is given his or her moment to shine as an individual. When they stand as a team, it's some of the best superhero action we've ever gotten.
The performances of the League members is spot on across the board. Every character is presented exactly the way they should be. Ben Affleck continues to prove all the doubters wrong, by giving us the best live action version of Batman we've ever seen. Right from the start you see how he demands fear from evildoers, but filled with hope for the good things in the world. Gal Gadot IS Wonder Woman. If there was any doubt left after her solo movie, it should be thoroughly erased now. She's strong in body, mind, and spirit. Jason Mamoa forever erases the idea of Aquaman being the wimpiest superhero. His "surfer dude" take on the character brings all the recklessness and abandon you'd expect from a beach bum. He's almost like a Spartan soldier that lives for the excitement of battle. Ezra Miller brings a youthful excitement of someone who is simply jazzed by what he, and others, can do with their abilities. He's almost the comic relief until you realize that the excited reactions he gives to everything is exactly what we would to if we were dropped in that situation.
SPOILER TERRITORY....skip to "END SPOILERS" if you don't want anything ruined
Although it should really come as no surprise to anyone, Superman does indeed return from the dead in this movie. Not only is that he's resurrected very cool, but the aftermath gives us the best fight scene of the film. Superman vs The Justice League. 'nuff said? I've always loved Henry Cavill as Superman, but now he owns the role. He has grown from a man filled with self doubt, trying to find his place in the world, to a man who now fully realizes who he is, and what purpose he serves to mankind. Lots of great Superman stuff in this movie, and that is the thing I'm most thankful for.
END SPOILERS
This is the most fun I've had with a superhero movie in a long time. It may not have the deepest plot, but that is fine with me, because this is truly a comic book come to life. It's full of the action and joyful spirit that the boy in me tuned into every weekend. Now, if the post credit scene in the movie delivers, it REALLY will be everything that the classic Challenges Of The Superfriends, and reduce me to that boy in pajamas again, cereal in hand, and a smile on my face.
Matthew Krueger (10051 KP) rated Videodrome (1983) in Movies
Sep 8, 2020
First It Controls Your Mind Than It Destorys Your Body
Holy shit this movie is good. The effects, the psychological espect, the sci-fi, the horror, the suspense, the mystery and James Woods.
The Plot: As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget.
Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres.
The basis for the film came from David Cronenberg's childhood. Cronenberg used to pick up television signals from Buffalo, New York, late at night after Canadian stations had gone off the air, and worry he might see something disturbing not meant for public consumption.
After the box office success of Scanners, Cronenberg turned down the chance of directing Return of the Jedi, having had no desire to direct material produced by other filmmakers.
When it came to casting the character of Max Renn, Cronenberg chose James Woods, who was a fan of Rabid and Scanners and met with the actor in Beverly Hills to offer him the part, and liked the fact that Woods was very articulate in terms of delivery.
Its a excellent movie and a must see, same with david cronenberg's early horror films.
The Plot: As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget.
Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres.
The basis for the film came from David Cronenberg's childhood. Cronenberg used to pick up television signals from Buffalo, New York, late at night after Canadian stations had gone off the air, and worry he might see something disturbing not meant for public consumption.
After the box office success of Scanners, Cronenberg turned down the chance of directing Return of the Jedi, having had no desire to direct material produced by other filmmakers.
When it came to casting the character of Max Renn, Cronenberg chose James Woods, who was a fan of Rabid and Scanners and met with the actor in Beverly Hills to offer him the part, and liked the fact that Woods was very articulate in terms of delivery.
Its a excellent movie and a must see, same with david cronenberg's early horror films.
David McK (3816 KP) rated T2: Infiltrator in Books
Jan 30, 2019 (Updated Sep 27, 2020)
This was first released back in 2002, so 11 years after the film (which was 1991), but only a single year before 'Terminator 3: Rise of the Machines'. I think I remember reading at the time that it closely followed elements of the plot of the (then) proposed third movie: re-reading this, it is interesting to see how many of those elements actually made it into the movie, or even into 'The Sarah Connor Chronicles' TV show (all of which are now no longer considered canon).
This (obviously!) follows the events of T2, with the Connors hiding out in Paraguay after having ended (or so they think!) the Skynet threat. Of course, this proves not to be the case, with a 'master terminator' (the Infiltrator if the title) sent back in time (again) to make sure that Cyberdyne's work carries on. This 'master terminator' takes the form of a female - T3, anyone? - and is actually a human hybrid rather than a machine in her own right (so, basically, a cyborg), so that she is better able to infiltrate the humans she hunts (in the future, and in the present). In this respect, she's probably closer to the original vision of the Terminators as somebody you could walk past in the street, rather than the hulking Arnie of the movies!
This (obviously!) follows the events of T2, with the Connors hiding out in Paraguay after having ended (or so they think!) the Skynet threat. Of course, this proves not to be the case, with a 'master terminator' (the Infiltrator if the title) sent back in time (again) to make sure that Cyberdyne's work carries on. This 'master terminator' takes the form of a female - T3, anyone? - and is actually a human hybrid rather than a machine in her own right (so, basically, a cyborg), so that she is better able to infiltrate the humans she hunts (in the future, and in the present). In this respect, she's probably closer to the original vision of the Terminators as somebody you could walk past in the street, rather than the hulking Arnie of the movies!
Tim McGuire (301 KP) rated Joker (2019) in Movies
Nov 2, 2019
359. Joker. A freaking phenomenal movie! A bleak look at society, health care, and a whole bunch of other stuff rolled into one. Starring Joaquin Phoenix an actor known for diving into his roles and he quite obviously dove into this one. All about Norman Bate-ish guy Arthur Fleck, an unfunny wanna be comedian, works as a human sign holder dressed as a creepy clown, society treats him like crap, and his state appointed head doctor has told him funding has been cut and doctor visits will be no more, and yes he lives with his mommy who is not well. And after being noticed by a famous tv talk show host, Murray Franklin, played by Robert Deniro, after being recorded doing stand up, and calling him out on his un-funniness, it seems a screw that may have been loose has now been lost. A fantastic movie!
Stop reading here if you don't want any more info... lol...
I heard Joker 2 of course is in the works. I wanna say boo to that. Tho the name Wayne is thrown around and all those connections... A lot of Arthur's reality was not reality. Is he really THE Joker? I think it works as a stand alone. A one possible scenario type thing. Maybe it's just me. Filmbufftim on FB
Stop reading here if you don't want any more info... lol...
I heard Joker 2 of course is in the works. I wanna say boo to that. Tho the name Wayne is thrown around and all those connections... A lot of Arthur's reality was not reality. Is he really THE Joker? I think it works as a stand alone. A one possible scenario type thing. Maybe it's just me. Filmbufftim on FB
Lee (2222 KP) rated Colossal (2016) in Movies
Jul 26, 2017
Colossal is written and directed by Nacho Vigalondo, who also wrote and directed 2007’s Timecrimes. One of my favourite movies and probably the best movie about time travel that isn’t Back to the Future! So, I’d been looking forward to catching this, his latest movie, for a while now. Luckily, it didn’t disappoint.
Anne Hathaway is Gloria, a 30-something party girl whose life is in a serious downward spiral. Her boyfriend (an underused Dan Stevens) decides that enough is enough and kicks her out of his New York apartment. So, Gloria moves back to the quiet little town where she grew up and moves into her parents empty house in an attempt to try and rebuild her life. After a bad nights sleep on the bare floor (a nice running joke throughout the movie), she heads out to buy an inflatable mattress and on the way back is passed by Oscar (Jason Sudeikis) in his pickup truck, who pulls up and offers her a ride. It turns out that Oscar and Grace are old school friends and as they get talking about old times it transpires that things aren’t so great for Oscar these days either. He takes her to the bar he inherited from his father, only half renovated due to a lack of money, and later on offers Gloria a waitress job. Most of their time in the bar though seems to be spent after hours, drinking away the stock with a couple of other friends/barflies. Gloria is soon back to blacking out from drink and then waking up at some point the next day with vague memories of the night before.
And then one morning Gloria wakes to images on TV of a giant Godzilla-like creature which suddenly materialised and started rampaging through Seoul in South Korea. Furthermore, after a few more appearances by this creature, Gloria comes to the realisation that this creature somehow appears to be copying her movements! And a bit later on, a giant robot appears too!!
It’s difficult to elaborate on this part of the movie much further without going into serious spoiler territory. The whole idea sounds crazy, but it’s surprising just how quickly the whole concept just settles in and this remains primarily a movie about humans, our relationships and our inner demons. Hathaway and Sudeikis are at their best here, with Sudeikis progressing from his usual likeable slacker role into something much more darker and complex. Things become increasingly tense, culminating in a highly original and hugely satisfying final act which I absolutely loved. It’s truly amazing what’s been achieved here with such a low budget too, with only a few occasions where the effects appear a little shaky. Overall though, this is a smart must-see movie. Brilliant.
Anne Hathaway is Gloria, a 30-something party girl whose life is in a serious downward spiral. Her boyfriend (an underused Dan Stevens) decides that enough is enough and kicks her out of his New York apartment. So, Gloria moves back to the quiet little town where she grew up and moves into her parents empty house in an attempt to try and rebuild her life. After a bad nights sleep on the bare floor (a nice running joke throughout the movie), she heads out to buy an inflatable mattress and on the way back is passed by Oscar (Jason Sudeikis) in his pickup truck, who pulls up and offers her a ride. It turns out that Oscar and Grace are old school friends and as they get talking about old times it transpires that things aren’t so great for Oscar these days either. He takes her to the bar he inherited from his father, only half renovated due to a lack of money, and later on offers Gloria a waitress job. Most of their time in the bar though seems to be spent after hours, drinking away the stock with a couple of other friends/barflies. Gloria is soon back to blacking out from drink and then waking up at some point the next day with vague memories of the night before.
And then one morning Gloria wakes to images on TV of a giant Godzilla-like creature which suddenly materialised and started rampaging through Seoul in South Korea. Furthermore, after a few more appearances by this creature, Gloria comes to the realisation that this creature somehow appears to be copying her movements! And a bit later on, a giant robot appears too!!
It’s difficult to elaborate on this part of the movie much further without going into serious spoiler territory. The whole idea sounds crazy, but it’s surprising just how quickly the whole concept just settles in and this remains primarily a movie about humans, our relationships and our inner demons. Hathaway and Sudeikis are at their best here, with Sudeikis progressing from his usual likeable slacker role into something much more darker and complex. Things become increasingly tense, culminating in a highly original and hugely satisfying final act which I absolutely loved. It’s truly amazing what’s been achieved here with such a low budget too, with only a few occasions where the effects appear a little shaky. Overall though, this is a smart must-see movie. Brilliant.
Molly J (Cover To Cover Cafe) (106 KP) rated Rule of Law in Books
Feb 27, 2019
Randy Singer's RULE OF LAW is an awesome and intriguing read. As someone who loves to watch, and read, legal thrillers, this book is one of the best I have read in a long time. It played out like I was watching an intense, edge of my seat movie or TV Show. Randy Singer did not leave me wanting in this book. From the start, I was intrigued by the characters and their development, along with the way Singer makes the reader feel as if they are in the center of the action. This is definitely a high rated 5 stars for this reader! It is going on my keeper list and will be recommended to all who love an intense, fast paced, heart pounding legal read. Hats off to the talented Singer on a job well done.
*Cafinated Reads received a complimentary copy of this book from LitFuse Blog Tours/Tyndale House Publishers and was under no obligation to post a review, positive or negative.*
*Cafinated Reads received a complimentary copy of this book from LitFuse Blog Tours/Tyndale House Publishers and was under no obligation to post a review, positive or negative.*
Awix (3310 KP) rated Tomorrow Never Dies (1997) in Movies
Apr 9, 2019
Umpty-tumpth Bond film rests on the laurels of GoldenEye perhaps just a bit too much. Evil media magnate Carver tries to orchestrate a war between the UK and China so he can sell more papers and grab a satellite TV franchise; British intelligence decides to disrupt his scheme by sending James Bond to have sex with his wife.
Well-mounted set pieces, and plenty of them, plus Michelle Yeoh gets an eye-catching role as the 'Oh, James!' character, but the problem is that the rest of it feels like karaoke Bond, without the self-awareness or attempts to move the franchise on that lifted GoldenEye somewhat - plus, it's just not as well written. The result is a mid-range entry in the series, assuming one overlooks the schoolboy error of Bond not being able to read Chinese (as any fule kno, he got a First in Oriental Languages at Cambridge). This still equates to an entertaining movie, just not an exceptional one.
Well-mounted set pieces, and plenty of them, plus Michelle Yeoh gets an eye-catching role as the 'Oh, James!' character, but the problem is that the rest of it feels like karaoke Bond, without the self-awareness or attempts to move the franchise on that lifted GoldenEye somewhat - plus, it's just not as well written. The result is a mid-range entry in the series, assuming one overlooks the schoolboy error of Bond not being able to read Chinese (as any fule kno, he got a First in Oriental Languages at Cambridge). This still equates to an entertaining movie, just not an exceptional one.
Kristin (149 KP) rated M in the Demon Realm (M in the Demon Realm, #1) in Books
Dec 7, 2018
Disclaimer: I received a free copy in exchange for an honest (not necessarily positive) review.
When I read the blurb for this book, I was highly intrigued, so I was excited to be able to read it for review. The story is very interesting, with an exciting premise, and it's definitely pulled me in to where I want to read the second part.
The only drawback (for me personally, not necessarily a bad thing for everyone) was the writing style itself. It comes across as more of a description of something, as if someone were dictating a movie or TV show to someone who hadn't seen it (an episode synopsis, if you will). It doesn't have a very narrative flow, which seemed rather odd to me at times, but it's still a very good story, so I was pulled into it regardless. As I said, I'm looking forward to the next part, so it didn't hinder my enjoyment too much. =)
4 stars
When I read the blurb for this book, I was highly intrigued, so I was excited to be able to read it for review. The story is very interesting, with an exciting premise, and it's definitely pulled me in to where I want to read the second part.
The only drawback (for me personally, not necessarily a bad thing for everyone) was the writing style itself. It comes across as more of a description of something, as if someone were dictating a movie or TV show to someone who hadn't seen it (an episode synopsis, if you will). It doesn't have a very narrative flow, which seemed rather odd to me at times, but it's still a very good story, so I was pulled into it regardless. As I said, I'm looking forward to the next part, so it didn't hinder my enjoyment too much. =)
4 stars