Search
Search results
Lenard (726 KP) rated The Banana Splits Movie (2019) in Movies
Sep 2, 2019
You never meet your heroes
In an alternate universe, The Banana Splits Adventure Hour is still running on TV and the youth of today still watch it. Harley is a huge fan of the chaotic puppet rock quartet. Harley has few friends, his father died, and his brother is turning into a millenial. His mother gets five tickets to a taping of the Banana Splits show for Harley's birthday. Unbeknownst to the studio audience, the network has just cancelled the show. Now all those fans are in danger as the show has nothing to lose so why not oversized Sid and Marty Krofft puppets murdering people. The concept for the movie is absolutely brilliant. However, the child actors in the cast can carry the tone of the film. Some of the campiness is evident, but the filmmakers never really match the surrealism of the Sid and Marty Krofft original to counter out the horror elements the writers have included.
Lee (2222 KP) created a post in Smashbomb Feedback
Oct 11, 2019 (Updated Oct 11, 2019)
iDream Telugu Movies
1.0
Rate It
YouTube Channel
Thank You for stopping by! iDream Telugu Movies is the one-stop destination for Telugu movie buffs....
David McK (3752 KP) rated Hornblower: The Even Chance (1998) in Movies
Aug 15, 2021 (Updated Jun 29, 2025)
First of the TV movie adaptations of CS Forester's famous nautical hero Horatio Hornblower, taking it's main inspiration and plot from the earliest (set, if not released) of those books when Hornblower had just joined the navy.
Ant, therein, I found, lies my biggest problem with the film: Ioan Gruffudd (back before Hollywood came calling - he was Mr Fantastic from the original Fantastic Four movies, remember) is simply too old for the part!
That's not to say that he doesn't give it his all, or even manage to fully inhabit the role: just that, in this one at least, I couldn't get over the fact that Midshipmen were only supposed to be in their very early teens (11, 12, thereabouts), and yet here we have an actor in his mid 20s (at the time of recording) playing a 17 year old - and even 17, to me, seems too old to be a Midshipman during the period portrayed.
Ant, therein, I found, lies my biggest problem with the film: Ioan Gruffudd (back before Hollywood came calling - he was Mr Fantastic from the original Fantastic Four movies, remember) is simply too old for the part!
That's not to say that he doesn't give it his all, or even manage to fully inhabit the role: just that, in this one at least, I couldn't get over the fact that Midshipmen were only supposed to be in their very early teens (11, 12, thereabouts), and yet here we have an actor in his mid 20s (at the time of recording) playing a 17 year old - and even 17, to me, seems too old to be a Midshipman during the period portrayed.
Kristy H (1252 KP) rated Movie Star by Lizzie Pepper in Books
Feb 13, 2018
Lizzie Pepper became a famous actress as a teen -- growing up before America's eyes on her TV show. Eventually Lizzie meets America's most famous movie star, Rob Mars -- and quickly their courtship and marriage becomes tabloid fodder and her life changes forever. At first, Lizzie is head over heels in love with Rob and all that he brings: romance, lavish trips, and instant stardom. But soon, her life is taken over by Rob's wealth and fame -- his constant absences, a complete lack of privacy, and a world overshadowed by Rob's total commitment to One Cell Studio, a form of study and practice that nears cult status. Once they have children, Lizzie begins to doubt everything about their relationship -- and what her husband stands for.
This was a fun book. Written by Hilary Liftin, a celebrity ghostwriter, Lizzie is a really enjoyable and insightful character. The book is clearly supposed to be based on Tom Cruise and Katie Holmes. I kept imagining Rob Mars as a creepy twist between Tom Cruise and Rob Lowe, which was a little frightening. The One Cell piece is oddly disconcerting, as it's supposed to be, and made me want to delve more into the weirdness that is Scientology. Lizzie's evolution was fun to read about (I enjoyed, on a personal level, that she had twins) and she remained a realistic and relatable character, despite being elevated to movie star status. It truly makes you think about some of the insanity that movie stars have to go through, especially those that have children. It also gets you thinking about various religious cults and the power they have over people. In the end, probably a 3.5 star book, as it's a quick, fun read, but with a surprising depth behind it in places. After all, in the end, a marriage crumbling is a marriage crumbling, even in Hollywood.
This was a fun book. Written by Hilary Liftin, a celebrity ghostwriter, Lizzie is a really enjoyable and insightful character. The book is clearly supposed to be based on Tom Cruise and Katie Holmes. I kept imagining Rob Mars as a creepy twist between Tom Cruise and Rob Lowe, which was a little frightening. The One Cell piece is oddly disconcerting, as it's supposed to be, and made me want to delve more into the weirdness that is Scientology. Lizzie's evolution was fun to read about (I enjoyed, on a personal level, that she had twins) and she remained a realistic and relatable character, despite being elevated to movie star status. It truly makes you think about some of the insanity that movie stars have to go through, especially those that have children. It also gets you thinking about various religious cults and the power they have over people. In the end, probably a 3.5 star book, as it's a quick, fun read, but with a surprising depth behind it in places. After all, in the end, a marriage crumbling is a marriage crumbling, even in Hollywood.
Tim McGuire (301 KP) rated S.F.W. (1994) in Movies
Jan 7, 2020
374. S.F.W. One of my fave movie of the 90s. I recently noticed that it was based on a novel. Read it, rewatched movie, and it was still dope... One day Cliff Spab and his best friend since birth Joe Dice head into a convenience store for smokes and beer. Unluckily for them this was also the day that a terrorist organization called Split Image decide to take the place over, and everyone that happened to be in the store as hostages. The masked men are also filming them the entire time, pretty much keeping track of them losing their minds, after all, they've only been eating junk food and beer for the past month. Obvi they make it out after putting up a fight when they've reached the end of their ropes. However, only two make it out alive, Cliff, who everyone calls Spab and a upper class young woman, Wendy. The tale starts at the end of the hostage crisis. Upon escape, Spab and Wendy realize they are now celebrities, every night on TV, millions watched the events unfold in the store. Cliff puts on a brave smart ass attitude making the public love him more, but inside he's suffering some ptsd, and he just wants to disappear. His family use him for the fame, his friends use him for the fame. His one true friend is dead. And the only one he can share any of this with is Wendy, and they are being kept apart by fame, family and all of that. Movie gives you a look at our news becoming just pure entertainment, based on money and popularity. And this was before the internet. Stephen Dorff as Spab and Reese Witherspoon as Wendy were awesome in this dark comedy, with a freaking kick ass soundtrack! Check it out! Filmbufftim on FB.
Matthew Krueger (10051 KP) rated The Mummy (2017) in Movies
Apr 25, 2020 (Updated Apr 25, 2020)
Epic Fail
People forget that universal started this whole shared universe concept. So the MCU, the DCU, The Conjuring franchise and DC Shared TV shows all copied unverisal. Now universal is trying to copy them, but failed, failed epic.
The plot: Nick Morton is a soldier of fortune who plunders ancient sites for timeless artifacts and sells them to the highest bidder. When Nick and his partner come under attack in the Middle East, the ensuing battle accidentally unearths Ahmanet, a betrayed Egyptian princess who was entombed under the desert for thousands of years. With her powers constantly evolving, Morton must now stop the resurrected monster as she embarks on a furious rampage through the streets of London.
The Dark Universe was a failure, the Dark Universe came and went so fast, it was a blink of a eye and proof it disappeared. Never to be seen or heard from again.
If the dark universe did happpen, their were going to have Javier Bardem as the Frankenstein's Monster, and Johnny Depp as The Invisible Man. And Russell Crowe as Dr. Jekyll, aka the Nick Fury of this franchise.
This movie tryed to setup five different films with one film, while having like six different plot lines, seven differney genres. This movie didnt know what is was. And thats why it failed.
@Awix, @Erika , @Ross and @LeftSideCut. Said it perfectly in their reviews.
Dont watch this movie, it will put you to sleep and you will forgot about it, when the credits hit. Watch The Mummy trilogy instead or the oringal one, or the hammer studio one.
The plot: Nick Morton is a soldier of fortune who plunders ancient sites for timeless artifacts and sells them to the highest bidder. When Nick and his partner come under attack in the Middle East, the ensuing battle accidentally unearths Ahmanet, a betrayed Egyptian princess who was entombed under the desert for thousands of years. With her powers constantly evolving, Morton must now stop the resurrected monster as she embarks on a furious rampage through the streets of London.
The Dark Universe was a failure, the Dark Universe came and went so fast, it was a blink of a eye and proof it disappeared. Never to be seen or heard from again.
If the dark universe did happpen, their were going to have Javier Bardem as the Frankenstein's Monster, and Johnny Depp as The Invisible Man. And Russell Crowe as Dr. Jekyll, aka the Nick Fury of this franchise.
This movie tryed to setup five different films with one film, while having like six different plot lines, seven differney genres. This movie didnt know what is was. And thats why it failed.
@Awix, @Erika , @Ross and @LeftSideCut. Said it perfectly in their reviews.
Dont watch this movie, it will put you to sleep and you will forgot about it, when the credits hit. Watch The Mummy trilogy instead or the oringal one, or the hammer studio one.
Travis Knight recommended Buffy the Vampire Slayer (1992) in Movies (curated)
Dianne Robbins (1738 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Apr 22, 2021
What the hell was that?
I've never watched a full Tarantino movie. They're long. They drag on. I get bored. I've heard that they're ultraviolent, which usually isn't my thing but since I'm interested in true crime and this movie is based in LA at the time of the Manson murders, when I had nothing better to do on a Saturday afternoon and it was on the station the tv was tuned to when I turned it on, I decided to give it a go. I missed most of the Leo parts. I think he was throwing a fit in the trailer when I flipped it on. Either that or Brad Pitt was driving down the strip and picked up a cute girl and drove her to her friend's place (you know where it was.) So, okay. Very long scenes with not much dialogue happening. Lots of establishment of mood and atmosphere. I'm pretty sure I lost three hours while Pitt walked around her friend's place. Eventually, and I dunno when, I got confused, we come to the night of the event, and I was expecting a fact-based, but a gruesome retelling of the Manson murders. Is that what I got? Hell no! What did I get? I don't have any idea. It certainly wasn't that. Seriously, it was so stupid. It was laughable if it wasn't so embarrassingly stupid. Unrealistic and stupid. Obnoxiously stupid. Why did I waste my time watching the part of this movie I watched? Those are hours I will never get back.
This kind of cinema is lost of me, guys. I'm glad you enjoy it. But I'll never watch anything like it again. It's okay, though. I'm sure Tarantino will be just fine without my money. He seems to be doing all right for himself.
This kind of cinema is lost of me, guys. I'm glad you enjoy it. But I'll never watch anything like it again. It's okay, though. I'm sure Tarantino will be just fine without my money. He seems to be doing all right for himself.
BankofMarquis (1832 KP) rated The Many Saints of Newark (2021) in Movies
Oct 12, 2021
The "non-Sopranos" part of this film worked much better
The new Sopranos prequel film THE MANY SAINTS OF NEWARK is a review-proof film. Most people fall into 1 of 2 camps.
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960âs-early 1970âs and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tonyâs Mom) to Pauly Walnuts, Silvio and âBig Pussyâ they are all there - along with a few others you donât know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tonyâs Father Johnny Soprano, Mob Boss âHollywoodâ Dick Moltisanti and the center of this film, the son of the Boss âUncleâ Dickie Moltisanti (father of future TV Series character Christopher).
Itâs an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that weâve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying âhere they all are, enjoy this for we have a more interesting story to tellâ. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chaseâs ideas and Taylorâs Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his ârunnersâ (Leslie Odom, Jr.) who is destined to become a powerful boss of the âBlack Mafiaâ.
Itâs a smart juxtaposition of story, but unfortunately for SOPRANOâs fans, the first story (following Dickie) and including most of the Sopranoâs characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.âs character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late â60âs and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This âBâ story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the âAâ story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tonyâs mother Livia), Jon Bernthal (Tonyâs father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just donât have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just donât have enough to do.
And then there is Ray Liottaâs over-the-top performance as Mob Boss âHollywoodâ Dick Moltisanti. Ove-the-top doesnât even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, butâŚgeezâŚthe first partâŚwow.
Ultimately, the failure of the âAâ story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the âBâ story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldnât have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960âs-early 1970âs and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tonyâs Mom) to Pauly Walnuts, Silvio and âBig Pussyâ they are all there - along with a few others you donât know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tonyâs Father Johnny Soprano, Mob Boss âHollywoodâ Dick Moltisanti and the center of this film, the son of the Boss âUncleâ Dickie Moltisanti (father of future TV Series character Christopher).
Itâs an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that weâve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying âhere they all are, enjoy this for we have a more interesting story to tellâ. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chaseâs ideas and Taylorâs Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his ârunnersâ (Leslie Odom, Jr.) who is destined to become a powerful boss of the âBlack Mafiaâ.
Itâs a smart juxtaposition of story, but unfortunately for SOPRANOâs fans, the first story (following Dickie) and including most of the Sopranoâs characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.âs character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late â60âs and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This âBâ story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the âAâ story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tonyâs mother Livia), Jon Bernthal (Tonyâs father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just donât have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just donât have enough to do.
And then there is Ray Liottaâs over-the-top performance as Mob Boss âHollywoodâ Dick Moltisanti. Ove-the-top doesnât even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, butâŚgeezâŚthe first partâŚwow.
Ultimately, the failure of the âAâ story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the âBâ story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldnât have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)