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Kate (493 KP) rated Taking The Reins in Books
Oct 20, 2020
I liked the blurb on this book but as I started reading I realised it was intended for a much younger audience but I continued anyway. I like to read a book and give an honest review. Some may read the review and decide it is a book they would like to read. It is based in an all girls school and from Brooklyn's first interation with her soon-to-be soon friends I expected the worst. This could be because I am an old reader and know how life, books, tv shows and films usually go. The girls in these books, etc can usually be bitchy and end up being mean to each other espcially when they have a new girl at the school. Brooklyn is the new girl. Due to my expectations of how I thought the book/story was going to play out I was always on edge.
It was a story of realtionships - friendship and romantic relationships. It was nice for the book to end up being a nice story. It was nice to see girls working together and there was a good sense of camaraderie.
I wasn't gripped and this could be because I was not the target audience. The book is part of a series and it would of been nice to have a book prior to this to get a feeling of How Brooklyn used to be. She does try to explain what the old her would of done/said in situations and what the new Brooklyn did/said but I couldn't get a real feel of how she used to be. But the series is called the The Rosewoods so all books would have to be based at the school.
As this was part of a series the story ended up abruptly. I thought it may of ended at the end of the school year but no it ended before Halloween which is not lomger after school starts.
This is a great book for a young audience of I would say early teens.
It was a story of realtionships - friendship and romantic relationships. It was nice for the book to end up being a nice story. It was nice to see girls working together and there was a good sense of camaraderie.
I wasn't gripped and this could be because I was not the target audience. The book is part of a series and it would of been nice to have a book prior to this to get a feeling of How Brooklyn used to be. She does try to explain what the old her would of done/said in situations and what the new Brooklyn did/said but I couldn't get a real feel of how she used to be. But the series is called the The Rosewoods so all books would have to be based at the school.
As this was part of a series the story ended up abruptly. I thought it may of ended at the end of the school year but no it ended before Halloween which is not lomger after school starts.
This is a great book for a young audience of I would say early teens.
Laura Doe (1350 KP) rated Die For Me (Killing Eve #3) in Books
Jan 20, 2022
As with the previous book, we pick up exactly where we left off with Eve and Villanelle. On the run and trying to stay undetected, Villanelle takes Eve to her country of birth in a shipping container, and when they land in Russia it is far from smooth.
We follow Eve and Villanelle as they try to remain hidden from the Twelve’s all seeing eyes while trying to figure out what their next move should be. I really started to hope and wonder if they could manage to start a new and happy life together as things seemed to slot into place. But, obviously, things were never going to be that simple when it came to these characters. Throughout this book, Eve starts to become more and more like Villanelle, probably because she is in survival mode, the only difference being that she does feel some guilt over what is happening. I sort of saw the twist at the end of the book coming, but also didn’t want to believe that it would happen as I wanted everything to work out nicely for them.
This book, unlike the others, is all written from Eve’s point of view. This means that we get a lot more insight into Eve’s feelings and her struggle to understand Villanelle and her behaviours towards her. You can see that Eve loves Villanelle despite everything while Villanelle seems to behave in ways that will intentionally hurt Eve and then uses her diagnosis as a psychopath to excuse her behaviour. The good thing is that Eve repeatedly tells her that she can’t use it as an excuse, but at the same time she still lets Villanelle get away with the behaviour.
Overall, I would give this final instalment 4.5 stars as I really enjoyed it and didn’t put it down until I had read the very last word. I wish that there were more books coming as I have found this series really good reads (despite them being about a psychopath assassin!) and although I love them, I think the TV series is a great adaptation of them, even if they have gone in slightly different directions. I will miss Eve and Villanelle immensely now that I have finished the series.
We follow Eve and Villanelle as they try to remain hidden from the Twelve’s all seeing eyes while trying to figure out what their next move should be. I really started to hope and wonder if they could manage to start a new and happy life together as things seemed to slot into place. But, obviously, things were never going to be that simple when it came to these characters. Throughout this book, Eve starts to become more and more like Villanelle, probably because she is in survival mode, the only difference being that she does feel some guilt over what is happening. I sort of saw the twist at the end of the book coming, but also didn’t want to believe that it would happen as I wanted everything to work out nicely for them.
This book, unlike the others, is all written from Eve’s point of view. This means that we get a lot more insight into Eve’s feelings and her struggle to understand Villanelle and her behaviours towards her. You can see that Eve loves Villanelle despite everything while Villanelle seems to behave in ways that will intentionally hurt Eve and then uses her diagnosis as a psychopath to excuse her behaviour. The good thing is that Eve repeatedly tells her that she can’t use it as an excuse, but at the same time she still lets Villanelle get away with the behaviour.
Overall, I would give this final instalment 4.5 stars as I really enjoyed it and didn’t put it down until I had read the very last word. I wish that there were more books coming as I have found this series really good reads (despite them being about a psychopath assassin!) and although I love them, I think the TV series is a great adaptation of them, even if they have gone in slightly different directions. I will miss Eve and Villanelle immensely now that I have finished the series.
BankofMarquis (1832 KP) rated Enola Holmes (2020) in Movies
Oct 18, 2020
A Winning (enough) combination
I'm a sucker for Sherlock Holmes. I grew up watching the fantastic black and white Holmes films from the 1940's starring Basil Rathbone and Nigel Bruce. I checked out '70's Holmes flicks like MURDER BY DECREE and the 7 PERCENT SOLUTION and then re-fell-in-love with Holmes with the Jeremy Brett BBC SHERLOCK HOLMES TV series of the 1980's and, of course, Benedict Cumberbatch's modern take on the master sleuth in the 2000's was "must see TV" for me. I was even on-board with Robert Downey Jr's. "take" on this iconic sleuth and was thrilled when Sir Ian McKellen portrayed an elderly Sherlock Holmes in MR. HOLMES.
So...I eagerly awaited the Netflix treatment of the "younger" sister of Sherlock Holmes in ENOLA HOLMES -and, I gotta say, I wasn't disappointed.
Based on the Young Adult series of novels by Nancy Springer, ENOLA HOLMES introduces us to the (heretofore unknown) younger sister of Sherlock and Mycroft Holmes. Raised by a fiercely independent mother in the late 1880's, Enola goes searching for her when she goes missing and gets mixed up in the "The Case of the Missing Marquess" along the way.
Millie Bobbie Brown (STRANGER THINGS) is a winning, charismatic (enough) performer as Enola. She is a steady and sure hand at the helm of this ship throughout the course of this 2 hour and 3 minute adventure. While I would have liked her to command the screen more with her presence, she does enough to make it a good, solid, effort.
The supporting cast is just as good. Helena Bonham Carter (FIGHT CLUB) is perfectly cast as Enola's (and Sherlock's and Mycroft's) mother - she has that fierce streak of independence and "don't mess with me" energy while carving her own path. She is the type of character that one would go looking for if she went missing. Sam Claflin (HUNGER GAMES: CATCHING FIRE) is finely unrecognizable (at least to me) as Mycroft - written in this piece as the more "traditional" of the Holmes family and Henry Cavill (MAN OF STEEL) brings a strong arrogance to his portrayal of Sherlock. He also brings something else - heart - to this character, a character trait that has "traditional" fans of this character up in arms. For me, it works well in the context of this film.
As for the film itself - it is good (enough). I found myself enjoying the mystery and the characters and enjoyed my time in this world. It's not anything new, but it's like putting on a pair of old shoes - comforting to wear.
This is an adaptation of the first book of the series, and I, for one, hope that there are more. It's a winning combination that was pleasant to watch.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
So...I eagerly awaited the Netflix treatment of the "younger" sister of Sherlock Holmes in ENOLA HOLMES -and, I gotta say, I wasn't disappointed.
Based on the Young Adult series of novels by Nancy Springer, ENOLA HOLMES introduces us to the (heretofore unknown) younger sister of Sherlock and Mycroft Holmes. Raised by a fiercely independent mother in the late 1880's, Enola goes searching for her when she goes missing and gets mixed up in the "The Case of the Missing Marquess" along the way.
Millie Bobbie Brown (STRANGER THINGS) is a winning, charismatic (enough) performer as Enola. She is a steady and sure hand at the helm of this ship throughout the course of this 2 hour and 3 minute adventure. While I would have liked her to command the screen more with her presence, she does enough to make it a good, solid, effort.
The supporting cast is just as good. Helena Bonham Carter (FIGHT CLUB) is perfectly cast as Enola's (and Sherlock's and Mycroft's) mother - she has that fierce streak of independence and "don't mess with me" energy while carving her own path. She is the type of character that one would go looking for if she went missing. Sam Claflin (HUNGER GAMES: CATCHING FIRE) is finely unrecognizable (at least to me) as Mycroft - written in this piece as the more "traditional" of the Holmes family and Henry Cavill (MAN OF STEEL) brings a strong arrogance to his portrayal of Sherlock. He also brings something else - heart - to this character, a character trait that has "traditional" fans of this character up in arms. For me, it works well in the context of this film.
As for the film itself - it is good (enough). I found myself enjoying the mystery and the characters and enjoyed my time in this world. It's not anything new, but it's like putting on a pair of old shoes - comforting to wear.
This is an adaptation of the first book of the series, and I, for one, hope that there are more. It's a winning combination that was pleasant to watch.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
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Lee (2222 KP) rated The Purge: Season 1 in TV
Nov 14, 2018 (Updated Nov 15, 2018)
Slow start but overall very enjoyable
I've only seen two out of the four movies in the Purge series, so I haven't quite yet reached the levels of Purge fatigue that others may be experiencing. I recently saw The First Purge and while it was enjoyable enough, overall it was pretty average and instantly forgettable. So, if I'm honest I wasn't immediately sold on seeing it in a TV show format. I don't know what made me decide to give it a watch though. I guess I always imagined that the TV version of The Purge would work really well as a kind of real time show. A bit like 24, with each episode following an hour or so of Purge night. And if they could do that then that's something that I would find very interesting. Funnily enough, that idea isn't too far away from what we actually ended up getting. And we even get our own Jack Bauer wannabee in the form of a US marine on the hunt for his younger sister!
Things kick off very shortly before commencement of Purge night. We're introduced to a number of different characters, all seemingly unrelated to each other, and we then follow their experiences throughout the night. Each story-line is very different to the next, and some are way more interesting and intense than others. What hinders the flow of each episode though is the large number of flashbacks that we get. We're taken back in time to find out why a particular character is in a certain place and what their motivation is for whatever they're doing. While this kind of thing is certainly necessary in order to provide some kind of decent character building, and works well for the majority of TV shows, I felt it had a negative impact on this one. It completely takes you out of Purge night, out of the building momentum of danger. It felt bloated, too much of a slow burn. The whole thing certainly takes a while to find its feet, and you'd be forgiven for bailing on it after just a few episodes.
I'm glad I stuck with it though. The number of flashbacks started reducing considerably and some of the less interesting stories suddenly became very interesting. Better still, during the last couple of episodes a lot of those story-lines started converging, building to a very enjoyable last few episodes. With season 2 confirmed, I'm definitely up for more of this.
Things kick off very shortly before commencement of Purge night. We're introduced to a number of different characters, all seemingly unrelated to each other, and we then follow their experiences throughout the night. Each story-line is very different to the next, and some are way more interesting and intense than others. What hinders the flow of each episode though is the large number of flashbacks that we get. We're taken back in time to find out why a particular character is in a certain place and what their motivation is for whatever they're doing. While this kind of thing is certainly necessary in order to provide some kind of decent character building, and works well for the majority of TV shows, I felt it had a negative impact on this one. It completely takes you out of Purge night, out of the building momentum of danger. It felt bloated, too much of a slow burn. The whole thing certainly takes a while to find its feet, and you'd be forgiven for bailing on it after just a few episodes.
I'm glad I stuck with it though. The number of flashbacks started reducing considerably and some of the less interesting stories suddenly became very interesting. Better still, during the last couple of episodes a lot of those story-lines started converging, building to a very enjoyable last few episodes. With season 2 confirmed, I'm definitely up for more of this.
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