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The Hunger Games Trilogy
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Hunger Games Trilogy Series 3 Books Collection Set By Suzanne Collins: The Hunger Games: In the...
Gareth von Kallenbach (980 KP) rated Justice League: War (2014) in Movies
Aug 16, 2019
February 4th saw the release of another Warner Bros. Animation film in the
Justice League franchise titled ‘War.’ DC Comics is continuing to bolster
its brand with regular animated releases, and they are doing a great job.
The film opens as an obvious origin story. Fans of the previous animated
films or TV series will notice some overt departures from the standard fare
of the last few years.
Green Lantern (Hal Jordan) and Batman lead off the film with their first
meeting in Gotham City, working quickly to solve a strange spree of
criminal abductions. As the two broker a tenuous peace and learn to work
together, they realize the Mother Box they found is linked to others like
it, and they head to Metropolis.
Wonder Woman, on her way to meet the President of the United States,
encounters winged beasts similar to ones fought by Green Lantern, Batman,
and Superman. What’s unusual is that this time she uses a sword to
dispatch her enemies. It’s something I’ve rarely seen in previous comics
or animated works.
The Flash, Shazam, and Cyborg all make appearances, and the team’s
structure gradually comes together. Meanwhile, the villain reveals himself:
Darkseid (who is one of my favorite DC villains).
This story is told wonderfully, with great action sequences and voice
acting (Sean Astin and Alan Tudyk – notable names). Overall, I was pleased
and entertained.
That said, there are a few major oddities within the film that stuck out as
strong deviations from the norm.
First, Superman kills someone. Despite the circumstances, I was still
shocked to see his character taken in that direction.
Second, somebody drops the S-bomb. I’ve never seen swearing in a “young
adult” film before, and though it was only used once, I was still taken
aback.
Third, the portrayal of Darkseid. He’s a great villain because of his
physical prowess, omega beams, and intellect. The first two were
represented in fine fashion, but the last was woefully lacking. Nothing
about this film showcased his intellect at all.
Fourth, Shazam seems to favor his lightening powers over his physical
assaults, which again, is in contradiction to most other comics and
animations.
While I found all of these examples strange and uncharacteristic with
respect to the usual formula, none of them were significant enough to be
considered a problem. I’m curious to see where this new trend goes. Will
DC use this as a platform to start a new chain of films or TV shows? Will
the language and body count continue to escalate? These are questions for
the ages.
Bottom line: if you are a fan of the genre, please watch it. You won’t be
disappointed.
Justice League franchise titled ‘War.’ DC Comics is continuing to bolster
its brand with regular animated releases, and they are doing a great job.
The film opens as an obvious origin story. Fans of the previous animated
films or TV series will notice some overt departures from the standard fare
of the last few years.
Green Lantern (Hal Jordan) and Batman lead off the film with their first
meeting in Gotham City, working quickly to solve a strange spree of
criminal abductions. As the two broker a tenuous peace and learn to work
together, they realize the Mother Box they found is linked to others like
it, and they head to Metropolis.
Wonder Woman, on her way to meet the President of the United States,
encounters winged beasts similar to ones fought by Green Lantern, Batman,
and Superman. What’s unusual is that this time she uses a sword to
dispatch her enemies. It’s something I’ve rarely seen in previous comics
or animated works.
The Flash, Shazam, and Cyborg all make appearances, and the team’s
structure gradually comes together. Meanwhile, the villain reveals himself:
Darkseid (who is one of my favorite DC villains).
This story is told wonderfully, with great action sequences and voice
acting (Sean Astin and Alan Tudyk – notable names). Overall, I was pleased
and entertained.
That said, there are a few major oddities within the film that stuck out as
strong deviations from the norm.
First, Superman kills someone. Despite the circumstances, I was still
shocked to see his character taken in that direction.
Second, somebody drops the S-bomb. I’ve never seen swearing in a “young
adult” film before, and though it was only used once, I was still taken
aback.
Third, the portrayal of Darkseid. He’s a great villain because of his
physical prowess, omega beams, and intellect. The first two were
represented in fine fashion, but the last was woefully lacking. Nothing
about this film showcased his intellect at all.
Fourth, Shazam seems to favor his lightening powers over his physical
assaults, which again, is in contradiction to most other comics and
animations.
While I found all of these examples strange and uncharacteristic with
respect to the usual formula, none of them were significant enough to be
considered a problem. I’m curious to see where this new trend goes. Will
DC use this as a platform to start a new chain of films or TV shows? Will
the language and body count continue to escalate? These are questions for
the ages.
Bottom line: if you are a fan of the genre, please watch it. You won’t be
disappointed.
The Robot Factory by Tinybop
Education and Games
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Create robots. Test robots. Collect robots. Build with exoskeletons, zephyr mechanisms, hydrostatic...
graveyardgremlin (7194 KP) rated A Charmed Death (A Bewitching Mystery, #2) in Books
Feb 15, 2019
This second installment of the Bewitching Mystery series focuses on the murder of a popular teenage girl who may have been hiding a seedy secret or two. Maggie delves into the case, while also developing her newfound powers and going on her first N.I.G.H.T.S. investigation.
After the slow-moving first seventy to eighty pages that was mostly background information on the town, the shop, characters and a recap of the last book, the story actually moved onto the main mystery in this book. I found the mystery very intriguing and well-done (I could easily envision it on TV, heck, I wouldn't be surprised if I had seen a similar story-line), and the author shed more light on Marcus, which was nice, but was also detrimental to other secondary characters, namely Felicity (a.k.a. Liss, which the first time Maggie mentioned that nickname I forgot for a minute who she was referring too. That probably should have been clarified more, I may have read the first book less than a month ago, but I can't remember everything and it's not like it's Melissa/Liss which I would have picked up on immediately. :P). So less Felicity, and also Steff and Tom, surprisingly enough. Any interaction Maggie had with Tom was strained, sometimes strange, and there was a bit at the end I didn't buy in regards to the two of them. Maggie herself was exactly the same as in the first book, except a bit dumber but I'll come to that a moment, so that disappointed me. It's not as if I expect her to grow every book, but a little development here and there or something new we didn't know about her wouldn't hurt. Although her development of her 'powers' has been nicely and realistically done, and the only problem I had was a scene at the end that seemed more magic than magick. Now we come to Maggie doing a couple of stupid things I never thought she'd be dumb enough to do, one of which led to her 'showdown' with the murderer. In that instance, she really had no need to do what she did to get him/her arrested or for any reason. It just seemed a contrivance to put her in the murderer's path. Overall, after the first fourth or so of the book, it was a decent yet flawed read, and I am going to pick up the next in the series with the hope that any minor problems I had will have been just a fluke.
After the slow-moving first seventy to eighty pages that was mostly background information on the town, the shop, characters and a recap of the last book, the story actually moved onto the main mystery in this book. I found the mystery very intriguing and well-done (I could easily envision it on TV, heck, I wouldn't be surprised if I had seen a similar story-line), and the author shed more light on Marcus, which was nice, but was also detrimental to other secondary characters, namely Felicity (a.k.a. Liss, which the first time Maggie mentioned that nickname I forgot for a minute who she was referring too. That probably should have been clarified more, I may have read the first book less than a month ago, but I can't remember everything and it's not like it's Melissa/Liss which I would have picked up on immediately. :P). So less Felicity, and also Steff and Tom, surprisingly enough. Any interaction Maggie had with Tom was strained, sometimes strange, and there was a bit at the end I didn't buy in regards to the two of them. Maggie herself was exactly the same as in the first book, except a bit dumber but I'll come to that a moment, so that disappointed me. It's not as if I expect her to grow every book, but a little development here and there or something new we didn't know about her wouldn't hurt. Although her development of her 'powers' has been nicely and realistically done, and the only problem I had was a scene at the end that seemed more magic than magick. Now we come to Maggie doing a couple of stupid things I never thought she'd be dumb enough to do, one of which led to her 'showdown' with the murderer. In that instance, she really had no need to do what she did to get him/her arrested or for any reason. It just seemed a contrivance to put her in the murderer's path. Overall, after the first fourth or so of the book, it was a decent yet flawed read, and I am going to pick up the next in the series with the hope that any minor problems I had will have been just a fluke.
Kyera (8 KP) rated City of Heavenly Fire in Books
Jan 31, 2018
The conclusion to the Mortal Instruments was certainly a pleasing one. There is nothing worse than reading a great book or series, or perhaps watching a tv show that creates a multitude of story lines... And then fails to resolve them. It leaves the reader with a sense of dismay and confusion. What happened to my favourite character? Did the problem ever get resolved? No one likes that feeling.
Cassandra Clare did a wonderful job of making the reader feel like the series had all of its loose ends tied up. People found or lost their loves. Villains plotted and heroes fought. It was beautiful. (And incredibly long.) I never found myself drifting from the text, although I love long books, so I may be biased. Each change of scene held my attention and I was loathe to put the book down each night to go to sleep. While I am sure that there were some scenes or dialogue that could have been trimmed to improve the flow of the novel, I never found those things distracting to me as the reader.
I also praise Cassandra Clare for the way she writes her dialogue. The characters seem so much more realistic as a result. I find myself laughing at the jokes or smirking when Jace or Clary say something snarky/sarcastic. I'm left with lines or quotes that I absolutely love (and save to my goodreads quotes.)
SPOILERS:
I love Jace and Clary's relationship. They are supportive of one another, and I believe bring out the best in the other. But they are not perfect, which makes the coupling that much more authentic. You relate to Clary (unless you're a brunette bombshell, Izzy, or you know... Excessively hairy and prone to outbursts when the moon is full, Maia) because she is authentic. She has her selfish moments, times when she is incredibly strong and others when she's unbelievably stubborn. Jace is the guy you wish actually existed because he's strong, protective, and maybe, when he lets his guard down, just a little bit sensitive.
I'm just wondering one thing - why did Jace expect to have sex (for the first time, mind you) with Clary in the demon dimension? The one they expected to die in. Boys.
Izzy and Simon? Well they don't make as much sense, but are still cute together in their own way. Simon is generally the perfect sidekick. The best friend you always wanted and sometimes the one you never knew you needed. Izzy is the female archetype that you should live up to - tough, courageous, and loyal.
Cassandra Clare did a wonderful job of making the reader feel like the series had all of its loose ends tied up. People found or lost their loves. Villains plotted and heroes fought. It was beautiful. (And incredibly long.) I never found myself drifting from the text, although I love long books, so I may be biased. Each change of scene held my attention and I was loathe to put the book down each night to go to sleep. While I am sure that there were some scenes or dialogue that could have been trimmed to improve the flow of the novel, I never found those things distracting to me as the reader.
I also praise Cassandra Clare for the way she writes her dialogue. The characters seem so much more realistic as a result. I find myself laughing at the jokes or smirking when Jace or Clary say something snarky/sarcastic. I'm left with lines or quotes that I absolutely love (and save to my goodreads quotes.)
SPOILERS:
I love Jace and Clary's relationship. They are supportive of one another, and I believe bring out the best in the other. But they are not perfect, which makes the coupling that much more authentic. You relate to Clary (unless you're a brunette bombshell, Izzy, or you know... Excessively hairy and prone to outbursts when the moon is full, Maia) because she is authentic. She has her selfish moments, times when she is incredibly strong and others when she's unbelievably stubborn. Jace is the guy you wish actually existed because he's strong, protective, and maybe, when he lets his guard down, just a little bit sensitive.
I'm just wondering one thing - why did Jace expect to have sex (for the first time, mind you) with Clary in the demon dimension? The one they expected to die in. Boys.
Izzy and Simon? Well they don't make as much sense, but are still cute together in their own way. Simon is generally the perfect sidekick. The best friend you always wanted and sometimes the one you never knew you needed. Izzy is the female archetype that you should live up to - tough, courageous, and loyal.
Brown_Flopsy (3 KP) rated Thirteen Reasons Why: (TV Tie-in) in Books
Feb 4, 2018
Contains spoilers, click to show
As a school librarian and in light of the recent Netflix adaptation of this book, I felt that I should read it.
Firstly, I don't think this book actively promotes suicide. I actually think it is the intention of the author to make us think about how our actions affect other people's lives. It is not about revenge. It is about changing your actions...making time to talk to that person you think may need someone to talk to....being kinder. Listening to the tapes makes Clay appreciate that a person's actions can influence another's life in ways you do not realise and that making an effort to really get to know someone else can help them be happier if they are struggling.
However, this is definitely not a book to be given to someone who is suffering from depression. This is not a self-help book. Hannah is in a cycle of self-destruction, a downward spiral she is not able to escape from. She has already made up her mind that she cannot carry on and I am not sure she can be diverted from her course in the end. Mr Porter tries to help her talk, but unintentionally confirms the decision she has already made. I have not suffered from depression myself, but am very aware of what this can lead to and I can see that the book could be read in a way which could offer suicide as an option to someone who is in a dark place.
If you are worried about whether to recommend this book, or allow a young person to read this, my advice would be that this is not a story for younger children - this is a dark and sometimes sexual story and does have a rape in it. I would not recommend this book for anyone under the age of 15/16, because of this.
In addition, be aware that this is not a story for someone who suffers from depression as it can be read in a way which seems to offer suicide as an acceptable option if you can see youself in the same place as Hannah finds herself, although this is not its intention. Be aware of who is reading this book. It is, however an interesting read and does open the discussion about suicide, just be careful about who you recommend this to and do talk about it with them both before and afterwards.
Having said all this, I did enjoy reading the book and don't believe that the author intends anything dark by it or suggests intentionally that suicide is a way to get revenge on others.
The Netflix series worries me far more than the book itself. This strings out the story in a way which seems to glamorise Hannah's tapes and the idea of revenge on those that caused her suffering to make it into a "teen drama full of angst". I would be very worried about letting youngsters watch this series.
The Netflix series is horrific. This oringinally had a certificate of 15, but this was been amended to 18. The tv show definitely does not leave you with the same feelings as the book and most certainly is not for children. The final episode even shows Hannah sitting in a bath and cutting into her veins with a razor blade. Please do not watch this if you liked the book. Jay Asher, you should be ashamed that you had anything to do with this!
Firstly, I don't think this book actively promotes suicide. I actually think it is the intention of the author to make us think about how our actions affect other people's lives. It is not about revenge. It is about changing your actions...making time to talk to that person you think may need someone to talk to....being kinder. Listening to the tapes makes Clay appreciate that a person's actions can influence another's life in ways you do not realise and that making an effort to really get to know someone else can help them be happier if they are struggling.
However, this is definitely not a book to be given to someone who is suffering from depression. This is not a self-help book. Hannah is in a cycle of self-destruction, a downward spiral she is not able to escape from. She has already made up her mind that she cannot carry on and I am not sure she can be diverted from her course in the end. Mr Porter tries to help her talk, but unintentionally confirms the decision she has already made. I have not suffered from depression myself, but am very aware of what this can lead to and I can see that the book could be read in a way which could offer suicide as an option to someone who is in a dark place.
If you are worried about whether to recommend this book, or allow a young person to read this, my advice would be that this is not a story for younger children - this is a dark and sometimes sexual story and does have a rape in it. I would not recommend this book for anyone under the age of 15/16, because of this.
In addition, be aware that this is not a story for someone who suffers from depression as it can be read in a way which seems to offer suicide as an acceptable option if you can see youself in the same place as Hannah finds herself, although this is not its intention. Be aware of who is reading this book. It is, however an interesting read and does open the discussion about suicide, just be careful about who you recommend this to and do talk about it with them both before and afterwards.
Having said all this, I did enjoy reading the book and don't believe that the author intends anything dark by it or suggests intentionally that suicide is a way to get revenge on others.
The Netflix series worries me far more than the book itself. This strings out the story in a way which seems to glamorise Hannah's tapes and the idea of revenge on those that caused her suffering to make it into a "teen drama full of angst". I would be very worried about letting youngsters watch this series.
The Netflix series is horrific. This oringinally had a certificate of 15, but this was been amended to 18. The tv show definitely does not leave you with the same feelings as the book and most certainly is not for children. The final episode even shows Hannah sitting in a bath and cutting into her veins with a razor blade. Please do not watch this if you liked the book. Jay Asher, you should be ashamed that you had anything to do with this!
Chuggington Traintastic Adventures Free – A Train Set Game for Kids
Games and Education
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Budge Studios™ presents Chuggington Traintastic Adventures! Traintastic Adventures await in this...
Chris Sawin (602 KP) rated The Ice Age Adventures of Buck Wild (2022) in Movies
Jan 30, 2022
The mimicking raptor (1 more)
The, "power of our spleens," line of dialogue.
Horrendously ugly animation. (2 more)
A terribly boring screenplay.
Humor that is so painfully unfunny.
The Ice Age Adventures of Buck Wild is the first Disney produced film of the franchise and the first Ice Age film to go directly to streaming. None of the original cast members return other than Simon Pegg as Buck Wild. Scrat is nowhere to be found and the animation is a noticeable downgrade. This project began with the intention of being a new Ice Age TV series, but was then repurposed into an 81-minute feature-length film.
Crash and Eddie (now voiced by Vincent Tong and Aaron Harris) have gotten the itch to branch out on their own. Being a part of the herd with Manny, Diego, Sid, and Ellie has finally reached a boiling point. After ruining a summer getaway with an ice-alanche, Manny encourages Crash and Eddie to go off on their own adventure. He never thought the death portraying duo would take his words to heart.
The possums venture back deep below the ice and back to The Lost World where they are reunited with Buck Wild (Pegg). However, their reunion is bittersweet as a big-headed and big-brained Protoceratops named Orson (Utkarsh Ambudkar, Free Guy) has just returned from exile where he intends to use his raptor henchmen to rule over every living mammal.
This new Ice Age film is animated by Canadian animation company Bardel Entertainment. Other CGI related works Bardel has had a hand in producing include Angry Birds Blues, Teenage Mutant Ninja Turtles (2012), All Hail King Julien, The Adventures of Puss in Boots, and the Monsters vs. Aliens TV series. The animation in Adventures of Buck Wild is incredibly ugly. Scenery and background characters are minimally detailed and look like poorly colored blobs with a limited color palette.
The film has a very direct-to-video ambiance to it. It’s kind of like watching Reboot or Beast Wars: Transformers today, but what those series lack in animation they make up for with exceptional writing. The Adventures of Buck Wild mostly feels like Disney’s quick attempt at a cash grab after dissolving Blue Sky Studios in 2021. The animation is a bit better when it comes to close-ups of characters as strands of hair have more detail. It still doesn’t help the horrendous character design. Orson is basically the dinosaur version of Yosemite Sam while his raptors look like Wheelie from Transformers: Revenge of the Fallen.
Directed by John C. Donkin (producer of the first three Ice Age films, Rio and Rio 2, and Robots) and written by Ray DeLaurentis (Fairly Oddparents), Jim Hecht (Ice Age: The Meltdown), and William Schifrin (Quest for Camelot), Adventures of Buck Wild has stale writing that has a few noteworthy moments. Most of the attempts at humor are met with eyerolling, severe facepalms, or shaking your head with disgust. The raptor that copies everything Orson does may be the best comedic relief the films has and the, “Power of spleens,” bit is easily the best line of dialogue.
Buck Wild is a seriously bizarre character though. He formed his own team and inadvertently destroyed it since he last met Crash and Eddie. Being alone has obviously taken its toll on him. He now talks to his left hand in a silly voice and has a pumpkin daughter that is babysat by a cucumber. Zee, a former team member and ex-best friend of Buck, is a zorilla/striped polecat. She looks like a raccoon, but is super agile and can spray like a skunk. Her and Buck are incredibly similar other than the fact that Buck likes to rush into battle without any sort of preparation whereas Zee likes to train and plan before facing an enemy.
It would have been so incredibly satisfying if Disney had debuted an Ice Age film with solid animation, laugh out loud humor, a well-written story, and likeable or even downright despicable characters. Having those elements would have at least given fans of the franchise thus far that Disney had a vision of where to take Ice Age in the foreseeable future. Instead we get this lackluster dud of a film that is boring to look at and is mostly massively unfunny while making most of the characters – old and new – forgettable. When Zee first meets Crash and Eddie, Buck says something along the lines of, “What they lack in courage they make up for with bumbling ineptitude.” That is all The Adventures of Buck Wild is; an unnecessary animated excursion into bumbling ineptitude.
Crash and Eddie (now voiced by Vincent Tong and Aaron Harris) have gotten the itch to branch out on their own. Being a part of the herd with Manny, Diego, Sid, and Ellie has finally reached a boiling point. After ruining a summer getaway with an ice-alanche, Manny encourages Crash and Eddie to go off on their own adventure. He never thought the death portraying duo would take his words to heart.
The possums venture back deep below the ice and back to The Lost World where they are reunited with Buck Wild (Pegg). However, their reunion is bittersweet as a big-headed and big-brained Protoceratops named Orson (Utkarsh Ambudkar, Free Guy) has just returned from exile where he intends to use his raptor henchmen to rule over every living mammal.
This new Ice Age film is animated by Canadian animation company Bardel Entertainment. Other CGI related works Bardel has had a hand in producing include Angry Birds Blues, Teenage Mutant Ninja Turtles (2012), All Hail King Julien, The Adventures of Puss in Boots, and the Monsters vs. Aliens TV series. The animation in Adventures of Buck Wild is incredibly ugly. Scenery and background characters are minimally detailed and look like poorly colored blobs with a limited color palette.
The film has a very direct-to-video ambiance to it. It’s kind of like watching Reboot or Beast Wars: Transformers today, but what those series lack in animation they make up for with exceptional writing. The Adventures of Buck Wild mostly feels like Disney’s quick attempt at a cash grab after dissolving Blue Sky Studios in 2021. The animation is a bit better when it comes to close-ups of characters as strands of hair have more detail. It still doesn’t help the horrendous character design. Orson is basically the dinosaur version of Yosemite Sam while his raptors look like Wheelie from Transformers: Revenge of the Fallen.
Directed by John C. Donkin (producer of the first three Ice Age films, Rio and Rio 2, and Robots) and written by Ray DeLaurentis (Fairly Oddparents), Jim Hecht (Ice Age: The Meltdown), and William Schifrin (Quest for Camelot), Adventures of Buck Wild has stale writing that has a few noteworthy moments. Most of the attempts at humor are met with eyerolling, severe facepalms, or shaking your head with disgust. The raptor that copies everything Orson does may be the best comedic relief the films has and the, “Power of spleens,” bit is easily the best line of dialogue.
Buck Wild is a seriously bizarre character though. He formed his own team and inadvertently destroyed it since he last met Crash and Eddie. Being alone has obviously taken its toll on him. He now talks to his left hand in a silly voice and has a pumpkin daughter that is babysat by a cucumber. Zee, a former team member and ex-best friend of Buck, is a zorilla/striped polecat. She looks like a raccoon, but is super agile and can spray like a skunk. Her and Buck are incredibly similar other than the fact that Buck likes to rush into battle without any sort of preparation whereas Zee likes to train and plan before facing an enemy.
It would have been so incredibly satisfying if Disney had debuted an Ice Age film with solid animation, laugh out loud humor, a well-written story, and likeable or even downright despicable characters. Having those elements would have at least given fans of the franchise thus far that Disney had a vision of where to take Ice Age in the foreseeable future. Instead we get this lackluster dud of a film that is boring to look at and is mostly massively unfunny while making most of the characters – old and new – forgettable. When Zee first meets Crash and Eddie, Buck says something along the lines of, “What they lack in courage they make up for with bumbling ineptitude.” That is all The Adventures of Buck Wild is; an unnecessary animated excursion into bumbling ineptitude.