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Fred (860 KP) rated The Haunting of Hill House in TV
Oct 24, 2018
Genuinely creepy (2 more)
The tall man
The amazing 6th episode
Horror done right
What is the chance that I would watch the original "The Haunting" movie, only to see that the following day, a TV show based on the book that spawned the original movie, would appear on Netflix? Well, this is what happened to me. I'll start by saying I love the original movie. I love the psychological aspect of the horror. Sounds & shapes can be so much more terrifying that gore & jump-scares. When I saw the show under my recommendations, I couldn't wait, so I just jumped in.
I am not one to binge watch shows. My time is limited & I watch lots of stuff. But I was immediately hooked on this show. I watched half the season in one day & the rest the following.
The show does a very good job in taking the original movie's plot, changing things around & creating a terrifying tale that takes the psychological horror of the original, mixes it with some minor jump-scares & a compelling story of a family dealing with it's own demons as well as the spirits that live within Hell House. Yes, that was a very long sentence, which reminds me of the 6th episode, which is filled with long shots. The camera spins around, while things change around them. in fact, throughout the series, things change all the time. Sometimes statues turn their heads, ghosts appear in the background, faces appear in the furniture. Once I noticed one of these faces, just there, staring at the family. My fiance didn't even notice. I backed it up to show her. She went "Ooh! How did I not see that?"
The story does jump around in time, showing when the family first moved into the house, with 5 children & their parents & then in current day, still being haunted & compelled by the house. Every actor in the show is fantastic. Even the children really pull it off.
The ghosts in the show are creepy as all hell. My favorite is the tall man. I haven't been freaked out by a movie or TV show in decades, but I held my breath & stared as he...well, just watch.
I have recommended this to all my friends & those who watched it all got back to me to thank me. So, I'm recommending it to all of you too.
I am not one to binge watch shows. My time is limited & I watch lots of stuff. But I was immediately hooked on this show. I watched half the season in one day & the rest the following.
The show does a very good job in taking the original movie's plot, changing things around & creating a terrifying tale that takes the psychological horror of the original, mixes it with some minor jump-scares & a compelling story of a family dealing with it's own demons as well as the spirits that live within Hell House. Yes, that was a very long sentence, which reminds me of the 6th episode, which is filled with long shots. The camera spins around, while things change around them. in fact, throughout the series, things change all the time. Sometimes statues turn their heads, ghosts appear in the background, faces appear in the furniture. Once I noticed one of these faces, just there, staring at the family. My fiance didn't even notice. I backed it up to show her. She went "Ooh! How did I not see that?"
The story does jump around in time, showing when the family first moved into the house, with 5 children & their parents & then in current day, still being haunted & compelled by the house. Every actor in the show is fantastic. Even the children really pull it off.
The ghosts in the show are creepy as all hell. My favorite is the tall man. I haven't been freaked out by a movie or TV show in decades, but I held my breath & stared as he...well, just watch.
I have recommended this to all my friends & those who watched it all got back to me to thank me. So, I'm recommending it to all of you too.
BankofMarquis (1832 KP) rated The Marvels (2022) in Movies
Nov 10, 2023
Fun. Lightweight Romp
If you, like many others, have opted out of the past few Marvel Cinematic Universe (MCU) films and are, likewise, suffering from “SuperHero” fatigue but are now looking for a re-entry into the MCU, then THE MARVELS is the film for you, for unlike some previous MCU films, it does not take much in the way of previous knowledge to get into the flow of this (somewhat) lightweight, fun action comic-book flick.
Academy Award winner Brie Larson returns as Captain Marvel and is joined (literally) with Monica Rambeau (Teyonah Parris - who’s SuperHero Origin story can be found in the DisneyPlus TV Series WANDAVISION, but is summed up pretty quickly here, so you’ll get the drift) as well as young MS. MARVEL (Iman Vellani, who’s origin story is told in the DisnePlus TV Series MS. MARVEL but who’s story is summed pretty quickly - and pretty well - here). They join forces to fight a villain, Dar-Benn (Zawe Ashton) intent on inflicting revenge/punishment on Captain Marvel. Also along for the ride is good ol’ Samuel L. Jackson as Nick Fury (in his 15th appearance in an MCU vehicle). They all bounce around the scenarios with a winking knowledge - and earnestness - about what kind of movie they are making…and with which what tone they need to hit.
In the hands of Director Nia DaCosta (the 2020 remake of CANDYMAN), THE MARVELS moves along at a brisk pace, injecting some humor and decent (enough) action sequences and CGI mixed in with a clever segment or 2 (one scene set to a classic Musical Theater song is worth the price of admission in and of itself). There is enough light, breezy sequences and banter that the main word that comes out of this film is “fun”. DaCosta succeeds, very well, with fun in this film. Where she doesn’t succeed as well is in emotional heft. Captain Marvel is given a few “self reflective” moments and while Larson is a terrific actor and tries to succeed with these moments, they didn’t feel earned, so they fell flat. Unfortunately, the other characters are there to battle and throw off one-liners…and not much more.
Wisely, DaCosta limits this film to 1 hours and 45 minutes - the shortest MCU film to date - and this is a positive for she just “gets to it” and doesn’t linger on any of the moments that don’t work or would fall apart if anyone had anytime to think about them.
And, of course, the “extra scenes” (an MCU staple) set up 2 new franchises, so you want to stick around for them (but you don’t need to stick around to the end of the credits).
All-in-all - Ms. Marvel is a fun, lightweight romp that will entertain for the time you are in the cineplex. But not much more. But…isn’t that what going to the movies is all about?
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Academy Award winner Brie Larson returns as Captain Marvel and is joined (literally) with Monica Rambeau (Teyonah Parris - who’s SuperHero Origin story can be found in the DisneyPlus TV Series WANDAVISION, but is summed up pretty quickly here, so you’ll get the drift) as well as young MS. MARVEL (Iman Vellani, who’s origin story is told in the DisnePlus TV Series MS. MARVEL but who’s story is summed pretty quickly - and pretty well - here). They join forces to fight a villain, Dar-Benn (Zawe Ashton) intent on inflicting revenge/punishment on Captain Marvel. Also along for the ride is good ol’ Samuel L. Jackson as Nick Fury (in his 15th appearance in an MCU vehicle). They all bounce around the scenarios with a winking knowledge - and earnestness - about what kind of movie they are making…and with which what tone they need to hit.
In the hands of Director Nia DaCosta (the 2020 remake of CANDYMAN), THE MARVELS moves along at a brisk pace, injecting some humor and decent (enough) action sequences and CGI mixed in with a clever segment or 2 (one scene set to a classic Musical Theater song is worth the price of admission in and of itself). There is enough light, breezy sequences and banter that the main word that comes out of this film is “fun”. DaCosta succeeds, very well, with fun in this film. Where she doesn’t succeed as well is in emotional heft. Captain Marvel is given a few “self reflective” moments and while Larson is a terrific actor and tries to succeed with these moments, they didn’t feel earned, so they fell flat. Unfortunately, the other characters are there to battle and throw off one-liners…and not much more.
Wisely, DaCosta limits this film to 1 hours and 45 minutes - the shortest MCU film to date - and this is a positive for she just “gets to it” and doesn’t linger on any of the moments that don’t work or would fall apart if anyone had anytime to think about them.
And, of course, the “extra scenes” (an MCU staple) set up 2 new franchises, so you want to stick around for them (but you don’t need to stick around to the end of the credits).
All-in-all - Ms. Marvel is a fun, lightweight romp that will entertain for the time you are in the cineplex. But not much more. But…isn’t that what going to the movies is all about?
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Suswatibasu (1701 KP) rated Time: The Kalief Browder Story in TV
Sep 19, 2017
Bawled like like baby, heartwrenching, horrific and utterly disgusted
It's been a while since any TV series or film has affected me as much as the Kalief Browder story. I think it made me feel nauseous at one point. The level of hideous injustice Browder faced, more so the fact he was just a boy, is worse than most police corruption cases covered by the media.
An innocent boy was held without trial, without conviction for three years in one of the most notorious prisons (Rikers Prison) where he was beaten senselessly by correction officers and inmates alike. He was then held in solitary confinement for 322 days (UN calls 15 days a human rights violation), tortured, starved and attempted suicide. This is New York. This is the American justice system.
When he was eventually released his mental health suffered, and it just gets worse and worse. I won't say anymore before I burst into tears again.
There are some remarkable interviews in here with Kalief's family, who were torn to shreds, top speakers such as Attorney General Eric Holder, "The New Jim Crow" author Michelle Alexander, journalist Shaun King, and even Jay-Z and Rosie O'Donnell, who were close friends. The biggest take away is how broken the system is / intended racial segregation and how important it is for the civil rights movement to join forces with the greater American populace to stop further injustices.
Seriously keep the tissues at hand. This is a hundred times more disturbing than Making A Murderer and The Keepers.
An innocent boy was held without trial, without conviction for three years in one of the most notorious prisons (Rikers Prison) where he was beaten senselessly by correction officers and inmates alike. He was then held in solitary confinement for 322 days (UN calls 15 days a human rights violation), tortured, starved and attempted suicide. This is New York. This is the American justice system.
When he was eventually released his mental health suffered, and it just gets worse and worse. I won't say anymore before I burst into tears again.
There are some remarkable interviews in here with Kalief's family, who were torn to shreds, top speakers such as Attorney General Eric Holder, "The New Jim Crow" author Michelle Alexander, journalist Shaun King, and even Jay-Z and Rosie O'Donnell, who were close friends. The biggest take away is how broken the system is / intended racial segregation and how important it is for the civil rights movement to join forces with the greater American populace to stop further injustices.
Seriously keep the tissues at hand. This is a hundred times more disturbing than Making A Murderer and The Keepers.
Christine A. (965 KP) rated The Shadows in Books
Aug 24, 2020
I was provided with a complimentary copy of this book so I could give an honest review. The opinions are entirely my own, and any quotes are taken from the ARC and may be different in the final published copy.
While I have "read" audiobooks for years now, this is the first one I was given to review. Let me catch my breath before starting. Wow! OK. Wow! That needed to be said.
Alex North's "debut" novel, The Whisper Man, was a 2019 Goodreads Choice Award Nominee for Mystery & Thriller. When I finished reading it, I immediately added his second book, The Shadows, to my must-read list.
The narrators of The Shadows are Hannah Arterton and John Heffernan. The combination of North's writing and Arterton and Heffernan's narration provides a story that feels as if the narrators are the characters themselves, sitting by a fire, retelling North's story, and not merely reading the story. It is their narration that helps North bring the listener down the rabbit hole and ending up questioning everything they thought was true. I needed to reread sections to see how I could have gotten everything so wrong.
North is a British crime writer who has previously published under another name. According to Goodreads, this is Arterton's first narration. While Heffernan has narrated a few novels, he writes mostly for film and TV but also wrote Driver For The Dead, his first comic book series.
This 200-word review was published on Philomathinphila.com on 7/14/20 and updated on 8/24/20.
While I have "read" audiobooks for years now, this is the first one I was given to review. Let me catch my breath before starting. Wow! OK. Wow! That needed to be said.
Alex North's "debut" novel, The Whisper Man, was a 2019 Goodreads Choice Award Nominee for Mystery & Thriller. When I finished reading it, I immediately added his second book, The Shadows, to my must-read list.
The narrators of The Shadows are Hannah Arterton and John Heffernan. The combination of North's writing and Arterton and Heffernan's narration provides a story that feels as if the narrators are the characters themselves, sitting by a fire, retelling North's story, and not merely reading the story. It is their narration that helps North bring the listener down the rabbit hole and ending up questioning everything they thought was true. I needed to reread sections to see how I could have gotten everything so wrong.
North is a British crime writer who has previously published under another name. According to Goodreads, this is Arterton's first narration. While Heffernan has narrated a few novels, he writes mostly for film and TV but also wrote Driver For The Dead, his first comic book series.
This 200-word review was published on Philomathinphila.com on 7/14/20 and updated on 8/24/20.
Charlie Cobra Reviews (1840 KP) rated The Order in TV
Jul 6, 2020 (Updated Jul 6, 2020)
Don't Call Them Witches - 7/10
The Order is a 2019 supernatural horror/drama tv series created by Dennis Heaton and a team of writers including: Dennis Heaton, Shelley Eriksen, Rachel Langer, Jennica Harper, Penny Gummerson and Jason Filiatrault. The show was produced by Nomadic Pictures with producers Petros Danabassis, Jay Daniel Beechinor, and Morris Chapdelaine and released on Netflix in March. The shows stars Jake Manley, Sarah Grey, Matt Frewer, and Max Martini.
Thrust into a world of magic and monsters (werewolves), Jack Morten (Jake Manley) must pledge himself to a secret society so that he can avenge the death of his mother by their leader, Edward Coventry (Max Martini). His only family is his grandfather, "Pops" (Matt Frewer), the genius behind their plan for him to infiltrate the order and learn what he can to bring them down from the inside. Things go from bad to worse as he uncovers The Hermetic Order of the Blue Rose are practitioners of magic and someone or something is killing their pledges on campus. And more complications arise as he becomes enamoured with a higher ranking member Alyssa Drake (Sarah Grey) and a group of Knights whose mission is to stop evil magic users.
The Order is a decent show. I liked it alot but it was hard for me to get behind. It definitely has a lot of flaws and I can see a lot of people (like critics) tearing this show apart. That being said, I can't believe it has 100% on rotten tomatoes at this point or that it has been renewed for a second season. It was pretty slow building to me especially because I thought it was only going to be a secret society type show like the movie The Skulls but with a werewolf angle to it. I was very surprised when it was more about a magic secret society and later had a werewolf element to it. What I really didn't care for so much was the love theme to it that made me want to compare it to Twilight. You'll know what I'm talking about if you give it a chance. I really wanted to give this show a 6. There was a lot to hate in this show but it did get better towards the end. One thing the dialogue was full of cussing, which I didn't mind at all but it felt very amateurish. It made me laugh a lot but it also made me feel like the writers were in high school still. And I believe it's the main reason for the TV-MA rating. Which is another complaint I had. I don't think that for a rated TV-MA show, particularly a horror one, did they have enough violence, blood or gore. It felt very watered down to me in those respects. To me it seems like it was a cool idea, they had good actors who suffered from poor script and dialogue with a decent enough plot but a director(s) who were going for more of a Twilight vibe. As it gets farther into it did get better but barely got a 7 from me. As I write this I'm still contemplating whether to change my rating. It did do somethings quite well. They didn't mess up on the werewolves and even did them in a unique way and I appreciated the world building and
lore that they brought to them. Even the way they portrayed magic in the series was well done. I also generally liked the second half of the seasons' story arc and plot. I give this show a 7/10. I don't recommend it to anyone unless you were a big fan of the Twilight films or if you are just someone who watches anything with magic or werewolves.
Thrust into a world of magic and monsters (werewolves), Jack Morten (Jake Manley) must pledge himself to a secret society so that he can avenge the death of his mother by their leader, Edward Coventry (Max Martini). His only family is his grandfather, "Pops" (Matt Frewer), the genius behind their plan for him to infiltrate the order and learn what he can to bring them down from the inside. Things go from bad to worse as he uncovers The Hermetic Order of the Blue Rose are practitioners of magic and someone or something is killing their pledges on campus. And more complications arise as he becomes enamoured with a higher ranking member Alyssa Drake (Sarah Grey) and a group of Knights whose mission is to stop evil magic users.
The Order is a decent show. I liked it alot but it was hard for me to get behind. It definitely has a lot of flaws and I can see a lot of people (like critics) tearing this show apart. That being said, I can't believe it has 100% on rotten tomatoes at this point or that it has been renewed for a second season. It was pretty slow building to me especially because I thought it was only going to be a secret society type show like the movie The Skulls but with a werewolf angle to it. I was very surprised when it was more about a magic secret society and later had a werewolf element to it. What I really didn't care for so much was the love theme to it that made me want to compare it to Twilight. You'll know what I'm talking about if you give it a chance. I really wanted to give this show a 6. There was a lot to hate in this show but it did get better towards the end. One thing the dialogue was full of cussing, which I didn't mind at all but it felt very amateurish. It made me laugh a lot but it also made me feel like the writers were in high school still. And I believe it's the main reason for the TV-MA rating. Which is another complaint I had. I don't think that for a rated TV-MA show, particularly a horror one, did they have enough violence, blood or gore. It felt very watered down to me in those respects. To me it seems like it was a cool idea, they had good actors who suffered from poor script and dialogue with a decent enough plot but a director(s) who were going for more of a Twilight vibe. As it gets farther into it did get better but barely got a 7 from me. As I write this I'm still contemplating whether to change my rating. It did do somethings quite well. They didn't mess up on the werewolves and even did them in a unique way and I appreciated the world building and
lore that they brought to them. Even the way they portrayed magic in the series was well done. I also generally liked the second half of the seasons' story arc and plot. I give this show a 7/10. I don't recommend it to anyone unless you were a big fan of the Twilight films or if you are just someone who watches anything with magic or werewolves.
Bob Mann (459 KP) rated David Brent: Life on the Road (2017) in Movies
Sep 29, 2021
A squirm-athon from beginning to end.
“Life on the Road” is a mockumentary sequel to the classic British version of the TV comedy “The Office” (obviously later remade for the US market and featuring Steve Carell). Ricky Gervais played the ego-centric David Brent, a monster of a character who exercised what little control he had in his managerial role at a Slough paper company.
Here in “Life on the Road” we join Brent 15 years later where he has taken a rung or two down the career ladder and is working as a sales rep for Lavachem, a sanitary goods manufacturer, also based in Slough.
But Brent still harbours a dream of making it big in the rock world with his middle-of-the-road band called ‘Foregone Conclusion (2)’. Gathering around him his ethnic rapper ‘friend’ Dom Johnson (Doc Brown) and a band of session musicians (who can’t stand him), Brent cashes in “several pensions” to fund a tour of the venues of Berkshire… or at least, those that will give stage time over to a “shite band”. As the tour delivers predictably diminishing returns, and no record-company interest (at least, not in him) Brent is forced to face his inner demons and some uncomfortable truths.
Bringing TV comedy characters to screen is fraught with difficulty, and few have successfully done it. Even legends like Morecambe and Wise struggled with a series of lacklustre films. Perhaps in recent times Steve Coogan’s Alan Partridge has come closest with “Alan Partridge – Alpha Papa” and indeed there are a lot of similarities visible between Partridge and Brent: both have extreme ego issues and self-centredness. But there are significant differences as well, for while Partridge is just an irritatingly loud and obnoxious minor-celebrity Brent – as this film makes much clearer – has real mental illness.
Brent - the sun shines out of his earhole.
Brent – the sun shines out of his earhole.
Is this therefore a comedy at all? Well, yes, but in a very black way. There are certainly moments of excellent humour, with the tattooing scene being a high-point. But the result of watching Brent’s progressive decline, with his nervous laugh as a constant ‘fingernails on chalk board’ reminder of his insecurity, results in a level of audience squirming that is palpable. Everything he does is perverse, from describing in excruciating detail every song before singing it, to spending his money on multiple hotel rooms when every gig is within the County of Berkshire.
As a black comedy its important that it doesn’t outstay its welcome, and at 96 minutes it doesn’t. However, the film lacks the courage of its own dark convictions, and unnecessarily switches tack in the last reel to provide a degree of redemption for Brent. Whilst ‘sweet’, it is also implausible given what’s happened before and I would have suspected the interference of the director in lightening the mood of the writer’s original intent. However, as Gervais is both writer and director, there is no such excuse. That’s a shame.
So, in summary, an uncomfortable watch that aligns appropriately with the high squirm factor of the original TV show. Prepare to laugh, but feel a bit guilty in doing so.
Here in “Life on the Road” we join Brent 15 years later where he has taken a rung or two down the career ladder and is working as a sales rep for Lavachem, a sanitary goods manufacturer, also based in Slough.
But Brent still harbours a dream of making it big in the rock world with his middle-of-the-road band called ‘Foregone Conclusion (2)’. Gathering around him his ethnic rapper ‘friend’ Dom Johnson (Doc Brown) and a band of session musicians (who can’t stand him), Brent cashes in “several pensions” to fund a tour of the venues of Berkshire… or at least, those that will give stage time over to a “shite band”. As the tour delivers predictably diminishing returns, and no record-company interest (at least, not in him) Brent is forced to face his inner demons and some uncomfortable truths.
Bringing TV comedy characters to screen is fraught with difficulty, and few have successfully done it. Even legends like Morecambe and Wise struggled with a series of lacklustre films. Perhaps in recent times Steve Coogan’s Alan Partridge has come closest with “Alan Partridge – Alpha Papa” and indeed there are a lot of similarities visible between Partridge and Brent: both have extreme ego issues and self-centredness. But there are significant differences as well, for while Partridge is just an irritatingly loud and obnoxious minor-celebrity Brent – as this film makes much clearer – has real mental illness.
Brent - the sun shines out of his earhole.
Brent – the sun shines out of his earhole.
Is this therefore a comedy at all? Well, yes, but in a very black way. There are certainly moments of excellent humour, with the tattooing scene being a high-point. But the result of watching Brent’s progressive decline, with his nervous laugh as a constant ‘fingernails on chalk board’ reminder of his insecurity, results in a level of audience squirming that is palpable. Everything he does is perverse, from describing in excruciating detail every song before singing it, to spending his money on multiple hotel rooms when every gig is within the County of Berkshire.
As a black comedy its important that it doesn’t outstay its welcome, and at 96 minutes it doesn’t. However, the film lacks the courage of its own dark convictions, and unnecessarily switches tack in the last reel to provide a degree of redemption for Brent. Whilst ‘sweet’, it is also implausible given what’s happened before and I would have suspected the interference of the director in lightening the mood of the writer’s original intent. However, as Gervais is both writer and director, there is no such excuse. That’s a shame.
So, in summary, an uncomfortable watch that aligns appropriately with the high squirm factor of the original TV show. Prepare to laugh, but feel a bit guilty in doing so.
Emma @ The Movies (1786 KP) rated The Secret Life of Pets 2 (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Have they made a TV series out of this yet? If not, why not? Secret Life Of Pets would be amazingly suited to being a TV series. While the whole film is quite entertaining, there's no denying that the little "intro" bits where we see the pets at home or get little skits outside the main storyline are the best bits. If anyone remembers Garfield & Friends, that's the format I could see it working in. As it is, Secret Life Of Pets 2 is a film of three parts... but not the beginning/middle/end type. We've got three individual storylines that do at least sort of meet up at the end.
There were a lot of teaser trailers for this and sadly it meant a lot of the scenes were pre-seen in some way, shape or form. I was surprised that none of them had any extra footage that was held back. I loved the vet clip and cat training montage, but there wasn't a single new moment to make them even better.
These two scenes in particular stuck out for another reason, they really highlighted the music. It's fun and a little jazzy, but it's also slightly too loud when combined with the speech which means it doesn't feel like it's in the background anymore.
The film starts out with Max getting used to the fact that there's now a child in his home. Initially he's apprehensive but soon he warms to Liam and goes out of his way to protect him from the dangers of the world. His hypersensitivity to everything has made him nervous and he needs to overcome this if he's going to deal with Liam going to pre-school.
Meanwhile, Captain Snowball is involved in his first case, a kitten that's been catnapped... well, a white tiger who has been chained and tormented by a circus. Snowball and Daisy must execute the perfect heist and free Hu from the evil Sergei's clutches.
Our third storyline doesn't fit in with the other two so well but it's possibly my favourite. Max has asked Gidget to look after his favourite toy and in a terrible accident it bounces out of her window and ends up landing in a neighbour's front room. That neighbour is definitely a cat person. Gidget must enlist the help of Chloe to learn how to be a cat so she can infiltrate her home and rescue the toy. This leads to my favourite scene in the whole film. Plan B has to be the best plan anyone has ever come up with, and Gidget really does deserve the admiration for it.
Secret Life Of Pets 2 is another amusing addition to the Illumination catalogue, and it's certainly not the worst. I've seen it twice and it's entertaining enough to watch more than once (although probably not as close together as I saw it). There are enough moments to keep everyone engaged, there are worse ways to spend some time.
What you should do
I think this will be a good option for a family outing, well worth seeing and it seems to be particularly popular with the kids.
Movie thing you wish you could take home
I think I'd want Chloe, even though I'm a bit of a dog person.
There were a lot of teaser trailers for this and sadly it meant a lot of the scenes were pre-seen in some way, shape or form. I was surprised that none of them had any extra footage that was held back. I loved the vet clip and cat training montage, but there wasn't a single new moment to make them even better.
These two scenes in particular stuck out for another reason, they really highlighted the music. It's fun and a little jazzy, but it's also slightly too loud when combined with the speech which means it doesn't feel like it's in the background anymore.
The film starts out with Max getting used to the fact that there's now a child in his home. Initially he's apprehensive but soon he warms to Liam and goes out of his way to protect him from the dangers of the world. His hypersensitivity to everything has made him nervous and he needs to overcome this if he's going to deal with Liam going to pre-school.
Meanwhile, Captain Snowball is involved in his first case, a kitten that's been catnapped... well, a white tiger who has been chained and tormented by a circus. Snowball and Daisy must execute the perfect heist and free Hu from the evil Sergei's clutches.
Our third storyline doesn't fit in with the other two so well but it's possibly my favourite. Max has asked Gidget to look after his favourite toy and in a terrible accident it bounces out of her window and ends up landing in a neighbour's front room. That neighbour is definitely a cat person. Gidget must enlist the help of Chloe to learn how to be a cat so she can infiltrate her home and rescue the toy. This leads to my favourite scene in the whole film. Plan B has to be the best plan anyone has ever come up with, and Gidget really does deserve the admiration for it.
Secret Life Of Pets 2 is another amusing addition to the Illumination catalogue, and it's certainly not the worst. I've seen it twice and it's entertaining enough to watch more than once (although probably not as close together as I saw it). There are enough moments to keep everyone engaged, there are worse ways to spend some time.
What you should do
I think this will be a good option for a family outing, well worth seeing and it seems to be particularly popular with the kids.
Movie thing you wish you could take home
I think I'd want Chloe, even though I'm a bit of a dog person.
BankofMarquis (1832 KP) rated Mission impossible dead reckoning part one (2023) in Movies
Jul 14, 2023
What A Summer Blockbuster Movie Should Be
Boy, that Tom Cruise sure knows how to make a crowd-pleasing, summer blockbuster movie.
Fresh off his cinema-saving success with TOP GUN: MAVERICK, Cruise (and Director Christopher McQuarrie) comes back with another giant summer tentpole film - MISSION IMPOSSIBLE: DEAD RECKONING, PART ONE - and they hit it out of the park again.
The 7th film in the Mission Impossible franchise (which debuted, incredibly, 27 years ago), DEAD RECKONING, PART ONE reunites Ethan Hunt (Tom Cruise) with his band of hero/outlaws to stop yet another world-wide crisis. It’s familiar ground but it is the journey not the destination that makes these types of films work and the journey (which, to be honest, is just an excuse to jump from action set piece to action set piece) is a fun one filled with comfortable characters/actors both old and new.
Besides Cruise (who’s got the Ethan Hunt character down), DR1 is filled with Hunt’s “regular” crew, Luther (Vingh Rhames - the only other actor besides Cruise to be in every MI film), Benji (SImon Pegg - around since MI 3) and Ilsa Faust (Rebecca Ferguson - on board since film 5). These are all familiar, comfortable characters and when the band gets back together about 1/2 way through the film, it felt liking sinking into your couch after a long, hard (but good) day of work to watch your favorite comfort show.
McQuarrie, wisely, populates the rest of the film with new, but comfortably familiar, faces such as Haley Atwell (Agent Carter in the MCU), Shea Wigham (ironically, he played Atwell’s boss in the Agent Carter TV Series), Pom Klementieff as Paris (the name of the character Leonard Nimoy played in the TV Series). Klementieff is also a veteran of the MCU having played Mantis in the Guardians of the Galaxy films, Esai Morales (one of the bosses in NYPD BLUE) and Cary Elwes (the Princess Bride). All bring their “A” game to the adventure and all of them acquit themselves just fine.
Oh…and Henry Czerny reprises his role as Kittridge from the first Mission Impossible film - and it was good to see him, too as was Vanessa Kirby’s re-appearance as Hunt’s “frenemie”, The White Widow (in a role that is a bit more expanded).
But, of course, all of these actors/performances takes a back seat to the action sequences and McQuarrie and Cruise are at the top of their game here. The big action set pieces are a marvel to watch - very enjoyable, exciting, nerve-wracking and easy to follow with some sense of humor rolled in. Unlike another big action flick (that leaned more towards the over-the-top comic-book type action), this Mission Impossible film relies on tension to make these action scenes pop off the screen - and McQuarrie succeeds.
Since this film is labeled as “Part One” you would expect to this film to end on a cliff-hanger and McQuarrie/Cruise were smart about that, too. It is more of “the mission isn’t finished” than a cliff-hanger, which helps this film hold together on it’s own and not just “Part One of a two-parter”.
Very smart, indeed.
A fun romp at the cinema - head out to the biggest screen possible to immerse yourself into this mission, you’ll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
A fun, escapist, action film that is satisfying (and not dumb), MISSION IMPOSSIBLE: DEAD
Fresh off his cinema-saving success with TOP GUN: MAVERICK, Cruise (and Director Christopher McQuarrie) comes back with another giant summer tentpole film - MISSION IMPOSSIBLE: DEAD RECKONING, PART ONE - and they hit it out of the park again.
The 7th film in the Mission Impossible franchise (which debuted, incredibly, 27 years ago), DEAD RECKONING, PART ONE reunites Ethan Hunt (Tom Cruise) with his band of hero/outlaws to stop yet another world-wide crisis. It’s familiar ground but it is the journey not the destination that makes these types of films work and the journey (which, to be honest, is just an excuse to jump from action set piece to action set piece) is a fun one filled with comfortable characters/actors both old and new.
Besides Cruise (who’s got the Ethan Hunt character down), DR1 is filled with Hunt’s “regular” crew, Luther (Vingh Rhames - the only other actor besides Cruise to be in every MI film), Benji (SImon Pegg - around since MI 3) and Ilsa Faust (Rebecca Ferguson - on board since film 5). These are all familiar, comfortable characters and when the band gets back together about 1/2 way through the film, it felt liking sinking into your couch after a long, hard (but good) day of work to watch your favorite comfort show.
McQuarrie, wisely, populates the rest of the film with new, but comfortably familiar, faces such as Haley Atwell (Agent Carter in the MCU), Shea Wigham (ironically, he played Atwell’s boss in the Agent Carter TV Series), Pom Klementieff as Paris (the name of the character Leonard Nimoy played in the TV Series). Klementieff is also a veteran of the MCU having played Mantis in the Guardians of the Galaxy films, Esai Morales (one of the bosses in NYPD BLUE) and Cary Elwes (the Princess Bride). All bring their “A” game to the adventure and all of them acquit themselves just fine.
Oh…and Henry Czerny reprises his role as Kittridge from the first Mission Impossible film - and it was good to see him, too as was Vanessa Kirby’s re-appearance as Hunt’s “frenemie”, The White Widow (in a role that is a bit more expanded).
But, of course, all of these actors/performances takes a back seat to the action sequences and McQuarrie and Cruise are at the top of their game here. The big action set pieces are a marvel to watch - very enjoyable, exciting, nerve-wracking and easy to follow with some sense of humor rolled in. Unlike another big action flick (that leaned more towards the over-the-top comic-book type action), this Mission Impossible film relies on tension to make these action scenes pop off the screen - and McQuarrie succeeds.
Since this film is labeled as “Part One” you would expect to this film to end on a cliff-hanger and McQuarrie/Cruise were smart about that, too. It is more of “the mission isn’t finished” than a cliff-hanger, which helps this film hold together on it’s own and not just “Part One of a two-parter”.
Very smart, indeed.
A fun romp at the cinema - head out to the biggest screen possible to immerse yourself into this mission, you’ll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
A fun, escapist, action film that is satisfying (and not dumb), MISSION IMPOSSIBLE: DEAD
Sarah (7798 KP) rated Stranger Things - Season 1 in TV
Nov 16, 2017
This is a very good, entertaining show, I just really don't think it lives up to all the hype. For me, although i found it fun and interesting to watch, I didn't want to binge watch the whole first season in one go like everyone else seems to have done.
I'll start with the positives. I love the 80s setting, music and title sequence. The whole plot itself is like an amalgamation of The X-Files, Stephen King and 80s films like ET, and King himself is even referenced in an episode to my joy. Its a great throwback to the films of my childhood. The friendship between the younger characters is also very reminiscent of IT and Stand by Me. The characters themselves are in the main well developed and acted. The three boys and Eleven are very good, and I adore David Harbour.
Sadly it isn't perfect. Some of the CGI is a little lacking, the government seem a bit inept at points and I almost feel like the plot has been dumbed down to lessen the scares. Yes there are bits that are creepy and scary, but they couldve done so much more.
In all, this is a very good tv show, one of the best new shows I've seen in quite a while. I don't think it quite lives up to the hype, but I'll still be watching the second series. Just might give the binge watching a miss.
One last thing, after watching IT earlier this year, every time Finn Wolfhard was on screen, all I could think of was "Beep Beep Richie!"...
I'll start with the positives. I love the 80s setting, music and title sequence. The whole plot itself is like an amalgamation of The X-Files, Stephen King and 80s films like ET, and King himself is even referenced in an episode to my joy. Its a great throwback to the films of my childhood. The friendship between the younger characters is also very reminiscent of IT and Stand by Me. The characters themselves are in the main well developed and acted. The three boys and Eleven are very good, and I adore David Harbour.
Sadly it isn't perfect. Some of the CGI is a little lacking, the government seem a bit inept at points and I almost feel like the plot has been dumbed down to lessen the scares. Yes there are bits that are creepy and scary, but they couldve done so much more.
In all, this is a very good tv show, one of the best new shows I've seen in quite a while. I don't think it quite lives up to the hype, but I'll still be watching the second series. Just might give the binge watching a miss.
One last thing, after watching IT earlier this year, every time Finn Wolfhard was on screen, all I could think of was "Beep Beep Richie!"...
Ross (3282 KP) rated Bright (2017) in Movies
Dec 23, 2017
Dialogue (1 more)
The premise
Weird grown up sci-fi Zootropolis
I think Will Smith is having the time of his life. It might be a bit of a mid life crisis, going back into action films but he pulls it off so well and has proven he can do more serious acting. He seems to now be free to pick odd roles that he can have fun with.
The film is set in an alternative reality 2000 years after an epic battle of good and evil. This isn’t explored in too much detail but enough to get the gyst. Good won, orca sided with evil. Now in present day LA the city is run by elves, orcs are the downtrodden members of society and humans pretty much everything in between.
Will Smith is a cop partnered with the force’s first Orc cop. Yes a bit like Zootropolis if you must draw a comparison. He snd his partner become embroiled in a fight to stop evil elves from resurrecting the dark lord, rrying to protect a young Bright (being with magical powers) and a wand from falling into the hands of corrupt cops, orc and human gangbangers and those evil elves.
The action is non-stop and well done, with some real edge of seat moments.
The main Gripe for me was that despite it being 2 hours long there wasn’t time to follow up with how safe Will Smith’s wife and child were during this.
Otherwise really enjoyable film in a very interesting world that I’d love to see more of (I believe there is a sequel planned but a tv series would be great).
The film is set in an alternative reality 2000 years after an epic battle of good and evil. This isn’t explored in too much detail but enough to get the gyst. Good won, orca sided with evil. Now in present day LA the city is run by elves, orcs are the downtrodden members of society and humans pretty much everything in between.
Will Smith is a cop partnered with the force’s first Orc cop. Yes a bit like Zootropolis if you must draw a comparison. He snd his partner become embroiled in a fight to stop evil elves from resurrecting the dark lord, rrying to protect a young Bright (being with magical powers) and a wand from falling into the hands of corrupt cops, orc and human gangbangers and those evil elves.
The action is non-stop and well done, with some real edge of seat moments.
The main Gripe for me was that despite it being 2 hours long there wasn’t time to follow up with how safe Will Smith’s wife and child were during this.
Otherwise really enjoyable film in a very interesting world that I’d love to see more of (I believe there is a sequel planned but a tv series would be great).