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Daniel Boyd (1066 KP) rated Marvel's Daredevil - Season 2 in TV
Jul 21, 2017
Brilliant writing (1 more)
Fantastic performances
Down and Dirty Crimefighting
These shows are fantastic. The Netflix/Marvel TV universe that has been built off of the back of these shows is awesome. If you are a fan of the Marvel Max comic books, then these shows have been made for you. Marvel reintroduces Daredevil (and Punisher in Daredevil Season 2,) in epic fashion. This is a world where the events of the Avengers movies have taken place, but these are gritty, street level stories that tell tales of a more personal, visceral kind of battle. If you like your Marvel superheroes, but find the Avengers too tame, then wade right in. These heroes are foul mouthed, real people who happen to have some amazing abilities. Charlie Cox is a fantastic Matt Murdock and Krysten Ritter is a brilliant Jessica Jones, the supporting characters are also well implemented, such as Elektra, Stick, Foggy Nelson, Karen Paige, Night Nurse, Nuke, Luke Cage and Trish. The villains in each show are also some of the best the Marvel have had so far, Vincent D’Onofrio plays a tragic, but still scheming and suitably evil version of Kingpin, which gives the character a depth that hasn’t yet been explored. I really hope that they use the character in the solo Spiderman movie. David Tennant plays Killgrave or The Purple Man in Jessica Jones and he also kills it, you can tell he really had fun with the role too, which makes him even more entertaining whenever he is onscreen. Season 2 of Daredevil just recently finished up and during it we were introduced to the new Punisher, played by Jon Bernthal, who again gives us the chance to explore the character and his psyche to a level that we haven’t seen before. He is still the hardcore badass that you would expect, but his mentality in this universe goes deeper than that and that is something that is very cool to see. Overall I have loved every episode of these shows to date and as long as they carry on the tone and the overall production standard that they have set themselves so far, I can’t wait to see what else this universe has to offer. There is also exciting rumours stating that they could appear in the Avengers Infinity War films. I can’t wait to see all of this and I really feel that all of these characters show great potential. Keep doing what you are doing Marvel, because it is truly awesome. Doing these character’s origin stories in an R rated TV show setting was a great idea and the writing and performances on Netflix stand up to any show on HBO or AMC. If you haven’t seen the entirety of these shows yet, stop what you are doing and go marathon them right now, you will not regret it.
The Boys is adrenaline fueled "shock" TV at its best. It is begging you to watch it, even if it sometimes makes it hard to watch. But what makes The Boys work so well is under all the drugs, sex and violence, it has a lot to say.
The show follows Billy Butcher (Karl Urban) as he recruits a team of people who have bern wronged by Superheroes. In The Boys universe, the superheroes tend to not care so much about callateral damage, and honestly, most of them are douchebags (think Captain Hammer from Dr Horrible's evil singalong blog) .
As we learn more about their word the show not only becomes an obvious satire on superhero culture, but the our society as a hole. The religion episode, is one that really stands out as not being afraid to take shots.
The effects, mostly work pretty well, and nothing was bad enough to take me out of the escapeism. The acting is a bit all over the place, but Karl Urban really commands the screen.
It should be said that this is not for everyone. It is one of the mist graphic (non horror) things I have ever seen, and if you're not used to it you may find yourself checking out early. If you can handle the violence, it's worth it
The show follows Billy Butcher (Karl Urban) as he recruits a team of people who have bern wronged by Superheroes. In The Boys universe, the superheroes tend to not care so much about callateral damage, and honestly, most of them are douchebags (think Captain Hammer from Dr Horrible's evil singalong blog) .
As we learn more about their word the show not only becomes an obvious satire on superhero culture, but the our society as a hole. The religion episode, is one that really stands out as not being afraid to take shots.
The effects, mostly work pretty well, and nothing was bad enough to take me out of the escapeism. The acting is a bit all over the place, but Karl Urban really commands the screen.
It should be said that this is not for everyone. It is one of the mist graphic (non horror) things I have ever seen, and if you're not used to it you may find yourself checking out early. If you can handle the violence, it's worth it
Mark @ Carstairs Considers (2494 KP) rated Killing in a Koi Pond in Books
Jun 13, 2021
Jessica Gets Back on the Road to Murder
Jessica Fletcher is traveling down to South Carolina to visit a college friend. Delores has just married Willis, and she is over the moon. She is also blind to the way that Willis treats the majority of those around them, but Jessica observes the way others are reacting to his almost abusive behavior at dinner. When Jessica sets out for a run the next morning, she finds Willis dead in the Koi Pond. While Delores doesn’t want to believe that anyone could have killed Willis, the police being to treat Delores as a suspect. Can Jessica figure out what is really happening?
Although I’ve been a fan of the TV show for years, I just started reading the books a couple of years ago. While I enjoyed those books, they felt a little off for the franchise. This book captures the feel of the show much better, especially Jessica on a trip episode (which were the majority). Jessica is her charming best here, and I enjoyed several other characters as well as appreciating the growth in Delores. I did feel that Delores’s step-granddaughter was a bit young for the age she was supposed to be and the suspects were thin. The plot was good, although the pacing was off. Still, it did provide some enjoyable red herrings before we reached a classic Murder, She Wrote climax. Fans of the series will feel right at home here.
Although I’ve been a fan of the TV show for years, I just started reading the books a couple of years ago. While I enjoyed those books, they felt a little off for the franchise. This book captures the feel of the show much better, especially Jessica on a trip episode (which were the majority). Jessica is her charming best here, and I enjoyed several other characters as well as appreciating the growth in Delores. I did feel that Delores’s step-granddaughter was a bit young for the age she was supposed to be and the suspects were thin. The plot was good, although the pacing was off. Still, it did provide some enjoyable red herrings before we reached a classic Murder, She Wrote climax. Fans of the series will feel right at home here.
Joe Goodhart (27 KP) rated The Zodiac Paradox (Fringe, #1) in Books
Nov 30, 2020
My wife and I were late bloomers, getting into the show as it entered its 5th, and final season. We "binge watched" on Netflix, getting caught up, and then left with a craving for more after series ended. Enter 'Fringe: The Zodiac Paradox', the 1st in Christa Faust's trilogy that serves as prequels for the the three main characters: Walter and Peter Bishop, as well as Olivia Dunham.
Reviewing a number of reviews on here, as well as via Amazon.com, I found complaints that Walter's characterization was more in-line with his character in the show, not the 1968 "scientist" version. And, yes, that is true enough, the story and dialogue were good enough that I could overlook that issue, in head, reworking his persona, as I read it.
I am probably biased, as I am fan of 'Fringe', as well as having an interest of sorts in stories involving the Zodiac Killer, but I liked the book. Is it perfect? No, but, as I am finding these days - in books, newspapers/magazines, and even scrolling text on TV, spelling, grammar, and/or syntax have gone the way of the dinosaur! The errors were minimal, at worse, and the only character that appeared "off" was Walter. None of that, though, affected my appreciation of the story.
If you are looking for a good fix to fill your 'Fringe' void, you could do a heckuva lot worse. Try it, I think you may surprise yourself..
Reviewing a number of reviews on here, as well as via Amazon.com, I found complaints that Walter's characterization was more in-line with his character in the show, not the 1968 "scientist" version. And, yes, that is true enough, the story and dialogue were good enough that I could overlook that issue, in head, reworking his persona, as I read it.
I am probably biased, as I am fan of 'Fringe', as well as having an interest of sorts in stories involving the Zodiac Killer, but I liked the book. Is it perfect? No, but, as I am finding these days - in books, newspapers/magazines, and even scrolling text on TV, spelling, grammar, and/or syntax have gone the way of the dinosaur! The errors were minimal, at worse, and the only character that appeared "off" was Walter. None of that, though, affected my appreciation of the story.
If you are looking for a good fix to fill your 'Fringe' void, you could do a heckuva lot worse. Try it, I think you may surprise yourself..
Zoe Nock (13 KP) rated Codename Villanelle (Killing Eve #1) in Books
Jun 26, 2019
Whilst binge-watching the BBC’s excellent Killing Eve I kept promising myself that I would hunt down a copy of the source material to learn more about the fascinating female protagonists.
It was certainly intriguing to hear the inner workings of Eve’s & Villanelle’s minds and to discover more about their backstory. I particularly enjoyed learning how Villanelle was moulded into the cold-bloodedly efficient assassin that fans of the show have come to love and fear.
“Black, white and red. Darkness, snow and blood. Perhaps it takes as Russian to understand the world in those terms.”
The novel is well written and clips along nicely. There are some well-executed (pun intended) set pieces in exotic or glamourous locations, it easy to see why it was targeted for adaptation. I’m glad that they resisted the temptation to give it the big screen treatment, turning it into what would probably been a beautifully shot but ultimately forgettable ‘sexy spy’ film.
It was an inspired decision to inject humour into the TV show; Phoebe Waller-Bridge brought this book to life in a darkly, deliciously, delightful way. Because of that I was a little disappointed with the book itself. Eve’s kookiness and Villanelle’s bat-s**t craziness are absent and sorely missed by anyone who has seen the series. It is still a good read but Waller-Bridge has shown us what the characters are truly capable of.
It was certainly intriguing to hear the inner workings of Eve’s & Villanelle’s minds and to discover more about their backstory. I particularly enjoyed learning how Villanelle was moulded into the cold-bloodedly efficient assassin that fans of the show have come to love and fear.
“Black, white and red. Darkness, snow and blood. Perhaps it takes as Russian to understand the world in those terms.”
The novel is well written and clips along nicely. There are some well-executed (pun intended) set pieces in exotic or glamourous locations, it easy to see why it was targeted for adaptation. I’m glad that they resisted the temptation to give it the big screen treatment, turning it into what would probably been a beautifully shot but ultimately forgettable ‘sexy spy’ film.
It was an inspired decision to inject humour into the TV show; Phoebe Waller-Bridge brought this book to life in a darkly, deliciously, delightful way. Because of that I was a little disappointed with the book itself. Eve’s kookiness and Villanelle’s bat-s**t craziness are absent and sorely missed by anyone who has seen the series. It is still a good read but Waller-Bridge has shown us what the characters are truly capable of.
Mark @ Carstairs Considers (2494 KP) rated Dream Town in Books
Jul 25, 2024 (Updated Jul 25, 2024)
Eve Uncovers Nightmares in an Exclusive Community
Eve Ronin is called out in the middle of the night because someone has killed Kitty Winslow, the oldest of the Winslow kids. The Winslows are the stars of the extremely popular reality show Life with the Winslows, and they live in the exclusive town of Hidden Hills, an enclave of the rich and famous. The video of the killing makes it look like it was a robbery gone wrong. If that’s the case, will Eve ever be able to figure out what happened?
Of course, that’s just one aspect of this book. While this isn’t as much of a ticking clock thriller as some books in the series, there is still plenty here to keep the reader engaged and the pages turning. The twists and dead ends lead up to a logical climax. Meanwhile, I enjoyed the subplot involving the filming of the TV show based on Eve’s life. I also like how Eve continues to grow; it’s been fun to watch that as the series progresses. We get lots of new characters here who fit right in with the regulars. The foul content pushes the edges for me personally, but I suspect others won’t be as bothered by it. Still, know that is there. Overall, this is another winner. When you pick it up, you’ll find the pages fly by all too quickly.
Of course, that’s just one aspect of this book. While this isn’t as much of a ticking clock thriller as some books in the series, there is still plenty here to keep the reader engaged and the pages turning. The twists and dead ends lead up to a logical climax. Meanwhile, I enjoyed the subplot involving the filming of the TV show based on Eve’s life. I also like how Eve continues to grow; it’s been fun to watch that as the series progresses. We get lots of new characters here who fit right in with the regulars. The foul content pushes the edges for me personally, but I suspect others won’t be as bothered by it. Still, know that is there. Overall, this is another winner. When you pick it up, you’ll find the pages fly by all too quickly.
BankofMarquis (1832 KP) rated The Many Saints of Newark (2021) in Movies
Oct 12, 2021
The "non-Sopranos" part of this film worked much better
The new Sopranos prequel film THE MANY SAINTS OF NEWARK is a review-proof film. Most people fall into 1 of 2 camps.
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Darren (1599 KP) rated A Long Way Down (2014) in Movies
Jun 20, 2019
Story: A Long Way Down starts on New Year’s Eve as disgraced TV celebrity Martin (Brosnan) is planning to kill himself only to get interrupted by the lonely Maureen (Collette), heartbroken Jess (Poots) and cancer stricken JJ (Paul) who are also using the same rooftop to plan their suicide.
All going against the suicide the four make a pact to not kill themselves until at least Valentine’s day and support each other through the six weeks once the tabloids want to make a story of why they were together. The four become good friends exposing their own secrets to why they want to escape their lives.
Thoughts on A Long Way Down
Characters/Performance – Martin is the disgraced TV talk show host, his small mistake has ruined his career, his family and even finding himself in jail. Now out of jail he wants to kill himself to get away from the headlines. Maureen is a single mother spending everyday looking after her disabled son, not getting any real free time. Jess is the daughter of politician whose sister vanished a few years before, she is a lost soul in the world turning to the drinks and drugs. JJ is an American musician who can’t find his place in the world.
Performance wise, I feel all four of the main actors give brilliant performances, Paul and Poots both show that this could be one of their best of their careers in film, while Brosnan and Collette must have theirs put on their underrated performances of their careers.
Story – The story shows the struggles everyday people can have with depression, it shows that you can get support from people you didn’t even know. I think this film tackles the issues of depression on a brilliant level, and shows just how you can find light in the strangest places.
Settings – The settings are used to show just how different the location these four have come from, it shows just how important finding help outside your comfort zone can be.
Final Thoughts – This is a film I didn’t expect too much from and I can say I truly enjoyed the film, the characters all feel real, their problems feel real and most importantly the answers to the problems didn’t cure everything they helped them realizes how important they are.
Overall: This is a very underrated film I feel people should be seeing.
https://moviesreview101.com/2017/09/15/a-long-way-down-2014/
All going against the suicide the four make a pact to not kill themselves until at least Valentine’s day and support each other through the six weeks once the tabloids want to make a story of why they were together. The four become good friends exposing their own secrets to why they want to escape their lives.
Thoughts on A Long Way Down
Characters/Performance – Martin is the disgraced TV talk show host, his small mistake has ruined his career, his family and even finding himself in jail. Now out of jail he wants to kill himself to get away from the headlines. Maureen is a single mother spending everyday looking after her disabled son, not getting any real free time. Jess is the daughter of politician whose sister vanished a few years before, she is a lost soul in the world turning to the drinks and drugs. JJ is an American musician who can’t find his place in the world.
Performance wise, I feel all four of the main actors give brilliant performances, Paul and Poots both show that this could be one of their best of their careers in film, while Brosnan and Collette must have theirs put on their underrated performances of their careers.
Story – The story shows the struggles everyday people can have with depression, it shows that you can get support from people you didn’t even know. I think this film tackles the issues of depression on a brilliant level, and shows just how you can find light in the strangest places.
Settings – The settings are used to show just how different the location these four have come from, it shows just how important finding help outside your comfort zone can be.
Final Thoughts – This is a film I didn’t expect too much from and I can say I truly enjoyed the film, the characters all feel real, their problems feel real and most importantly the answers to the problems didn’t cure everything they helped them realizes how important they are.
Overall: This is a very underrated film I feel people should be seeing.
https://moviesreview101.com/2017/09/15/a-long-way-down-2014/
Firefly - Season 1
9.3
Rate It
TV Season
Firefly is an American space western drama television series created by writer and director Joss...
Firefly Serenity Joss Whedon Browncoats TV Series Fox