Search
Search results
Mister Maker: Let’s Make It! – Design, Draw, Paint, Make and Play
Entertainment and Games
App
IT’S TIME TO GET CREATIVE! Inspired by the hit Kids TV show Mister Maker, this official app is...
Fireman Sam - Fire & Rescue
Games and Entertainment
App
OFFICIAL LICENSED FIREMAN SAM APP New FREE Ocean Rescue Themed Update: Includes an 25 Extra...
Bookapotamus (289 KP) rated FAME in Books
Oct 24, 2018
An Interesting Exploration of Fame
Raise your hand if you LOVED Family Ties as a kid! And had a crush on Alex P. Keaton? And wanted TO BE Mallory!?! Justine Bateman was an idol of mine in the 80's. If I could be like her, or look like her, I pressed my parents to give me a sister just like her! But I got stuck with a brother. Boo!
It's funny, because when I first heard about this book, I said first thing, "Whatever happened to her?" in that snarky, snide voice - like oh, she was has-been, she didn't do anything after Family Ties, she's a one-hit wonder.... And THAT is exactly the type of attitude Justine addresses in this book. (I'm totally sorry for what I said btw Justine and I still love you!)
If you're looking for the behind the scenes secrets and juicy scandal of the beloved sitcom - this is not the book. If you want the scoop on MJ Fox and hanging with child stars of the 80's - nope, not that book either. In fact, one of the first chapters in the book fully explains this - the book is NOT a memoir. It's an exploration of fame. Justine dissects everything from childhood fame in the 80's, to reality star "fame" of today, as well as both the construction AND destruction of fame that social media can make happen. I was fascinated by her take on all things fame. I felt for her - being an actress on a hit TV show, and only being seen for THAT. That her education, and directing, and successes in business mean nothing - cause the "whatever happened to her" mentality translates to - well, if we haven't seen her on TV anymore - she must be a failure in life.
I loved reading this - she's frantic, and passionate, and, OK I'll say it- a bit crazy, yes - but do you blame her? Imagine people saying about you "Boy, she sure has let herself go" on a public forum, on google searches, on Twitter. Just cause the last time they saw her she was 21 - and now she's 50. Well, clearly she's aged - duh. Obviously she doesn't LOOK the same!
I gobbled up every chapter and loved her take on how crazy it is to be famous, but how much crazier it is today. Sure, there's some namedropping, some mentions of Michael J. Fox, Sarah Jessica Parker, and more - and there's even a bunch of color photos in the book that she talks about and references throughout the book, which I loved. I didn't need the juicy gossip, as I felt like it made me understand celebrities more and totally got me out of that mentality of "Oh, they wanted to be in the spotlight, so they are just automatically targets." No. I feel terrible now for ever ragging on a celeb in the spotlight - especially the young ones out there.
But I'm still not laying off the reality "stars" ;) haha.
It's funny, because when I first heard about this book, I said first thing, "Whatever happened to her?" in that snarky, snide voice - like oh, she was has-been, she didn't do anything after Family Ties, she's a one-hit wonder.... And THAT is exactly the type of attitude Justine addresses in this book. (I'm totally sorry for what I said btw Justine and I still love you!)
If you're looking for the behind the scenes secrets and juicy scandal of the beloved sitcom - this is not the book. If you want the scoop on MJ Fox and hanging with child stars of the 80's - nope, not that book either. In fact, one of the first chapters in the book fully explains this - the book is NOT a memoir. It's an exploration of fame. Justine dissects everything from childhood fame in the 80's, to reality star "fame" of today, as well as both the construction AND destruction of fame that social media can make happen. I was fascinated by her take on all things fame. I felt for her - being an actress on a hit TV show, and only being seen for THAT. That her education, and directing, and successes in business mean nothing - cause the "whatever happened to her" mentality translates to - well, if we haven't seen her on TV anymore - she must be a failure in life.
I loved reading this - she's frantic, and passionate, and, OK I'll say it- a bit crazy, yes - but do you blame her? Imagine people saying about you "Boy, she sure has let herself go" on a public forum, on google searches, on Twitter. Just cause the last time they saw her she was 21 - and now she's 50. Well, clearly she's aged - duh. Obviously she doesn't LOOK the same!
I gobbled up every chapter and loved her take on how crazy it is to be famous, but how much crazier it is today. Sure, there's some namedropping, some mentions of Michael J. Fox, Sarah Jessica Parker, and more - and there's even a bunch of color photos in the book that she talks about and references throughout the book, which I loved. I didn't need the juicy gossip, as I felt like it made me understand celebrities more and totally got me out of that mentality of "Oh, they wanted to be in the spotlight, so they are just automatically targets." No. I feel terrible now for ever ragging on a celeb in the spotlight - especially the young ones out there.
But I'm still not laying off the reality "stars" ;) haha.
Time Timer: iPad Edition
Productivity and Education
App
Enjoy stress-free time management with the new & improved Time TIMER for iPad (iOS 8 upgrade) – an...
Nella The Princess Knight
Education and Games
App
Help Nella and her friends on their courageous adventures; shoot arrows to help the lost birds find...
Gareth von Kallenbach (980 KP) rated Jem and the Holograms (2015) in Movies
Jun 19, 2019
Being a teenager is a confusing time, we want to be accepted, popular, and, at times, invisible. In a world where you feel overlooked and ignored, it is gratifying to have a voice, an identity, some special aspect that is going to make you stand out and be accepted. Jem and the Holograms attempts to make this a theme. Creating your identity and having the ability to shape and form it into a way that it becomes your own shield against the ills of the world. It is a very promising concept and idea when attempting to update the series for today’s audience. Unfortunately there isn’t much substance to the film. The substance that is apparent is quite shallow and undeveloped.
Instead of sticking with the original premise and backstory of the popular cartoon series of the 1980s, it tries to modernize itself in a way that holds onto little of its origin other than the name of some of the characters. There is no heart with this film, there is no feeling driving the movie that makes you want to cheer for the characters to become successful. This is mainly due to the film not giving audiences a chance to like the characters or even learn who they really are. The film makes everything look so easy within the music industry. The basic understanding is that if you post a video online, you might be discovered and are immediately offered a recording contract. This storyline will resonate with many of the “Generation Me” and “Kardashian Culture” crowd that is filled dreams of becoming famous for doing little to nothing.
The story is beyond far-fetched in that it every problem, riddle, issue, and negative moment is resolved in the next scene. There is no struggle for any of the characters other than the possibility that their aunt and foster mother may lose their house, but even this is solved within two minutes.
The one shining light in the film is Juliette Lewis as Erica Raymond, CEO of Starlight Records who gives Jem and her sisters the opportunity to take over the spotlight. She is not only the comic relief, but serves the role as a conniving, manipulative recording manager. This is pretty much the only similarity that exists between this film and the original series. Erica prompts older audiences to think of the Misfits (the nemesis to the Holograms) who were continuously trying to sabotage their careers. The rest of the cast, leaves one not feeling connected to them or their storylines. There is no development for any of the people throughout the film. It almost seems as though when making the film, the production team sat around thinking, “It’s Jem, the music will carry the story.” Unfortunately, the music that is included goes no further than being the typical pop music similar to that which is on every station today. There is nothing that stands out about the music, as catchy as it is, that makes you feel as though you should become invested in who these girls are or even that they have something that makes them stand out. With the time that has passed since the cartoon appeared on television, there should have been more investment in who these girls are and why we should care about them. Audiences don’t have that opportunity, as they become famous, seemingly overnight. It almost makes one want to root against them.
There is a real opportunity missed with this film to combine the original show, catering to older audiences who watched the show as children, and update it for a newer generation. The film would have been much better served with inclusion of many of the elements that made the series have such appeal. The approach is very juvenile and rushed. The original show was more than music, it was about the relationships formed by many of the characters and the various adventures that they would pursue. There were stories with depth and continuity which reinforced the aspects of working hard and achievement of goals. The whole movie looks like a diary entry of what an American tween would see as their life in entertainment. The one positive note about the film is the way that it incorporates social media in the development of the story. It demonstrates the connection that is and can be made through music and pop culture.
Sadly, in contrast to the original series, the film demeans and belittles women. Its approach is short-sighted and does not deal with any aspect of reality that one would expect. Jem is nothing more than a manufactured pop music story. There is little that audiences could relate to. In a sense, it is anti-music, and anti-intellectual. The film itself, is filler and a corruption of the origin story and the time that has passed since it first debuted. Audiences of Jem the TV series may be appalled at what they witness, if they do decide to actually watch the film. For younger audiences, this film reinforces the belief that all kids should get participation trophies because they tried. There is the sense that if you just show up, the opportunity will be handed to you. There is no real work on the screen and it seems as though there was no real work or effort put into creating this film. Younger audiences will tout the music and friendship displayed. Older audiences who were fans of the television show will be soundly disappointed in what they witness on the screen. It is a bastardization of what Jem should be in a modern age. There is no soul to this film. Every note that it hits is flat.
http://sknr.net/2015/10/23/jem-and-the-holograms/
Instead of sticking with the original premise and backstory of the popular cartoon series of the 1980s, it tries to modernize itself in a way that holds onto little of its origin other than the name of some of the characters. There is no heart with this film, there is no feeling driving the movie that makes you want to cheer for the characters to become successful. This is mainly due to the film not giving audiences a chance to like the characters or even learn who they really are. The film makes everything look so easy within the music industry. The basic understanding is that if you post a video online, you might be discovered and are immediately offered a recording contract. This storyline will resonate with many of the “Generation Me” and “Kardashian Culture” crowd that is filled dreams of becoming famous for doing little to nothing.
The story is beyond far-fetched in that it every problem, riddle, issue, and negative moment is resolved in the next scene. There is no struggle for any of the characters other than the possibility that their aunt and foster mother may lose their house, but even this is solved within two minutes.
The one shining light in the film is Juliette Lewis as Erica Raymond, CEO of Starlight Records who gives Jem and her sisters the opportunity to take over the spotlight. She is not only the comic relief, but serves the role as a conniving, manipulative recording manager. This is pretty much the only similarity that exists between this film and the original series. Erica prompts older audiences to think of the Misfits (the nemesis to the Holograms) who were continuously trying to sabotage their careers. The rest of the cast, leaves one not feeling connected to them or their storylines. There is no development for any of the people throughout the film. It almost seems as though when making the film, the production team sat around thinking, “It’s Jem, the music will carry the story.” Unfortunately, the music that is included goes no further than being the typical pop music similar to that which is on every station today. There is nothing that stands out about the music, as catchy as it is, that makes you feel as though you should become invested in who these girls are or even that they have something that makes them stand out. With the time that has passed since the cartoon appeared on television, there should have been more investment in who these girls are and why we should care about them. Audiences don’t have that opportunity, as they become famous, seemingly overnight. It almost makes one want to root against them.
There is a real opportunity missed with this film to combine the original show, catering to older audiences who watched the show as children, and update it for a newer generation. The film would have been much better served with inclusion of many of the elements that made the series have such appeal. The approach is very juvenile and rushed. The original show was more than music, it was about the relationships formed by many of the characters and the various adventures that they would pursue. There were stories with depth and continuity which reinforced the aspects of working hard and achievement of goals. The whole movie looks like a diary entry of what an American tween would see as their life in entertainment. The one positive note about the film is the way that it incorporates social media in the development of the story. It demonstrates the connection that is and can be made through music and pop culture.
Sadly, in contrast to the original series, the film demeans and belittles women. Its approach is short-sighted and does not deal with any aspect of reality that one would expect. Jem is nothing more than a manufactured pop music story. There is little that audiences could relate to. In a sense, it is anti-music, and anti-intellectual. The film itself, is filler and a corruption of the origin story and the time that has passed since it first debuted. Audiences of Jem the TV series may be appalled at what they witness, if they do decide to actually watch the film. For younger audiences, this film reinforces the belief that all kids should get participation trophies because they tried. There is the sense that if you just show up, the opportunity will be handed to you. There is no real work on the screen and it seems as though there was no real work or effort put into creating this film. Younger audiences will tout the music and friendship displayed. Older audiences who were fans of the television show will be soundly disappointed in what they witness on the screen. It is a bastardization of what Jem should be in a modern age. There is no soul to this film. Every note that it hits is flat.
http://sknr.net/2015/10/23/jem-and-the-holograms/
RəX Regent (349 KP) rated Batman: The Movie (1966) in Movies
Feb 18, 2019 (Updated Feb 18, 2019)
Some days, you just can’t get rid of a bomb!
Before the Frank Miller’s Dark Knight, there was the Caped Crusader; The founding member of the Dynamic Duo, Batman and his ward, the Boy Wonder, Robin. In order to promote the series, after Batman’s first season, a theatrical version was green-lit. Bigger and longer than any of the soon to be syndicated TV show, which would ultimately run for three seasons, Batman was on the big screen with “all his wonderful toys” and a whole host of new ones.
Welcome, the Bat Ladder, Bat-boat, Bat-copter and of course the Bat Shark Repellent! The wry humour can easily be dismissed as hammy and cheap, but in fact, this incarnation of Batman struck a cord and ran with it with confidence. And in this era of The Dark Knight, Batman Light is a welcome respite from all the dower self flagellation of the character.
The late Adam West and Burt Ward are as dry as ever as they over act and dramatically fight crime against a collection of cartoon villains, with this movie delivering the most popular, The Joker (Caesar Romero), Catwoman (Lee Meriwether), The Riddler (Frank Gorshin, all of whom have been brought together by Burgess Meredith’s, Penguin.
Fun from start to finish, with Batman gags, satirical humour and out and out farce! (The bomb gag is classic!) An outrageous plot involving dehydrating the UN Security Council is delivered at a breakneck pace, with one set piece being delivered after another. It is hard to imagine that so much happens in such a lean running time. This is a smart comedy with does not out stay its welcome.
And that is the thing with Batman (1966); It is a smart comedy posing a piece of nonsense. A point proven by its popularity 50 years on. If anything, the recent Lego Batman Movie plays the same hand, only it gets away with it because its a kids Lego digi-mation. But the humour is very similar, irreverently honouring their source.
If you have not seen this in years and god forbid, not at all then get yourself…
…”to the Batmobile!”
Welcome, the Bat Ladder, Bat-boat, Bat-copter and of course the Bat Shark Repellent! The wry humour can easily be dismissed as hammy and cheap, but in fact, this incarnation of Batman struck a cord and ran with it with confidence. And in this era of The Dark Knight, Batman Light is a welcome respite from all the dower self flagellation of the character.
The late Adam West and Burt Ward are as dry as ever as they over act and dramatically fight crime against a collection of cartoon villains, with this movie delivering the most popular, The Joker (Caesar Romero), Catwoman (Lee Meriwether), The Riddler (Frank Gorshin, all of whom have been brought together by Burgess Meredith’s, Penguin.
Fun from start to finish, with Batman gags, satirical humour and out and out farce! (The bomb gag is classic!) An outrageous plot involving dehydrating the UN Security Council is delivered at a breakneck pace, with one set piece being delivered after another. It is hard to imagine that so much happens in such a lean running time. This is a smart comedy with does not out stay its welcome.
And that is the thing with Batman (1966); It is a smart comedy posing a piece of nonsense. A point proven by its popularity 50 years on. If anything, the recent Lego Batman Movie plays the same hand, only it gets away with it because its a kids Lego digi-mation. But the humour is very similar, irreverently honouring their source.
If you have not seen this in years and god forbid, not at all then get yourself…
…”to the Batmobile!”
Neon's Nerd Nexus (360 KP) rated Hellboy (2019) in Movies
May 13, 2019
More like Hellno
#hellboy is an #abomination, a brain dead overlong shit show of bad decisions & sheer laziness. I can honestly say i was so pumped for this film but it was such a monstrosoty that i considered walking out after just 30mins. Lets kick this off so i can at least pretend i havent wasted my night with this dross. To sum the film up its a cross between #eastenders & #kingsman (no not the good kingsman either that dire sequel #kingsmanthegoldencircle) & as you can imagine it doesnt work at all. Its not gritty, its not #funny, its not #stylish & its not well made, in fact its also not even half as good as it seems to think it is either coming across so #happy & smug with itself its practically flipping you the middle finger the entire run time. Tacky is a great word i would use to describe this movie, tacky & childish with #humour that wouldn't go a miss in a kids tv program (eg burp jokes, dribble jokes & #jokes about kissing old ladies). Acting is poor everyone just looks & talks half arsed like they can't be bothered, delivering emotionless lines without conviction making dialog a bland back & forth chore. I hope you like bickering too because theres a #hell of alot of pointless bickering scenes that just feel unnecessary. Not one character is developed or likeable not even hellboy himself with the #villain #millajovovich feeling like a bad guy in a stage play just minus the hissing. Cgi is so woefully bad is downright embarrassing sticking out like a saw thumb ruining the forgettable action scenes. Camera work is choppy & the film is badly edited with disorienting quick cuts. Sets & #creatures are bland/unimaginative & prosthetics feel cheaply made (even hellboys face feels off round the eyes). Plot was so paint by numbers i lost interest midway & put my head in my hands when the terrible climax hit (Talk about build up with no pay off). Hellboy ultimatly prooves filling a film with #violence, swearing, popular #music & #popculture references doesnt make your film cool if everything else around it lacks. Lazy forgettable boring poorly made shite. Avoid. #odeon #odeonlimitless #superhero #ronperlman #strangerthings #dc #guillermodeltoro #demons #horror #gore #comic
Sophia (Bookwyrming Thoughts) (530 KP) rated Lost in Wonderland in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<i>Lost in Wonderland</i> has got to be one of the weirdest books Ive ever read, and if Ive read a weirder book than this one, then this is the weirdest book Ive read this year.
Okay, the books weirdness is what intrigued me to read the book in the first place. But let me say just how weird this book really is:
The book starts with a character named Mouse. Honestly, I thought the book started with a legit mouse (it really sounded like one as well). A flipping <i>mouse</i>! Who starts a book with a mouse?! Really, I just got so confused for awhile at the very beginning, so to save everyone elses sanity, the main character is not actually a mouse.
Its a reference to some of the characters involved in Lewis Carrolls <i>Alice In Wonderland</i>. After that got cleared out, the plot actually made a lot more sense. (Lets also keep in mind that I do not remember the synopsis of a book. I read it, I find it interesting, I get the book myself, and then actually read the book. Maybe Ill remember the synopsis if Im lucky.)
But anyways, <i>Lost In Wonderland</i> is extremely weird. As in, top of the notch weird. Its disturbing and gruesome and twisted. But its such a good kind of weird, that I think this entire series would be a really cool TV show. <i>Lost In Wonderland</i> is basically Law & Order, CSI - just think of any crime related shows - with a fairy tale twist. I just cant get how awesome this would be on an actual screen, and I just want to see if Peacock incorporates any other fairy tales or just <i>Alice In Wonderland</i>.
<div style="text-align: center;"></div>
<a href="https://bookwyrmingthoughts.com/review-lost-in-wonderland-by-nicky-peacock/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<i>Lost in Wonderland</i> has got to be one of the weirdest books Ive ever read, and if Ive read a weirder book than this one, then this is the weirdest book Ive read this year.
Okay, the books weirdness is what intrigued me to read the book in the first place. But let me say just how weird this book really is:
The book starts with a character named Mouse. Honestly, I thought the book started with a legit mouse (it really sounded like one as well). A flipping <i>mouse</i>! Who starts a book with a mouse?! Really, I just got so confused for awhile at the very beginning, so to save everyone elses sanity, the main character is not actually a mouse.
Its a reference to some of the characters involved in Lewis Carrolls <i>Alice In Wonderland</i>. After that got cleared out, the plot actually made a lot more sense. (Lets also keep in mind that I do not remember the synopsis of a book. I read it, I find it interesting, I get the book myself, and then actually read the book. Maybe Ill remember the synopsis if Im lucky.)
But anyways, <i>Lost In Wonderland</i> is extremely weird. As in, top of the notch weird. Its disturbing and gruesome and twisted. But its such a good kind of weird, that I think this entire series would be a really cool TV show. <i>Lost In Wonderland</i> is basically Law & Order, CSI - just think of any crime related shows - with a fairy tale twist. I just cant get how awesome this would be on an actual screen, and I just want to see if Peacock incorporates any other fairy tales or just <i>Alice In Wonderland</i>.
<div style="text-align: center;"></div>
<a href="https://bookwyrmingthoughts.com/review-lost-in-wonderland-by-nicky-peacock/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Lee KM Pallatina (951 KP) rated Impact Wrestling in TV
Apr 5, 2020
Hard to Kill
2002 - the beginning
Founded by Jeff and Jerry Jarrett in 2002, the company was known as TNA it was officially changed to IMPACT (the company's weekly named staple show) in 2018.
Beginning as NWA/TNA Total Nonstop Action being associated with the National Wrestling Alliance (NWA), though not as a merged promotion.
In 2004 the company dropped the NWA co. Branding & ran soley as TNA (Total Nonstop Action Wrestling, but continued to use the NWA World Heavyweight and Tag Team championships in agreement with the NWA.
2007 - Becoming their own
both parties parted ways and the company created the TNA World Heavyweight and TNA World Tag Team championships. The promotion was purchased by Anthem at the beginning of 2017 and, in March of that year, was fully rebranded under its current name after its main television series.
Falling on hard times -
From its inception, the promotion had been considered the second-largest in the United States behind WWE.
Impact was viewed by some to have fallen behind longtime rival Ring of Honor in 2017, with the loss of their U.S. television contract with Spike in 2014, as well as monetary and personnel issues, being noted as factors to their decline.
2017 - Anthem sports & entertainment purchase TNA!
January 4th 2017, Anthem sports announced they had bought Majority interest in TNA & had formed Anthem wrestling exhibitions LLC. Having already owned Fight Network, a 24/7 multiplatform service dedicated to complete coverage of combat sports, TNA was a perfect fit that was sure to attain more attention.
Soon after, the TNA name was dropped & the promotion would simply be known as IMPACT WRESTLING!
2018 - Rebirth
Impact has since made a fantastic recovery & although has not quite reached the height of it's earlier Glory days, it has sustained an international television distribution with Anthems majority purchase of AXS TV, which subsequently began carrying Impact programming.
Though, with the formation of All Elite Wrestling (AEW) that year, and that promotion's high-profile U.S television deal with TNT (which is seen in more households than AXS), Impact is still viewed as a smaller promotion by comparison.
Founded by Jeff and Jerry Jarrett in 2002, the company was known as TNA it was officially changed to IMPACT (the company's weekly named staple show) in 2018.
Beginning as NWA/TNA Total Nonstop Action being associated with the National Wrestling Alliance (NWA), though not as a merged promotion.
In 2004 the company dropped the NWA co. Branding & ran soley as TNA (Total Nonstop Action Wrestling, but continued to use the NWA World Heavyweight and Tag Team championships in agreement with the NWA.
2007 - Becoming their own
both parties parted ways and the company created the TNA World Heavyweight and TNA World Tag Team championships. The promotion was purchased by Anthem at the beginning of 2017 and, in March of that year, was fully rebranded under its current name after its main television series.
Falling on hard times -
From its inception, the promotion had been considered the second-largest in the United States behind WWE.
Impact was viewed by some to have fallen behind longtime rival Ring of Honor in 2017, with the loss of their U.S. television contract with Spike in 2014, as well as monetary and personnel issues, being noted as factors to their decline.
2017 - Anthem sports & entertainment purchase TNA!
January 4th 2017, Anthem sports announced they had bought Majority interest in TNA & had formed Anthem wrestling exhibitions LLC. Having already owned Fight Network, a 24/7 multiplatform service dedicated to complete coverage of combat sports, TNA was a perfect fit that was sure to attain more attention.
Soon after, the TNA name was dropped & the promotion would simply be known as IMPACT WRESTLING!
2018 - Rebirth
Impact has since made a fantastic recovery & although has not quite reached the height of it's earlier Glory days, it has sustained an international television distribution with Anthems majority purchase of AXS TV, which subsequently began carrying Impact programming.
Though, with the formation of All Elite Wrestling (AEW) that year, and that promotion's high-profile U.S television deal with TNT (which is seen in more households than AXS), Impact is still viewed as a smaller promotion by comparison.