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Modern Burdens by Tracy Bonham
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Tracy Bonham's major label debut, The Burdens of Being Upright (Island), achieved gold record status...
alternative rock
Marie Diamond
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Marie Diamond is a globally renowned European Transformational leader, speaker, teacher and author,...
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Stay on top of news during the NRL and AFL seasons with the 2017 Fox Sports app! Fox Sports is the...
Brian Cox's Wonders of the Universe
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Take a mind-blowing 3D tour of the Universe with Professor Brian Cox as your guide. The official...
Lee (2222 KP) rated El Camino: A Breaking Bad Movie (2019) in Movies
Oct 13, 2019
When we last saw Jesse Pinkman (Aaron Paul), he was driving away in an El Camino car, having just been freed from six months or so of captivity and slavery. It was the final moments of what is arguably one of the greatest TV shows of all time - Walter White (Bryan Cranston) had come to the aid of his long time friend, and collaborator in the meth business, freeing him from the clutches of a gang of Nazis in what turned out to be a bloodbath. Jesse, clearly a broken man, drove away from it all, into the night, fighting back tears as he let out a scream of pain and relief.
As with all great stories, whether in a book, a movie or a TV show, you do naturally wonder what might have happened next to the characters who have taken you on a journey with them. If the finale is good enough, you can feel satisfied simply by drawing your own conclusions. In the case of Breaking Bad, did Jesse turn a corner, only to be met by a bunch of cops who then lock him up for the rest of his life? Or did he manage to find well deserved peace and solace, a chance to finally live out his days with some kind of normality? Series creator and writer Vince Gilligan clearly had some ideas of his own, and the result is this 2 hour Netflix movie, titled El Camino.
We’ve not been without our fix of the Breaking Bad world since the show ended in 2013 though. Better Call Saul, about to start its fifth season, has acted as a prequel, telling the story of the rise of Saul Goodman, the seedy lawyer who helped Walter and Jesse throughout much of Breaking Bad. It shares much of the same style and tone as Breaking Bad, magnificently scripted and proving to be compulsive viewing. It has also gradually begun weaving other familiar characters from Breaking Bad into the story too, helping us to understand what brought these characters to the point they were at in Breaking Bad, but never (so far) featuring lead characters Walter and Jesse.
El Camino picks up pretty much where Breaking Bad left off. Jesse is clearly a person of interest with the law - not only for his drug crime days, but also because they know that someone fled the scene where a machine gun massacre took place, resulting in nine dead bodies. It’s neither an immediate capture, or an escape to a happy ending though. Instead, we’re treated to something that’s a little in between, and El Camino closely follows Jesse to show us just how that all plays out for him.
There was some big news recently when it was revealed that a large number of Breaking Bad characters would be appearing in El Camino and speculation was rife as to who those characters would be. They appear either in flashback form, or in present day situations, and all justifiably serve to drive the story forward, whether it be as a moment of reflection and poignancy, an aid to understanding Jesse’s current actions, or just as a cool little Easter egg for fans of the show. I must admit though, I had to resort to Google to try and remember how some of the characters fitted into the Breaking Bad show, but that could just be down to my lousy memory!
El Camino is packed full of the steady, confident, detailed pacing that we know and love from Breaking Bad and Better Call Saul. Action, drama, emotion, it’s all there as a determined Jesse tries to acquire enough money to be able to start over. There’s a constant feeling throughout though that this is a story we didn’t really need, but it is certainly a welcome one, and a real joy to be back in this world and in the company of these great characters once again, if only for a short while.
As with all great stories, whether in a book, a movie or a TV show, you do naturally wonder what might have happened next to the characters who have taken you on a journey with them. If the finale is good enough, you can feel satisfied simply by drawing your own conclusions. In the case of Breaking Bad, did Jesse turn a corner, only to be met by a bunch of cops who then lock him up for the rest of his life? Or did he manage to find well deserved peace and solace, a chance to finally live out his days with some kind of normality? Series creator and writer Vince Gilligan clearly had some ideas of his own, and the result is this 2 hour Netflix movie, titled El Camino.
We’ve not been without our fix of the Breaking Bad world since the show ended in 2013 though. Better Call Saul, about to start its fifth season, has acted as a prequel, telling the story of the rise of Saul Goodman, the seedy lawyer who helped Walter and Jesse throughout much of Breaking Bad. It shares much of the same style and tone as Breaking Bad, magnificently scripted and proving to be compulsive viewing. It has also gradually begun weaving other familiar characters from Breaking Bad into the story too, helping us to understand what brought these characters to the point they were at in Breaking Bad, but never (so far) featuring lead characters Walter and Jesse.
El Camino picks up pretty much where Breaking Bad left off. Jesse is clearly a person of interest with the law - not only for his drug crime days, but also because they know that someone fled the scene where a machine gun massacre took place, resulting in nine dead bodies. It’s neither an immediate capture, or an escape to a happy ending though. Instead, we’re treated to something that’s a little in between, and El Camino closely follows Jesse to show us just how that all plays out for him.
There was some big news recently when it was revealed that a large number of Breaking Bad characters would be appearing in El Camino and speculation was rife as to who those characters would be. They appear either in flashback form, or in present day situations, and all justifiably serve to drive the story forward, whether it be as a moment of reflection and poignancy, an aid to understanding Jesse’s current actions, or just as a cool little Easter egg for fans of the show. I must admit though, I had to resort to Google to try and remember how some of the characters fitted into the Breaking Bad show, but that could just be down to my lousy memory!
El Camino is packed full of the steady, confident, detailed pacing that we know and love from Breaking Bad and Better Call Saul. Action, drama, emotion, it’s all there as a determined Jesse tries to acquire enough money to be able to start over. There’s a constant feeling throughout though that this is a story we didn’t really need, but it is certainly a welcome one, and a real joy to be back in this world and in the company of these great characters once again, if only for a short while.
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Kirk Bage (1775 KP) rated What We Do in the Shadows in TV
Jan 22, 2021
Anyone who watched and enjoyed the entirely silly, but mostly genius, original film version of this, written and directed by the same partnership of Jermaine Clement and Taika Waititi, should not miss this show! Although Clement and Waititi step down from acting duties (aside from cameo appearences), they are replaced by the ideal, if not actually better, pairing of Matt Berry and Kayvan Novak, whose previous experience in left-field comedy with an improvisational edge leaves them perfectly placed to make this comedy fly like a startled bat!
The lead duo are joined in all 20 episodes over 2 seasons so far by relative unknowns Natasia Demetriou, Harvey Guillén and Mark Proksch. The first two do adequate jobs of keeping the laughs rolling and the mood steady. But it is Proksch, who brings some knowledge of a working mockumentary farce from his role as Nate is the US version of The Office, who is the stand-out as Colin the energy vampire, who bores his victims to death, or leaves them drained of the will to live. The many ways that single joke is varied to hilarious effect is a thing of true comedic beauty at all times.
The fine balance between the bizarre and ridiculous world of vampires and other monsters with a situation of utter mundanity like flatsharing affords some wonderful moments of laugh out loud insanity. The writing is terrific all the way through, and the bite sized episode lengths ensure it zips along and the joke only wears thin if you gorge on too many in one go. In fact I would strongly recommend not bingeing this one, but rather savouring 2 or 3 in a sitting then leaving it a while. There is something about missing it and coming back to the joke after a break that works better for me.
Some of the things I love about it are the details of the visual world they live in. The paraphernalia of the flat they live in and the clothes they wear is joyous and ever rewarding. There will be things to spot in the background that you missed first time for sure – and that is a sign to me that they wanted to create a classic here and not something disposable. I also adore the opening credit sequence, and sing along every single time.
Then there is the fabulous use of creative swearing, that manages to reach new and surprising heights episode to episode. Berry is especially proficient in this art, leaving me spitting out my tea many times with the use of a profane phrase off the cuff. It is as much the way he says it as what he says, so it is no surprise to me he has been singled out at recent TV awards shows. I hope he gets the recognition he deserves with a shiny trophy or two.
The fact that it was nominated for 8 Emmys for season 2, after only two nods for season 1, also shows that this is an entity that gets better if you stick with it. At first the pattern of the humour may not gel, but the more you get used to it, the character quirks and various relationships, the rewards as a viewer are exponentially good. And if you watch long enough there are also some tasty cameo parts that turn up… but I won’t spoil the surprises here.
Is it a joke that can run and run? No probably not. But I would like to at least see a third season, to wrap it all up. Especially as season 2 ends on somewhat of a cliffhanger, as much as a puerile comedy like this can do. I am a fan. And I imagine I’ll always be able to go back and enjoy an episode here and there to cheer me up. Brilliant stuff, that has its heart and its funny bones in all the right places. Go on, stick your teeth into it!
The lead duo are joined in all 20 episodes over 2 seasons so far by relative unknowns Natasia Demetriou, Harvey Guillén and Mark Proksch. The first two do adequate jobs of keeping the laughs rolling and the mood steady. But it is Proksch, who brings some knowledge of a working mockumentary farce from his role as Nate is the US version of The Office, who is the stand-out as Colin the energy vampire, who bores his victims to death, or leaves them drained of the will to live. The many ways that single joke is varied to hilarious effect is a thing of true comedic beauty at all times.
The fine balance between the bizarre and ridiculous world of vampires and other monsters with a situation of utter mundanity like flatsharing affords some wonderful moments of laugh out loud insanity. The writing is terrific all the way through, and the bite sized episode lengths ensure it zips along and the joke only wears thin if you gorge on too many in one go. In fact I would strongly recommend not bingeing this one, but rather savouring 2 or 3 in a sitting then leaving it a while. There is something about missing it and coming back to the joke after a break that works better for me.
Some of the things I love about it are the details of the visual world they live in. The paraphernalia of the flat they live in and the clothes they wear is joyous and ever rewarding. There will be things to spot in the background that you missed first time for sure – and that is a sign to me that they wanted to create a classic here and not something disposable. I also adore the opening credit sequence, and sing along every single time.
Then there is the fabulous use of creative swearing, that manages to reach new and surprising heights episode to episode. Berry is especially proficient in this art, leaving me spitting out my tea many times with the use of a profane phrase off the cuff. It is as much the way he says it as what he says, so it is no surprise to me he has been singled out at recent TV awards shows. I hope he gets the recognition he deserves with a shiny trophy or two.
The fact that it was nominated for 8 Emmys for season 2, after only two nods for season 1, also shows that this is an entity that gets better if you stick with it. At first the pattern of the humour may not gel, but the more you get used to it, the character quirks and various relationships, the rewards as a viewer are exponentially good. And if you watch long enough there are also some tasty cameo parts that turn up… but I won’t spoil the surprises here.
Is it a joke that can run and run? No probably not. But I would like to at least see a third season, to wrap it all up. Especially as season 2 ends on somewhat of a cliffhanger, as much as a puerile comedy like this can do. I am a fan. And I imagine I’ll always be able to go back and enjoy an episode here and there to cheer me up. Brilliant stuff, that has its heart and its funny bones in all the right places. Go on, stick your teeth into it!
EmersonRose (320 KP) rated Alfred: The Boy Who Would Be King in Books
Nov 20, 2019
Alfred is a mostly ordinary boy, going to school, playing video games, and reading books about medieval history. His mother is a bit eccentric but all in all, he is living the regular life of an 11-year-old. That is until a mysterious man shows up one night and Alfred suddenly finds himself in a fantastical, medieval kingdom. What is even more strange, Alfred soon discovers he has families ties to this strange land and is the only heir left to the kingdom’s throne. Thrust in the middle of a country cursed by a witch, a dark lord, terrible creatures, and famine, Alfred has his work cut out for him. But thanks to the help of a few new friends, his medieval video game, and book knowledge, he is up for the challenge.
Alfred is a determined, hopeful, excited kid living out a child’s fantasy. He manages to stay strong through horrible circumstances and uses his knowledge of the period along with that of his own time to try and make things better for his people. The mashing together of periods offers plenty of hilarious moments as Alfred tries to explain things like TV and pro-wrestlers. His knowledge of things like agriculture and battle defenses quickly become lifesavers for the peasants who have accepted the return of the king.
This fantastical adventure is a beautiful story that balances the dark, harsh realities of 6997428survival against both enemies and natural, the struggle of the weight thrust upon Alfred’s shoulders, while also remaining lighthearted, funny, and fun. The story unfolds like a puzzle before the reader, much like it does for Alfred, as you discover more about his family, magic, and the politics of this magical world. Author Ron Smorynski has done an incredible job of creating an extraordinary world and characters that you can become invested it. The story captures the pure adventure and action so longed for in fantasy adventures while also tackling growing up, history, and family struggles. To me, it brings to mind such classics as Narnia and The Castle in the Attic.
The book is an excellent beginning. While the story itself is well rounded in itself, the real magic is in the story that it has left to tell. Throughout the book, we get the beginnings of magical rules, political struggle, villains powers, and the complicated history of Alfred’s family and those that knew them. The book leaves you with as many secrets as it answers and simply begs for a sequel. I am excited to see more from this author and continue my journey with Alfred and his friends, hopefully soon!
Alfred is a determined, hopeful, excited kid living out a child’s fantasy. He manages to stay strong through horrible circumstances and uses his knowledge of the period along with that of his own time to try and make things better for his people. The mashing together of periods offers plenty of hilarious moments as Alfred tries to explain things like TV and pro-wrestlers. His knowledge of things like agriculture and battle defenses quickly become lifesavers for the peasants who have accepted the return of the king.
This fantastical adventure is a beautiful story that balances the dark, harsh realities of 6997428survival against both enemies and natural, the struggle of the weight thrust upon Alfred’s shoulders, while also remaining lighthearted, funny, and fun. The story unfolds like a puzzle before the reader, much like it does for Alfred, as you discover more about his family, magic, and the politics of this magical world. Author Ron Smorynski has done an incredible job of creating an extraordinary world and characters that you can become invested it. The story captures the pure adventure and action so longed for in fantasy adventures while also tackling growing up, history, and family struggles. To me, it brings to mind such classics as Narnia and The Castle in the Attic.
The book is an excellent beginning. While the story itself is well rounded in itself, the real magic is in the story that it has left to tell. Throughout the book, we get the beginnings of magical rules, political struggle, villains powers, and the complicated history of Alfred’s family and those that knew them. The book leaves you with as many secrets as it answers and simply begs for a sequel. I am excited to see more from this author and continue my journey with Alfred and his friends, hopefully soon!
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Check out the new look Star Wars Insider! The official Star Wars Insider magazine is your...