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The Life of Anna: The Complete Story
10.0
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When tragedy shatters Anna’s life at a young age, she finds hope in two men who take her under...
Laura Doe (1350 KP) rated This Party’s Dead in Books
Mar 8, 2021
Well, who would have thought a book about death and death festivals would be so entertaining? We start the book on what the author calls the “Worst Tuesday” when her father-in-law to be is found dead in his house and has unfortunately been for over a week. What then follows is a series of events that although not funny at the time are funny when you look back – the funeral directors becoming locked in the room with the body, a sandwich throwing incident in the local shop and deciding whether food is a good enough reason to cure a case of agoraphobia.
In an idea to cure her agoraphobia and the death anxiety she has developed since her father-in-law-to-be passed, the author (Erica) decides to visit festivals around the world that celebrate rather than mourn death.
We start of in Mexico at the colourful Day of the Dead celebrations, and we are taken through the story behind La Catrina and the traditions that aren’t normally seen by tourists because it isn’t the party side. Next we are taken to Nepal and the Gaijatra festival which is led by a cow (or if a cow is unavailable a boy dressed as a cow). Next, we go to Sicily where there are biscotti specially made to represent bones and sugar knights. Madagascar’s Famadihana involves families “turning the bones” where they take their ancestors from the crypts and rewrap them and put their names on them before putting them back. China’s tomb-sweeping festival (Qingming) where they burn paper effigies of iPhones and money is next on the tour and then swiftly onto Japan’s Obon festival where they spend three days visiting their ancestors and honouring them with offerings. Finally we stop at Bali, where they can have a corpse resting in their house for years until family arguments are settled and they also will take them out of their tomb and hang out with them. Finally, we go back to the UK where Erica and her husband finally scatter her father-in-laws ashes.
Erica takes us through a journey of learning to accept death (unless you’re of the transhuman persuasion) and gives us a book full of humour whilst doing it. It’s definitely made me realise death shouldn’t be such a taboo subject and gave me a lot to think about. You can also visit her Instagram @thepartysdead for pictures of her journey!
In an idea to cure her agoraphobia and the death anxiety she has developed since her father-in-law-to-be passed, the author (Erica) decides to visit festivals around the world that celebrate rather than mourn death.
We start of in Mexico at the colourful Day of the Dead celebrations, and we are taken through the story behind La Catrina and the traditions that aren’t normally seen by tourists because it isn’t the party side. Next we are taken to Nepal and the Gaijatra festival which is led by a cow (or if a cow is unavailable a boy dressed as a cow). Next, we go to Sicily where there are biscotti specially made to represent bones and sugar knights. Madagascar’s Famadihana involves families “turning the bones” where they take their ancestors from the crypts and rewrap them and put their names on them before putting them back. China’s tomb-sweeping festival (Qingming) where they burn paper effigies of iPhones and money is next on the tour and then swiftly onto Japan’s Obon festival where they spend three days visiting their ancestors and honouring them with offerings. Finally we stop at Bali, where they can have a corpse resting in their house for years until family arguments are settled and they also will take them out of their tomb and hang out with them. Finally, we go back to the UK where Erica and her husband finally scatter her father-in-laws ashes.
Erica takes us through a journey of learning to accept death (unless you’re of the transhuman persuasion) and gives us a book full of humour whilst doing it. It’s definitely made me realise death shouldn’t be such a taboo subject and gave me a lot to think about. You can also visit her Instagram @thepartysdead for pictures of her journey!
Bob Mann (459 KP) rated A United Kingdom (2017) in Movies
Sep 29, 2021
“In to Africa”.
I managed to miss this film when it was first shown at the end of 2016. And what a shame as it would have UNDOUBTEDLY made my “Films of the Year” list.
Directed by Amma Asante (“Belle”) this is the true tale of a real-life fairy story, featuring a handsome prince and his love, who can never be his princess thanks to the Machievellian schemings of court-do-gooders and bureaucrats.
The prince in this case is Seretse Kham (David Oyelowo, “Selma“) , heir to the throne of Bechuanaland (now Botswana), who meets and falls in love with a lowly white Lloyd’s of London clerk Ruth Williams (Rosamund Pike, “Gone Girl“, “The World’s End“). The plot has many parallels with that of another film from earlier this year: “Loving” with Ruth Negga and Joel Edgerton. As an inter-racial couple in 1947 this is taboo enough, but the fact that Kham is soon to be king in a country bordering the apartheid tinderkeg that is South Africa blows the affair up to be a diplomatic crisis.
Concern in the corridors of power for Prime Minister Atlee (Anton Lesser) being faced up to by the couple’s supporter – a young Anthony Wedgewood Benn (Jack Lowden).
Defying the officials he marries his true love, driving a wedge between both his own uncle (Vusi Kunene ) and sister (Terry Pheto) and making Ruth an outcast in both countries. As things turn from bad to worse, can true love conquer all their adversities?
Just everything about this film delights. Oyelowo and Pike – always a safe pair of hands – add real emotional depth to their roles. Their relationship feels natural and loving without either of them trying too hard. The estrangement of Ruth from her parents (particularly her father played by Nicholas Lyndhurst) is truly touching.
Another star turn is Harry Potter alumni Tom Felton, playing Rufus Lancaster – a weaselly and very unpleasant local official. I have a prediction…. that in 30 year’s time, the young Potter actor that will be the ‘Ian McKellen of his day’ (that is, a world recognized great actor… not necessarily gay!) will be Felton.
Sam McCurdy (“The Descent”) delivers cinematography of Africa that is vibrant (to be fair, for anyone lucky enough to visit Africa will know, cameras just love the place) and the John Barry-esque music by Patrick Doyle (“Murder on the Orient Express“) is pitch perfect for the mood.
When it says “Based on a true story” it means it: the real family.
A beautifully crafted film that older viewers will just love.
Directed by Amma Asante (“Belle”) this is the true tale of a real-life fairy story, featuring a handsome prince and his love, who can never be his princess thanks to the Machievellian schemings of court-do-gooders and bureaucrats.
The prince in this case is Seretse Kham (David Oyelowo, “Selma“) , heir to the throne of Bechuanaland (now Botswana), who meets and falls in love with a lowly white Lloyd’s of London clerk Ruth Williams (Rosamund Pike, “Gone Girl“, “The World’s End“). The plot has many parallels with that of another film from earlier this year: “Loving” with Ruth Negga and Joel Edgerton. As an inter-racial couple in 1947 this is taboo enough, but the fact that Kham is soon to be king in a country bordering the apartheid tinderkeg that is South Africa blows the affair up to be a diplomatic crisis.
Concern in the corridors of power for Prime Minister Atlee (Anton Lesser) being faced up to by the couple’s supporter – a young Anthony Wedgewood Benn (Jack Lowden).
Defying the officials he marries his true love, driving a wedge between both his own uncle (Vusi Kunene ) and sister (Terry Pheto) and making Ruth an outcast in both countries. As things turn from bad to worse, can true love conquer all their adversities?
Just everything about this film delights. Oyelowo and Pike – always a safe pair of hands – add real emotional depth to their roles. Their relationship feels natural and loving without either of them trying too hard. The estrangement of Ruth from her parents (particularly her father played by Nicholas Lyndhurst) is truly touching.
Another star turn is Harry Potter alumni Tom Felton, playing Rufus Lancaster – a weaselly and very unpleasant local official. I have a prediction…. that in 30 year’s time, the young Potter actor that will be the ‘Ian McKellen of his day’ (that is, a world recognized great actor… not necessarily gay!) will be Felton.
Sam McCurdy (“The Descent”) delivers cinematography of Africa that is vibrant (to be fair, for anyone lucky enough to visit Africa will know, cameras just love the place) and the John Barry-esque music by Patrick Doyle (“Murder on the Orient Express“) is pitch perfect for the mood.
When it says “Based on a true story” it means it: the real family.
A beautifully crafted film that older viewers will just love.
Rachel (48 KP) rated The Streets (The Pines Trilogy #3) in Books
May 27, 2017
Stick with it!
Firstly - the formatting of the Kindle edition is pretty terrible. Half of sentences are missing, some are cut in half by paragraphs, words are missing and strange gaps appear where they shouldn't be. Hopefully these issues will be rectified soon.
If you are looking for a cheery, easy bed time read then this is definitely not it! The tone of the book is rather dystopian and gritty. It's certainly not suitable for younger readers!
I wasn't aware that this is the last installment of a trilogy. Although prior knowledge of the other books probably adds more layers to the story and characters it can be read as a stand alone. The first two books do not seem to be available yet on the Kindle.
It took me a few chapters to 'get' the style of writing. It starts off with a huge bang and then slows down considerably. The way the author writes creates a pretty tense, claustrophobic atmosphere that doesn't let up at all throughout.
One character is both the centre of the story and absent for the majority of the time. There are various sub plots that all lead to the same ending. The author deals with these well and it's rarely confusing, especially when you get to know the characters a bit so you automatically know which plot line they are in. Unfortunately the formatting issues I brought up at the beginning of the review can cause confusion. That is not the authors fault, though, so my rating is not affected by those issues.
It is rather disturbing at times and deals with an awful lot of taboo and hard hitting subjects. Some people will probably find it too much but I felt that, although sometimes they are hammered home a little too often, the author deals with them on the right way.
Some of the characters are pretty much impossible to identify with but I feel that is kind of the point! I can't really say that any of the characters are completely sympathetic because they all have a darkness around them - sometimes due to their overt actions and others just because of their complicity in certain situations and events. Again, though, this seemed to be the authors intention.
Can I say that I enjoyed this novel? I'm not sure. It is very bleak, extremely uncomfortable at times and I found myself thinking about certain events that happened whilst doing everyday things. So enjoyment isn't the right word but it is very well written, intense and I am planning to try to get copies of the two earlier books. That in itself shows just how much the story got into my head and is proof of the authors skill
If you are looking for a cheery, easy bed time read then this is definitely not it! The tone of the book is rather dystopian and gritty. It's certainly not suitable for younger readers!
I wasn't aware that this is the last installment of a trilogy. Although prior knowledge of the other books probably adds more layers to the story and characters it can be read as a stand alone. The first two books do not seem to be available yet on the Kindle.
It took me a few chapters to 'get' the style of writing. It starts off with a huge bang and then slows down considerably. The way the author writes creates a pretty tense, claustrophobic atmosphere that doesn't let up at all throughout.
One character is both the centre of the story and absent for the majority of the time. There are various sub plots that all lead to the same ending. The author deals with these well and it's rarely confusing, especially when you get to know the characters a bit so you automatically know which plot line they are in. Unfortunately the formatting issues I brought up at the beginning of the review can cause confusion. That is not the authors fault, though, so my rating is not affected by those issues.
It is rather disturbing at times and deals with an awful lot of taboo and hard hitting subjects. Some people will probably find it too much but I felt that, although sometimes they are hammered home a little too often, the author deals with them on the right way.
Some of the characters are pretty much impossible to identify with but I feel that is kind of the point! I can't really say that any of the characters are completely sympathetic because they all have a darkness around them - sometimes due to their overt actions and others just because of their complicity in certain situations and events. Again, though, this seemed to be the authors intention.
Can I say that I enjoyed this novel? I'm not sure. It is very bleak, extremely uncomfortable at times and I found myself thinking about certain events that happened whilst doing everyday things. So enjoyment isn't the right word but it is very well written, intense and I am planning to try to get copies of the two earlier books. That in itself shows just how much the story got into my head and is proof of the authors skill
Whatchareadin (174 KP) rated The Broken Girls in Books
Apr 9, 2019
Barrons, Vermont -- 1950
A young girl who is a student at Idlewild Hall goes missing. Idlewild is a school for wayward girls. The authorities believe she has just run away with some boy, but her friends and roommates know this is the farthest thing from the truth.
Barrons, Vermont -- 1994
Deb Sheridan another young woman is found dead in the field at Idlewild Hall, which has now been closed for many years. Her killer is her boyfriend at the time, Tim Christopher. Why would he leave her at this place?
Barrons, Vermont -- 2014
Someone has bought Idlewild Hall and plans to renovate it. But why? The place is nothing but a money pit. Fiona Sheridan is determined to find out who is buying the property and their motivation behind it. Will she be able to deal with all the secrets this place holds? When a body is found during the renovations, Fiona's attempts go into overdrive? Will she be able to find out who is behind this before she too becomes a subject of Idlewild?
Thank you to NetGalley and Berkley for the opportunity to read and review this book.
Going through this book, I was a little skeptical about what was going to happen. I'm not a big fan of books with ghosts, but this one wasn't too bad. I gave the book a rating of 3.5 stars. While the book was interesting, I found myself going for other things to do besides reading this book. The story flowed naturally even switching from the past to modern day.
Mary Hand is a ghost that haunts the grounds of Idlewild. She will show you things that you may not want to see. But is a ghost behind all the strange things that happen at Idlewild Hall or is there another culprit. We know for sure that Deb Sheridan was killed by her boyfriend, but what about the body found during the renovations? In 1950 the school was full of wayward girls. Girls who in those days, parents could not be bothered by and mental health was a taboo issue. So they sent their daughters away to school. Four girls in room 3C became very close friends. Sonia, Katie, CeCe and Roberta. The book tells their story from 1950 leading up to the disappearance of one of them and Fiona's perspective from 2014, trying to find out the history of Idlewild Hall and the new owners.
Overall, for me the book was good, not great. This is the first book I have read by Simone St. James. If her other books deal with ghosts and spirits, I'm not sure if I will read them or not, but I may give them a chance.
If you like ghosts though, I think you should give this book a try, YOU may enjoy it.
A young girl who is a student at Idlewild Hall goes missing. Idlewild is a school for wayward girls. The authorities believe she has just run away with some boy, but her friends and roommates know this is the farthest thing from the truth.
Barrons, Vermont -- 1994
Deb Sheridan another young woman is found dead in the field at Idlewild Hall, which has now been closed for many years. Her killer is her boyfriend at the time, Tim Christopher. Why would he leave her at this place?
Barrons, Vermont -- 2014
Someone has bought Idlewild Hall and plans to renovate it. But why? The place is nothing but a money pit. Fiona Sheridan is determined to find out who is buying the property and their motivation behind it. Will she be able to deal with all the secrets this place holds? When a body is found during the renovations, Fiona's attempts go into overdrive? Will she be able to find out who is behind this before she too becomes a subject of Idlewild?
Thank you to NetGalley and Berkley for the opportunity to read and review this book.
Going through this book, I was a little skeptical about what was going to happen. I'm not a big fan of books with ghosts, but this one wasn't too bad. I gave the book a rating of 3.5 stars. While the book was interesting, I found myself going for other things to do besides reading this book. The story flowed naturally even switching from the past to modern day.
Mary Hand is a ghost that haunts the grounds of Idlewild. She will show you things that you may not want to see. But is a ghost behind all the strange things that happen at Idlewild Hall or is there another culprit. We know for sure that Deb Sheridan was killed by her boyfriend, but what about the body found during the renovations? In 1950 the school was full of wayward girls. Girls who in those days, parents could not be bothered by and mental health was a taboo issue. So they sent their daughters away to school. Four girls in room 3C became very close friends. Sonia, Katie, CeCe and Roberta. The book tells their story from 1950 leading up to the disappearance of one of them and Fiona's perspective from 2014, trying to find out the history of Idlewild Hall and the new owners.
Overall, for me the book was good, not great. This is the first book I have read by Simone St. James. If her other books deal with ghosts and spirits, I'm not sure if I will read them or not, but I may give them a chance.
If you like ghosts though, I think you should give this book a try, YOU may enjoy it.
Pope Francis: Untying the Knots: The Struggle for the Soul of Catholicism
Book
For the past two years Pope Francis has enchanted and bewildered the world in equal measure with his...
Duchess of Malfi, the White Devil, the Broken Heart and 'Tis Pity She's a Whore
John Ford, John Webster and Jane Kingsley-Smith
6.5
Rate It
Book
These four plays, written during the reigns of James I and Charles I, took revenge tragedy in dark...
Gareth von Kallenbach (980 KP) rated Four Christmases (2008) in Movies
Aug 14, 2019
Christmas, for most of the population who celebrate it, is about gathering with family, taking the opportunity to reunite with loved ones and share in the spirit of the holiday. Most of us do this with great anticipation. But not Brad and Kate, an intensely committed couple, played by Vince Vaughn and Reese Witherspoon, who would rather be anywhere but near their respective families at Christmas. So much so, they invent elaborate excuses every year that keep them away.And because it’s always for a good cause, they’re granted a pass by their relatives. This year, they’ll be busy volunteering to inoculate children in some remote third-world country. In actuality, they’ll be vacationing on some tropical island. But the San Francisco fog works against them this Christmas, and they’re captured on camera by a news crew at the airport dealing with the cancelation of their flight, and, of course, there’s no getting away now.
So, why don’t Brad and Kate want to spend Christmas with their families? Well, mainly it’s because they’re products of broken marriages and each of them have two homes to visit. Hence, the title. Brad’s family consists of a bitter old man, played by Robert Duvall and two brothers (Jon Favreau and Tim McGraw) who are amateur cage fighters who take great delight in torturing their attorney brother. His uncoventional mother, a quirky Sissy Spacek, is remarried and Brad has yet to come to terms with a stepfather he knows all too well. Kate’s mother, played by Mary Steenburgen, has found religion and a not-so-angelic devotion to the pastor of her church, while her sister, an earnest Kristin Chenoweth, just can’t say enough about the joys of childbearing.
Brad and Kate, who airily dismiss the idea of marriage and the notion of children, are content to just focus on each other, spicing up their relationship with some sexy role-playing, dance lessons and exotic vacations. But on one Christmas day, traveling from one parent’s home to another, they face their fears four times and discover more and more about each other with each visit. She didn’t know his name wasn’t really Brad. He didn’t know she went to fat camp. She doesn’t know how to give good clues in Taboo. He is inflexible in changing the rules of their relationship. Suddenly, the happily unmarried couple doesn’t feel so happily unmarried.
The movie is good for a few laughs, mainly at the expense of Vince Vaughn’s Brad. I’ve always been a big fan of Vince Vaughn’s rapid-fire stream of consciousness delivery and he certainly has his moments. While it seems like he carries the movie for the most part, Reese isn’t without her chances to shine. Unfortunately, the opportunities are few and far between. Even with it’s stellar cast, the phrase “lighthearted comedy” feels a little generous. It is definitely light, but doesn’t have much heart.
So, why don’t Brad and Kate want to spend Christmas with their families? Well, mainly it’s because they’re products of broken marriages and each of them have two homes to visit. Hence, the title. Brad’s family consists of a bitter old man, played by Robert Duvall and two brothers (Jon Favreau and Tim McGraw) who are amateur cage fighters who take great delight in torturing their attorney brother. His uncoventional mother, a quirky Sissy Spacek, is remarried and Brad has yet to come to terms with a stepfather he knows all too well. Kate’s mother, played by Mary Steenburgen, has found religion and a not-so-angelic devotion to the pastor of her church, while her sister, an earnest Kristin Chenoweth, just can’t say enough about the joys of childbearing.
Brad and Kate, who airily dismiss the idea of marriage and the notion of children, are content to just focus on each other, spicing up their relationship with some sexy role-playing, dance lessons and exotic vacations. But on one Christmas day, traveling from one parent’s home to another, they face their fears four times and discover more and more about each other with each visit. She didn’t know his name wasn’t really Brad. He didn’t know she went to fat camp. She doesn’t know how to give good clues in Taboo. He is inflexible in changing the rules of their relationship. Suddenly, the happily unmarried couple doesn’t feel so happily unmarried.
The movie is good for a few laughs, mainly at the expense of Vince Vaughn’s Brad. I’ve always been a big fan of Vince Vaughn’s rapid-fire stream of consciousness delivery and he certainly has his moments. While it seems like he carries the movie for the most part, Reese isn’t without her chances to shine. Unfortunately, the opportunities are few and far between. Even with it’s stellar cast, the phrase “lighthearted comedy” feels a little generous. It is definitely light, but doesn’t have much heart.
Mattia Gagliardi (14 KP) rated Love, Death & Robots in TV
Jun 4, 2019
Outstanding animation (2 more)
Some of the shorts are amazing
I wish there would be more products like this
Other shorts where very dull and boring (3 more)
Sometimes it's style over substance
Too edgy in some parts
Some of the shorts look like commercial for videogame
Uff this is gonna be though to review
"Love Death & Robot" is an anthology of adult animated shorts. It features 18 shorts of different lenght with the common theme being the sci-fi.
The problem of reviewing a product like this is that the episodes are all so different to each other and the quality is too vary.
On a technical point of view, every shorts are amazing. The animation feels great in every style it is portrayed, either 2D or 3D. The quality of the shots, the models and basically every visual elements are simply gorgeous.
However that doesn't mean that the short themselves are by default good. The ones that are super realistic, like "Beyond the Aquila Rift" and "Lucky 13", just make you wonder why they didn't used real actors instead. This two in particular doesn't really benefit for being animated. For comparison, "Ice Age" uses real actors and the CG is contained in the special effects and it works perfectly. Oh and "Lucky 13" is just plain bad on top of that.
Then there are the shorts with amazing visual styles but with quite dull story. "The Witness" is the one that comes to mind using clever use of compositing (the implementation of CG elements in a realistic environment) and having a nice character design with excellent animation. However it feels pretentious because it doesn't say anything really interesting and it focus more on sexual visual rather than a story, with a nonsensical twist nevertheless. Style over substance.
Other shorts instead feels like watching a cinematic for a videogame, pilot for different series or University students showreel. This doesn't mean they are bad but it just feels a bit underwhelming.
However when a short is good, it's really good! The one that are always left me with a smile on my face and with an overall excitement, eager to see what was coming next or more works from these studios. "Three Robots" is definitely one of my favourite short thanks to the amazing visuals, clever dialogues and an interesting lore.
My main criticism that involves mostly all the shorts is the supposed maturity, especially in the use of sex and violence.. I am not against the use of them by any means. However using them just for the sake of it doesn't make your product automatically mature. It just felt edgy, the equivalent of a goth teenagers that watch gory movies just because "uuhhh so taboo".
I know that animation is still perceived as a product for children and I am always happy to see new ones that wants to focus on a more mature audience. I don't think though that you can do it with just the use of swear words, sex and violence without any substance in it.
I want to see more actually mature animations, with compelling stories and amazing styles, using animation as a media and not as a genre.
The problem of reviewing a product like this is that the episodes are all so different to each other and the quality is too vary.
On a technical point of view, every shorts are amazing. The animation feels great in every style it is portrayed, either 2D or 3D. The quality of the shots, the models and basically every visual elements are simply gorgeous.
However that doesn't mean that the short themselves are by default good. The ones that are super realistic, like "Beyond the Aquila Rift" and "Lucky 13", just make you wonder why they didn't used real actors instead. This two in particular doesn't really benefit for being animated. For comparison, "Ice Age" uses real actors and the CG is contained in the special effects and it works perfectly. Oh and "Lucky 13" is just plain bad on top of that.
Then there are the shorts with amazing visual styles but with quite dull story. "The Witness" is the one that comes to mind using clever use of compositing (the implementation of CG elements in a realistic environment) and having a nice character design with excellent animation. However it feels pretentious because it doesn't say anything really interesting and it focus more on sexual visual rather than a story, with a nonsensical twist nevertheless. Style over substance.
Other shorts instead feels like watching a cinematic for a videogame, pilot for different series or University students showreel. This doesn't mean they are bad but it just feels a bit underwhelming.
However when a short is good, it's really good! The one that are always left me with a smile on my face and with an overall excitement, eager to see what was coming next or more works from these studios. "Three Robots" is definitely one of my favourite short thanks to the amazing visuals, clever dialogues and an interesting lore.
My main criticism that involves mostly all the shorts is the supposed maturity, especially in the use of sex and violence.. I am not against the use of them by any means. However using them just for the sake of it doesn't make your product automatically mature. It just felt edgy, the equivalent of a goth teenagers that watch gory movies just because "uuhhh so taboo".
I know that animation is still perceived as a product for children and I am always happy to see new ones that wants to focus on a more mature audience. I don't think though that you can do it with just the use of swear words, sex and violence without any substance in it.
I want to see more actually mature animations, with compelling stories and amazing styles, using animation as a media and not as a genre.
Brea Lowther (26 KP) rated Everything, Everything in Books
Feb 5, 2018
Pleasantly Surprised
Contains spoilers, click to show
I read quite a bit. Young Adult is a genre that is really hit or miss with me. I wasn't expecting to have a very strong feeling for this book, but I was wrong, and pleasantly surprised. I initially read this, because I'm very much a "must read the book before watching the movie" person. I picked it up because it had been sitting on my "too read" shelf for far too long. I breezed through it because it wasn't a tough read, and it kept me hooked throughout.
The big shock came to me in it's unpredictable predictability. That sounds insane, so let me explain. As soon as you meet Madeline, you learn that she's been locked in her controlled environment most of her life because she has a rare disease called SCID. She gives the basic layout of her diagnosis, life of isolation, and the cute boy next door. She soon begins to question everything.
This is the point of the book, very early on, where I begin to think "Mom probably has Munchausen by Proxy," which is the mental disorder where, for lack of fancy medical knowledge and terms, your make your child or other person close to you sick on purpose to gain sympathy, or because you honestly convince yourself they are sick.
As I read a little more, and Maddy meets, and subsequently falls in love with Olly, I start to realize that I may be jumping to conclusions too soon. After all, this is a young adult novel, not a Gillian Flynn mystery.
When we come to the part of the great escape, Madeline's awakening, her most dangerous adventure, out of the controlled world she knows, I am not surprised to see her get very sick, and have to go to the hospital where she comes close to death.
She hits a period of depression, realizes that she can't see Olly anymore, and breaks his, and her own heart. BUT WAIT! She receives a letter from her doctor in Hawaii who tells her she doesn't have SCID, and her world comes crashing down.
She has to confront her mother, and decide what steps to take to finally start a life that was stolen from her.
I was pleasantly surprised to be tricked out of thinking I guessed the plot, and then thrown for a curve when I was right all along. Aside from that gem, this book did a great job of displaying an outsider's view on domestic violence, and her influencing Olly to have his mom leave. It wasn't your run of the mill teen love story. It showed the bitter betrayal that sometimes happens at the hands of the people who are supposed to love and protect you the most. It showed different mental conditions in different lights. It could've gone into more detail, but just shedding some light in a world where having a sick brain is so taboo is a tremendous feat.
This book was executed simply, and done very well. I am glad I finally read it, and would recommend it to anyone looking for a quick, yet emotional read.
The big shock came to me in it's unpredictable predictability. That sounds insane, so let me explain. As soon as you meet Madeline, you learn that she's been locked in her controlled environment most of her life because she has a rare disease called SCID. She gives the basic layout of her diagnosis, life of isolation, and the cute boy next door. She soon begins to question everything.
This is the point of the book, very early on, where I begin to think "Mom probably has Munchausen by Proxy," which is the mental disorder where, for lack of fancy medical knowledge and terms, your make your child or other person close to you sick on purpose to gain sympathy, or because you honestly convince yourself they are sick.
As I read a little more, and Maddy meets, and subsequently falls in love with Olly, I start to realize that I may be jumping to conclusions too soon. After all, this is a young adult novel, not a Gillian Flynn mystery.
When we come to the part of the great escape, Madeline's awakening, her most dangerous adventure, out of the controlled world she knows, I am not surprised to see her get very sick, and have to go to the hospital where she comes close to death.
She hits a period of depression, realizes that she can't see Olly anymore, and breaks his, and her own heart. BUT WAIT! She receives a letter from her doctor in Hawaii who tells her she doesn't have SCID, and her world comes crashing down.
She has to confront her mother, and decide what steps to take to finally start a life that was stolen from her.
I was pleasantly surprised to be tricked out of thinking I guessed the plot, and then thrown for a curve when I was right all along. Aside from that gem, this book did a great job of displaying an outsider's view on domestic violence, and her influencing Olly to have his mom leave. It wasn't your run of the mill teen love story. It showed the bitter betrayal that sometimes happens at the hands of the people who are supposed to love and protect you the most. It showed different mental conditions in different lights. It could've gone into more detail, but just shedding some light in a world where having a sick brain is so taboo is a tremendous feat.
This book was executed simply, and done very well. I am glad I finally read it, and would recommend it to anyone looking for a quick, yet emotional read.