"There is a bit of a theme to this list, it seems: almost all of these movies have at least one very juicy part for a woman. Much of this film has been lost to time for me since I last saw it—something something Chris Klein, blah blah Matthew Broderick—but I have never forgotten how perfect Reese Witherspoon is as Tracy Flick. She’s bossy, controlling, not very likable, but somehow deeply sympathetic. (I think Broadcast News’s Jane would have wanted to take Tracy on as an intern, and also possibly to kill her.)"

"My parents got divorced when I was about eight, and after that I moved with my mother from St. Louis to Boston. I became her movie pal, and she would take me to some very inappropriate movies! This was one of them. The Graduate has one of my favorite montages ever—that one where Dustin Hoffman jumps off a diving board and lands on Anne Bancroft’s chest! It’s sexy and beautiful, but it also captures how this young man spirals into a state of jadedness over the course of a summer."

"This is, without exception, the funniest book I’ve ever read. The phrasebook scene (which I won’t delineate further in case you haven’t yet read the book and might enjoy doing so) has made me laugh every time I’ve read it, and I’ve now read it several hundred times. Macauley has a great gentleness, and though she keeps up her wry take on the absurd, she is also engaged in moral inquiry, in the attempt to know and understand what is right and what is the opposite of right."

"All this talk about bonus features has made me think we need to talk about extras! I apologize, but I’m gonna deep-dive for a sec. It’s just that the special features are such key ingredients to some of these amazing Criterion titles and have become such an essential part of my own viewing experiences. There are stunning extras in the Criterion Collection that I often think about as important additions to the history of movies. So don’t get me started, or I’m going to start blabbing about the piles of amazing extras on Barry Lyndon (which fill two Blu-rays!). Or the amazing documentaries on 8½ and Seven Samurai and Brazil. Or The Game, with its eight different audio commentaries. Or that concert film in the edition of Inside Llewyn Davis. Or every Andrea Arnold short film on Fish Tank. Or that Cronos supplement where Guillermo del Toro gives a nerdgasm tour of his bonkers house. (I told you: don’t get me started.) But I think my all-time favorite bonus feature is Charles Laughton Directs “The Night of the Hunter,” a two-and-a-half-hour documentary that has to go down as one of the most interesting behind-the-scenes films ever made. I had never even heard of this until I picked up the Night of the Hunter disc. It literally shows something that I’ve never seen before: tons of footage of a director in the midst of working with his actors during takes. While actors are performing, you hear Charles Laughton (a legendary actor directing his only film) guiding the cast through every line in basically every shot, take after take after take. It’s like being on set next to a perfectionist director while he meticulously sculpts the performances in his masterpiece. (And oh, poor Shelley Winters. “Do it again! Do it again! Less air in between! Go ahead Mitch! Look at her! Shelley, look up now and say ‘blessss ussss all.’ Yes, that’s it, Shelley!!”)"