"This is a record that I found from trawling the racks. It was the cover that intrigued me – a guy playing electric guitar in desert robes in a tent. I had to find out more. Tinariwen were a band that had an extended tribe, so people would come in and take over the vocals. They had different players. Later I learnt that the leader would take his guitar and go off into the desert and write the album under the stars. Years later I met up with them and discussed me and Brian Eno going out and spending time with their tribe, the Tuareg, and recording with them in the hills of Mali. We talked about it and started to plan it out, and then Underworld went on tour and that was that. Brian and I still talk about it. I listen to a lot of African music, that fantastic polyrhythmic, joyous tumbling sound which, for me, was techno. They did it so beautifully and made it sound haunting. They are a phenomenal group. This album was their first – it was recorded by a French group who had heard about their music and just went out to the desert and found them. It’s crudely beautiful."

"It’s a toss up for me between this album and Exile On Main Street. They’re both great. But Sticky Fingers wins out. I recall going into Andy’s Record Shop in Lowestoft and seeing this in the bargain bin. I thought, ‘What the hell? It’s so cheap I can’t go wrong buying a copy’. And I loved what I heard. “It’s never easy to pick a favourite Rolling Stones song – how do you do that with so may to choose from? But Can’t You Hear Me Knocking from Sticky Fingers would be my choice. “There’s also another reason to go for this. It brings back memories of Frankie (Poullain, Darkness bassist) and me driving around in a Volkswagen van in Costa Rica, climbing up the side of a volcano. And we listened to this all the time. It was perfect for that trip. So, if you are planning to go climbing up a volcano, then this is the album to take with you"

"I was driving through Iceland listening to this song and it’s just really gorgeous. I think this is how people feel when they take drugs - they begin on this floating cloud and then it becomes a bit chaotic at the end. “It sounds like they were on drugs when they made it, but it doesn’t make me sad when I think about it, there’s something with it, it’s positive without making me vomit, which I really enjoy. Sometimes happier music is hard to listen to, because you can question as to why you aren’t as happy as the people in the song, but I like this song. “I discovered this song much later, after ‘Rez’. When I hear one song I don’t automatically go and find the whole album, I kind of stop and just have fun with that song for months - I get really patient with songs and I can listen to them for months. I saw that ‘Born Slippy’ was on the same album as ‘Rez’ and now of course I have the whole album and I have rave parties for myself, just me. “I also love to listen to this song whilst I paint, when I paint something without meaning. I’m full of opposites or coherent contrasts, one day I like to be at rave parties and then I like to be in forests. I like to see what the world has to offer me.”"