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The New Husband
The New Husband
D.J. Palmer | 2020 | Thriller
6
7.7 (3 Ratings)
Book Rating
I will give it to this novel--it's a page-turner. I might not have really liked any of the characters (Daisy the dog exempted), but I certainly flew through the book. The narrative style wasn't exactly my favorite; it just felt off to me.

"There was, however, one truth Nina took from the terrible ordeal, an abstract notion that with time and rumination calcified into a harsh new understanding: just because you love someone doesn't mean you know them."

There is no one in this book that I felt the desire to root for, beyond Daisy and poor Maggie, Nina's thirteen-year-old daughter, who is bullied and neglected thanks to all that's going on. I'm sorry, but her clueless mom makes some terrible decisions. I wanted to shake her multiple times.

This book is crazy and honestly, a little too far-fetched for me at times. I love a book filled with twists and turns, but this one might take the cake. Especially since some of them seemed to lack any motivation or backup.

Still, it's a page-turner and a fast read. If you can suspend your disbelief more than I did, you'll probably really enjoy it.
  
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Merissa (11961 KP) rated Brittle Bonds (Guadel Chronicles #3) in Books

Apr 7, 2023 (Updated Apr 10, 2023)  
Brittle Bonds (Guadel Chronicles #3)
Brittle Bonds (Guadel Chronicles #3)
Dean Murray | 2012 | Science Fiction/Fantasy, Young Adult (YA)
8
8.0 (1 Ratings)
Book Rating
This book starts off in the same vein as the other - Va'del is still not trusted by most of the Guadel but those that do trust him also respect him. Va'ma takes Va'del into his confidence and tells him of his fears that the Capital is not as safe as everyone thinks. They make plans to test out their welcome and make contingency plans just in case. It's a good job they do because then this story takes an unexpected twist.

Va'del and Jain find themselves in a world unknown to them and have to learn how to fit in quickly as their survival depends on it.

The layers upon layers of this story make it at once intricate, rich and detailed whilst still being an easy read. This story will draw you into it and take you along for the ride. Highly recommended for all Fantasy fans. Brittle Bonds reaches a natural conclusion that will still leave you wanting more. Luckily for me, I have Shattered Ties ready to go (review to follow).
 
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
 
Merissa
Archaeolibrarian - I Dig Good Books!
July 20, 2016
  
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Merissa (11961 KP) rated Blood King (Heart Stones #1) in Books

Mar 18, 2022 (Updated Jul 3, 2023)  
Blood King (Heart Stones #1)
Blood King (Heart Stones #1)
JP Sayle | 2022 | LGBTQ+, Paranormal, Romance
8
9.0 (2 Ratings)
Book Rating
BLOOD KING is the first in the Heart Stones series and we start the story with Aion and Shiesha. One is heir to the Vampire King's throne, and one has no memory prior to two weeks ago. But fated mates they are, and you know what that means... instant heat, sexual tension, and lots of banter/sniping.

There is so much to this book. It was a delight to read. Nothing is straightforward, and I take my hat off to Ms Sayle for being so goddamned cryptic with those monks! Absolutely brilliant.

Fast but perfectly paced, we see the story through both our main characters' eyes, giving a nicely-rounded view of what's going on. Just don't expect too many answers. In fact, I'm pretty sure I've got more questions than ever now, but I was warned so fair enough.

This was a great start and I'm really looking forward to getting some answers and seeing where Ms Sayle takes me next!

** same worded review will appear elsewhere **

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
Mar 10, 2022
  
Ready Player One
Ready Player One
Ernest Cline | 2011 | Fiction & Poetry
8
8.9 (161 Ratings)
Book Rating
Easy to read (0 more)
Moments of deus ex machina (0 more)
As a set of 80s references it was great, as a story in its own right it was OK
I am disappointed with myself for not reading this sooner. Not because it was a life-changing read, but because I now look to be jumping on the bandwagon with the film coming out. I had planned to read this about 3 years ago, before I knew there was a film but never quite got round to it.
The book tells the story of an online world people enter to escape the disaster the real world has become, and shows them spending money they don't have on things they don't need (outfits for their avatar etc), but sadly doesn't take this too far (see Black Mirror for more of a doom-laden version of this world) and tracks the progress of the world's egg-hunters ("gunters") looking to solve epic puzzles and hope to win the ownership of this online world after its creator dies and bequeaths it to the victor.
There are a slew of 80s references in the early pages, and these are mostly enjoyable (unless like me you hate things like the breakfast club and haven't seen many of the films referenced) but thereafter the references are almost solely coin-op video games based, with occasional nods to movies and music. For me, you can get more enjoyable 80s references from one of those talking heads shows ("here, do you remember rubix cubes, what were they all about?!").
The solving of the puzzles (a fairly large part of the story) seemed a little clumsy to me, as if all of a sudden people would make a connection several years after working at it and then just bash on and solve it. This was none more present than in the very final puzzle, there was no logic as to why the solution was what it was. I kind of felt like Cline was desperate for the toilet when he was writing it, twitching on the edge of his seat and just quickly finished it off before he soiled himself.
There were a few twists and turns in the book, and they were mostly enjoyable though I felt there were a few missed tricks (the identity of "Aech" for example - I would put money on Cline planning this to be some Artificial Intelligence reincarnation of Halliday, the world's creator but he wussed out if it).
All in all, I enjoyed reading this, the prose flows quite nicely and easily, and the journey is enjoyable enough. I just felt there could have been more effort on the story and less on squeezing 80s references in ad nauseam.
  
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Natasha Khan recommended Berlin by Lou Reed in Music (curated)

 
Berlin by Lou Reed
Berlin by Lou Reed
1973 | Rock
7.7 (3 Ratings)
Album Favorite

"Berlin, for me, is one of the most complete albums. It incorporates and encapsulates everything I love about albums and music, which for me is it being like a film that plays out in your mind. There's a sort of cinematic aspect to the whole thing. It's storytelling in its darkest and most beautiful form, it takes you through a relationship from the beginning to the end and you get invested in characters and people that are inhabiting the scenery that Lou Reed's talking about. You feel pain, in the end, when it's: "They're taking her children away / Because they said she was not a good mother". Those lyrics, and "this is the place our children were conceived / Candles lit the room brightly at night" and "this is the place where she cut her wrists / That odd and fateful night". It's just like, fuck me, who actually talks about that stuff any more? Who's brave enough to believe in the album as a whole? Because you take out any of those songs, and they're fantastic songs, but the whole point is it's a novel, and you have to invest in listening to the lyrics and absorbing the atmosphere and going with it the whole way through to really get that fucking hit at the end, where you're just devastated. The full entity, that's the album I wish I'd made. My boyfriend for seven years, when I was 18 to 25, was obsessed with Lou Reed and we saw him loads of times. He probably played it to me quite early on, maybe when I was 19 or 20, but I think I actually got obsessed with it on my own around 23, and just listened to it over and over again. And then luckily, it got brought back live and he toured it with the full children's choir and bloody string section in his band. It was such a treat to see that. In 'The Kids', they put all the samples of the children going "mummy!" and crying and banging on the door. Apparently they actually locked someone's kids in a room and recorded them, sobbing away. [laughs] Absolute bastard, you know, but what have you got to do for the arts? That really struck me at the time, thinking how much I love film and whenever I write music, I see it, in characters and colours and locations and places, and it's like they had, like lots of other people I suppose. There are so many songs by him that I love, but I wouldn't say there are any albums by him that I love the whole way through as much as this one. Obviously there's 'Satellite Of Love' and 'Perfect Day' and 'Walk On The Wild Side', which I think are fantastic pop songs because they've got grit - when I think about great songs that have darkness and grit and integrity, I think of Lou Reed and Kurt Cobain, and those are my two men that I reference. When I was writing 'Laura', I was like "okay, Lou", can I summon the spirit of Lou? Just to be able to talk brutally and honestly about a thing, but within a context of a song that people will remember. It's just in my DNA now, always with me, it's just part of me."

Source
  
The Predator (2018)
The Predator (2018)
2018 | Action, Horror
I went into this expecting some good action and some decent graphics. I did not expect to find so much comedy. This was a real treat to watch.

There's just something about "seeing" The Predator when he's invisible that really hits the spot. It gets you on the edge of the seat and fills you with just the right sort of anxiety. Had someone tapped me on the shoulder during the first time that happened in the film I probably would have swung for them while wailing like a banshee.

Lots of actors that you'd recognise from other things and everyone has their own little quirk that works well together in the scenes. It didn't feel like any of the talent was underused, which can be an issue with people in bit parts.

Who knew that Predators had a sense of humour too?! I don't think I've ever seen anyone use a severed limb in such an ingenious way before.

One bit that I really enjoyed reminded me of Futurama. You win bonus nerdy points if you spot it too. It had me tittering away.

There are excellent characters. Genuinely can't think of any that I didn't like in some way. Rory is brilliant in this, great acting from Tremblay and he was blessed with some amazing lines. His grasp of reverse psychology had us all laughing. There's also a scene in the military facility where the Predator wakes up and I actually believed the way everyone reacted. So often it's a mass of crazed running in all directions or everyone is running for one door, but this one felt like a perfectly choreographed event. We see incredible friendships and camaraderie that really comes to the forefront in the conclusion of the film.

It seems a bit redundant to be saying this because you'd think people would know... but they don't seem to... Military weapon designers: tactical weapons that are made for covert ops and have LED lights on them are in fact not very tactical. Predators: If you just stopped playing with your prey you could have conquered the Earth years ago.

*exhales slowly* So this 3D thing... I really and truly hate space shots in 3D, especially the ones that are basically just black space and stars. Really difficult to look at. Thankfully that didn't last for too long and was replaced what was quite good effects of the spaceship jumping to Earth. There were also a few shots from the sniper perspective that worked well. The rest of the film I found that it went quite badly from fuzzy to sharp and I couldn't quite tell what was supposed to be the focus. I'd have said that was the screen's 3D rather than the film itself, but it still struck me as odd that it was going between the two. I will put it down to just a bad screening.

What should you do?

You should see this, probably in 2D rather than 3D. It's funny, full of action and just the right amount of nostalgia.

Movie thing you wish you could take home

Part of me wants the translation device. Part of me wants the invisibility ball (but not afterwards). Part of me wants that tranq gun. The opinion will change depending on how my day goes.
  
Cryptid
Cryptid
2018 | Deduction
If you are a fan of the lore behind the likes of the Cthulhu, Sasquatch, Loch Ness, and El Cucuy, then you will love the theme behind this next game. Cryptid is a board game that basks in these old tales of years long past and puts you on the hunt for the infamous “Cryptid” snake/dragon-like monster. You are in a race against the other players to determine who can catch the infamous Cryptid first. This snake-like dragon is slippery and likes to hide just out of reach of the players though. It will take a bit of strategy, some social deduction with other players, and well, a bit of luck to find it! Good luck adventurers!

Upon setup, each player, up to a max of 4, will take a hints booklet and tokens of any of the 4 colors. The booklets provide each player with one, and only one, hint as to where the “Cryptid” could be hiding on the game board. The game board has 4 different terrain types, and a few landmark spots such as bear dens, towers, and cougar hideouts, where the monster could be hiding. Once each player has read their clue, they will go around the table a total of 2 times placing small cubes in places where the “Cryptid” is not. This serves two purposes, to assist the game from taking more than the time necessary to have fun, and to allow the players a little early game strategy to throw other players off the scent.


From this point forward, it is up to the players to start deducing what clues they think the other players have. A list of all possible clue types can be found in each booklet to give the players an idea of what to be considering. This also assists the game experience from taking too long. Players will now have 2 options on their turn. They can ask for information from any other player, or they can take a guess as to where they think the “Cryptid” might be. There is NO penalty for guessing the correct answer, but in doing so, if you are incorrect, you are identifying a space to the other players of where your clue may indicate where the “Cryptid” could be located. So guess carefully! As you venture forth to ask clues of other players, they will place either a cube on the space you inquired about, indicating the “Cryptid” could not be in that spot based on their clue, or they will place a disk, indicating that the space could be the space as to where the monster could be hiding. As the board begins to fill with cubes and disks, you will begin to triangulate (just a fun word I LOVE using) where you think the monster may be hiding. When you feel like you’ve got it, then take a guess. If all other players place a disk on the spot you have guessed, then you have located the “Cryptid”!

What I love about this game is its simplicity, but immersion. The game does a great job of creating that on-the-edge-of-your-seat feeling that you are about to get another clue. As I mentioned above, the designers have included some very non-intrusive, but key elements, into the game that prevent it from becoming a waiting game while other players who may be stuck trying to over-analyze the clues and accidentally hijack the time. From the simplistic clues, to the initial cube setting, the game board will fill with clues fairly quick, giving you the opportunity to make some key guesses early on.
It’s this fast paced organization of “Cryptid” that allows for multiple plays, and hopefully multiple winners. Or, if you are my 12 year old son….the winner EVERY time. Don’t ask me how he does it! My wife and I think he has special powers. We may be on to something here! Anyhow, “Cryptid” is a wonderfully whimsical game that will take you on about a 30-45 minute adventure with your friends and family. You will furiously be on the edge of your chair trying to figure out the next clue. The gameplay feels satisfying and smooth, and will leave you wanting to trek across the island again someday to find the ever illusive “Cryptid”! For these reasons, and many more, Purple Phoenix Games gives this one an illusive 19 / 24.
  
Upgrade (2018)
Upgrade (2018)
2018 | Action, Horror, Sci-Fi
I'd go classifying Upgrade as sci-fi action... for some reason it also has a genre of horror on IMDb. Sure it's a bit gory, but with everything that happens in it I wouldn't have lumped it in there as well. It briefly gave me pause to ponder where the lines of classification are... but that way madness lies!

This one isn't for the faint hearted. There's quite a lot of violence in it. There was only one bit that I thought "that was a bit much", but even then it was more that I reacted to it with an intake of breath and a slight wince before laughing... because it was a tad ridiculous. The guy in the row behind me did the same, but his girlfriend wasn't overly impressed.

I actually found Grey's reactions to his body doing violent things to be very well done, and a nice touch because you do forget that it's not actually him. Acting so that your face is doing something completely different to how your body is performing must be very challenging, but Marshall-Green did it really well. He had humour, and really brought out the conflict between his head and his body... wow, well there are just some things that you don't expect to say when reviewing films.

The main reason it's missing that last half star is purely personal preference. I like sci-fi, and I like mindless violence. What I don't like are the motion and camera quirks. But like I say, it's personal preference. Those tracking shots that put Grey centre of the frame and follow him round like it's a third person shooter game (third person?) did nothing for me, and made everything seem kind of jumpy. This was so you could get the contrast between him being in control and STEM being in control, and I understand that but it's a shame they couldn't find another way to do it. My only other bug was that when Grey is laying on the floor and STEM gets him up to standing he goes from horizontal to vertical like he's on a hinge. How is that even possible? STEM is still constrained by what the human body can do, right? And last time I checked I can't pivot from laying down to standing just on my heels.

What should you do?

Great lead, interesting story line... if you don't mind mindless violence then you should definitely go and see this.

Movie thing you wish you could take home

I'd quite like to take home STEM and have my body be that coordinated all the time... but that does have the whole killer robot issue. So perhaps I'll just go with the self driving car this time.
  
Zoo (2018)
Zoo (2018)
2018 | Comedy, Drama, Horror
I'm not sure how this came into the watching loop, I honestly think it was the fact it was only about an hour and a half long.

John and Karen have fallen out of love with each other, their future might have been very different if it wasn't for the mysterious and dangerous plague going on outside their flat. Can they wait out the danger with the promise of rescue on the horizon?

From the outset the music comes across as quite jarring. I would expect it to be for this sort of topic, however I didn't find it easy to listen to, or that it fit well into the overall film. It's something I noticed several times, and you know me, I only notice music if it's amazing or terrible.

John and Karen, played by Ed Speleers and Zoë Tapper, take most of the screen time in their flat. We see their relationship change over the course of the film, from their rocky beginning they use their time together to become reacquainted with each other. At the beginning I wasn't entirely sure about them as a couple, the chemistry between the two actors seemed a little off, even when taking into account the divide in their character's relationship. Once we're underway though I found the power dynamic became more apparent and that helped move things along.

Despite them being confined, you never get that claustrophobic feeling, and that seemed rather strange. That spacious flat almost felt welcoming with its size, and that's at odds with the point of the film. Their spacious flat almost felt welcoming with its size. Had it "opened up" as we progressed, that would have made some sense, but all the space was used fairly early on even as extra people get added. At no point did their environment inside the flat have any real sense of danger.

The character of Karen is never massively likeable even in vulnerable moments, and her actions often seem to contradict themselves during the proceedings. When the neighbours are added into the mix I genuinely didn't see the reality in their interactions. It became a struggle between two alphas and their clueless partners, but it lacked chemistry and was a low point in the film for me.

At the beginning as the couple montage their way to trying to survive I started to engage more, but the middle chunk didn't really click with me. But somewhere along the way it seemed to get back on track... but again, more of that contradiction came and it became a real miss match.

Because of the way Death Do Us Part decided to handle the catastrophe you actually get a lot less gore than you'd expect. There are still violent moments to be seen, but it does quite a good job of hiding most of it away.

Death Do Us Part was an intriguing take on a zombie movie, with definite highs and lows. And while it was eventually an enjoyable watch, it does leave you with few answers about the story outside their flat, which was both fine and yet frustrating.

Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/death-do-us-part-movie-review.html