"""And then you get into the contentious fifth film, and I’ve jotted down a bunch of things I thought, well Ran is a possibility. I love Akira Kurosawa‘s take on King Lear, I love what he did to it. I love the movement, the battles. You know, there’s nothing about that film I do not enjoy. Laurel and Hardy’s Way Out West, because I thought that would be a wonderful choice, and it does have, to my mind, the finest dance in the whole of film. But, I thought about A Matter of Life and Death, which was a film that was enormously inspirational when making Good Omens. I felt like that was of the same DNA as the thing that we were doing … Also Bedazzled, the original Peter Cook and Dudley Moore Bedazzled, which again has a lot of the DNA of Good Omens in it. But eventually I came down on Belle et la bête, [Jean] Cocteau’s Beauty and the Beast. I remember watching it and feeling transported. For me, it’s like dreaming. It does the same that Bride of Frankenstein does, where I can never quite remember the plot when it’s over, I’m just aware that it’s finished now and this wonderful place that I went has gone away. My children do not like black-and-white films, and once, for Father’s Day, my daughters asked what I wanted for Father’s Day, and I asked, “Will you watch this film with me? It’s a foreign language film, so you won’t like it, and it’s black and white, so you won’t like it, but will you watch it with me?” They said, “Well yeah, for Father’s Day we will.” And what I loved was that after 10 minutes, they had forgotten that it was a foreign language film, and they had forgotten that it was a black-and-white film, and they were entranced by this retelling of Beauty and the Beast, made by Cocteau not even on a shoestring; he’s in post-war France, immediately post war, and they had no money for anything. Everything is being improvised. Everything is being created on the fly, and yet what they come up with is something that is so much cooler than any infinite amount of CGI."""

"I was only about 13 when I heard it and it was another one that I played a lot in my bedroom. There was a trilogy of females, which was Joni Mitchell's Blue, Kate Bush's Hounds Of Love and Bjork's Debut that I discovered when I was 12 and obviously had a huge impact on me. But Joni Mitchell, for me, her voice is like an instrument, the same as Bjork's - I just loved hearing a woman's voice that sounded so free and was doing weird things to my brain, pulling it around. How do you even talk about something like this? You just end up saying a load of cliches! There's songs like 'River' and 'Blue' and I didn't know anything really as a 13-year-old about California and Laurel Canyon and the psychedelic 60s and what had happened to everybody, the disenchantment they maybe felt later on. I didn't really understand the background of that, yet there was this woman coming out of my speaker, her feminine energy and her freedom, her expression, her unapologetic rawness, again, and the beauty and competence, and weird tunings, it all completely made sense to me. It all sounded like this amazing place that smelt like pine trees and had golden, yellow sunshine and long hair and tapestries and curtains and cats and guitars. I thought: "What is this place that this woman is talking about?" Actually it's just this universe inside of her, she's like this amazing building full of beautiful things, so complex and so deep and intellectual. I just think she's fully competent on so many levels! I was listening to Carole King, Tapestry, at the time, and that's another beautiful record, but Joni Mitchell's is just emotionally more complex. It was meandering and had movements and parts to it and her voice would soar. There's that bit where she's saying, "hell's the hippest way to go, I don't think so but I'm going to take a look around it": there's that onset of disenchantment, where she's sick of this bullshit, and Joni Mitchell's so good at seeing through the bullshit - it's not this throwaway, idealistic, hippy kind of thing, she's always burrowing a little bit under the surface. As a young girl, hearing women talk about travelling, going on an aeroplane, missing California, being in Paris, seeing some guy playing guitar and writing a love note on a napkin to her. It's like good life experience, listening to that through someone else."