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BankofMarquis (1832 KP) rated The Ballad of Buster Scruggs (2018) in Movies
Jan 10, 2019 (Updated Jan 10, 2019)
A winning anthology
I am NOT a Coen Brothers apologist. For every good/great film that they have made (like FARGO, NO COUNTRY FOR OLD MEN or underrated THE HUDSUCKER PROXY) there are duds/movies that didn't work for me (like O' BROTHER WHER ART THOU, INSIDE LLEWYN DAVIS and the movie I ranked as the worst film of 2016, HAIL, CAESAR). So when I heard that the latest Coen Brothers flick was going straight to Netflix AND (like HAIL, CAESAR), it was a film anthology of 6 short stories, I dragged my feet in checking this out.
But...I am glad I finally got around to it...for THE BALLAD OF BUSTER SCRUGGS is a strong film, taking on a heavy subject (death) in a variety of ways - light-hearted, poignant and deadly (pun intended) serious. The tone of this film - or, more accurately, these 6 short films - worked for me and I felt they wove together very well to tell an overarching story of man's relationship with death - as seen through the eyes of Wild, Wild West characters.
And what characters they are! From Tim Blake Nelson's titular character, Buster Scruggs, to James Franco's hapless (but lucky) Outlaw to Liam Neeson's traveling theatrical show to Tom Waite's grizzled prospector to Zoe Kazan's lonesome Prairie Widow to the group of passengers on the Stagecoach in the last vignette, all are interesting to watch, and listen to.
Credit, of course, needs to go to Joel and Ethan Cohen. These characters are interesting to watch, because these two put wonderful scenes and scenery up on the screen with dialogue (or lack of dialogue) that perfectly reflects what is going on and what the characters are feeling. In my opinion, the Coen Brothers are at their best when they focus on gritty subjects with poignancy (BARTON FINK) but fail when they try to get "wacky" or "over-serious" (BURN AFTER READING, A SERIOUS MAN), this film is full of the former and has very little of the latter.
I'm sure, like all Coen Brothers films, that this anthology of short films is not for everyone - and not every film will work for everyone - but they did for me. I thought each short film was the better than the one before it. I caught the vibe of what the Coen's were after and I fell under their spell.
Letter Grade: A-
8 stars out of 10 and you can take that to the Bank (ofMarquis)
But...I am glad I finally got around to it...for THE BALLAD OF BUSTER SCRUGGS is a strong film, taking on a heavy subject (death) in a variety of ways - light-hearted, poignant and deadly (pun intended) serious. The tone of this film - or, more accurately, these 6 short films - worked for me and I felt they wove together very well to tell an overarching story of man's relationship with death - as seen through the eyes of Wild, Wild West characters.
And what characters they are! From Tim Blake Nelson's titular character, Buster Scruggs, to James Franco's hapless (but lucky) Outlaw to Liam Neeson's traveling theatrical show to Tom Waite's grizzled prospector to Zoe Kazan's lonesome Prairie Widow to the group of passengers on the Stagecoach in the last vignette, all are interesting to watch, and listen to.
Credit, of course, needs to go to Joel and Ethan Cohen. These characters are interesting to watch, because these two put wonderful scenes and scenery up on the screen with dialogue (or lack of dialogue) that perfectly reflects what is going on and what the characters are feeling. In my opinion, the Coen Brothers are at their best when they focus on gritty subjects with poignancy (BARTON FINK) but fail when they try to get "wacky" or "over-serious" (BURN AFTER READING, A SERIOUS MAN), this film is full of the former and has very little of the latter.
I'm sure, like all Coen Brothers films, that this anthology of short films is not for everyone - and not every film will work for everyone - but they did for me. I thought each short film was the better than the one before it. I caught the vibe of what the Coen's were after and I fell under their spell.
Letter Grade: A-
8 stars out of 10 and you can take that to the Bank (ofMarquis)
Natasha Khan recommended Blue by Joni Mitchell in Music (curated)
Debbiereadsbook (1764 KP) rated Scoring Position (Hockey Ever After #2) in Books
Oct 20, 2022
loved this much more than book 1!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Hockey Ever After series. I don't think its fully necessary to read book one, Winging It, before this but it might give you a better picture of the world these players live in. And I really enjoyed that book. Dante and Gabe do pop up, but knowing their story isn't essential, just helpful, especially with Tom and Kitty (side characters) playing a large part here.
Ryan is traded out and his new team is a mess. Their star player, Nico, even more so. But Ryan can see that Nico is hurting, in more ways than one. Finding his sense of humour was a great start. The Ryan messed it all up. And just what is going on with the coach?
I really enjoyed book one, gave it 4 stars, but I found this a much more engaging read, a deeper emotion read. I loved it.
Neither man is in the closet, so there was none of the coming out issue. What there was, though, was a lot of anger on Nico's part and much was misplaced. Ryan needed him to focus that anger, on the ice, rather than punishing himself. Falling for the other gay teamn member was in neither man's plans but fate has a way, huh?
I loved that it really did creep up on them both. Yes there was attraction from the start but the feelings came later and they both fought it hard. Ryan messing up, though? THAT came out of nowhere and I did NOT see that coming! I was reading, and then I was "OH MY GOD, RYAN, WHAT ARE YOU DOING?!?!?!?!" out loud and my partner was somewhat shocked at me! Oh he does redeem himself, but I loved that Nico makes him work hard for that redemption. There is not a quick fix, either, and it does take time for them to be really together.
I loved that we caught up with Dante and Gabe from book one. And Tom and Kitty. I think this is a couple of years after Winging It, since Tom is captain of Ryan's new team, and has a couple of kids. Kitty surprised me though!
Are there any more planned?? I'm loving this series, but these authors are growing on me, as a duo.
5 full and shiny stars
*same worded review will appear elsewhere
This is book 2 in the Hockey Ever After series. I don't think its fully necessary to read book one, Winging It, before this but it might give you a better picture of the world these players live in. And I really enjoyed that book. Dante and Gabe do pop up, but knowing their story isn't essential, just helpful, especially with Tom and Kitty (side characters) playing a large part here.
Ryan is traded out and his new team is a mess. Their star player, Nico, even more so. But Ryan can see that Nico is hurting, in more ways than one. Finding his sense of humour was a great start. The Ryan messed it all up. And just what is going on with the coach?
I really enjoyed book one, gave it 4 stars, but I found this a much more engaging read, a deeper emotion read. I loved it.
Neither man is in the closet, so there was none of the coming out issue. What there was, though, was a lot of anger on Nico's part and much was misplaced. Ryan needed him to focus that anger, on the ice, rather than punishing himself. Falling for the other gay teamn member was in neither man's plans but fate has a way, huh?
I loved that it really did creep up on them both. Yes there was attraction from the start but the feelings came later and they both fought it hard. Ryan messing up, though? THAT came out of nowhere and I did NOT see that coming! I was reading, and then I was "OH MY GOD, RYAN, WHAT ARE YOU DOING?!?!?!?!" out loud and my partner was somewhat shocked at me! Oh he does redeem himself, but I loved that Nico makes him work hard for that redemption. There is not a quick fix, either, and it does take time for them to be really together.
I loved that we caught up with Dante and Gabe from book one. And Tom and Kitty. I think this is a couple of years after Winging It, since Tom is captain of Ryan's new team, and has a couple of kids. Kitty surprised me though!
Are there any more planned?? I'm loving this series, but these authors are growing on me, as a duo.
5 full and shiny stars
*same worded review will appear elsewhere
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Lee (2222 KP) rated The Christmas Chronicles (2018) in Movies
Nov 25, 2018
Kurt Russell is Santa Claus!!!
My wife and daughter started watching Christmas movies a few weeks back now, far too early in my opinion. But when the trailer first came out for The Christmas Chronicles on Netflix, it definitely got me in the Christmas spirit and I just couldn't wait to see it. So, on a lazy Sunday morning, cold and wet outside, all snuggled up in bed and with a cat and a dog spread out on top of us, we decided to watch it. Perfect.
Teddy and Kate Pierce have had a tough year. We see home movies of most of their Christmas's growing up, showing the good fun times with their parents. And then we see this Christmas. They've lost their dad, mum going out to work while Kate helps around the house and Teddy going out with friends, stealing cars and getting into trouble. When mum has to work on Christmas Eve night, the kids are left home alone and Christmas looks like being very different from previous years. While Kate watches those old Christmas movies, she notices a mysterious arm briefly appearing in the corner of the screen and is convinced they'd captured Santa Claus on camera. Enlisting the help of brother Teddy, they decide to try and catch Santa on camera once more. Things don't end up going quite according to plan though and they end up crash landing with Santa somewhere in Chicago. The reindeer came loose during their descent and are lost in the city. Santa's hat, which helps him zip around and teleport down chimneys, also blew off during the fall. Christmas is in jeopardy and Santa and his two new helpers need to fix it. We get car chases, badass little elves and Santa in jail wearing shades while playing the piano and belting out Christmas tunes, accompanied by backing singers!
As with any Christmas film that's introducing us to a new Santa and a new vision of the world he lives in, it takes a little while to get used to. Luckily, this one doesn't take long, and Kurt Russell is a very believable and enjoyable Santa who doesn't do ho-ho-ho's. The one thing that worried me from the trailer were the elves, who looked like they were going to be annoying little CGI characters. Luckily, they're used sparingly but effectively and were a lot of fun.
The whole Christmas in jeopardy plot is a fairly familiar one, having been done time and again over the years. But I actually really enjoyed this latest spin. Good fun, a bit of emotional stuff at the end and a nice surprise cameo to finish things off. Definitely got me in the Christmas spirit
Teddy and Kate Pierce have had a tough year. We see home movies of most of their Christmas's growing up, showing the good fun times with their parents. And then we see this Christmas. They've lost their dad, mum going out to work while Kate helps around the house and Teddy going out with friends, stealing cars and getting into trouble. When mum has to work on Christmas Eve night, the kids are left home alone and Christmas looks like being very different from previous years. While Kate watches those old Christmas movies, she notices a mysterious arm briefly appearing in the corner of the screen and is convinced they'd captured Santa Claus on camera. Enlisting the help of brother Teddy, they decide to try and catch Santa on camera once more. Things don't end up going quite according to plan though and they end up crash landing with Santa somewhere in Chicago. The reindeer came loose during their descent and are lost in the city. Santa's hat, which helps him zip around and teleport down chimneys, also blew off during the fall. Christmas is in jeopardy and Santa and his two new helpers need to fix it. We get car chases, badass little elves and Santa in jail wearing shades while playing the piano and belting out Christmas tunes, accompanied by backing singers!
As with any Christmas film that's introducing us to a new Santa and a new vision of the world he lives in, it takes a little while to get used to. Luckily, this one doesn't take long, and Kurt Russell is a very believable and enjoyable Santa who doesn't do ho-ho-ho's. The one thing that worried me from the trailer were the elves, who looked like they were going to be annoying little CGI characters. Luckily, they're used sparingly but effectively and were a lot of fun.
The whole Christmas in jeopardy plot is a fairly familiar one, having been done time and again over the years. But I actually really enjoyed this latest spin. Good fun, a bit of emotional stuff at the end and a nice surprise cameo to finish things off. Definitely got me in the Christmas spirit
Kristy H (1252 KP) rated Mr. Nobody in Books
Mar 19, 2020
Emma Lewis is neuropsychiatrist, who is surprised when she's asked to work on a case for a newsworthy patient. Dubbed "Mr. Nobody," he's a man found on a British beach, in wet clothes and without any identification. He won't speak and the hospital staff are all drawn to him. But for Emma to take the case, it means returning to a place that she left fourteen years ago in disgrace--a place she's worked to leave behind and erase any signs of herself from.
"Why can't I remember? Why can't I remember my name? The weight of what this means bears down on him with each cold snatched breath he takes. Fear pumping through him, primal and quickening. Oh God. It's all gone. His world shrinks to a pinhead and then dilates so wide, suddenly terrifyingly borderless."
This book started out like gangbusters. Alternating between Emma and Mr. Nobody, whom the hospital staff quickly dubs Matthew, I was drawn in immediately. Who on earth is Matthew, why can't he remember who he is, and what is his deal? But there were a few issues. Emma clearly has a backstory. Yes, something happened to her fourteen years ago. To me, this is the equivalent of "vaguebooking"--you know when someone posts something on Facebook or social media: "Something horrible has happened. Oh woe is me." And then all their friends have to either guess, or say "Oh I'm so sorry," but the poster never actually tells you what happened? I'm sorry, but in books, after a while, dragging this all out is too much. Just freaking tell us what happened to you, Emma, or stop alluding to it!
So Emma and Matthew, of course, surpass patient/doctor boundaries, finding each other fascinating. There are, accordingly, twists in the book. Some, I will hand it to Steadman, are pretty darn good. Much of the book is quite readable and moves at a good pace--Emma's allusions to her past not withstanding. It's certainly intriguing. There are some interesting side characters: a local police officer and his nosy reporter wife; a benevolent nurse, etc. Emma's kind and patient brother.
But then the ending and biggest reveal comes along and eh. I found it a little anticlimactic. After all we've been through together, Emma?! I don't know. I was hoping for more, especially after all the fuss about Something in the Water, which I still haven't read. (I know, I know. It's on my TBR.)
So, in the end, this is an intriguing one. The plot is definitely original, I'll give you that. But throw in a slightly irritating main character and a somewhat disappointing ending and it was a 3.5 star read for me-just barely.
"Why can't I remember? Why can't I remember my name? The weight of what this means bears down on him with each cold snatched breath he takes. Fear pumping through him, primal and quickening. Oh God. It's all gone. His world shrinks to a pinhead and then dilates so wide, suddenly terrifyingly borderless."
This book started out like gangbusters. Alternating between Emma and Mr. Nobody, whom the hospital staff quickly dubs Matthew, I was drawn in immediately. Who on earth is Matthew, why can't he remember who he is, and what is his deal? But there were a few issues. Emma clearly has a backstory. Yes, something happened to her fourteen years ago. To me, this is the equivalent of "vaguebooking"--you know when someone posts something on Facebook or social media: "Something horrible has happened. Oh woe is me." And then all their friends have to either guess, or say "Oh I'm so sorry," but the poster never actually tells you what happened? I'm sorry, but in books, after a while, dragging this all out is too much. Just freaking tell us what happened to you, Emma, or stop alluding to it!
So Emma and Matthew, of course, surpass patient/doctor boundaries, finding each other fascinating. There are, accordingly, twists in the book. Some, I will hand it to Steadman, are pretty darn good. Much of the book is quite readable and moves at a good pace--Emma's allusions to her past not withstanding. It's certainly intriguing. There are some interesting side characters: a local police officer and his nosy reporter wife; a benevolent nurse, etc. Emma's kind and patient brother.
But then the ending and biggest reveal comes along and eh. I found it a little anticlimactic. After all we've been through together, Emma?! I don't know. I was hoping for more, especially after all the fuss about Something in the Water, which I still haven't read. (I know, I know. It's on my TBR.)
So, in the end, this is an intriguing one. The plot is definitely original, I'll give you that. But throw in a slightly irritating main character and a somewhat disappointing ending and it was a 3.5 star read for me-just barely.
Deborah (162 KP) rated Richard III: The King in the Car Park in Books
Dec 21, 2018
I quote from the final page of this publication: "The writer of this book will face similar virulent criticism. It will be savaged in the book reviews on Amazon, mainly by non-readers, to take its ratings and thus popularity down." In fact, this is the last, but by no means the only rant by the author who appears to have a definite chip on his shoulder for some reason. Since he subjects Thomas Penn's work, 'The Winter King' to such virulent criticism, one can only suspect that he was turned down by Penn's publisher. One can hardly be surprised. I have read this book, despite wanting on a number of occasions to give up in disgust. It is full of errors of spelling (e.g. youngest for younger, now instead of not), so has evidently not had either a proof reader or an editor. There are also many factual errors with names and titles becoming hopelessly confused. On one page we're told that Sir James Tyrell was hanged and a couple of pages later we're told that Henry Tudor was so kind as to merely condescend to cut his head off!
I will admit that with pro-Ricardian sympathies I was probably never going to like this book, but it is a bit of a mess and feels like another case of jumping on the bandwagon. There is no index, no footnotes/endnotes and only a partial list of sources, which is enough to raise questions about academic rigour. If you are going to publish opinions, particular in The Great Debate, these really should be backed up by factual evidence. I think I am most irked by the hypocrisy of Mr Breverton telling us at one point that he is going to take a fresh impartial look at the subject and then immediately showing us exactly which colour he prefers his roses.
His list, near the back of the volume, of all the 'crimes' he thinks Richard III was guilty of really does teeter on the brink of blindness and absurdity. Apparently he is guilty in the case of the Earl of Warwick, son of Richard's older brother, George of Clarence, but whose claim to the throne was barred by his father's attainder (always reversible, but Warwick was then only a child of about 8 years). I'm pretty sure this Warwick was sent to Sheriff Hutton Castle to be brought up with other young persons, as befitted his status by Richard. Of course, as soon as Henry Tudor usurped the throne, this boy was locked up in the Tower only to be executed later on a trumped up charge. I think I know who the guilty party is in that case.
That is my frank opinion on this volume; I will now expect said author to savage me as he has everyone else on Amazon who has pointed out the self-evident shortcomings in this work.
I will admit that with pro-Ricardian sympathies I was probably never going to like this book, but it is a bit of a mess and feels like another case of jumping on the bandwagon. There is no index, no footnotes/endnotes and only a partial list of sources, which is enough to raise questions about academic rigour. If you are going to publish opinions, particular in The Great Debate, these really should be backed up by factual evidence. I think I am most irked by the hypocrisy of Mr Breverton telling us at one point that he is going to take a fresh impartial look at the subject and then immediately showing us exactly which colour he prefers his roses.
His list, near the back of the volume, of all the 'crimes' he thinks Richard III was guilty of really does teeter on the brink of blindness and absurdity. Apparently he is guilty in the case of the Earl of Warwick, son of Richard's older brother, George of Clarence, but whose claim to the throne was barred by his father's attainder (always reversible, but Warwick was then only a child of about 8 years). I'm pretty sure this Warwick was sent to Sheriff Hutton Castle to be brought up with other young persons, as befitted his status by Richard. Of course, as soon as Henry Tudor usurped the throne, this boy was locked up in the Tower only to be executed later on a trumped up charge. I think I know who the guilty party is in that case.
That is my frank opinion on this volume; I will now expect said author to savage me as he has everyone else on Amazon who has pointed out the self-evident shortcomings in this work.
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Elizabeth is ready to set a wedding date with the love of her life, sexy business tycoon Ryan Price....
romance love passion
Amy Christmas (171 KP) rated The Cruel Prince in Books
Dec 24, 2017 (Updated Dec 24, 2017)
Expansive and immersive world (3 more)
Doesn't constantly focus on love
Lies, deceit and betrayal
MC is human
Use of clichés for quick character building (2 more)
Abrupt climax
Unfulfilling ending
Can't wait for more
I received this for free for an honest review.
In The Cruel Prince we follow Jude a human in a fearie world along with her twin sister Taryn and her fearie sister Vivienne. Vivo is the son of the high kings general Madoc who had Vivi stolen from him by his ex-wife who he murdered in front of them.
Jude has grown up in this fearie world and has adapted to it's customs and seeks favour among one of the royal family courts by way of a knighthood. All in an effort to amass power to protect herself from people like Prince Cardan who bully and attack her.
We watch Jude struggle as she goes way in over her head and may be a little to bold and blunt when it comes to standing up to royalty and in some cases bending a knee to it.
I loved this book, there were times it had me grinding my teeth and sitting there talking to myself asking questions and complaining about people dying.
However I have to take marks away for Blacks use of clichés with some of the characters like Cardan and his cruel group for a quick character build. I understand that sometimes clichés are needed but Black could have made the characters more unique in their backstories.
The story is a good first book in a new series as it builds the world well and how the politics work. I do feel as though the climax was too short and could have been expanded on in an extra chapter as things seemed a little too rushed. The epilogue as well left me feeling a little underwhelmed after reading the last chapter, which left me wanting more.
Overall a good read if you enjoy YA fantasy, I've read better, but it's still good and I will be following up on this series.
In The Cruel Prince we follow Jude a human in a fearie world along with her twin sister Taryn and her fearie sister Vivienne. Vivo is the son of the high kings general Madoc who had Vivi stolen from him by his ex-wife who he murdered in front of them.
Jude has grown up in this fearie world and has adapted to it's customs and seeks favour among one of the royal family courts by way of a knighthood. All in an effort to amass power to protect herself from people like Prince Cardan who bully and attack her.
We watch Jude struggle as she goes way in over her head and may be a little to bold and blunt when it comes to standing up to royalty and in some cases bending a knee to it.
I loved this book, there were times it had me grinding my teeth and sitting there talking to myself asking questions and complaining about people dying.
However I have to take marks away for Blacks use of clichés with some of the characters like Cardan and his cruel group for a quick character build. I understand that sometimes clichés are needed but Black could have made the characters more unique in their backstories.
The story is a good first book in a new series as it builds the world well and how the politics work. I do feel as though the climax was too short and could have been expanded on in an extra chapter as things seemed a little too rushed. The epilogue as well left me feeling a little underwhelmed after reading the last chapter, which left me wanting more.
Overall a good read if you enjoy YA fantasy, I've read better, but it's still good and I will be following up on this series.