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Acanthea Grimscythe (300 KP) rated In a Cottage In a Wood in Books
May 16, 2018
Published first on <a href="http://theghastlygrimoire.com/"; target="_new">The Ghastly Grimoire</a>
In a Cottage in a Wood by Cass Green releases tomorrow and I definitely look forward to seeing what my fellow Littens have to say about the title when they get their hands on it. For myself, I’m still a bit mixed. There are some things that Green does really well in this book and there are others that, quite simply, take far too long to unfold.
The main character in In a Cottage in a Wood is Neve Carey. After her relationship fails, she finds herself in a tenuous relationship with her sister and brother-in-law, who she’s been living with for a bit. Her fairy godmother appears in the form of a woman moments before she commits suicide, which begs the question: why? Thus readers follow Neve along as she stumbles through her sub-par life, whilst wearing her victim name-tag proudly.
Personally, I don’t care for Neve. Everything that has happened to her is a direct consequence of her own actions. In many rays, she reminds of me of The Girl on the Train‘s Rachel. A person cannot make poor life choices and then blame everyone around them for what follows – but Neve appears to do just that. And then, magically, she gets what she needs: a creepy cottage in the middle of nowhere. Because that is totally how life works. (Actually, I guess it kinda is. In many ways, those that need help can’t get it and those that don’t end up with more.) Her neighbors and family aren’t much better, and for that I must applaud Green’s ability to write some absolutely horrid individuals.
If you’re looking for an edge of your seat thriller, In a Cottage in a Wood is not what you want; however, if you want a slow simmer that builds up to an incredibly frustrating, heartrending finale, this is your book. While there are times where it feels as if the plot simply drags on, Green’s command of suspense is just enough to keep a reader hooked until the last page. The final twenty percent of the book flies by incredibly fast, revealing revelation after revelation. When it comes to plot twists, I’m not an easy person to take by surprise and yet Green has done just that.
It’s hard to decide what I want to rate this title. I’ve teeter-tottered between three and four stars, but ultimately I feel there is a lot of potential that isn’t quite met. There are things that I think would have made excellent additions to the story and while I’d love to share them, I can’t unless I want to give out spoilers. Without that, I think I’ll settle on three. It’s definitely a title I’d buy.
Thanks to Edelweiss and HarperCollins for providing me with an advance copy of this novel for the purpose of unbiased review.
In a Cottage in a Wood by Cass Green releases tomorrow and I definitely look forward to seeing what my fellow Littens have to say about the title when they get their hands on it. For myself, I’m still a bit mixed. There are some things that Green does really well in this book and there are others that, quite simply, take far too long to unfold.
The main character in In a Cottage in a Wood is Neve Carey. After her relationship fails, she finds herself in a tenuous relationship with her sister and brother-in-law, who she’s been living with for a bit. Her fairy godmother appears in the form of a woman moments before she commits suicide, which begs the question: why? Thus readers follow Neve along as she stumbles through her sub-par life, whilst wearing her victim name-tag proudly.
Personally, I don’t care for Neve. Everything that has happened to her is a direct consequence of her own actions. In many rays, she reminds of me of The Girl on the Train‘s Rachel. A person cannot make poor life choices and then blame everyone around them for what follows – but Neve appears to do just that. And then, magically, she gets what she needs: a creepy cottage in the middle of nowhere. Because that is totally how life works. (Actually, I guess it kinda is. In many ways, those that need help can’t get it and those that don’t end up with more.) Her neighbors and family aren’t much better, and for that I must applaud Green’s ability to write some absolutely horrid individuals.
If you’re looking for an edge of your seat thriller, In a Cottage in a Wood is not what you want; however, if you want a slow simmer that builds up to an incredibly frustrating, heartrending finale, this is your book. While there are times where it feels as if the plot simply drags on, Green’s command of suspense is just enough to keep a reader hooked until the last page. The final twenty percent of the book flies by incredibly fast, revealing revelation after revelation. When it comes to plot twists, I’m not an easy person to take by surprise and yet Green has done just that.
It’s hard to decide what I want to rate this title. I’ve teeter-tottered between three and four stars, but ultimately I feel there is a lot of potential that isn’t quite met. There are things that I think would have made excellent additions to the story and while I’d love to share them, I can’t unless I want to give out spoilers. Without that, I think I’ll settle on three. It’s definitely a title I’d buy.
Thanks to Edelweiss and HarperCollins for providing me with an advance copy of this novel for the purpose of unbiased review.
Emma @ The Movies (1786 KP) rated Happy Death Day 2U (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Hands up if you laughed your way through this one? *throws hands up in the air*
This is where I love the horror genre, although I wouldn't really say this is horror. It's light-hearted and knows it doesn't need to take itself too seriously. It's sort of a horror comedy... A homedy? A corror? Definitely a homedy.
The trailer was a little misleading, I went in thinking that we were going to see them all stuck in the time loop which isn't the case. I'm probably happy that it ended up being different because I couldn't work out how they were going to do it otherwise.
When the original came out I was so happy to have discovered it. Horror is probably my least favourite genre but throw some homedy (it's happening people, go with it!) at me and I'm there for it. It's why I love the Screams and Final Destinations. HDD2U took it to another level, or should I say dimension?
While I loved this we could now have a potential problem, the third one could step over into Sharknado territory and become the parody but we'll have to cross that bridge when we come to it... and if I'm honest, this one was pretty close to that line anyway.
There's no way to deny the fact that 2 is riding on the coattails of its predecessor. It concentrates more on solving the cause of the loop rather than the mystery of who the killer is now and it isn't quite as compelling to watch. Neither is the fact that in this new loop we're given altered versions of the existing characters. We see a lot more of Danielle which if I'm honest isn't a good thing. She's still totes annoying but this time she brings a thespian side that leads to a truly terrible slapstick scene.
For sheer enjoyment as a follow on film it's brilliant but taken on its own merit it wouldn't get such high praise, but I had fun and that's what counts. I did see this for a second time and it unfortunately gave me more time to consider all the slightly dubious bits of it. It really hits hard on the sci-fi side of things, particularly in the mid-credit scene, and it doesn't feel quite right... now I'm wondering if it has already become its own parody...
What you should do
If you enjoyed the first one then you should totally see it, it's entertaining and much less serious about itself than the first but it's also much more ridiculous. Do remember to stay for the credit scene, you'll be able to see why I'm a little worried about any future endeavours.
Movie thing you wish you could take home
I'd probably still want Tree's fearlessness and resilience, but without having to die repeatedly to attain it.
This is where I love the horror genre, although I wouldn't really say this is horror. It's light-hearted and knows it doesn't need to take itself too seriously. It's sort of a horror comedy... A homedy? A corror? Definitely a homedy.
The trailer was a little misleading, I went in thinking that we were going to see them all stuck in the time loop which isn't the case. I'm probably happy that it ended up being different because I couldn't work out how they were going to do it otherwise.
When the original came out I was so happy to have discovered it. Horror is probably my least favourite genre but throw some homedy (it's happening people, go with it!) at me and I'm there for it. It's why I love the Screams and Final Destinations. HDD2U took it to another level, or should I say dimension?
While I loved this we could now have a potential problem, the third one could step over into Sharknado territory and become the parody but we'll have to cross that bridge when we come to it... and if I'm honest, this one was pretty close to that line anyway.
There's no way to deny the fact that 2 is riding on the coattails of its predecessor. It concentrates more on solving the cause of the loop rather than the mystery of who the killer is now and it isn't quite as compelling to watch. Neither is the fact that in this new loop we're given altered versions of the existing characters. We see a lot more of Danielle which if I'm honest isn't a good thing. She's still totes annoying but this time she brings a thespian side that leads to a truly terrible slapstick scene.
For sheer enjoyment as a follow on film it's brilliant but taken on its own merit it wouldn't get such high praise, but I had fun and that's what counts. I did see this for a second time and it unfortunately gave me more time to consider all the slightly dubious bits of it. It really hits hard on the sci-fi side of things, particularly in the mid-credit scene, and it doesn't feel quite right... now I'm wondering if it has already become its own parody...
What you should do
If you enjoyed the first one then you should totally see it, it's entertaining and much less serious about itself than the first but it's also much more ridiculous. Do remember to stay for the credit scene, you'll be able to see why I'm a little worried about any future endeavours.
Movie thing you wish you could take home
I'd probably still want Tree's fearlessness and resilience, but without having to die repeatedly to attain it.
Emma @ The Movies (1786 KP) rated Noelle (2019) in Movies
Dec 20, 2020
It's been 84 years...okay, only a year, but Disney+ really screwed us over on that one in the UK.
Noelle and Nick have grown up in the wonderful world of Christmas. Nick is destined to take his father's place, but when that time comes the magic doesn't, and he decides to take a break the week before Christmas to relax... and doesn't come back. Noelle must venture out into the real world to rescue Nick, and Christmas.
I had managed to zone out on the film before seeing it, I was basically sold on the idea of a Christmas film starring Anna Kendrick that was written and directed by Marc Lawrence... I genuinely didn't need to hear anything else, and so didn't bother with anything extra before I pressed play.
To say I was shocked at the beginning is an understatement, but I can understand why this particular piece of information wasn't in the descriptions... though the blatant lie in the synopsis above seems a little off. I doubt me revealing the actual shocking moment could constitute a spoiler as in hindsight it's pretty obvious, but I'm going to leave it at that vagueness just incase... sorry!
Noelle is easy to predict, but as traditional Christmas fodder I don't think that's really an issue. Its predictability allows you to sit back and relax while you watch it.
I did enjoy the story, and Anna Kendrick does a wonderful job of the naivety in Noelle as she explores the city. She gives the film an amusing lightness with some genuine moments that add some emotion into the proceedings.
Shirley MacLaine as Polly works well in her role as a sidekick and the humour at the beginning particularly amused me. There was definitely something in her that I could identify with.
I sadly wasn't really wowed with much of the ensemble. Maceo Smedley as Alex made a great job of his role and the relationship he had with his father, the script seemed to work nicely with to highlight his kind nature and personality... but other performances were... fine... and helped to move everything along. The characters were much the same, though Gabe Kringle seemed to be missing something to give him that little extra, even with the "nerdiness" factor that they could have worked with he didn't hit the spot.
Early on I was really worried about the effect that were used, Snowcone looked a little ropey, thankfully, although it didn't get any better, the adorableness made up for it in spades.
I really did enjoy the feeling I got from this film, Kendrick's spirit was rather infectious and her humour, intentional or not, brought a smile to my face. At just 1 hour 40 this is well worth your time to watch. While there might be room for improvement I think it's exactly the sort of film that's needed at Christmas, and especially this year.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/12/noelle-movie-review.html
Noelle and Nick have grown up in the wonderful world of Christmas. Nick is destined to take his father's place, but when that time comes the magic doesn't, and he decides to take a break the week before Christmas to relax... and doesn't come back. Noelle must venture out into the real world to rescue Nick, and Christmas.
I had managed to zone out on the film before seeing it, I was basically sold on the idea of a Christmas film starring Anna Kendrick that was written and directed by Marc Lawrence... I genuinely didn't need to hear anything else, and so didn't bother with anything extra before I pressed play.
To say I was shocked at the beginning is an understatement, but I can understand why this particular piece of information wasn't in the descriptions... though the blatant lie in the synopsis above seems a little off. I doubt me revealing the actual shocking moment could constitute a spoiler as in hindsight it's pretty obvious, but I'm going to leave it at that vagueness just incase... sorry!
Noelle is easy to predict, but as traditional Christmas fodder I don't think that's really an issue. Its predictability allows you to sit back and relax while you watch it.
I did enjoy the story, and Anna Kendrick does a wonderful job of the naivety in Noelle as she explores the city. She gives the film an amusing lightness with some genuine moments that add some emotion into the proceedings.
Shirley MacLaine as Polly works well in her role as a sidekick and the humour at the beginning particularly amused me. There was definitely something in her that I could identify with.
I sadly wasn't really wowed with much of the ensemble. Maceo Smedley as Alex made a great job of his role and the relationship he had with his father, the script seemed to work nicely with to highlight his kind nature and personality... but other performances were... fine... and helped to move everything along. The characters were much the same, though Gabe Kringle seemed to be missing something to give him that little extra, even with the "nerdiness" factor that they could have worked with he didn't hit the spot.
Early on I was really worried about the effect that were used, Snowcone looked a little ropey, thankfully, although it didn't get any better, the adorableness made up for it in spades.
I really did enjoy the feeling I got from this film, Kendrick's spirit was rather infectious and her humour, intentional or not, brought a smile to my face. At just 1 hour 40 this is well worth your time to watch. While there might be room for improvement I think it's exactly the sort of film that's needed at Christmas, and especially this year.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/12/noelle-movie-review.html
Bob Mann (459 KP) rated Enola Holmes (2020) in Movies
Oct 4, 2020
Millie Bobby Brown - a confident raw talent (1 more)
Henry Cavill as a new take on Sherlock
The unsinkable Millie Bobby Brown
Sherlock Holmes never had a sister. But if he did, what adventures would Enola Holmes get up to? That’s the premise behind this Netflix feature. starring rising star Millie Bobby Brown.
Enola Holmes (Millie Bobby Brown) thinks she’s been named as such because it spells “alone” backwards. (But then, she admits, that it doesn’t seem to follow for either kcolrehs or tforcym!)
Enola has been brought up by her dearest mother Eudoria (Helena Bonham Carter) to be a strong and confident woman, free of the normal 19th century rituals of ladylike husband-seeking niceties: for her, it’s all mental gymnastics and martial arts. But when on her 16th birthday her mother vanishes, Enola sets out on a quest to find her. But Eudoria is a Holmes, and knows the value of clues and how to cover her tracks.
Of greater concern to Enola is her brother and ward Mycroft (Sam Claflin), who is intent on packing her off to the Victorian finishing school of Miss Harrison (“Killing Eve’s” Fiona Shaw). But while trying to escape from her brothers – not a trivial matter when one is the famous detective Sherlock (Henry Cavill) – Enola encounters a Marquess on the run (Louis Partridge) and adventure, intrigue and murder are on the cards.
Filming in this “Fleabag” style – where the lead is constantly breaking the fourth wall – requires a confidence in delivery that many young actors would struggle with. But not Millie Bobby Brown. Her asides and camera glances – while not quite as skillful as the astonishingly accomplished Phoebe Waller-Bridge – are nonetheless impressive and constantly entertaining. An underwater wink at the camera was particularly enjoyable.
So… actress – tick!
But perhaps more impressive to me was that the 16 year old – most famous for her role in “Stranger Things”, which I still haven’t watched – was also a PRODUCER of this movie. Which makes me think she is a serious person to watch in the movie business (if there ever is a movie business left after 2020). I read that she is the youngest person ever to appear on the annual list of the “world’s 100 most influential people” by Time magazine: so others agree!
The supporting case are a broad array of British acting talent, with Henry Cavill being particularly appealing as Sherlock, Burn Gorman at his slimy evil best as a murderous henchman, and Sam Claflin being as anonymous as I always find him. (That’s a compliment by the way: whereas I see some actors and think “oh, there’s <<Tom Hanks>> again”, I never recognize Claflin until the credits role… he is a chameleon of the acting world).
But acting the socks off everyone else for me is Frances de la Tour as the Marquess’s grandmother. A deliciously twinkling and charming performance from an old dame of the screen.
The similarities with “Fleabag” are not coincidental, since the director is Harry Bradbeer; director of all of the episodes except the original pilot. But it’s unfortunate in some ways that the style has been interpolated into the Holmes story. Since, of course, this approach was previously done by Guy Ritchie in the two very entertaining movies featuring Robert Downey Jnr and Jude Law. And for me, that’s a shame. Since although the styles are markedly different – here we have a lot of Paddington-style cardboard animations – the “feel” of the films is the same. As such, it doesn’t feel as novel as it should do. Why couldn’t she have been someone else’s sister? Houdini perhaps? Or Oscar Wilde?
As two hours of entertaining escapism, Enola Holmes worked well for me. Brown is eminently watchable, and given the Netflix response to the movie, a sequel would be – I expect – on the cards.
(For the full graphical review, please visit the One Mann's Movies review here - https://bob-the-movie-man.com/2020/10/04/the-unsinkable-millie-bobby-brown/. Thanks.)
Enola Holmes (Millie Bobby Brown) thinks she’s been named as such because it spells “alone” backwards. (But then, she admits, that it doesn’t seem to follow for either kcolrehs or tforcym!)
Enola has been brought up by her dearest mother Eudoria (Helena Bonham Carter) to be a strong and confident woman, free of the normal 19th century rituals of ladylike husband-seeking niceties: for her, it’s all mental gymnastics and martial arts. But when on her 16th birthday her mother vanishes, Enola sets out on a quest to find her. But Eudoria is a Holmes, and knows the value of clues and how to cover her tracks.
Of greater concern to Enola is her brother and ward Mycroft (Sam Claflin), who is intent on packing her off to the Victorian finishing school of Miss Harrison (“Killing Eve’s” Fiona Shaw). But while trying to escape from her brothers – not a trivial matter when one is the famous detective Sherlock (Henry Cavill) – Enola encounters a Marquess on the run (Louis Partridge) and adventure, intrigue and murder are on the cards.
Filming in this “Fleabag” style – where the lead is constantly breaking the fourth wall – requires a confidence in delivery that many young actors would struggle with. But not Millie Bobby Brown. Her asides and camera glances – while not quite as skillful as the astonishingly accomplished Phoebe Waller-Bridge – are nonetheless impressive and constantly entertaining. An underwater wink at the camera was particularly enjoyable.
So… actress – tick!
But perhaps more impressive to me was that the 16 year old – most famous for her role in “Stranger Things”, which I still haven’t watched – was also a PRODUCER of this movie. Which makes me think she is a serious person to watch in the movie business (if there ever is a movie business left after 2020). I read that she is the youngest person ever to appear on the annual list of the “world’s 100 most influential people” by Time magazine: so others agree!
The supporting case are a broad array of British acting talent, with Henry Cavill being particularly appealing as Sherlock, Burn Gorman at his slimy evil best as a murderous henchman, and Sam Claflin being as anonymous as I always find him. (That’s a compliment by the way: whereas I see some actors and think “oh, there’s <<Tom Hanks>> again”, I never recognize Claflin until the credits role… he is a chameleon of the acting world).
But acting the socks off everyone else for me is Frances de la Tour as the Marquess’s grandmother. A deliciously twinkling and charming performance from an old dame of the screen.
The similarities with “Fleabag” are not coincidental, since the director is Harry Bradbeer; director of all of the episodes except the original pilot. But it’s unfortunate in some ways that the style has been interpolated into the Holmes story. Since, of course, this approach was previously done by Guy Ritchie in the two very entertaining movies featuring Robert Downey Jnr and Jude Law. And for me, that’s a shame. Since although the styles are markedly different – here we have a lot of Paddington-style cardboard animations – the “feel” of the films is the same. As such, it doesn’t feel as novel as it should do. Why couldn’t she have been someone else’s sister? Houdini perhaps? Or Oscar Wilde?
As two hours of entertaining escapism, Enola Holmes worked well for me. Brown is eminently watchable, and given the Netflix response to the movie, a sequel would be – I expect – on the cards.
(For the full graphical review, please visit the One Mann's Movies review here - https://bob-the-movie-man.com/2020/10/04/the-unsinkable-millie-bobby-brown/. Thanks.)
Emma @ The Movies (1786 KP) rated The Lion King (2019) in Movies
Jun 20, 2020
It's difficult to know where to begin. I have strong feelings about Disney remakes in general, I was open to the idea until I saw some. I can understand remaking some that stand a chance of being mainly actual live-action like Cinderella and Beauty & The Beast, and I'm looking forward to Mulan despite its lack of Mushu... but... remaking something as "live-action" with realism when you have to include things that aren't realistic (talking animals) it seems pointless to me.
As the film started I was taken aback by the beautiful scenery shots, animation studios really have nailed realistic water. As the animals started to appear I was encouraged for the most part. The zebras and antelope looked wonderful and the movements were spot on, but the larger animals didn't quite have the same elegance. Watching it all was fine though until you noticed something, then it was difficult not to spot something else.
I really disliked the animation of Scar, I know he's supposed to look like the typical alpha male of the pride, but his look in the original and now has never been very in keeping to me.
The best piece of animation in the whole thing was Timon. That little meerkat was spot on through the whole thing for me, edgy and darting, it was perfect. The only drawback was the voiceover by Billy Eichner, he doesn't encapsulate the personality of Timon, but then he did have some big boots to fill.
With Timon as the best of animation, it was only fitting that Pumbaa filled in the other side by being the best of the voice cast. Seth Rogen was born for this role, he's fantastic. I absolutely loved him. Perfect comedic timing, maybe not the best singing voice but once it mixed in with everything else you couldn't tell.
Dare I say that I wasn't a fan of the songs? I didn't like the modern take on them... I'm not sure if I'd really classify it as a modern take, everything just seemed to be taken much more seriously than before. I actually quite enjoyed Be Prepared, while it wasn't really sung it probably plays better to Chiwetel Ejiofor's strengths done this way. The really dubious addition was the song "Spirit" by Beyoncé. It was barely included and if it was in there more then it really didn't stick out. The only bit I noticed was "spirit, spirit" being bellowed randomly. I've watched the video and full song on YouTube since the film, I can only assume that it's an attempt at best original song awards but I don't think it has that goosebump impact that Disney epics should. Those high notes should probably be left to Mariah.
It's difficult to know just how much my enjoyment of the original affected my feelings about the new one. It's not one that I grew up with, I rewatched it recently for what may have been the first time. Lion King is very much one of the Disney classics you can be aware of even without seeing it, that's the power of Disney.
Remaking a film as "live-action" when there's no human cast seems like the wrong choice to me. The realistic CGI will only work up to a point when you're trying to make animals speak. The films itself is still spectacular, and there are some amazing pieces of animation to see (I do love baby Simba, he's so cute), but I'm of the opinion that if it ain't broke don't fix it. When you look at it overall the voice cast isn't any better than the original, neither are the songs, with it being so incredibly similar with only the animation style being the major twist I'm left underwhelmed by the final cut.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/the-lion-king-movie-review.html
As the film started I was taken aback by the beautiful scenery shots, animation studios really have nailed realistic water. As the animals started to appear I was encouraged for the most part. The zebras and antelope looked wonderful and the movements were spot on, but the larger animals didn't quite have the same elegance. Watching it all was fine though until you noticed something, then it was difficult not to spot something else.
I really disliked the animation of Scar, I know he's supposed to look like the typical alpha male of the pride, but his look in the original and now has never been very in keeping to me.
The best piece of animation in the whole thing was Timon. That little meerkat was spot on through the whole thing for me, edgy and darting, it was perfect. The only drawback was the voiceover by Billy Eichner, he doesn't encapsulate the personality of Timon, but then he did have some big boots to fill.
With Timon as the best of animation, it was only fitting that Pumbaa filled in the other side by being the best of the voice cast. Seth Rogen was born for this role, he's fantastic. I absolutely loved him. Perfect comedic timing, maybe not the best singing voice but once it mixed in with everything else you couldn't tell.
Dare I say that I wasn't a fan of the songs? I didn't like the modern take on them... I'm not sure if I'd really classify it as a modern take, everything just seemed to be taken much more seriously than before. I actually quite enjoyed Be Prepared, while it wasn't really sung it probably plays better to Chiwetel Ejiofor's strengths done this way. The really dubious addition was the song "Spirit" by Beyoncé. It was barely included and if it was in there more then it really didn't stick out. The only bit I noticed was "spirit, spirit" being bellowed randomly. I've watched the video and full song on YouTube since the film, I can only assume that it's an attempt at best original song awards but I don't think it has that goosebump impact that Disney epics should. Those high notes should probably be left to Mariah.
It's difficult to know just how much my enjoyment of the original affected my feelings about the new one. It's not one that I grew up with, I rewatched it recently for what may have been the first time. Lion King is very much one of the Disney classics you can be aware of even without seeing it, that's the power of Disney.
Remaking a film as "live-action" when there's no human cast seems like the wrong choice to me. The realistic CGI will only work up to a point when you're trying to make animals speak. The films itself is still spectacular, and there are some amazing pieces of animation to see (I do love baby Simba, he's so cute), but I'm of the opinion that if it ain't broke don't fix it. When you look at it overall the voice cast isn't any better than the original, neither are the songs, with it being so incredibly similar with only the animation style being the major twist I'm left underwhelmed by the final cut.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/the-lion-king-movie-review.html
Gareth von Kallenbach (980 KP) rated the PC version of Tiny Tina's Wonderlands in Video Games
Apr 10, 2022
Tiny Tina’s Wonderlands Is A Hysterical Mayhem Filled Adventure Not To Be Missed
The quirky and more than slightly unstable Tiny Tina from the Borderlands series is back and the new Borderlands Spin-Off Tiny Tina’s Wonderlands is a hysterical and engaging adventure that is one of the finest outings in the series to date.
Fans may remember the Borderlands 2 DLC Assault on Dragons Keep where Tina and friends played an RPG called Bunkers and Badasses which cast players to take on mythical quests from her neurotic mind and the stand-alone version of the DLC was released prior to the game to bring players up to speed although it is not required to have played it.
Players create a character known as the “Fatemaker” and pick various classes, skills, and attributes which they can update and modify along the way as their characters gain experience and all sorts of timed abilities come into play which will greatly help the players along the way as a well-timed spell can mean the difference between failure and victory.
The gameplay will be familiar to Borderlands fans and characters will have countless weapons, shields, upgrade charms, and more available to them deciding which ones come along, get used, get sold, or left behind is always one of the harder parts of the game. Some may find a weapon that does lower damage but has a high rate of fire better than a weapon that does more damage but has a slow reload time and a smaller ammunition clip. The best bet is to find a mix of weapons through trial and error as players can always sell items that do not make the cut.
The game offers a clever overhead perspective at times when players navigate the map versus using the Quick Travel options and this allows players to take on side quests, explore areas and more to gain experience and items should the desired quest area prove too difficult for their current ability level.
The missions are filled with plenty of humor and challenges and the vast number of enemies is amazing. From a dried-up ocean complete with crabs, walking sharks, and Serpent creatures to Pirates, Skeletons, dragons, and more, this game has something for everyone and RPG fans will love the various dice encounters and challenges that arise.
As with Borderlands games, players who fall in battle have a chance to revive by defeating an enemy before a timer runs out or by paying a fee and being revived at various checkpoints.
The game was released a few days before we went on vacation and to cover a convention so I did find myself at times avoiding side quests to complete the main story missions and I look forward to trying them in the future with my enhanced arsenal and abilities.
The voice-cast in-game is very strong as are the graphics and audio which really makes the game a true joy from start to finish. My only real issue with the game was at times when I needed help, matchmaking often set me in an area I had already completed as it looked to match me with a player of a similar skill level vs my spot in the game.
I had to resolve this by going on forums and threads and asking for help but thankfully members of the community were happy to add me and join me in the game when needed. I also had the option to set my preference to wanting help but I did not have much success in this area.
The game will have future DLC and with the limitless potential of the premise, it is safe to say that fans will have plenty of adventures ahead as Tiny Tina’s Wonderlands is a hysterical and mayhem-filled romp not to be missed.
4.5 stars out of 5
The quirky and more than slightly unstable Tiny Tina from the Borderlands series is back and the new Borderlands Spin-Off Tiny Tina’s Wonderlands is a hysterical and engaging adventure that is one of the finest outings in the series to date.
Fans may remember the Borderlands 2 DLC Assault on Dragons Keep where Tina and friends played an RPG called Bunkers and Badasses which cast players to take on mythical quests from her neurotic mind and the stand-alone version of the DLC was released prior to the game to bring players up to speed although it is not required to have played it.
Players create a character known as the “Fatemaker” and pick various classes, skills, and attributes which they can update and modify along the way as their characters gain experience and all sorts of timed abilities come into play which will greatly help the players along the way as a well-timed spell can mean the difference between failure and victory.
The gameplay will be familiar to Borderlands fans and characters will have countless weapons, shields, upgrade charms, and more available to them deciding which ones come along, get used, get sold, or left behind is always one of the harder parts of the game. Some may find a weapon that does lower damage but has a high rate of fire better than a weapon that does more damage but has a slow reload time and a smaller ammunition clip. The best bet is to find a mix of weapons through trial and error as players can always sell items that do not make the cut.
The game offers a clever overhead perspective at times when players navigate the map versus using the Quick Travel options and this allows players to take on side quests, explore areas and more to gain experience and items should the desired quest area prove too difficult for their current ability level.
The missions are filled with plenty of humor and challenges and the vast number of enemies is amazing. From a dried-up ocean complete with crabs, walking sharks, and Serpent creatures to Pirates, Skeletons, dragons, and more, this game has something for everyone and RPG fans will love the various dice encounters and challenges that arise.
As with Borderlands games, players who fall in battle have a chance to revive by defeating an enemy before a timer runs out or by paying a fee and being revived at various checkpoints.
The game was released a few days before we went on vacation and to cover a convention so I did find myself at times avoiding side quests to complete the main story missions and I look forward to trying them in the future with my enhanced arsenal and abilities.
The voice-cast in-game is very strong as are the graphics and audio which really makes the game a true joy from start to finish. My only real issue with the game was at times when I needed help, matchmaking often set me in an area I had already completed as it looked to match me with a player of a similar skill level vs my spot in the game.
I had to resolve this by going on forums and threads and asking for help but thankfully members of the community were happy to add me and join me in the game when needed. I also had the option to set my preference to wanting help but I did not have much success in this area.
The game will have future DLC and with the limitless potential of the premise, it is safe to say that fans will have plenty of adventures ahead as Tiny Tina’s Wonderlands is a hysterical and mayhem-filled romp not to be missed.
4.5 stars out of 5
Carma (21 KP) rated Just Right (Just Everyday Heroes: Day Shift, #1) in Books
Jun 17, 2019
Just Right is the first book in the Bradford series by Erin Nicholas. Nurse Jessica Bradford has loved looking at Dr Ben Torres these past 6 months in the ER Department. Tonights tragedy has them all on edge, when Ben enters the ER and strikes a patient, Jessica doesnt know how to help him. It becomes her duty to keep an eye on him during his suspension and keep him on the straight and narrow to be able to return to the ER Department. She doesnt count on falling for him quite so easily and quickly.
Dr Ben Torres is having a hell of a night in the ER. Hes lost 2 young patients and their mother is looking to be next all because a guy he put back together on the operating table a few months back decided to drink and drive. He cant stand by anymore while people take advantage of each other anymore. Why doesnt anyone appreciate the life they are living any longer? When he sees that patient put his hands on Jessica he loses control. He has kept his distance from Jessica for 6 months, he has to keep his eyes off the prize, but he wont stand by while someone hurts her. He has tossed around the idea of quitting for a while and this tips the scale big time.
When both Jessicas brother Sam and boss Russ ask her to keep an eye on Ben until he can return to the ER she does so eagerly. She grows closer to him while he tags along with her in everyday life. He helps her at her familys youth center, she helps him at his new barrista job. Their adventures together have quite a few funny situations and of course the secondary characters help the humor move along.
Ben and Jessica both have tragedy in their pasts, both have a self doubt they are working to erase from their beings. Even though they think theyve taken different roads to end up where they are now, they are actually quite similar.
I read this authors Counting on Love series first, which is a spin off of this series, so I was already pretty familiar with all the main and secondary characters in this book. Erin Nicholas is a wonderful writer with a style I love to follow along with. I have no idea how I ended up reading her first to me novel but I am so glad I did. Now on to the next Bradford book ..
Dr Ben Torres is having a hell of a night in the ER. Hes lost 2 young patients and their mother is looking to be next all because a guy he put back together on the operating table a few months back decided to drink and drive. He cant stand by anymore while people take advantage of each other anymore. Why doesnt anyone appreciate the life they are living any longer? When he sees that patient put his hands on Jessica he loses control. He has kept his distance from Jessica for 6 months, he has to keep his eyes off the prize, but he wont stand by while someone hurts her. He has tossed around the idea of quitting for a while and this tips the scale big time.
When both Jessicas brother Sam and boss Russ ask her to keep an eye on Ben until he can return to the ER she does so eagerly. She grows closer to him while he tags along with her in everyday life. He helps her at her familys youth center, she helps him at his new barrista job. Their adventures together have quite a few funny situations and of course the secondary characters help the humor move along.
Ben and Jessica both have tragedy in their pasts, both have a self doubt they are working to erase from their beings. Even though they think theyve taken different roads to end up where they are now, they are actually quite similar.
I read this authors Counting on Love series first, which is a spin off of this series, so I was already pretty familiar with all the main and secondary characters in this book. Erin Nicholas is a wonderful writer with a style I love to follow along with. I have no idea how I ended up reading her first to me novel but I am so glad I did. Now on to the next Bradford book ..
Purple Phoenix Games (2266 KP) rated Firefly: Shiny Dice in Tabletop Games
Jun 12, 2019
One of the best parts of the board gaming experience is finding a fun group of people with whom to play! Sometimes, though, coordinating a game night is easier said than done. We all must occasionally forego the group experience and face the world as the Lonely Only. But fear not! The world of solo-play is a vast and exciting realm! What follows is a chronicle of my journey into the solo-playing world – notes on gameplay, mechanics, rules, difficulty, and overall experience with solo variations of commonly multiplayer games! I hope this will provide some insight as you continue to grow your collection, or explore your already owned games!
I really like Firefly. So when Travis told me he had Firefly: Shiny Dice, and was looking to get rid of it, I jumped on the chance to get my hands on something Firefly! I’d never played the game and had never even heard of it either. Having played it now, though, I can see why Travis wanted to off-load it on someone else.
In Firefly: Shiny Dice, over the course of three rounds, players are rolling dice to assemble a crew, complete missions, and defeat bad guys. All of the main characters of the show are represented by different die faces, each with a special power. Use those powers to help defeat bad guys and earn VPs on your turn each round! The player at the end of the game with the most points is the winner. Firefly: Shiny Dice is played the same way, regardless of player count – in solo play, you are still trying to amass the most points possible over three rounds.
At it’s core, Firefly: Shiny Dice is a dice-rolling game. And that’s where the simplicity ends. This game is bogged down an ambiguously confusing rulebook, complicated turn steps, and just way too much text overall. When I first got this game, I was psyched to play. I sat down, opened up the rulebook, read through it at least 3 times, and then put the game away. I was so confused by what I had read, I couldn’t even bring myself to try it at first. There is a lot of ambiguity in the rulebook that caused a lot of confusion and frustration for me. For example, the brown dice are Outlaw characters and the white dice are Passenger characters, but the rulebook and player aids use “Crew Dice” most of the time – so are they all Crew Dice, or just the Outlaws since, in the show, those are the characters who actually are the crew on Serenity? Are Passengers considered Crew? The same ambiguity goes for Mission Cards – if you draw one that you cannot complete, is it just discarded? Then what’s the point of the Mission Card? How about if you draw one and don’t want to complete it? Are you required to complete it if you can? Or can you choose to ignore it to negate the Mission Keyword? I felt like after I read the rulebook, I actually had more questions than before I started.
Regarding turn order, there is just way too much going on for me. There are 4 steps each turn, and some steps have several ‘phases.’ First you roll your dice, and then depending on what you rolled maybe you can re-roll some, and then you have to check to see if you got any bonuses/penalties after your re-roll, but then you stop and draw a Mission Card and possibly resolve it (?), and now you go and deal 1 damage to a foe but only if the current Mission says ‘Shiny,’ and then the foe dice resolve their effects, and now you can use your dice and character powers to fight the foes, and then depending on how many dice you have left/the Mission Keyword from your card this turn, you can decide to push your luck and take another turn immediately or just end your turn now. Whew. There are just way too many unnecessary steps, in my opinion. All you should need to do is to roll/re-roll your dice, resolve foe effects, and fight the foes. The Missions and die bonuses/penalties feel extraneous to me, and result in clunky gameplay.
In theory, this should be a cool game. In reality, it’s just frustrating. To me it feels like every single small idea made it into the end-game, but they were not executed well enough to justify including them. This game is way too wordy and ambiguous to make sense, and even though I keep the rulebook on hand every time I play, I feel like it doesn’t really help me at all. I think a more pared down/edited version of this game could be a hit.
As a fan of Firefly, I want to like this game. I really do. But I don’t. I think it is too complicated and far too confusing for what it is supposed to be, which is a relatively light dice-rolling game. Firefly: Shiny Dice is not on my short-list of games to play, nor is it on my long-list (is that a thing?). It’s kind of just in my collection at this point, though I don’t know if it’ll stay here for long.
https://purplephoenixgames.wordpress.com/2019/01/28/solo-chronicles-firefly-shiny-dice/
I really like Firefly. So when Travis told me he had Firefly: Shiny Dice, and was looking to get rid of it, I jumped on the chance to get my hands on something Firefly! I’d never played the game and had never even heard of it either. Having played it now, though, I can see why Travis wanted to off-load it on someone else.
In Firefly: Shiny Dice, over the course of three rounds, players are rolling dice to assemble a crew, complete missions, and defeat bad guys. All of the main characters of the show are represented by different die faces, each with a special power. Use those powers to help defeat bad guys and earn VPs on your turn each round! The player at the end of the game with the most points is the winner. Firefly: Shiny Dice is played the same way, regardless of player count – in solo play, you are still trying to amass the most points possible over three rounds.
At it’s core, Firefly: Shiny Dice is a dice-rolling game. And that’s where the simplicity ends. This game is bogged down an ambiguously confusing rulebook, complicated turn steps, and just way too much text overall. When I first got this game, I was psyched to play. I sat down, opened up the rulebook, read through it at least 3 times, and then put the game away. I was so confused by what I had read, I couldn’t even bring myself to try it at first. There is a lot of ambiguity in the rulebook that caused a lot of confusion and frustration for me. For example, the brown dice are Outlaw characters and the white dice are Passenger characters, but the rulebook and player aids use “Crew Dice” most of the time – so are they all Crew Dice, or just the Outlaws since, in the show, those are the characters who actually are the crew on Serenity? Are Passengers considered Crew? The same ambiguity goes for Mission Cards – if you draw one that you cannot complete, is it just discarded? Then what’s the point of the Mission Card? How about if you draw one and don’t want to complete it? Are you required to complete it if you can? Or can you choose to ignore it to negate the Mission Keyword? I felt like after I read the rulebook, I actually had more questions than before I started.
Regarding turn order, there is just way too much going on for me. There are 4 steps each turn, and some steps have several ‘phases.’ First you roll your dice, and then depending on what you rolled maybe you can re-roll some, and then you have to check to see if you got any bonuses/penalties after your re-roll, but then you stop and draw a Mission Card and possibly resolve it (?), and now you go and deal 1 damage to a foe but only if the current Mission says ‘Shiny,’ and then the foe dice resolve their effects, and now you can use your dice and character powers to fight the foes, and then depending on how many dice you have left/the Mission Keyword from your card this turn, you can decide to push your luck and take another turn immediately or just end your turn now. Whew. There are just way too many unnecessary steps, in my opinion. All you should need to do is to roll/re-roll your dice, resolve foe effects, and fight the foes. The Missions and die bonuses/penalties feel extraneous to me, and result in clunky gameplay.
In theory, this should be a cool game. In reality, it’s just frustrating. To me it feels like every single small idea made it into the end-game, but they were not executed well enough to justify including them. This game is way too wordy and ambiguous to make sense, and even though I keep the rulebook on hand every time I play, I feel like it doesn’t really help me at all. I think a more pared down/edited version of this game could be a hit.
As a fan of Firefly, I want to like this game. I really do. But I don’t. I think it is too complicated and far too confusing for what it is supposed to be, which is a relatively light dice-rolling game. Firefly: Shiny Dice is not on my short-list of games to play, nor is it on my long-list (is that a thing?). It’s kind of just in my collection at this point, though I don’t know if it’ll stay here for long.
https://purplephoenixgames.wordpress.com/2019/01/28/solo-chronicles-firefly-shiny-dice/
Kristin (149 KP) rated Unfortunate Event in Books
Dec 7, 2018
Disclaimer: I received a copy from the author in exchange for an honest review.
This book, quite frankly, is one of the most honest looks into both the medical and legal professions I've read in a long time. Dr. Andrews is almost literally led around on a leash after a horrible tragedy, his reputation dragged through the mud while he's used as a scapegoat by not only his colleagues, but his malpractice insurer, the lawyer they appointed to him, and the divorce lawyers ultimately brought into the fray. One of my favorite quotes summarizing this issue is as follows:
As she watched the doctor exit her office, Jordan Davis found herself in a terrific mood. She'd lead this doctor through the legal system by the nose. She and the opposing attorney would take turns discovering controversies. The answers to those controversies would require long hours of expensive legal research. The attorneys, along with their teams of accountants and paralegals, were going to do very well.
It's horrifying to think about it, but our society is only focused on one thing, and that is money -- who has it, who doesn't, and the easiest ways to get it. This novel showcases that almost from the jump, and I think it is an excellent representation. In our country especially, the medical profession is a multi-billion-dollar business which continues to thrive on the backs of the less fortunate. Makes me happy I decided against med school.
5 stars, and I plan to recommend it to anyone in the medical and legal professions.
This book, quite frankly, is one of the most honest looks into both the medical and legal professions I've read in a long time. Dr. Andrews is almost literally led around on a leash after a horrible tragedy, his reputation dragged through the mud while he's used as a scapegoat by not only his colleagues, but his malpractice insurer, the lawyer they appointed to him, and the divorce lawyers ultimately brought into the fray. One of my favorite quotes summarizing this issue is as follows:
As she watched the doctor exit her office, Jordan Davis found herself in a terrific mood. She'd lead this doctor through the legal system by the nose. She and the opposing attorney would take turns discovering controversies. The answers to those controversies would require long hours of expensive legal research. The attorneys, along with their teams of accountants and paralegals, were going to do very well.
It's horrifying to think about it, but our society is only focused on one thing, and that is money -- who has it, who doesn't, and the easiest ways to get it. This novel showcases that almost from the jump, and I think it is an excellent representation. In our country especially, the medical profession is a multi-billion-dollar business which continues to thrive on the backs of the less fortunate. Makes me happy I decided against med school.
5 stars, and I plan to recommend it to anyone in the medical and legal professions.
The Boomerang app is great for fans of classic cartoons. Their content includes the entirety of The Flintstones and The Jetsons as well as other Hanna-Barbera classics. They also have plenty of Looney Tunes and WB content. I'm hoping they continue to add to the catalog because no other streaming service carries much of this kind of content. They also stream some modern cartoons which some may be interested in.
I've tried the app on both my Android phone and my Fire Stick. I've had no issue with the streaming and it seems to run very smoothly. I also think the app looks great. The design is clean and colorful. I only have a couple of minor complaints about the app. First, it has a startup screen that has sound that you cannot turn off. This can be somewhat annoying. Second, when selecting a cartoon it automatically starts playing the first episode, or whichever episode you're on rather than taking you to a screen that shows all episodes. If you want to see all of the episodes you have to hit a tiny information button very precisely. I'd rather it just take me to the episode screen immediately.
At only $4.99 a month, I'm really happy with this service. It's pretty inexpensive and I've probably watched more on it than a lot of my other streaming subscriptions (which, as an adult with no children, I probably should be embarrassed by). They also have a 7-day free trial, so I recommend giving it a try!
I've tried the app on both my Android phone and my Fire Stick. I've had no issue with the streaming and it seems to run very smoothly. I also think the app looks great. The design is clean and colorful. I only have a couple of minor complaints about the app. First, it has a startup screen that has sound that you cannot turn off. This can be somewhat annoying. Second, when selecting a cartoon it automatically starts playing the first episode, or whichever episode you're on rather than taking you to a screen that shows all episodes. If you want to see all of the episodes you have to hit a tiny information button very precisely. I'd rather it just take me to the episode screen immediately.
At only $4.99 a month, I'm really happy with this service. It's pretty inexpensive and I've probably watched more on it than a lot of my other streaming subscriptions (which, as an adult with no children, I probably should be embarrassed by). They also have a 7-day free trial, so I recommend giving it a try!