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Emma @ The Movies (1786 KP) rated Schindler's List (1993) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
I've started and restarted this review about five times, I'm not sure where to begin.
It pains me to say it but I think the negatives outweigh the positives on this for me. The sets are incredible though and the fact that they managed to get hoards of people working together is no easy feat. It's certainly an epic achievement.
I have spoken to a few people since seeing it and mentioned the fact that I didn't like it filmed as black and white, I've been surprised at how many condescending responses I had. "Black and white films are difficult for some people to get used to." "They're not to everyone's tastes." For the record I love black and white movies, the issue I have with this one though is that it's so sharp that at times it looks unnatural. The joy of black and white movies is the feeling of a little age to the film. Perhaps this is just the curse of the modern age, but all the shots look amazingly crisp. I know, how often does someone moan about having filming that's too good for a film?
"Remember to take some tissues!" was the response I got when I told people I was going to see it, me being a crier I heeded the warning. I was left mostly unmoved though. The statements of fact and the scenes at Auschwitz certainly made me pause for thought and brought a tear to my eye but the dramatised sections generally didn't hold a lot of impact.
When Schindler has his departing scene it really felt that it should have been more emotional for the viewer but it came across a little hammy. Neeson's acting had been relatively understated the whole way through and they chose that moment for him to depart from that?
Some moments in history only need the facts, and while creatively this was a masterpiece (certainly the music was) I didn't feel that it was possible to get the gravity of the situation. In this instance I would personally like to know the real accounts and that would be achieved better by reading some books on the subject of watching personal recordings from survivors.
What you should do
Most of you have probably already seen Schincler's List, if you haven't then you probably should despite what I said. Without films like this some of us would probably have no knowledge at all about such important moments in history.
Whether they're entirely accurate or not they open up curiosity to learn more.
It pains me to say it but I think the negatives outweigh the positives on this for me. The sets are incredible though and the fact that they managed to get hoards of people working together is no easy feat. It's certainly an epic achievement.
I have spoken to a few people since seeing it and mentioned the fact that I didn't like it filmed as black and white, I've been surprised at how many condescending responses I had. "Black and white films are difficult for some people to get used to." "They're not to everyone's tastes." For the record I love black and white movies, the issue I have with this one though is that it's so sharp that at times it looks unnatural. The joy of black and white movies is the feeling of a little age to the film. Perhaps this is just the curse of the modern age, but all the shots look amazingly crisp. I know, how often does someone moan about having filming that's too good for a film?
"Remember to take some tissues!" was the response I got when I told people I was going to see it, me being a crier I heeded the warning. I was left mostly unmoved though. The statements of fact and the scenes at Auschwitz certainly made me pause for thought and brought a tear to my eye but the dramatised sections generally didn't hold a lot of impact.
When Schindler has his departing scene it really felt that it should have been more emotional for the viewer but it came across a little hammy. Neeson's acting had been relatively understated the whole way through and they chose that moment for him to depart from that?
Some moments in history only need the facts, and while creatively this was a masterpiece (certainly the music was) I didn't feel that it was possible to get the gravity of the situation. In this instance I would personally like to know the real accounts and that would be achieved better by reading some books on the subject of watching personal recordings from survivors.
What you should do
Most of you have probably already seen Schincler's List, if you haven't then you probably should despite what I said. Without films like this some of us would probably have no knowledge at all about such important moments in history.
Whether they're entirely accurate or not they open up curiosity to learn more.
Style: Formal, serious.
Point of View: Third person – each chapter is either Nick Dunne or Amy Dunne, never both.
Difficulty Reading: I struggled with the first half of the book. Don’t get me wrong, I was excited to read it because the movie was bomb as f*ck. The movie had me sitting on my toes the entire time, but this book was such a drag. Once you get about halfway through, that’s when it gets good.
Promise: The book promises a thrilling crime mystery and it does deliver it. But it delivers it in a way that makes the book almost seem repetitive as he said, she said.
Quality: It was a well-written book, I’ll give the author that. But there was a lot of swearing – and I cuss like a sailor. That kind of took the appeal of the book down quite a few notches.
Insights: If I could change anything about the book: take some of the cuss words out – it’s way too much, make the first half of the book more gripping – you lose readers because it’s boring.
Ah-Ha Moment: When Nick Dunne realized that Amy Dunne was just f*cking with him, he knew it but couldn’t tell anyone because then it would seem like he was the one who set the whole thing up.
Another moment was when Amy Dunne killed her old friend. I was like ‘what are you doing woman’ the entire time I read it.
Favorite Quote: “A lot of people lacked that gift: knowing when to fuck off.” – I feel this is the best representation of who I am as a person and of people nowadays.
“Sleep is like a cat: It only comes to you if you ignore it.” – Any quote that talks about cats are always great.
What will you gain: An interesting but hard read. If you don’t have the time or patience, put this book down.
Aesthetics: The copy I bought had the cover poster for the movie and it was nice to imagine Nick Dunne as the man on the cover. The first page of the book was what drew me in, the whole staring at the back of Amy’s head and thinking of breaking it open to mush your hands with her brain just appeals to me in a way that’s hard to describe. (I promise I’m not a serial killer. Yet…) Then as I read more, I struggled until I hit the point of the plot doing a massive U-turn and actually becoming interesting.
“There’s a difference between really loving someone and loving the idea of her.”
Point of View: Third person – each chapter is either Nick Dunne or Amy Dunne, never both.
Difficulty Reading: I struggled with the first half of the book. Don’t get me wrong, I was excited to read it because the movie was bomb as f*ck. The movie had me sitting on my toes the entire time, but this book was such a drag. Once you get about halfway through, that’s when it gets good.
Promise: The book promises a thrilling crime mystery and it does deliver it. But it delivers it in a way that makes the book almost seem repetitive as he said, she said.
Quality: It was a well-written book, I’ll give the author that. But there was a lot of swearing – and I cuss like a sailor. That kind of took the appeal of the book down quite a few notches.
Insights: If I could change anything about the book: take some of the cuss words out – it’s way too much, make the first half of the book more gripping – you lose readers because it’s boring.
Ah-Ha Moment: When Nick Dunne realized that Amy Dunne was just f*cking with him, he knew it but couldn’t tell anyone because then it would seem like he was the one who set the whole thing up.
Another moment was when Amy Dunne killed her old friend. I was like ‘what are you doing woman’ the entire time I read it.
Favorite Quote: “A lot of people lacked that gift: knowing when to fuck off.” – I feel this is the best representation of who I am as a person and of people nowadays.
“Sleep is like a cat: It only comes to you if you ignore it.” – Any quote that talks about cats are always great.
What will you gain: An interesting but hard read. If you don’t have the time or patience, put this book down.
Aesthetics: The copy I bought had the cover poster for the movie and it was nice to imagine Nick Dunne as the man on the cover. The first page of the book was what drew me in, the whole staring at the back of Amy’s head and thinking of breaking it open to mush your hands with her brain just appeals to me in a way that’s hard to describe. (I promise I’m not a serial killer. Yet…) Then as I read more, I struggled until I hit the point of the plot doing a massive U-turn and actually becoming interesting.
“There’s a difference between really loving someone and loving the idea of her.”
Kyera (8 KP) rated Morning Star in Books
Feb 1, 2018
As with the two previous books in the series, Morning Star is brutally violent and honest in its portrayal of the darkness of humanity. It's a strange series that I don't quite know how I feel. While overall the plot and storytelling are good and I enjoy reading the series, for the most part, I am also frequently horrified by events and actions. As a result, I would recommend again that younger teen readers do not pick this up. Wait until you are older to read the series.
Sevro is such a strange character, but I love him. Some of the things he said, although unintentionally funny, had me laughing aloud (and probably sounding like a crazy person because I was by myself). Sadly, the course of the war and things that he has experienced seem to change him - as the war alters all of the characters. In the third book, he is just as funny and strangely likable as he was in the previous two books despite the horrors that he has endured.
I love the honest wonder of Ragnar, despite his fierce size and fighting skills he was not born to the same world as Darrow. He is genuinely pleased or fascinated by things most would take for granted in that world. Despite the fact that Ragnar is a terrifying killing machine - you can't help but like him.
Although there is a lot of death and destruction in these books, it is not until halfway through the third book that the pain of a character affected me. I got a little teary-eyed because it was one of the characters that I had grown to care about. I don't feel a very strong connection to them in general, which I feel is probably the main weakness of this series for me.
The second book fell prey to the typical slow nature of a middle book in a trilogy. In general, I feel that these books take some time to get into but become very engaging eventually. The third book was a little slower to start than even the others, although there were some enjoyable moments early on it wasn't until a little over halfway through the book that I really thought 'wow this is where things start happening.'
Once I was in the second half of the book, I felt like this was my favorite of the books in the series. I think Pierce Brown does his best work when he's talking about a battle. So the fighting you see in this part of the book really shines.
While it is very authentic to a war scenario, I don't personally like that so many characters die. I know people would complain if no one died because then the stakes wouldn't be as high for the characters but it makes me so sad when a character I like doesn't make it.
Despite the slow start of the third book, by the end, I had completely forgotten about it and felt that this was my favorite book in the series. The action, the schemes, everything just pulled me in and I was riveted, guessing, gasping and cheering until the very last page.
Sevro is such a strange character, but I love him. Some of the things he said, although unintentionally funny, had me laughing aloud (and probably sounding like a crazy person because I was by myself). Sadly, the course of the war and things that he has experienced seem to change him - as the war alters all of the characters. In the third book, he is just as funny and strangely likable as he was in the previous two books despite the horrors that he has endured.
I love the honest wonder of Ragnar, despite his fierce size and fighting skills he was not born to the same world as Darrow. He is genuinely pleased or fascinated by things most would take for granted in that world. Despite the fact that Ragnar is a terrifying killing machine - you can't help but like him.
Although there is a lot of death and destruction in these books, it is not until halfway through the third book that the pain of a character affected me. I got a little teary-eyed because it was one of the characters that I had grown to care about. I don't feel a very strong connection to them in general, which I feel is probably the main weakness of this series for me.
The second book fell prey to the typical slow nature of a middle book in a trilogy. In general, I feel that these books take some time to get into but become very engaging eventually. The third book was a little slower to start than even the others, although there were some enjoyable moments early on it wasn't until a little over halfway through the book that I really thought 'wow this is where things start happening.'
Once I was in the second half of the book, I felt like this was my favorite of the books in the series. I think Pierce Brown does his best work when he's talking about a battle. So the fighting you see in this part of the book really shines.
While it is very authentic to a war scenario, I don't personally like that so many characters die. I know people would complain if no one died because then the stakes wouldn't be as high for the characters but it makes me so sad when a character I like doesn't make it.
Despite the slow start of the third book, by the end, I had completely forgotten about it and felt that this was my favorite book in the series. The action, the schemes, everything just pulled me in and I was riveted, guessing, gasping and cheering until the very last page.
Sensitivemuse (246 KP) rated Silence for the Dead in Books
Mar 29, 2018
Good ghost story, slow dragged out ending
Anything to do with a horror ghost theme and an asylum has to be good right? Well, yes and no. The book was somewhat enjoyable to read but it had its’ moments.
The plot itself was good. It had the elements of a good gothic theme - not scary enough to make people read it in daytime (seriously?) but it had some good decent creep factor in it. It’s enough to set the mood and theme of the book but nothing to make the skin crawl. The element of mystery was also there and the ghost story aspect was good - nothing to blind side you - except perhaps for a little twist in the end (with where the ghost was and who was it manipulating etc etc). It’s pretty much a stable plot with all the main points closed (or is it? *queue creepy organ music*) so I’d have to say the gothic ghost story was what was in it for me.
Character wise. Kitty is likable. She’s resourceful, and a survivor from horrible abuse. Big applause for her for being strong and able to stand up and survive through various ordeals. Captain Mabry stood out for me because I enjoyed reading about his character. He seemed to be the strong stable silent type in the asylum where you have various patients with various issues (most were casualties of World War One) and there was a certain calmness about him that made him likable.
It’s pretty much obvious Kitty and Jack were to be together. The romance aspect in the book was all right. Necessary? I’m not sure perhaps. It’s not really for me. When their romance was more cemented was where the book was starting to take a slight turn downhill.
So near the ending when everything was revealed, all plot holes start to close. Sometimes, depending on the writing, you can stretch it out and make it interesting. Or you can make it drag. This one, unfortunately drags. We’re done with the ghosts, everything was answered, and the last 30 pages or so I just wanted the book to end. The romance of Kitty and Jack intensify and this is where intense eye rolling is also induced. Dear Lord, am I reading this just to see if there’s a scary twist at the end? Or am I wasting my time? Well sadly, I wasted my time. It was good to see what happened to characters like Mabry, and even Matron, but it just dragged way too much. Yeah okay we get it Kitty and Jack forever. Why do we need so many pages of this, am I suddenly reading a romance now?
Other than the ghost story in this book, the romance nearly killed it for me and a dragged out ending. Perhaps a nice twist in the ending would be nice. Or maybe skim the 30 pages and be done. I would say take it or leave it with this book. It was moderately enjoyable for me.
The plot itself was good. It had the elements of a good gothic theme - not scary enough to make people read it in daytime (seriously?) but it had some good decent creep factor in it. It’s enough to set the mood and theme of the book but nothing to make the skin crawl. The element of mystery was also there and the ghost story aspect was good - nothing to blind side you - except perhaps for a little twist in the end (with where the ghost was and who was it manipulating etc etc). It’s pretty much a stable plot with all the main points closed (or is it? *queue creepy organ music*) so I’d have to say the gothic ghost story was what was in it for me.
Character wise. Kitty is likable. She’s resourceful, and a survivor from horrible abuse. Big applause for her for being strong and able to stand up and survive through various ordeals. Captain Mabry stood out for me because I enjoyed reading about his character. He seemed to be the strong stable silent type in the asylum where you have various patients with various issues (most were casualties of World War One) and there was a certain calmness about him that made him likable.
It’s pretty much obvious Kitty and Jack were to be together. The romance aspect in the book was all right. Necessary? I’m not sure perhaps. It’s not really for me. When their romance was more cemented was where the book was starting to take a slight turn downhill.
So near the ending when everything was revealed, all plot holes start to close. Sometimes, depending on the writing, you can stretch it out and make it interesting. Or you can make it drag. This one, unfortunately drags. We’re done with the ghosts, everything was answered, and the last 30 pages or so I just wanted the book to end. The romance of Kitty and Jack intensify and this is where intense eye rolling is also induced. Dear Lord, am I reading this just to see if there’s a scary twist at the end? Or am I wasting my time? Well sadly, I wasted my time. It was good to see what happened to characters like Mabry, and even Matron, but it just dragged way too much. Yeah okay we get it Kitty and Jack forever. Why do we need so many pages of this, am I suddenly reading a romance now?
Other than the ghost story in this book, the romance nearly killed it for me and a dragged out ending. Perhaps a nice twist in the ending would be nice. Or maybe skim the 30 pages and be done. I would say take it or leave it with this book. It was moderately enjoyable for me.
The Soul's Agenda: The Inner Self Waits Patiently Until We are Ready to Discover it
Book
This inspiring collection of channelled messages will enlighten, encourage and empower you. Michelle...
Leanne Crabtree (480 KP) rated Kane (Coven's End, #1) in Books
Jan 11, 2021
I picked this up as a freebie a few weeks ago now as a book for my PR/UF A-Z Challenge on Goodreads after struggling to find books with certain letters (I'm still struggling to find J, N, Q, X, Y and Z. Any suggestions much appreciated).
So this one starts with a group of merc's taking down a houseful of wolf shifters and then going to take down a houseful of vampires at the orders of a mystery someone. Then we meet Kane who's in a meeting with the Blood - the ruling council - and his mum, Lilith, as they try and get him to pick a mate so he can take the vampire throne. He doesn't want to mate with just anyone, especially when he's already found his true mate, werewolf princess, Jillian. He goes to investigate the site of the murders and bumps into Jillian, who finds out he is her fated mate and the fun begins.
I wasn't sure with how short this was that the story would progress enough for me but I was pleasantly surprised. We learn quite a lot about the werewolves and the vampires and I grew to like the main four characters though we only see things from Kane and Jillian's POV.
It is a serial with each book named after a different person in their harem and the story continuing throughout so be warned - we don't find out who was behind the killings in this one. I have to admit I am intrigued to find out what happens next with these four and to see who was behind the killings.
So this one starts with a group of merc's taking down a houseful of wolf shifters and then going to take down a houseful of vampires at the orders of a mystery someone. Then we meet Kane who's in a meeting with the Blood - the ruling council - and his mum, Lilith, as they try and get him to pick a mate so he can take the vampire throne. He doesn't want to mate with just anyone, especially when he's already found his true mate, werewolf princess, Jillian. He goes to investigate the site of the murders and bumps into Jillian, who finds out he is her fated mate and the fun begins.
I wasn't sure with how short this was that the story would progress enough for me but I was pleasantly surprised. We learn quite a lot about the werewolves and the vampires and I grew to like the main four characters though we only see things from Kane and Jillian's POV.
It is a serial with each book named after a different person in their harem and the story continuing throughout so be warned - we don't find out who was behind the killings in this one. I have to admit I am intrigued to find out what happens next with these four and to see who was behind the killings.
Emma @ The Movies (1786 KP) rated The Little Stranger (2018) in Movies
Sep 25, 2019
I can't say that this is a horror. It's a little bit creepy. It's also somehow engaging, despite it not having that horror aspect you're expecting.
Domhnall Gleeson is an interesting leading actor. He plays the roll well and it feels fitting for the period. But for me Will Poulter really was the best performance. Entirely believable and quite possibly the best thing I've seen him do. I can't say that I was particularly excited about anyone else in this.
The music, or the lack thereof, is very atmospheric. It's really noticable and brings that creepy sense just when it's needed. The visuals get the atmosphere just right too. There's a fantastic slightly out of focus (lets call it squiggly feeling) shot that was used when the supernatural was in the air and it worked intriguingly well.
At the time of writing this I have been out of the screening for six hours... and for six hours I've been annoyed with how the film ended. I've been scouring the internet for a full synopsis of the novel, and while the whole thing seems to match up well, the ending does have a slightly different spin... or it is just handled really weirdly in the film... I really don't know but what I can say is that I came out feeling incredibly unsatisfied.
Based on the book The Little Stranger by Sarah Walters.
What should you do?
I'm tempted to say read the book instead of going to see this one.
Movie thing you wish you could take home
Can I take home Will Poulter?
Domhnall Gleeson is an interesting leading actor. He plays the roll well and it feels fitting for the period. But for me Will Poulter really was the best performance. Entirely believable and quite possibly the best thing I've seen him do. I can't say that I was particularly excited about anyone else in this.
The music, or the lack thereof, is very atmospheric. It's really noticable and brings that creepy sense just when it's needed. The visuals get the atmosphere just right too. There's a fantastic slightly out of focus (lets call it squiggly feeling) shot that was used when the supernatural was in the air and it worked intriguingly well.
At the time of writing this I have been out of the screening for six hours... and for six hours I've been annoyed with how the film ended. I've been scouring the internet for a full synopsis of the novel, and while the whole thing seems to match up well, the ending does have a slightly different spin... or it is just handled really weirdly in the film... I really don't know but what I can say is that I came out feeling incredibly unsatisfied.
Based on the book The Little Stranger by Sarah Walters.
What should you do?
I'm tempted to say read the book instead of going to see this one.
Movie thing you wish you could take home
Can I take home Will Poulter?
Merissa (13739 KP) rated The Signs We Missed in Books
Aug 4, 2022 (Updated Aug 7, 2023)
Love is never easy, and it is sometimes dark and filled with pain.
THE SIGNS WE MISSED is a young adult, standalone story, that deals with some dark themes. It comes with trigger warnings so please take note of them.
Love is never easy, and it is sometimes dark and filled with pain, especially if you are experiencing something for the first time and are unsure of just what's happening. Cruelty can be through ignorance, not always deliberate. This is the position Sean finds himself in with Luke. He has feelings but doesn't know what to do with them.
Told mainly from the perspectives of Sean, Luke, and Shayne, the missing gaps are mostly filled in and you get a rounded story. To be honest, I wasn't exactly sure how Fly's story fitted in for most of it, nor if the destructive relationship between her and Shayne was sorted, but it was still an enjoyable read - if a dark storyline can be called as such.
This is not light and fluffy, to even think that would be to do it a disservice. Instead, it is a gripping book that deals with self-harm, bisexual awakenings, and eating disorders, to name just a few. If you can cope with those, then I definitely recommend you take a chance on this novel.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 1, 2022
Love is never easy, and it is sometimes dark and filled with pain, especially if you are experiencing something for the first time and are unsure of just what's happening. Cruelty can be through ignorance, not always deliberate. This is the position Sean finds himself in with Luke. He has feelings but doesn't know what to do with them.
Told mainly from the perspectives of Sean, Luke, and Shayne, the missing gaps are mostly filled in and you get a rounded story. To be honest, I wasn't exactly sure how Fly's story fitted in for most of it, nor if the destructive relationship between her and Shayne was sorted, but it was still an enjoyable read - if a dark storyline can be called as such.
This is not light and fluffy, to even think that would be to do it a disservice. Instead, it is a gripping book that deals with self-harm, bisexual awakenings, and eating disorders, to name just a few. If you can cope with those, then I definitely recommend you take a chance on this novel.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 1, 2022
Kristy H (1252 KP) rated The Other Widow in Books
Feb 13, 2018
Dorrie is embroiled in an affair with her boss, Joe, which ends abruptly one cold and snowy night when Joe picks her up. He tells her the affair is over, that "it isn't safe," and then moments after, their car skids on the ice and crashes into a tree. Joe dies at the scene, but Dorrie's airbag deploys and she makes a split moment decision to walk away from the crash (undetected). But she's haunted by that evening and Joe's death. Further, what did Joe mean that it wasn't safe? Why didn't Joe's airbag deploy like Dorrie's? Did Dorrie really see someone near the car moments after the crash?
Meanwhile, Joe's wife Karen is left reeling from his death as well. Also wrapped up in Joe's passing is insurance investigator Maggie Devlin. A former cop, Maggie is suspicious about the circumstances of Joe's death--and the women involved in his life. But can she put together the pieces of what really happened? And are Karen and Dorrie truly in danger?
This novel was interesting and suspenseful, though it didn't fully grab me. Still, I read it in about two days, so it was certainly a fast read with a captivating plot. For me, I liked Dorrie and Karen well enough, but I wasn't deeply pulled into either of their lives. Neither character was fully drawn enough for me to fully relate to them. In fact, I really liked Maggie the best, but we learn the least about her. I could almost see Maggie getting a sequel--she was a very intriguing and likable character.
Crawford's novel is well-written, but seems to suffer a little bit from "who am I" syndrome... in some ways it's a thriller, but in other ways, it's purely psychological women's fiction. As such, the mystery seems to take a backseat to the women's lives, at times, and becomes convoluted and confusing by the end. There's a backstory with Joe's business that I almost couldn't fully tell you what happened, because it's not given complete attention, even though it's supposed to propel so much of the action. That duality was tough, because the book never really focused on either the thriller aspect, or the women, and you felt like you were left hanging on both plot points by the end.
Overall, this was a quick read, with an original plot, but seemed confusing and pulled in a few directions: 3 stars.
I received an ARC of this novel from Edelweiss (thank you!); it is available for publication on 4/26/16. You can read reviews of this book and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
Meanwhile, Joe's wife Karen is left reeling from his death as well. Also wrapped up in Joe's passing is insurance investigator Maggie Devlin. A former cop, Maggie is suspicious about the circumstances of Joe's death--and the women involved in his life. But can she put together the pieces of what really happened? And are Karen and Dorrie truly in danger?
This novel was interesting and suspenseful, though it didn't fully grab me. Still, I read it in about two days, so it was certainly a fast read with a captivating plot. For me, I liked Dorrie and Karen well enough, but I wasn't deeply pulled into either of their lives. Neither character was fully drawn enough for me to fully relate to them. In fact, I really liked Maggie the best, but we learn the least about her. I could almost see Maggie getting a sequel--she was a very intriguing and likable character.
Crawford's novel is well-written, but seems to suffer a little bit from "who am I" syndrome... in some ways it's a thriller, but in other ways, it's purely psychological women's fiction. As such, the mystery seems to take a backseat to the women's lives, at times, and becomes convoluted and confusing by the end. There's a backstory with Joe's business that I almost couldn't fully tell you what happened, because it's not given complete attention, even though it's supposed to propel so much of the action. That duality was tough, because the book never really focused on either the thriller aspect, or the women, and you felt like you were left hanging on both plot points by the end.
Overall, this was a quick read, with an original plot, but seemed confusing and pulled in a few directions: 3 stars.
I received an ARC of this novel from Edelweiss (thank you!); it is available for publication on 4/26/16. You can read reviews of this book and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
Emma @ The Movies (1786 KP) rated Wild Rose (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
More singing! What a great month for this!
The camera work as almost the first thing I noticed watching this film. As I've said before, I can be a terrible cinema-goer as I miss a lot of things like this unless they're either end of the spectrum. In this instance everything was intriguing and well executed, from the letterbox right at the beginning to the use of light when Rose-Lynn sings... just brilliant.
Early on you realise that Rose-Lynn is basically still a child, she throws a tantrum and sulks at the smallest thing. Responsibility has passed her by despite the fact she has two kids. It's frustrating to watch but does allow for good character development as we progress through the story.
From the trailers I knew we'd be in for a treat with the songs, but the impact of the final one is just amazing once you have the context of it. The fact that Jessie Buckley sings them herself is even more incredible.
Buckley hasn't made a great impression on me, the only thing I'd seen her in was Beast and that... well... didn't leave me wanting more, of anything. She put in a great performance here though and was only scuppered y the fact that I had a huge dislike for her character.
Supporting her was Julie Walters, she was amazing as ever and another wonder mum role to add to the list of them this year. As Rose-Lynn's relatively patient mum she is a bit of refreshing sanity in the film and she's certainly the only one thinking about those two kids through most of the film. She's stern and would have had me cowering in a place of shame if I'd been Rose-Lynn.
Mum's character does soften and she helps her daughter attempt to follow her dreams, that leads to a great piece with Rose-Lynn in Nashville. The interactions she has and the reality of her situation hit leading us nicely into the conclusion.
Wild Rose has lots to make it appealing, a solid cast, an interesting storyline and some amazing music. It will definitely find an audience with those that enjoyed A Star Is Born. I have to hope that this isn't the last we see of Jessie Buckley and her singing voice on the big screen.
What you should do
As I said above, fans of A Star Is Born are likely to enjoy this. It's probably also worth seeing it on the big screen to get some great audio.
Movie thing you wish you could take home
I would love to have a band spontaneously appear when I start singing at home.
The camera work as almost the first thing I noticed watching this film. As I've said before, I can be a terrible cinema-goer as I miss a lot of things like this unless they're either end of the spectrum. In this instance everything was intriguing and well executed, from the letterbox right at the beginning to the use of light when Rose-Lynn sings... just brilliant.
Early on you realise that Rose-Lynn is basically still a child, she throws a tantrum and sulks at the smallest thing. Responsibility has passed her by despite the fact she has two kids. It's frustrating to watch but does allow for good character development as we progress through the story.
From the trailers I knew we'd be in for a treat with the songs, but the impact of the final one is just amazing once you have the context of it. The fact that Jessie Buckley sings them herself is even more incredible.
Buckley hasn't made a great impression on me, the only thing I'd seen her in was Beast and that... well... didn't leave me wanting more, of anything. She put in a great performance here though and was only scuppered y the fact that I had a huge dislike for her character.
Supporting her was Julie Walters, she was amazing as ever and another wonder mum role to add to the list of them this year. As Rose-Lynn's relatively patient mum she is a bit of refreshing sanity in the film and she's certainly the only one thinking about those two kids through most of the film. She's stern and would have had me cowering in a place of shame if I'd been Rose-Lynn.
Mum's character does soften and she helps her daughter attempt to follow her dreams, that leads to a great piece with Rose-Lynn in Nashville. The interactions she has and the reality of her situation hit leading us nicely into the conclusion.
Wild Rose has lots to make it appealing, a solid cast, an interesting storyline and some amazing music. It will definitely find an audience with those that enjoyed A Star Is Born. I have to hope that this isn't the last we see of Jessie Buckley and her singing voice on the big screen.
What you should do
As I said above, fans of A Star Is Born are likely to enjoy this. It's probably also worth seeing it on the big screen to get some great audio.
Movie thing you wish you could take home
I would love to have a band spontaneously appear when I start singing at home.