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Joe Elliott recommended Aqualung by Jethro Tull in Music (curated)
LeftSideCut (3776 KP) rated It Follows (2015) in Movies
Oct 9, 2020
There are plenty of positive aspects to It Follows. The concept for one is decent and an original idea for a horror film. A sexually transmitted disease that causes an entity to relentlessly hunt you down at the pace of a Romero era zombie, never giving up until you're dead, unless you pass it on to someone new.
It's a very modern take on horror, acting as an age old cautionary tale about casual sex, masquerading as a creepy stalker flick.
The image of a person slowly walking towards you, staring at you the whole time is unsettling enough, but the entity's appearance will frequently change. This allows even people in the background shots to carry a weight of danger in the times where the audience is unaware of its whereabouts. It's a simple yet clever trick that gives It Follows a steady undercurrent of dread.
There's some really nice cinematography on display as well. Lingering shots of empty spaces are intimidating (I found myself constantly scanning for the entity, and got caught out more than once) It also has a phenomenal synth soundtrack courtesy of Disasterpiece. It will switch from ethereal to jarring in a flash and contributes greatly to the dark tone this film carries.
I wasn't a huge fan of the constant frame dissolves and screen wipes. It's kept taking me out of the narrative a bit, and the film suffers greatly with it's characters constantly making silly decisions. Although Maika Monroe is a solid lead.
Overall, It Follows is a genuinely unsettling horror-thriller with some truly chilling moments. It's just a little frustrating that the great concept isn't explored as much as it could have been.
It's a very modern take on horror, acting as an age old cautionary tale about casual sex, masquerading as a creepy stalker flick.
The image of a person slowly walking towards you, staring at you the whole time is unsettling enough, but the entity's appearance will frequently change. This allows even people in the background shots to carry a weight of danger in the times where the audience is unaware of its whereabouts. It's a simple yet clever trick that gives It Follows a steady undercurrent of dread.
There's some really nice cinematography on display as well. Lingering shots of empty spaces are intimidating (I found myself constantly scanning for the entity, and got caught out more than once) It also has a phenomenal synth soundtrack courtesy of Disasterpiece. It will switch from ethereal to jarring in a flash and contributes greatly to the dark tone this film carries.
I wasn't a huge fan of the constant frame dissolves and screen wipes. It's kept taking me out of the narrative a bit, and the film suffers greatly with it's characters constantly making silly decisions. Although Maika Monroe is a solid lead.
Overall, It Follows is a genuinely unsettling horror-thriller with some truly chilling moments. It's just a little frustrating that the great concept isn't explored as much as it could have been.
Kirk Bage (1775 KP) rated The Passion of Joan of Arc (1928) in Movies
Jan 28, 2021
This was another first for me. Previous to watching this silent “masterpiece” Dreyer was a name I had only read in film history essays and when anyone writing for Sight and Sound wants to look clever. As a stepping stone to what could be achieved it is of course a valuable historic document. As a film to be enjoyed almost 100 years later, it is all but unwatchable at 110 minutes. There is perhaps a half hour’s worth of story and images, merely extended and repeated to an excruciating degree. It’s not that it is silent, or has very strange religious overtones that don’t resonate now in the same way they once might – because it is very beautiful and remarkable in small sections – it is that a monotony of accusation, followed by denial, followed by crying, followed by spiritual revelation is all there is to it. And it goes on and on and on until you really could not care less.
The story of Joan of Arc is extraordinary, but this is not the story of Joan of Arc, it is her passion only, as in her trial and execution. The close ups of Maria Falconetti as the eponymous saint are all you can really take away from it in the end. Her odd beauty and commitment to the role do leave a lasting impression, but the two dimensional fire and brimstone evil of her accusers is just too much, even comic, to behold and believe in 2021. For study purposes, seeing where certain techniques and shot ideas had their Genesis, for example, it is of great interest. As a film to watch and enjoy it has sadly outlived its worth. When you consider Fritz Lang’s M was only 3 years later, it all comes into context.
The story of Joan of Arc is extraordinary, but this is not the story of Joan of Arc, it is her passion only, as in her trial and execution. The close ups of Maria Falconetti as the eponymous saint are all you can really take away from it in the end. Her odd beauty and commitment to the role do leave a lasting impression, but the two dimensional fire and brimstone evil of her accusers is just too much, even comic, to behold and believe in 2021. For study purposes, seeing where certain techniques and shot ideas had their Genesis, for example, it is of great interest. As a film to watch and enjoy it has sadly outlived its worth. When you consider Fritz Lang’s M was only 3 years later, it all comes into context.
Kirk Bage (1775 KP) rated Band a Part (1964) in Movies
Jan 28, 2021
Of all the directors I have flirted with in my opening months with the BFI player, Godard is the one I am finding most accessible and least intimidating. He is the guy whose movies I am most tempted by when I don’t want to think or analyse too much, but simply sit back and enjoy for being cool. I also wanted to see why Quentin Tarantino named his production company after this movie. And now I have seen it his whole oeuvre makes total sense, at last! The exact feel of this Nouvelle Vague cornerstone is exactly what you find in 80% of what Tarantino is trying to do. The plot is incidental, of course. What is happening is only there to pin the characters and quirky dialogue on. Being cool is all. And this mid 60s confection is so cool, so French and so much style over content in the best possible way.
On the surface it is about two dodgy guys who take a shine to a girl and rope her into a heist. But the most memorable moments are the trivialities of them dancing the Maddison in a cafe because they are bored; reading the news aloud from newspapers whilst sat in the woods; driving erratically in a speedy little jalopy with a broken roof; and just making faces at one another as they flirt and express the bittersweet tediousness of being alive. It epitomises the time and place almost more than A Bout de Souffle, and in my opinion is the more mature, more knowing film. Ultimately it means very little, but is impossible not to like. It also sparked a greater interest in Anna Karina as a film icon, being the 2nd film on this list in which she impressed me.
On the surface it is about two dodgy guys who take a shine to a girl and rope her into a heist. But the most memorable moments are the trivialities of them dancing the Maddison in a cafe because they are bored; reading the news aloud from newspapers whilst sat in the woods; driving erratically in a speedy little jalopy with a broken roof; and just making faces at one another as they flirt and express the bittersweet tediousness of being alive. It epitomises the time and place almost more than A Bout de Souffle, and in my opinion is the more mature, more knowing film. Ultimately it means very little, but is impossible not to like. It also sparked a greater interest in Anna Karina as a film icon, being the 2nd film on this list in which she impressed me.
Mark @ Carstairs Considers (2395 KP) rated A Whisker of a Doubt in Books
Dec 13, 2020
Fights over Feral Cats Lead to Murder at Christmas
Maddie James and her friend Katrina have learned about a colony of feral cats near one of the richest neighborhoods on Daybreak Island, so they are working to take care of it. However, the neighbors are resistant to their efforts, going out of their way to be a pain. Just a couple of days before Christmas, Maddie finds the body of one of them, Virgil Proust, outside his house. Virgil and his wife were some of the loudest people fighting against the cats and Maddie’s efforts to feed them. When the police focus on Katrina as their prime suspect, Maddie knows it is up to her to find the truth. Can she do it?
I’ve been waiting impatiently for this book due to the cliffhanger the previous book left us with. I was thrilled to get back to Maddie and find out what happened there. Even if you haven’t read the books that came before this one, you’ll still be able to jump in here and follow along. I will say that Maddie’s attitude in this sub-plot bothered me a bit at times, although I always understood where she was coming from. The main mystery is good with a few nice surprises on our way to the solution. The suspects could have been stronger, and I struggled at times to remember all of their relationships, but I was still invested in the story. The regular characters are strong and charming, as are the cats at the cat café where Maddie works. The Christmas setting adds an extra level of cozy. Fans new and old will enjoy this festive entry in the series.
I’ve been waiting impatiently for this book due to the cliffhanger the previous book left us with. I was thrilled to get back to Maddie and find out what happened there. Even if you haven’t read the books that came before this one, you’ll still be able to jump in here and follow along. I will say that Maddie’s attitude in this sub-plot bothered me a bit at times, although I always understood where she was coming from. The main mystery is good with a few nice surprises on our way to the solution. The suspects could have been stronger, and I struggled at times to remember all of their relationships, but I was still invested in the story. The regular characters are strong and charming, as are the cats at the cat café where Maddie works. The Christmas setting adds an extra level of cozy. Fans new and old will enjoy this festive entry in the series.
Emma @ The Movies (1786 KP) rated The Mountain Between Us (2017) in Movies
Sep 25, 2019
Dr. Ben Bass and photojournalist Alex Martin are stranded in Boise Airport when their flight is cancelled due to a storm. In an attempt to get home Alex hires a local pilot to fly them back so they can both make their appointments. The three of them, plus the pilot's dog, take off for home in Baltimore, Maryland. But mid-flight Walter the pilot suffers a stroke.
The plane loses control and crashes on a mountain top, leaving Alex unconscious, and Ben and the dog to fend for themselves. While Alex recovers, Ben tends to her wounds, buries Walter in the snow, and turns the wreck of the plane into a shelter.
When Alex wakes up she's a realist, there was no flight plan, the tracker was in the plane's tail which is missing, and they've been there a long time without someone already finding them. She wants to leave the safety of the plane but after Ben makes an unsuccessful search he doesn't want to risk it. While he sleeps she sneaks out of the plane with the dog and heads out into the snowy hills.
The movie certainly got me in the feels, just as well I had the screen all to myself really! I'm not sure that I'd be desperate to see it again, but it was an enjoyable way to pass the time. My only real issue is that it was a very predictable story line. Oh... and the fact that they kept the dog on a leash while trekking across the mountains.
It's currently sitting around the 50% mark on Rotten Tomatoes for both critics and us regular plebs. (Slightly lower for the critics, obviously.) That seems about right, nice film but I don't think I'd need to see it again.
The plane loses control and crashes on a mountain top, leaving Alex unconscious, and Ben and the dog to fend for themselves. While Alex recovers, Ben tends to her wounds, buries Walter in the snow, and turns the wreck of the plane into a shelter.
When Alex wakes up she's a realist, there was no flight plan, the tracker was in the plane's tail which is missing, and they've been there a long time without someone already finding them. She wants to leave the safety of the plane but after Ben makes an unsuccessful search he doesn't want to risk it. While he sleeps she sneaks out of the plane with the dog and heads out into the snowy hills.
The movie certainly got me in the feels, just as well I had the screen all to myself really! I'm not sure that I'd be desperate to see it again, but it was an enjoyable way to pass the time. My only real issue is that it was a very predictable story line. Oh... and the fact that they kept the dog on a leash while trekking across the mountains.
It's currently sitting around the 50% mark on Rotten Tomatoes for both critics and us regular plebs. (Slightly lower for the critics, obviously.) That seems about right, nice film but I don't think I'd need to see it again.
My Tide Times Pro - Tables, Forecasts and Tides!
Weather and Travel
6.0
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My Tide Times Pro is the only tide times application you'll ever need. Whether you're surfing,...
Hazel (2934 KP) rated Time is Running Out (DCI Matilda Darke #7) in Books
Sep 20, 2021
Oh ... my ... word!!! One of the best books I have read this year without a doubt.
What an absolute cracker - totally riveting, a nail-biter and an emotional roller-coaster that had me well and truly hooked and taking flexi time off work so I could start reading earlier. I would say you don't have to have read any of the previous in the series to appreciate this but it does help to understand the main characters but it's not essential.
A mass murderer is on the loose and no one is safe and when I say no one, I mean it ... no one is spared. The pace is relentless, the plot scarily plausible and the characters are just fantastic.
It's chock full of action, violence and suspense from start to finish. I was on pins wondering who was next and went from feeling anger to dread to actual tears. I know, I know, they aren't real people but Michael Wood writes them so well that you really get attached so when something horrific happens to them and you feel the impact it has on those around them, you can't help but get drawn in so yes, I shed a few tears.
I had to close my kindle several times to catch my breath and take 5 minutes to compose myself several times whilst reading and would advise that you don't read this in a public place unless you're not bothered about showing a whole gamut of emotions to strangers!
Highly recommended but not to those who are of a nervous disposition or who don't like multiple scenes of peril and murder ... you have been warned!
Many, many thanks to HarperCollins UK / One More Chapter and NetGalley for my copy in return for an honest, unbiased and unedited review.
What an absolute cracker - totally riveting, a nail-biter and an emotional roller-coaster that had me well and truly hooked and taking flexi time off work so I could start reading earlier. I would say you don't have to have read any of the previous in the series to appreciate this but it does help to understand the main characters but it's not essential.
A mass murderer is on the loose and no one is safe and when I say no one, I mean it ... no one is spared. The pace is relentless, the plot scarily plausible and the characters are just fantastic.
It's chock full of action, violence and suspense from start to finish. I was on pins wondering who was next and went from feeling anger to dread to actual tears. I know, I know, they aren't real people but Michael Wood writes them so well that you really get attached so when something horrific happens to them and you feel the impact it has on those around them, you can't help but get drawn in so yes, I shed a few tears.
I had to close my kindle several times to catch my breath and take 5 minutes to compose myself several times whilst reading and would advise that you don't read this in a public place unless you're not bothered about showing a whole gamut of emotions to strangers!
Highly recommended but not to those who are of a nervous disposition or who don't like multiple scenes of peril and murder ... you have been warned!
Many, many thanks to HarperCollins UK / One More Chapter and NetGalley for my copy in return for an honest, unbiased and unedited review.
Emma @ The Movies (1786 KP) rated Thirteen Minutes (2021) in Movies
Feb 25, 2022
A new disaster film, cue excitement. Even a low budget disaster film can be good…
Life is disrupted when a storm turns its eye on a small town. Residents are tested, and they must put their differences aside to help each other make it through safely.
... that thing I said above about even low budget disaster films being good? Yeah, I don’t know how much this cost (I’m assuming not a lot), but it was not good.
This could have been a great short that ran 13 minutes, instead, it’s 1 hour and 48 minutes long. Those extra 95 minutes are made of bloated storylines, and while they overlap, none of them really have any weight. Removing a couple could easily have allowed the others more time to develop and actually let the viewer become more invested.
Out of the cast I can’t really call out anyone. There are faces you’ll recognise from other things, and they’re generally solid actors, but in this... there wasn't really a lot for them to work with.
There are many moments that defy sensible behaviour, as you'd expect from a disaster film. Only one amused me, while the others were mainly annoying.
You either need to take yourself seriously, or embrace the inevitable ridiculousness behind the idea. If this had leaned hard into the ridiculousness it could have been great. 13 Minutes disappointed on so many levels that adding truly terrible effects may actually have helped! I won’t need to watch this again, a disaster film that barely has a disaster in it was not what I signed up for.
[Side note: Initially I gave this 2 out of 5 stars. I have since retracted a star for this film's sheer audacity.]
Originally posted on: https://emmaatthemovies.blogspot.com/2022/02/13-minutes-movie-review.html
Life is disrupted when a storm turns its eye on a small town. Residents are tested, and they must put their differences aside to help each other make it through safely.
... that thing I said above about even low budget disaster films being good? Yeah, I don’t know how much this cost (I’m assuming not a lot), but it was not good.
This could have been a great short that ran 13 minutes, instead, it’s 1 hour and 48 minutes long. Those extra 95 minutes are made of bloated storylines, and while they overlap, none of them really have any weight. Removing a couple could easily have allowed the others more time to develop and actually let the viewer become more invested.
Out of the cast I can’t really call out anyone. There are faces you’ll recognise from other things, and they’re generally solid actors, but in this... there wasn't really a lot for them to work with.
There are many moments that defy sensible behaviour, as you'd expect from a disaster film. Only one amused me, while the others were mainly annoying.
You either need to take yourself seriously, or embrace the inevitable ridiculousness behind the idea. If this had leaned hard into the ridiculousness it could have been great. 13 Minutes disappointed on so many levels that adding truly terrible effects may actually have helped! I won’t need to watch this again, a disaster film that barely has a disaster in it was not what I signed up for.
[Side note: Initially I gave this 2 out of 5 stars. I have since retracted a star for this film's sheer audacity.]
Originally posted on: https://emmaatthemovies.blogspot.com/2022/02/13-minutes-movie-review.html
Purple Phoenix Games (2266 KP) rated Lagoon: Land of Druids in Tabletop Games
Jun 12, 2019
One of the best parts of the board gaming experience is finding a fun group of people with whom to play! Sometimes, though, coordinating a game night is easier said than done. We all must occasionally forego the group experience and face the world as the Lonely Only. But fear not! The world of solo-play is a vast and exciting realm! What follows is a chronicle of my journey into the solo-playing world – notes on gameplay, mechanics, rules, difficulty, and overall experience with solo variations of commonly multiplayer games! I hope this will provide some insight as you continue to grow your collection, or explore your already owned games!
Lagoon is a land of harmony and balance. Or at least it WAS until the rise of humanity. The three spiritual energies that once existed in a perfect equilibrium are now fighting for dominance and control over the destiny of Lagoon. Each energy has amassed a following of druids who are working to ensure that their chosen energy is victorious! Which energy will you choose to serve, and will your choice be the correct one in the end? There’s only one way to find out!
Lagoon: Land of the Druids is a game of tile placement and exploration. You are the leader of a circle of druids, and they will do your bidding throughout the game. On your turn, you will take any/all of these five actions: Move, Summon (add one of your reserve druids to the play area), Explore (add a new site tile to the table), Invoke (use a Site Action), or Unravel (remove a site tile from play). You can perform as many of these actions as you want, as long as you have the appropriate resources to spend. Each tile in the game is double-sided, and each side has a unique action/ability associated with it. Strategy is everything – which tile side should you choose to bring into play, and how can you best use the available abilities to benefit your chosen energy? You also have to keep an eye on your opponents because they might be trying to undermine your plans to help their energy achieve success! The game ends when all tiles have been explored, and then players count up points dependent upon which energy was ultimately dominant. The player with the most points is the winner!
As a solo game, Lagoon plays similarly to the multi-player game. Instead of competing against other humans, you are playing against an AI opponent (fondly referred to as “AJ” in the rulebook). On its turn, alternating with yours, the AI executes three steps – Explore, Unravel, and Invoke (perform an action dependent on which druids the AI currently has in play). Each of those steps is explained in more detail in the rulebook. The game ends as in a normal group game, and the player (either you or the AI) with the highest score wins.
The first thing I should mention are the solo rules themselves – they are very wordy and contain lots of ambiguity. It took me a couple of read-throughs before I felt comfortable trying to play, and even now I still keep the solo rules easily accessible when I do play. With so many moving elements in this game, clear and concise rules are necessary for an unencumbered game.
When I say there are a lot of moving elements, I mean it. At any point, you could have up to 5 druids in play, with access to up to 5 unique site powers to invoke in addition to the basic actions you can take on your turn. And on top of that, your druids are spiritually connected, so a druid on one site can use the power of a different site as long as you have a druid there as well. There are also lots of opportunities to combo powers this way, and unless you’re 100% focused, you could lose track of what you already did or forget to pay for an action. And in a solo game, you’re not only tracking this for yourself, you also have to make sure you’re executing the AI turns correctly. There’s just a lot going on and it can be easy to accidentally skip a step.
The thing I dislike most about playing Lagoon solo is that I have to make decisions for the AI. When placing tiles on AI turns, I get to choose which side to play. When the AI unravels a site, I get to choose which site to remove. It’s hard to play this game honestly because I can just choose whatever will benefit ME the most, and not necessarily act in the AI’s best interest. Obviously, a human opponent would do whatever they want for themselves, but in a solo game I am in control of my opponent. The rulebook does offer ways to alleviate this, but I either honestly forget to refer back to the rules for certain situations, or I just choose to ignore the suggestions. I know, I know, that sounds like a personal problem. And I guess it is. I just don’t like the responsibility of having to play two competing sides because it is hard to stay honest. Since this game is so dependent on strategy and personal decisions, there is no good way for an AI opponent to be successful.
Lagoon: Land of the Druids is a complex game that requires more strategy than you think. That being said, I don’t like to play it solo. Each turn offers lots of opportunities, but so many options can be overwhelming. Having to make decisions for the AI is not enjoyable for me because I am aware that I do not always make the best decision for the AI – it’s just hard for me to consciously make decisions detrimental to my game. The idea of this game is neat, but the execution of the solo rules (from their editing to their actual gameplay) just doesn’t work well for me. Give it a try solo if you want, but you’re not really missing a lot if you don’t.
https://purplephoenixgames.wordpress.com/2019/03/11/solo-chronicles-lagoon-land-of-the-druids/
Lagoon is a land of harmony and balance. Or at least it WAS until the rise of humanity. The three spiritual energies that once existed in a perfect equilibrium are now fighting for dominance and control over the destiny of Lagoon. Each energy has amassed a following of druids who are working to ensure that their chosen energy is victorious! Which energy will you choose to serve, and will your choice be the correct one in the end? There’s only one way to find out!
Lagoon: Land of the Druids is a game of tile placement and exploration. You are the leader of a circle of druids, and they will do your bidding throughout the game. On your turn, you will take any/all of these five actions: Move, Summon (add one of your reserve druids to the play area), Explore (add a new site tile to the table), Invoke (use a Site Action), or Unravel (remove a site tile from play). You can perform as many of these actions as you want, as long as you have the appropriate resources to spend. Each tile in the game is double-sided, and each side has a unique action/ability associated with it. Strategy is everything – which tile side should you choose to bring into play, and how can you best use the available abilities to benefit your chosen energy? You also have to keep an eye on your opponents because they might be trying to undermine your plans to help their energy achieve success! The game ends when all tiles have been explored, and then players count up points dependent upon which energy was ultimately dominant. The player with the most points is the winner!
As a solo game, Lagoon plays similarly to the multi-player game. Instead of competing against other humans, you are playing against an AI opponent (fondly referred to as “AJ” in the rulebook). On its turn, alternating with yours, the AI executes three steps – Explore, Unravel, and Invoke (perform an action dependent on which druids the AI currently has in play). Each of those steps is explained in more detail in the rulebook. The game ends as in a normal group game, and the player (either you or the AI) with the highest score wins.
The first thing I should mention are the solo rules themselves – they are very wordy and contain lots of ambiguity. It took me a couple of read-throughs before I felt comfortable trying to play, and even now I still keep the solo rules easily accessible when I do play. With so many moving elements in this game, clear and concise rules are necessary for an unencumbered game.
When I say there are a lot of moving elements, I mean it. At any point, you could have up to 5 druids in play, with access to up to 5 unique site powers to invoke in addition to the basic actions you can take on your turn. And on top of that, your druids are spiritually connected, so a druid on one site can use the power of a different site as long as you have a druid there as well. There are also lots of opportunities to combo powers this way, and unless you’re 100% focused, you could lose track of what you already did or forget to pay for an action. And in a solo game, you’re not only tracking this for yourself, you also have to make sure you’re executing the AI turns correctly. There’s just a lot going on and it can be easy to accidentally skip a step.
The thing I dislike most about playing Lagoon solo is that I have to make decisions for the AI. When placing tiles on AI turns, I get to choose which side to play. When the AI unravels a site, I get to choose which site to remove. It’s hard to play this game honestly because I can just choose whatever will benefit ME the most, and not necessarily act in the AI’s best interest. Obviously, a human opponent would do whatever they want for themselves, but in a solo game I am in control of my opponent. The rulebook does offer ways to alleviate this, but I either honestly forget to refer back to the rules for certain situations, or I just choose to ignore the suggestions. I know, I know, that sounds like a personal problem. And I guess it is. I just don’t like the responsibility of having to play two competing sides because it is hard to stay honest. Since this game is so dependent on strategy and personal decisions, there is no good way for an AI opponent to be successful.
Lagoon: Land of the Druids is a complex game that requires more strategy than you think. That being said, I don’t like to play it solo. Each turn offers lots of opportunities, but so many options can be overwhelming. Having to make decisions for the AI is not enjoyable for me because I am aware that I do not always make the best decision for the AI – it’s just hard for me to consciously make decisions detrimental to my game. The idea of this game is neat, but the execution of the solo rules (from their editing to their actual gameplay) just doesn’t work well for me. Give it a try solo if you want, but you’re not really missing a lot if you don’t.
https://purplephoenixgames.wordpress.com/2019/03/11/solo-chronicles-lagoon-land-of-the-druids/