Search

Search only in certain items:

O(
4
4.0 (1 Ratings)
Book Rating
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).

(I hate writing reviews that are under 3 stars, but I told the author I'd write a review, so here goes).

Okay, so I wanted to really like this book, I really did. It was about Greek gods and goddesses which is a subject I like. However hard I tried to get into it, I just couldn't. It actually felt like a chore, and I hated having to read it. I took a little break from it, but when I came back to it, I still couldn't get into it.

Please keep in mind this review is only going to be about the first 9 chapters as I stopped reading when I got to chapter 10.

The title is a fantastic choice for this book. When I stopped reading, it had gotten obvious why the author chose this title.

I'm not really sold on the cover. It's just too boring for my liking. Again, this book has taken the easy way out by just putting a photo on the cover. Whatever happened to imagination!?!

The world building didn't really seem that thought out. I found myself being nagged by so many questions about Elyse's aging process that I couldn't answer. The whole aging thing just did not make much sense. Based on the bit I read of this book, I just didn't see the world building getting any better.

The pacing in this book was so slow!! I found myself becoming easily bored and not caring about anything that happened. As I said previously, I even took a book thinking maybe it was just me, but when I came back to it, I found the pacing to be even slower if that's possible.

The dialogue between the characters was well thought out. It never seemed forced and seemed to flow with the story. Based on what I read of this book, there was no swearing.

The character of Elyse didn't seem very well-developed. She does not act 89 at all but acts like a teenager. Surely she'd act her age regardless of what age she looked like physically!?! That is what mainly put me off the whole book. I liked William based on the little bit I read about him. He seems like a fun character. I would've liked to find out a bit more about Kara but I just really couldn't force myself to read this book anymore.

Like I said, I really wanted to enjoy this book. Even the synopsis sounded promising. I think the idea of the book is a good one, but it wasn't executed very well. I think if the author had maybe worked on the book a bit longer, it could've been really good.

Overall, I wouldn't really recommend this book unless you aren't very fussy with details or unless you're really bored. If you want to take a chance with it (and you may like it), I'd say it's a book for those aged 13+ from what I've read.
  
Resident Evil: Apocalypse (2004)
Resident Evil: Apocalypse (2004)
2004 | Horror
4
7.0 (25 Ratings)
Movie Rating
The first 10 or so minutes of Resident Evil: Apocalypse are quite good. Raccoon City in panic, Jill Valentine and Carlos Oliveira, a few mentions of this movies big bad - an adaption of Resident Evil 3: Nemesis is something I am keen for. The whole set up isn't too bad, and then we get to a scene set in a church, Jill Valentine surrounded by Lickers, completely out of ammo, and then...
Like a drunken gym bro shouting and flexing his way through a bar of people just trying to have a nice evening, Alice (Milla Jovovich) comes crashing through the churches paned glass window on a motorcycle, sub machine gun in each hand, whilst shitty rock music starts blasting out of the screen, and I am once again abruptly reminded why I hate these films.

I just about prefer Apocalypse over the first movie, but only because of the Resi 3 vibe. I also think Nemesis looks pretty badass when he finally appears, and the whole thing just feels closer to the source material than before, but other than that I find it hard to get on board with.
For starters, the editing is all over the place, and director Alexander Witt seems hellbent on adding a weird choppy slow motion effect to any scenes involving mass zombies. Later on in the film, Alice and Nemesis engage in hand to hand combat (ridiculous) where there are so many edits, it's genuinely hard to make out what the fuck is happening, and results in a stupidly underwhelming climax. (Some googling revealed to me that Witt's only other directing credits are Land Rover commercials, so this kind of all makes sense).
On the subject of Nemesis, yeah he looks the part, but I remember playing Resi 3 as a kid and it scared the shit out of me, and that was all because of Nemesis. A big, lumbering, unstoppable beast who just wants nothing more than to kill you dead. In this movie, he's more inclined to take the side of the good guys, and is sometime known to be called by his real name, Matt. I know they had to follow through on the "stinger" from the first film but come on, I don't want to hear Nemesis refered to as Matt.

Other than that, everything else is just a bit predictable and meh. It's way more action orientated than horror, and all the set pieces are uninspired and ripped off from other movies. None of the side characters are particularly memorable (and not even surprise Iain Glen can fix that) and in terms of plot, nothing really happens until the last 5 minutes. I will give props to Sienna Guillory who plays Jill Valentine. She honestly feels like she's straight out of the game series, which would usually feel a bit silly, but when she's the best thing Apocalypse has going for it, then I welcome her inclusion with open arms.

In conclusion, Apocalypse is a forgettable film that has fleeting moments of entertainment value. Maybe worth a watch just the once if you're a fan of Resi 3...
  
40x40

Bobby Gillespie recommended Clash by The Clash in Music (curated)

 
Clash by The Clash
Clash by The Clash
1977 | Rock
8.6 (5 Ratings)
Album Favorite

"So it's spring, early summer in 1977. I'm a teenager that's started school. I read a book about a punk. I know something's happening. I heard 'God Save The Queen'. I started buying records like The Stranglers' 'Peaches' and The Clash's first album. I remember looking at the cover of the latter at a record store at the bottom of my street called Soundtrack Records. I remember looking at the three guys on the cover with brutally shorn hair, tight drainpipes and wearing shirts with Paul Simonon having a Union Jack stitched on over the pocket. There was also a photo of the Notting Hill riots with the police fighting the Rasta youth. Earlier that year I watched a documentary with my father about the Notting Hill riots at the carnival. I found it really inspirational because I just love seeing the youth rise up and take on the cops. It was a pre-punk moment of seditious confrontation that I found totally inspiring. Just seeing people saying ""fuck you"" to the system is always inspiring to me. In terms of the Clash album itself, the song titles even sound great, such as 'I'm So Bored With The U.S.A.', 'White Riot', 'London's Burning' – I was like, ""Fuck!"" before I'd even heard the record! It totally blew my mind and I ended up buying the record. For a long time I'd stood outside the record store and looked at the sleeve! This album was basically everything I was waiting for. It was my rock & roll. Previous to that, I'd heard rock songs on commercial top-40 radio stations, such as Deep Purple, The Who and Rolling Stones, but it felt like a different generation's music. So with The Clash, I finally found my thing. The songwriting on the Clash album is amazing. 'Remote Control' lyrically was about big business and not liking the things you do. You got no money, you got no power, they think you're useless and that's exactly how you feel. I thought, ""Fucking hell"" when I heard it back. You still felt as a kid scared of going into the adult world when you left school. The song wasn't rock bravado or being macho but about being a young person going out into the world for the first time feeling powerless, which was empowering because when you relate to something, you feel stronger. 'Hate & War' was another song that took the hippie ideal of love and peace and turned it on its head by saying: ""There ain't no love and peace, this is the '70s, it's fucking hate and war here."" Punk rock was my portal and pathway to being a creative person. And the first Clash album was everything to set me on my way. Even now, I feel quite emotional talking about this. It's the most emotional record the Clash made because there's something really pure about it. I also think there's a humanism that the Clash have that the Pistols didn't, as the latter were just pure rage. For those reasons, this record is my life."

Source
  
Lockout (2012)
Lockout (2012)
2012 | Action, Mystery, Sci-Fi
5
5.9 (10 Ratings)
Movie Rating
In the later part of the 21st-century the worst criminals the planet has to offer are kept safely away from public in stasis aboard an orbiting prison known as MS: One. Although it is never explained in the film, it does not take a rocket scientist to guess that “MS” stands for Maximum Security and much like the rest of the movie “Lockout”, this is a film that does not aspire to be more than the sum of its heavily borrowed parts.

The film stars Guy Pearce as Snow, a special agent who has been wrongly accused in the killing of a high-ranking operative. Railroaded through the system, Snow is looking at a lengthy sentence.

At the same time, the presidents daughter Emily (Maggie Grace), has visited MS: One on a goodwill tour. One of her special causes is to confirm the truth that long-term stasis has damaging psychological and neurological effects for the prisoners. Since the prison is funded by a deep space research development she definitely sees conflict of interest in how prisoners are being treated.

Things take a turn for the worse when a violent prisoner goes off during his interview and proceeds to release pent-up inmate population and take the crew hostage. The prisoners run amok and for the time being are unaware that they had president’s daughter in their midst. Snow was given an ultimatum that the successful retrieval of the first daughter will help him avoid becoming a future resident of the orbiting prison.

Despite his misgivings, Snow accepts the assignment as he learns that one of his friends is incarcerated on board. This friend holds valuable information that can exonerates Snow from his charges. Once on board the station, Snow must battle mobs of psychopaths as he attempts to locate and rescue Emily.

While one would think this premise would hold plenty of excitement, thrills, and suspense, the film is essentially undone by its inability to sustain any real momentum for any developed and real tension.

While the prisoners do a great job of appearing menacing, torturing and killing the hostages, we really never learn of their true objective. At no time do they really make any serious demands for freedom, material goods, and so on which basically leaves them vulnerable to an all-out attack from the amassing forces around the prison.

One would think they would’ve asked for something as simple as pardons but they seem more interested in glaring threats to the president and the authorities via videoconference, not truly grasping the magnitude of their situation.

Pearce does a good job as the gruff Snow but sadly the script gives him very little to do other than smug one-liners and occasionally shoot the bad guys. Smith does show some spark and personality in her performance but she is given little to do aside from playing the damsel in distress although she doesn infuse the role with some strength and humor.

What really surprised me about the movie was even though it borrowed very heavily from Fortress 1 & 2 as well as an escape from New York, and have surprisingly little new to offer. It was clear that the intention was to create a diehard style film in space but unfortunately it fell relatively flat.

This was a huge surprise to me as one would think that Luc Besson and many of the creative talents that made “Taken” such a thrilling smash would have been able to come up with a better action film.

This is not to say that “Lockout” is a bad film more than it is a disappointment considering the premise, cast, and the potential that it had going for it.

I can certainly overlook plot holes, thinly crafted stock characters, and run-of-the-mill action sequences in my action films as long as they can get me some solid entertainment.

Sadly this is not the case and it plays out more like a direct to DVD release that’s certainly would be extremely welcome us and Netflix are red box rental but for my taste thanks to the lo-res and dated special effects did not warrant a major theatrical release.
  
Several patterns for each month of the year (3 more)
Patterns range from retro, to modern, to classic
Beginners can learn how to embroider with detailed instructions and those who are experienced can pick up a few new tricks
Shows a variety of placement ideas, keeps you inspired to add designs to other places than framed art
Gorgeous patterns-For anyone who knows how to embroider and beginners like me!
I have been cross stitching for 30 years and learned how to punch needle 3 years ago. I have always wanted to learn the technique of embroidery. I love taking a piece of cloth and turning it into a piece of art but was always too intimidated to try my hand at embroidery. This week, I was able to put my fears aside when I received an ARC of A Year of Embroidery by Yumiko Higuchi from Netgalley.
A Year of Embroidery: A Month-To-Month Collection of Motifs for Seasonal Stitching, is a book which helped me get over the fear of embroidery and instilled a passion for learning!
My review is through the eyes of a beginner, but the book is for all levels of embroidery technique. I like that the book is not only chock full of patterns but helpful instruction and placement ideas, as well. The designs range from beautiful to whimsical and feature flowers, cacti, seashells, birds, people, reptiles, insects and animals. Each pattern also gives the DMC number for each floss the author used in her designs. Yumiko Higuchi made sure to include several designs for each month of the year, some with a retro feel and others with a more modern take on embroidery.
The ARC I received of this book is in a protected format and I am not able to make any of the patterns provided. With the wealth of information, A Year of Embroidery holds and the number of patterns I adore, this will be on my bookshelf as soon as it becomes available. I cannot wait to try my hand at this new needlecraft and hope that many others will enjoy it as much as I have.
I would like to thank the author, Yumiko Higuchi and Netgalley for providing me with this ARC for free in exchange for my honest review.
  
40x40

Richard Hell recommended Kiss Me Deadly (2008) in Movies (curated)

 
Kiss Me Deadly (2008)
Kiss Me Deadly (2008)
2008 | Action, Drama, Mystery
(0 Ratings)
Movie Favorite

"Noir, of course, typically displays shadows, rain, urban darkness, blunt seediness, and the realization that since not just at the end but at the center of things are death and other hopeless mysteries, human striving is meaningless. There’s something soothing about realizing that all is futile. It’s liberating. Kiss Me Deadly might be the most cynical and fatalistic noir of them all. It happens to take place in sunny LA, but it’s certainly got the seediness too, including fantastic location shooting in long-gone slums. It’s one of those flicks that’s too good to be true. You’re stopped alone at a motel somewhere in the desert late at night, dead tired, but you can’t sleep, so you switch on the TV . . . and there’s a near-teenage Cloris Leachman running towards you, moaning and sobbing in the darkness, too blonde and naked to believe. But there she is. What a world. Ralph Meeker speeds up in a Jaguar! Nat King Cole warbles on the radio. Cloris is named after Christina Rossetti! It’s 1955. She’s a bitter feminist escapee from a mental asylum. And it just gets better, all the way till after the last second. Along with the action, corruption, sadism, and sex (when the blonde in her car, who happens to be behind Mike Hammer when he parks in a driveway, is immediately compelled to press herself against him and kiss him, framed with bulging taillights protruding from the fin of the forward auto, somehow it's sexier than the porniest pornography), the photography/mise-en-scène would make this movie immortal alone. It’s the kind of movie that makes me laugh at the notion of “art” photography. A few thousand frames from this one film would make a better life’s work in photography than any artist has yet created. Cindy Sherman has a right to a living like everyone else, but, Jesus . . . Nicholas Raymondo (“Very Smart. Very Bright. Very Sad.”) was “sad . . . for the way the world is,” but as Christina tells us: if you should forget me for a while And afterwards remember, do not grieve: For if the darkness and corruption leave A vestige of the thoughts that once I had, Better by far you should forget and smile It’s actually misquoted in the movie, but it’s still probably the nicest thing that’s happened to Christina Rossetti in a hundred years . . ."

Source
  
Conflicted (Secrets and Lies #1)
Conflicted (Secrets and Lies #1)
M.M. Koenig | 2013 | Contemporary, Romance
8
8.0 (1 Ratings)
Book Rating
Conflicted is the absolutely perfect title for this book because it not only describes the story but also how the reader will feel after reading it! According to Kindle, it was 385 pages which is a good story length but somehow it felt so much longer. This is probably because of the amount that happens in this story. It is full of twists and turns, characters turn out to be different to what you originally thought and the plot, well, take it from me that the baseline is a simple one but it gets very convoluted with all the goings on.

Mia is the main female and I couldn't quite come to grips with her. I understand that her world imploded and she felt an amazing amount of pain which no one should have to go through. I didn't like her way of 'coping' but also understand that everyone reacts differently. She seems like someone who is ruled by her body, which is completely different to what we were being told about her, which is one of the reasons I literally snorted out loud when Ethan says that he never thought of her as a 'party girl'. I'm sorry but in my book, someone who throws college parties most, if not every, weekend with loads of beer, drinks shots and wakes up with hangovers frequently, makes her quite the party girl!

Ethan is a whole new story. We don't learn much about him but he finds out quite a lot about Mia. Still waters definitely run deep with this one and I can't wait to find out more. I just hope he doesn't turn into a 'Hans' man.

Micah, Jackson, Shane, Bri - these are all secondary characters that still play a huge role in the book but I feel the surface has only been scratched with all of them. I am hoping it becomes clearer because there are still so many questions left unanswered.

This is the first book so there is a cliffhanger warning with this one!

On the whole, this was enjoyable and kept me reading. I am looking forward to reading book 2, Complicated.

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
Jul 23, 2015
  
Complicated (Secrets and Lies #2)
Complicated (Secrets and Lies #2)
M.M. Koenig | 2014 | Contemporary, Romance
8
8.0 (1 Ratings)
Book Rating
As with book 1, Conflicted, the title of this book is absolutely spot on. It IS complicated, with more secrets, lies, twists and turns than you can shake a stick at. I appear to be having a love/hate relationship with these books because there are quite a few moments when I actually dislike what I'm reading but then it can all swing around at the drop of a hat. For myself, the majority of this book is a 3-star read. It's good, just not anything to shake your pom-poms about. But then, the last 10% of the book happened and wow, it was excellent! It blew me out of the water and I had tears, heart pounding and pulse racing issues whilst I read. It was definitely this portion of the book that upped it to a 4-star read for me.

Okay, so a bit about the characters now. Mia - I still can't get to grips with her. I don't particularly like hearing about her which makes the whole thing a bit difficult when it's written the way it is. Ethan - I actually liked him in the first book but I find myself not wanting them to be together more and more. Ethan spends most of this book making Mia feel guilty over lying to him when he is the one doing the same thing and more. You should not have to walk on eggshells around someone you love or be afraid to ask questions. Their relationship isn't healthy and I keep hoping that Mia will end up with Jackson, the playboy, who has an honest friendship with Mia that could turn into something else given the chance. Bri and Trey have their own hurdles to cross in this book but they tend to take the backseat to everything else.

A difficult book to read or review but I can still recommend it. It is certainly controversial enough to make it stand out from the crowd - you can decide if that's a good thing or not for yourself.

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
Jul 28, 2015
  
40x40

Emma @ The Movies (1786 KP) rated Can You Ever Forgive Me? (2018) in Movies

Jun 22, 2019 (Updated Sep 25, 2019)  
Can You Ever Forgive Me? (2018)
Can You Ever Forgive Me? (2018)
2018 | Drama
I long for the blockbusters to come around again so I can stop saying "this is great but..." It has definitely become my mantra for January and I think it's the curse of awards season.

Melissa McCarthy is the second actor this month to take a big leap in genre and I'm loving it. Her comedy offerings have always amused me, Life Of The Party last year was great fun and I've just discovered she was DNAmy in Kim Possible so that means I need to watch all of that again!

I'm in danger of going off point now I've realised that last fact. Where was I?

McCarthy... Lee Israel is rather brash and as such has the potential to be entirely unlikeable, the performance is excellent though and McCarthy manages to make every situation feel very real. Despite that though I didn't get any real emotions out of any of it.

Luckily Richard E. Grant's inclusion allows the film to have a few lighter moments and the pair work wonderfully together on screen. I'm rather glad that this erased some of the damage The Nutcracker And The Four Realms did.

At no point during the film did I think anything was badly done. Lead and supporting actors were brilliant, the story it was based on was an interesting one... insert my phrase of the month here... The main issue I had with the film was pacing. I came out thinking that was a long two hour film before realising that it was only actually an hour and 46 minutes. At the mid-point my interest dwindled severely for a while but it did thankfully pick up a little. There are several bits that don't feel like they have much of a place in the story, whether they're part of the original narrative or added for the film I don't know but while they might have been there for background they didn't add any impact to the main story.

This rating has me a little at odds, the stars are mainly for the acting and the switch in pace for Melissa McCarthy, and as I said, nothing is badly done. Even with the limited audience potential this could have been an amazing film had it had something to keep you interested the whole way through.

What you should do

It's got some good points, but it is a very niche subject matter so I don't think I'd be recommending a viewing to anyone but my most booky friends.

Movie thing you wish you could take home

All those glorious bookshops!
  
Military Wives (2020)
Military Wives (2020)
2020 | Drama
7
8.6 (7 Ratings)
Movie Rating
Even having just seen the trailer I knew I would cry at this, it's classic tear-fodder.

On-base life can be difficult for the wives and partners of soldiers serving abroad. Lisa has inherited the job of organising the wives while everyone is deployed but it's not an activity she's keen on, she'd rather just make it through to the other side and have her husband back. Luckily [though it seems anything but] for her Kate wants to take on a role in those duties, she's a veteran wide and has a very proper way of looking at how they should conduct themselves. The two women take an instant dislike for the other's attitude making life stressful in the social circle.

This doesn't change once they pick an activity the group are all interested in and they struggle to find a rhythm together. Can the pair separate their differences for the wellbeing of the group and each other?

Military Wives is something that we seem to be able to churn out consistently over here. You want an emotionally uplifting (while devastating) drama? The Brits have got you covered. I cried over Wild Rose, Finding Your Feet, Fisherman's Friends and Juliet, Naked, all have that similar quality to them that makes them a surprisingly comforting watch.

At the centre we focus on Kate and Lisa, both women are looking to forget and just get through it all for different reasons. The two are chalk and cheese and Kristin Scott Thomas and Sharon Horgan thrive in their roles against one another. You can feel the agony they both suffer with and yet it's quite difficult to sympathise with either when for most of the film they are quite dislikable.

Even when we see Lisa interact with the other wives she's still grumpy and brash, it fits with what the character is going through on the inside but challenging to like. The same goes for Kate, her position afforded to her by her husband's position and her take charge attitude reminds me of that one person who always wants it their way, and that feeling instantly overrides everything else that's happening.

That's not to say that you don't feel for them, you definitely do towards the end, but getting there is a struggle.

We have a lot of peripheral characters who come in for both drama and comedy, they're all handled nicely for the most part and the nature of the story means that they can come and go quite easily without many issues. The emotion from Amy James-Kelly as Sarah was great but there's a point where it really feels like a scene is cut n the middle as the tone changes, Laura Checkley as Maz was very funny and Gaby French as Jess comes in with humour and impact in her choir lead. There was just one notable oddity and that was the character of Dawn played by Roxy Faridany. The shy and quiet member of the choir gets brought up a couple of times and yet doesn't feature in any of the foreground scenes properly. This again felt like we were missing scenes where she featured more. Bringing in the soldier contingent we have Jason Flemyng (I love him, he needs to be in more things) who is the base commander (I'm not up on my ranks so I apologise if I got it wrong) and though it's not a large role it's a funny one. The look on his face in the scene under the bridge was a picture. He fits into the cast nicely and it was a good balance of screen time within the story.

Military Wives is a story of personal struggle and friendship at its core, and as expected I spent a significant amount of time with tears streaming down my face. It handles the grieving and coping struggles in a respectful way and the interactions between characters felt very real. The uncertainty, the hatred, the feat and horror, it was all there in the actors' performances. The film takes a long time to get to what you might say is the pay off, but the journey is well thought out and it comes together for a charming and emotional watch.

Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/military-wives-movie-review.html