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Ivana A. | Diary of Difference (1171 KP) rated Some Sunny Day in Books
Nov 27, 2018
Full review on www.diaryofdifference.com
Some Sunny Day was one of those books that go slowly, and tell a story of another times, reviving memories and emotions. A story of a lady that is sent to India to take care for the British Soldiers in the Second World War.
A beautiful memoir, full of lively descriptions that make the scenes more realistic. A powerful story of love, bravery, tragedy, sacrifices and hope.
Madge is a character that all people can relate to. Even though a nurse, and sent to another country, Madge is also a lady just like any other, capable of making decisions, mistakes, fall in love, lose the people she loves and hope for a better future.
A very relatable and non-distant character, too realistic for our own good. I loved her so much, and I was eager to know her story.
The pace, however, for me, was too slow. It took me a while to finish this book, and I stopped reading it two times before I finally finished it. The line between this being a great read and a DNF was very thick. That is why a few of my stars have to go away.
I love memoirs, I love stories behind the scenes of wars. Being born and growing up in the Balkans, this is something that triggers us very close to the heart. Being taught in school to protect each other, and living with our father’s stories of how they went and served in the army is something we can all relate to, and respect all these people that are ready to give their lives for a country.
Those were times when I couldn’t have been easy at all, being away from your family, your loved ones. Hard times not only for the people serving the army, but also the people at home, that miss them and pray for them every single day.
What are we all fighting for? How can war bring peace?
Thank you to NetGalley and Pan Macmillan, for providing me an e-copy of this book in exchange for an honest review. All opinions in this review are my own and completely unbiased.
Some Sunny Day was one of those books that go slowly, and tell a story of another times, reviving memories and emotions. A story of a lady that is sent to India to take care for the British Soldiers in the Second World War.
A beautiful memoir, full of lively descriptions that make the scenes more realistic. A powerful story of love, bravery, tragedy, sacrifices and hope.
Madge is a character that all people can relate to. Even though a nurse, and sent to another country, Madge is also a lady just like any other, capable of making decisions, mistakes, fall in love, lose the people she loves and hope for a better future.
A very relatable and non-distant character, too realistic for our own good. I loved her so much, and I was eager to know her story.
The pace, however, for me, was too slow. It took me a while to finish this book, and I stopped reading it two times before I finally finished it. The line between this being a great read and a DNF was very thick. That is why a few of my stars have to go away.
I love memoirs, I love stories behind the scenes of wars. Being born and growing up in the Balkans, this is something that triggers us very close to the heart. Being taught in school to protect each other, and living with our father’s stories of how they went and served in the army is something we can all relate to, and respect all these people that are ready to give their lives for a country.
Those were times when I couldn’t have been easy at all, being away from your family, your loved ones. Hard times not only for the people serving the army, but also the people at home, that miss them and pray for them every single day.
What are we all fighting for? How can war bring peace?
Thank you to NetGalley and Pan Macmillan, for providing me an e-copy of this book in exchange for an honest review. All opinions in this review are my own and completely unbiased.
BookwormMama14 (18 KP) rated With You Always (Orphan Train, #1) in Books
Jan 2, 2019
It is a well known fact that Jody writes some of my favorite books of all time. Her ability to express the time and place in a beautifully real way has drawn me into more than one story. And on more than one occasion, my attention would not be relinquished until I turned the last page of the book (or longer).
With You Always is the beginning of a new series and it is full of the same passion and faith that infuses Jody's other books. Elise is an immigrant woman in New York during the mid 1800s. A challenging time for many people, a single woman trying to take care of her siblings had limited options. When heading west to find employment, Elise struggles between doing what is best for her family and not wanting to be separated from them. Will she open her heart to God and allow Him to guide her steps?
With so much uncertainty about his future, Thornton Quincy battles to find his identity. Constantly being compared to his brother, he has never allowed himself to find who he truly is and the kind of man that he wants to be.
The emotions in this story gripped me from the start. So much suffering, so many families torn apart, my heart was (and still is) heavy with the situations that our characters face. However, it was so encouraging to witness God's hand weaving in and out of their lives. Lining up the pieces and placing everything in order. Although, beware the cliff hanger. AH! I am hoping that this story continues if not strictly from Elise's perspective than maybe Marianne's or Sophie's....because I NEED ANSWERS!!! Ok, that is all...Pick up this book, read it, and let me know what you think of it! I think this is a brilliant opening to the series and a unique look into an aspect of history that is so easily overlooked.
I received a complimentary copy of With You Always from Bethany House Publishers. I was not required to write a positive review. All opinions expressed are mine alone.
With You Always is the beginning of a new series and it is full of the same passion and faith that infuses Jody's other books. Elise is an immigrant woman in New York during the mid 1800s. A challenging time for many people, a single woman trying to take care of her siblings had limited options. When heading west to find employment, Elise struggles between doing what is best for her family and not wanting to be separated from them. Will she open her heart to God and allow Him to guide her steps?
With so much uncertainty about his future, Thornton Quincy battles to find his identity. Constantly being compared to his brother, he has never allowed himself to find who he truly is and the kind of man that he wants to be.
The emotions in this story gripped me from the start. So much suffering, so many families torn apart, my heart was (and still is) heavy with the situations that our characters face. However, it was so encouraging to witness God's hand weaving in and out of their lives. Lining up the pieces and placing everything in order. Although, beware the cliff hanger. AH! I am hoping that this story continues if not strictly from Elise's perspective than maybe Marianne's or Sophie's....because I NEED ANSWERS!!! Ok, that is all...Pick up this book, read it, and let me know what you think of it! I think this is a brilliant opening to the series and a unique look into an aspect of history that is so easily overlooked.
I received a complimentary copy of With You Always from Bethany House Publishers. I was not required to write a positive review. All opinions expressed are mine alone.
Jonas Carpignano recommended The Secret Garden (1993) in Movies (curated)
Jonas Carpignano recommended Fish Tank (2010) in Movies (curated)
Debbiereadsbook (1166 KP) rated Game Changer (Vancouver Orcas #2) in Books
Jul 19, 2023
delightful rad that hits a spot I didn't know needed hitting!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This Is book 2 in the Vancouver Orcas series, I have not read book one, Game Plan. I didn't think I was missing anything, but I WANT to read that book now, i don't need to, you know? So this can be read as a stand alone book, but be prepared to feel the same as I did after reading this one.
Blair has a self inflicted deadline, and he needs help to sort himself out so he can meet it. Charlie needs the extra cash, so steps up as general assistant and food prep person. Falling in love was not on the agenda for either of them.
I've read a couple by Amy Aislin, and they seem to carry a common theme, for me: warm and fuzzies and a whole lotta cute, and this book is no exception to that!
It really is a wonderful read, one that made me chuckle in places, it's emotional in places, it's steamy at some points, and hella smexy in others (and yes, steamy and smexy ARE different, but don't ask my book brain to explain it!) and it really is an all round great read.
There is no break up, no nutty ex, no real drama save for Charlie's cash flow problem, but that got fixed anyway. There are some family issues, but they get sorted once people see what they are doing.
I loved that once Charlie and Blair decide to be together, they go all in and Blair's team mates take Charlie in as one of their own.
It took me a wee while to place all of Charlie's cousins, and even longer to get that Matt Shore, Blair's coach, is one of those cousins! There is a clue to Matt's story here: his is the first book. And cousin Dorian, who plays a large part here, has the third book in the trilogy. I need that book too!
A delightful read, that really hit the spot I didn't know needed hitting.
4 very VERY good stars
*same worded review will appear elsewhere
This Is book 2 in the Vancouver Orcas series, I have not read book one, Game Plan. I didn't think I was missing anything, but I WANT to read that book now, i don't need to, you know? So this can be read as a stand alone book, but be prepared to feel the same as I did after reading this one.
Blair has a self inflicted deadline, and he needs help to sort himself out so he can meet it. Charlie needs the extra cash, so steps up as general assistant and food prep person. Falling in love was not on the agenda for either of them.
I've read a couple by Amy Aislin, and they seem to carry a common theme, for me: warm and fuzzies and a whole lotta cute, and this book is no exception to that!
It really is a wonderful read, one that made me chuckle in places, it's emotional in places, it's steamy at some points, and hella smexy in others (and yes, steamy and smexy ARE different, but don't ask my book brain to explain it!) and it really is an all round great read.
There is no break up, no nutty ex, no real drama save for Charlie's cash flow problem, but that got fixed anyway. There are some family issues, but they get sorted once people see what they are doing.
I loved that once Charlie and Blair decide to be together, they go all in and Blair's team mates take Charlie in as one of their own.
It took me a wee while to place all of Charlie's cousins, and even longer to get that Matt Shore, Blair's coach, is one of those cousins! There is a clue to Matt's story here: his is the first book. And cousin Dorian, who plays a large part here, has the third book in the trilogy. I need that book too!
A delightful read, that really hit the spot I didn't know needed hitting.
4 very VERY good stars
*same worded review will appear elsewhere
The Omega Lesson (Billionaires in Heat #2)
8.0
Rate It
Book
Alphas don't have heats. Except when I "switch" to omega at an all-male alpha academy. Alphas are...
Reverse Harem Omegaverse Paranormal Romance Why Choose? Billionaires
BankofMarquis (1832 KP) rated The Cloverfield Paradox (2018) in Movies
Feb 22, 2018
A fun "who-will-survive" flick
During the Super Bowl, a "surprise" trailer dropped for a new entry in the Cloverfield family of films. The good news is that the film was dropping on Netflix the next day, so fanboys immediately jumped on-line and then started hating on it (again, on-line) because it wasn't exactly what they thought it would be.
Which is too bad, for THE CLOVERFIELD PARADOX is a very fun, very well made, very well acted "10 Little Indians" style Sci-Fi film (you know, the type of film where a finite group of folks are marooned someplace - like and island or an isolated, creepy mansion and are picked off one by one). This time, they are on a space station, and when an experiment goes awry, bad things start to happen.
I stated that this film is another entry in the "Cloverfield family of films", so let me explain that. The overseer of these films is none other than JJ Abrams and he has stated that there will be a series of films - very different in style, type and substance - that will (somehow) be related in the Cloverfield Universe. And, so far, he has fulfilled his promise (at least to me) - for those that just want "more of the same", he has alienated.
The first film, CLOVERFIELD, is a "found footage" film about a giant monster (think Godzilla) rampaging through modern day New York City. Of the 3 films,thus far, in the Cloverfield family, this one (for me) was the least effective (especially because I am not a big fan of "found footage" films). The 2nd film was 2016's 10 CLOVERFIELD LANE and was a very effective psychological horror/drama starring John Goodman as a fellow who has rescued/captured (kidnapped?) Mary Elizabeth Winstead and has locked her in his survival bunker in order to - he says - save her from the monster above. The film effectively goes back and forth with wondering what is scarier - the monster above or the monster (Goodman) below. If you haven't seen 10 CLOVERFIELD LANE, I highly recommend it.
The third installment, then, is THE CLOVERFIELD PARADOX, a prequel of sorts about a group of scientists aboard a space station conducting a desperate, highly dangerous power experiments to solve the world's energy crisis. When something goes wrong, bad things happen. And since this is in the Cloverfield family, you gotta know it has some connection with how the Cloverfield monster got on Earth.
But this film doesn't really concern itself with the Cloverfield monster - which is what I think is angering the "fanboys" - this film is about the survival of the charismatic, international scientists that are stranded on this space station after the accident. Almost every one of the actors in this film are "oh...that guy" type actors - all very good. From German actor Daniel Bruhl (RUSH) to Chinese actress Ziyi Zhang (CROUCHING TIGER...) to Englishman David Oyelowo (SELMA) to good ol' John Ortiz (a million different things) - the cast is strong, fun to watch and easy to root for. They all are in service to the plot devices (and predicaments they are in) and they serve the plot (and the film) well.
Special notice should be made for Chris O'Dowd (BRIDESMAIDS) who brings some much needed levity via his deadpan humor approach to everything as the ship's handyman and, especially, Gugu Mbatha-Raw (BELLE) as the heroine of the adventure from through who's eyes we encounter the events of the film.
I have stated before that I am a sucker for these types of "10 Little Indians who-will-survive" films and this one is no exception. Go in with no preconceived notions, roll with what the film throws at you and you'll have a good time time, too.
THE CLOVERFIELD PARADOX is now streaming on Netflix.
Letter Grade: B (it is the very definition of a "B" movie).
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Which is too bad, for THE CLOVERFIELD PARADOX is a very fun, very well made, very well acted "10 Little Indians" style Sci-Fi film (you know, the type of film where a finite group of folks are marooned someplace - like and island or an isolated, creepy mansion and are picked off one by one). This time, they are on a space station, and when an experiment goes awry, bad things start to happen.
I stated that this film is another entry in the "Cloverfield family of films", so let me explain that. The overseer of these films is none other than JJ Abrams and he has stated that there will be a series of films - very different in style, type and substance - that will (somehow) be related in the Cloverfield Universe. And, so far, he has fulfilled his promise (at least to me) - for those that just want "more of the same", he has alienated.
The first film, CLOVERFIELD, is a "found footage" film about a giant monster (think Godzilla) rampaging through modern day New York City. Of the 3 films,thus far, in the Cloverfield family, this one (for me) was the least effective (especially because I am not a big fan of "found footage" films). The 2nd film was 2016's 10 CLOVERFIELD LANE and was a very effective psychological horror/drama starring John Goodman as a fellow who has rescued/captured (kidnapped?) Mary Elizabeth Winstead and has locked her in his survival bunker in order to - he says - save her from the monster above. The film effectively goes back and forth with wondering what is scarier - the monster above or the monster (Goodman) below. If you haven't seen 10 CLOVERFIELD LANE, I highly recommend it.
The third installment, then, is THE CLOVERFIELD PARADOX, a prequel of sorts about a group of scientists aboard a space station conducting a desperate, highly dangerous power experiments to solve the world's energy crisis. When something goes wrong, bad things happen. And since this is in the Cloverfield family, you gotta know it has some connection with how the Cloverfield monster got on Earth.
But this film doesn't really concern itself with the Cloverfield monster - which is what I think is angering the "fanboys" - this film is about the survival of the charismatic, international scientists that are stranded on this space station after the accident. Almost every one of the actors in this film are "oh...that guy" type actors - all very good. From German actor Daniel Bruhl (RUSH) to Chinese actress Ziyi Zhang (CROUCHING TIGER...) to Englishman David Oyelowo (SELMA) to good ol' John Ortiz (a million different things) - the cast is strong, fun to watch and easy to root for. They all are in service to the plot devices (and predicaments they are in) and they serve the plot (and the film) well.
Special notice should be made for Chris O'Dowd (BRIDESMAIDS) who brings some much needed levity via his deadpan humor approach to everything as the ship's handyman and, especially, Gugu Mbatha-Raw (BELLE) as the heroine of the adventure from through who's eyes we encounter the events of the film.
I have stated before that I am a sucker for these types of "10 Little Indians who-will-survive" films and this one is no exception. Go in with no preconceived notions, roll with what the film throws at you and you'll have a good time time, too.
THE CLOVERFIELD PARADOX is now streaming on Netflix.
Letter Grade: B (it is the very definition of a "B" movie).
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Kirk Bage (1775 KP) rated Coco (2017) in Movies
Mar 3, 2020 (Updated Mar 3, 2020)
As part of my project to compile a coffee table book called 21st Century cinema: 200 Unmissable Films, I have found it interesting, but not surprising, that almost 10% of the list since the year 2000 are animated features. It is an art form that Pixar and Disney especially, but many smaller studios, are excelling in, because of technological advances, and the free range of realising an imaginative vision. The trouble often is that they aren’t my first port of call anymore now I don’t have a kid around to watch them with. So it takes me some time to catch up on the good ones these days.
Also, for every good one there are several really lame ones, designed to get families into cinemas and take their money without much concession to a good script. It only takes the bad experience of a couple of those to put you off the genre as an adult. It can be hard to remember that some are made only with 6 year olds in mind. Frozen, for example. They have their place, and the phenomenon of which ones kids are drawn to is a different study altogether. For the purposes of my list, I am looking for the ones that can entertain young and older audiences at the same time. And, to date, no one has done that better than Pixar.
The benchmark, for me, remains Monsters Inc, The Incredibles and the Toy Story series. The latter especially, have a great knack of pleasing all generations. The key is always the writing. Animation styles and techniques can impress the eye, but it is always the theme, the relationships and the words that make an animated film enduring. Music also plays a big part; as does the level of humour. Both incredibly intangible arts that you can’t just buy.
I watched Coco on a Sunday morning – the perfect time to watch an animated film, by law! Chances are you will be a little hungover (I was) and susceptible to the inevitable sentimentality you are about to experience. The first thing that struck me was the colours! Embracing a Latin American cultural canvas, I don’t think I have ever seen such a vivid rainbow attacking my senses. From the naked flames of the candles, to the warm tones of the sunlight and the almost neon glow on display around the dead and the world of the afterlife, it was a visual treat I can honestly say I have never experienced before.
Oh, yes, Coco is about dying, if you didn’t know! And to say more about the genius of their approach to it, would be classed as a spoiler! The action takes place on Diá de Muertos (the day of the dead), when family members can revisit their loved ones, as long as they have been remembered. Our hero, young Miguel, loves music. But his family have banned him from listening to, or playing, it because of the shame surrounding a long dead ancestor. The magic of the day leads him to the underworld of the dead, to find out the truth and save the day.
Of course, once there, he meets all sorts of strange characters, and is lead on a fateful journey with lots of unexpected twists. Again, we won’t go into who, or why for the sake of spoilers. Suffice to say, the ideas, emotion and sense of righteousness flow, stirred up in the mix of constant moments of humour, some that land, some that don’t quite, at a pace fitting, and demanded, by young audiences. The ultimate aim being to reveal the truth behind the family story and to allow the dead to be remembered for their real worth.
On the negatives first: it is all pitched at quite a young audience, in the same way one of Pixar’s less successful films, Cars, is. Which means a lot of the humour lacks the sophistication needed to make it a classic. Also, for a film about the love and joy of music, the songs are only OK, and not especially memorable, although the Oscar winning main theme “Remember Me” serves its purpose very well in the climax. There are also one or two dips in the pacing of scenes that break the spell; surely the cornerstone rule of animated films: don’t drop the ball! Something both Wall-E and Up do at points, spoiling the overall impression of something so glorious in their best moments.
The power of Grandmas
To be more positive, we have to acknowledge the very, very high bar that Pixar set themselves. From an animation point of view, if this film had been released in 2001, we’d be in raptures about it! It is beautiful to look at! And the attention to detail is extraordinary, allowing for many re-watches, just to see the things they have put in there to largely amuse themselves. As a vision of an idea brought to life it is a consummate success! It is, essentially, so likeable. And at its heart, once again, right on the money.
It isn’t called Miguel. It isn’t called The Day of the Dead. It is called Coco. And by the end, you realise why that is important. Death is sad. Dementia is also an awful, awful thing. The strength of Coco is taking these difficult subjects and shining a meaningful light on them, that not only comments intelligently on them, but breaks the heart with the truth of it all. It takes a while to get there with this one, but the pay-off is sublime, yet again! Remember me, a simple sentiment that goes a long, long way!
As a side note, there is a controversial, but massively effective medical technique being utilised in the real world, with alzheimers sufferers, that uses music to trigger memory. It’s application and results are astonishing, for their ability to bring people “back to life”. Which, naturally, moved me immensely. To think the best moment of Coco isn’t just wish fulfilment in a sentimental world, but a real thing that can be done!
Sentimentality aside, Coco is a good film, in every sense of the word. As a parent, I would revel in the opportunity to show this to a child, for the positive conversations it might invoke. The aspects of cinema magic needed to make it an experience worth having are all there. To fault it is only to be unnecessarily picky. Better to go on the journey and enjoy it for what it is. Which, increasingly, is my mantra for watching anything. Who would not hope that someone chooses to celebrate life, with the thought “Remember Me”?
Also, for every good one there are several really lame ones, designed to get families into cinemas and take their money without much concession to a good script. It only takes the bad experience of a couple of those to put you off the genre as an adult. It can be hard to remember that some are made only with 6 year olds in mind. Frozen, for example. They have their place, and the phenomenon of which ones kids are drawn to is a different study altogether. For the purposes of my list, I am looking for the ones that can entertain young and older audiences at the same time. And, to date, no one has done that better than Pixar.
The benchmark, for me, remains Monsters Inc, The Incredibles and the Toy Story series. The latter especially, have a great knack of pleasing all generations. The key is always the writing. Animation styles and techniques can impress the eye, but it is always the theme, the relationships and the words that make an animated film enduring. Music also plays a big part; as does the level of humour. Both incredibly intangible arts that you can’t just buy.
I watched Coco on a Sunday morning – the perfect time to watch an animated film, by law! Chances are you will be a little hungover (I was) and susceptible to the inevitable sentimentality you are about to experience. The first thing that struck me was the colours! Embracing a Latin American cultural canvas, I don’t think I have ever seen such a vivid rainbow attacking my senses. From the naked flames of the candles, to the warm tones of the sunlight and the almost neon glow on display around the dead and the world of the afterlife, it was a visual treat I can honestly say I have never experienced before.
Oh, yes, Coco is about dying, if you didn’t know! And to say more about the genius of their approach to it, would be classed as a spoiler! The action takes place on Diá de Muertos (the day of the dead), when family members can revisit their loved ones, as long as they have been remembered. Our hero, young Miguel, loves music. But his family have banned him from listening to, or playing, it because of the shame surrounding a long dead ancestor. The magic of the day leads him to the underworld of the dead, to find out the truth and save the day.
Of course, once there, he meets all sorts of strange characters, and is lead on a fateful journey with lots of unexpected twists. Again, we won’t go into who, or why for the sake of spoilers. Suffice to say, the ideas, emotion and sense of righteousness flow, stirred up in the mix of constant moments of humour, some that land, some that don’t quite, at a pace fitting, and demanded, by young audiences. The ultimate aim being to reveal the truth behind the family story and to allow the dead to be remembered for their real worth.
On the negatives first: it is all pitched at quite a young audience, in the same way one of Pixar’s less successful films, Cars, is. Which means a lot of the humour lacks the sophistication needed to make it a classic. Also, for a film about the love and joy of music, the songs are only OK, and not especially memorable, although the Oscar winning main theme “Remember Me” serves its purpose very well in the climax. There are also one or two dips in the pacing of scenes that break the spell; surely the cornerstone rule of animated films: don’t drop the ball! Something both Wall-E and Up do at points, spoiling the overall impression of something so glorious in their best moments.
The power of Grandmas
To be more positive, we have to acknowledge the very, very high bar that Pixar set themselves. From an animation point of view, if this film had been released in 2001, we’d be in raptures about it! It is beautiful to look at! And the attention to detail is extraordinary, allowing for many re-watches, just to see the things they have put in there to largely amuse themselves. As a vision of an idea brought to life it is a consummate success! It is, essentially, so likeable. And at its heart, once again, right on the money.
It isn’t called Miguel. It isn’t called The Day of the Dead. It is called Coco. And by the end, you realise why that is important. Death is sad. Dementia is also an awful, awful thing. The strength of Coco is taking these difficult subjects and shining a meaningful light on them, that not only comments intelligently on them, but breaks the heart with the truth of it all. It takes a while to get there with this one, but the pay-off is sublime, yet again! Remember me, a simple sentiment that goes a long, long way!
As a side note, there is a controversial, but massively effective medical technique being utilised in the real world, with alzheimers sufferers, that uses music to trigger memory. It’s application and results are astonishing, for their ability to bring people “back to life”. Which, naturally, moved me immensely. To think the best moment of Coco isn’t just wish fulfilment in a sentimental world, but a real thing that can be done!
Sentimentality aside, Coco is a good film, in every sense of the word. As a parent, I would revel in the opportunity to show this to a child, for the positive conversations it might invoke. The aspects of cinema magic needed to make it an experience worth having are all there. To fault it is only to be unnecessarily picky. Better to go on the journey and enjoy it for what it is. Which, increasingly, is my mantra for watching anything. Who would not hope that someone chooses to celebrate life, with the thought “Remember Me”?
Neon's Nerd Nexus (360 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
May 13, 2019
Out of this world
#spidermanintothespiderverse isn't just an incredible film its also hands down THE best #Spiderman film period & a film fans of the #webhead simply must see. Wow what an intense, #nostalgic & visually breath taking movie, its downright #gorgeous with a dazzling & explosive colour pallet, great dimensional pop, slick smooth unique #animation & some of the most absolutely insane/creative camera angles ive seen all year. This film had my eyes constantly opening wider, searching around the screen trying to take in the immense/painstaking detail literally crammed into every scene. So much attention to detail & #love for years of spiderman material has gone into the making of this film that its honestly just a complete joy to behold. Story wise its a complete breath of fresh air too with constantly shocking plot twists a new spin on origins & extremely informative catch up scenes. Characters are all extremely likable & really well fleshed out & human that have to deal with some really tuff adult problems that i was not expecting to delve into in an #animated #film. Themes are vast here & my favourite explored how none of our #hero's really want the burden or responsibility of doing this as a job but understanding its their purpose/#destiny keeps them dedicated to it. There's also alot on commitment, loss, #courage, inner #demons, fate & #fear which again was awesome to see. Score & soundtrack wise it also shines with all the music intensifying & complimenting not only the tension but the obscure telltale visual style too. Speaking of tension its top notch too, there were scenes that had me sweating & sat on the edge of my seat in suspense & action so energetic, fluid & busy i felt goosebumps on my arms. While also absolutely #laugh out loud #hillarious the film can also be emotionally heavy at times too & i was surprised at just how often the film quickly got dark with either a surprising character death or deep philosophical dialog. Do yourself a favour see this in cinemas & in 3d we need #sony to realise this is the high quality spiderman we want more of. Simply stunning. #marvel #spidergwen #stanlee #mcu #comic #spiderpig #milesmorales #odeon #filmbuff #superhero
Lumos (380 KP) rated Book Catalogue in Apps
Jan 29, 2018
So easy!
Holy pickles! I can not say enough about this app! I have been looking for a way to better categorize my books for years. I recently rearranged my loving room (where all my books live) and I needed to take all my books from the shelves to move the book cases I have. It was quite a process but I figured, since all the books needed to come off the shelves anyway, I might as well put them away in a much more organized fashion.
Luckily, I was able to find this wonderful app. It was SO easy to use! All I needed to do was scan the ISBN on my books and it loaded them onto my virtual bookshelves. It must pull the information from the internet somewhere because when you add a new book, it provides so much information for you (if it is part of a series, who published it, a description, a picture of the cover, how many pages). It also allows you to edit the books on your shelves. You can give a rating, note if you read the book, indicate when you started and finished the book, and you can note if you loaned the book to a friend! The best part is that you can organize your books in SO many different ways (author’s last name, unread books first, title, series, genre, publication date, date added, etc).
This app is such a life saver! It took me just over an hour to scan all 488 books I own and mark them read. It made the process of putting them all back on the shelves so much faster because it was all listed in the order that I wanted. Also, it provided a picture of the cover of the book so I knew what I was looking for when trying to find them to put back on the shelf. I love that it tells you if you have already entered the book when you scan one in… that way you don’t make the mistake of buying extra copies of books, unless you intend to.
Luckily, I was able to find this wonderful app. It was SO easy to use! All I needed to do was scan the ISBN on my books and it loaded them onto my virtual bookshelves. It must pull the information from the internet somewhere because when you add a new book, it provides so much information for you (if it is part of a series, who published it, a description, a picture of the cover, how many pages). It also allows you to edit the books on your shelves. You can give a rating, note if you read the book, indicate when you started and finished the book, and you can note if you loaned the book to a friend! The best part is that you can organize your books in SO many different ways (author’s last name, unread books first, title, series, genre, publication date, date added, etc).
This app is such a life saver! It took me just over an hour to scan all 488 books I own and mark them read. It made the process of putting them all back on the shelves so much faster because it was all listed in the order that I wanted. Also, it provided a picture of the cover of the book so I knew what I was looking for when trying to find them to put back on the shelf. I love that it tells you if you have already entered the book when you scan one in… that way you don’t make the mistake of buying extra copies of books, unless you intend to.