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Phillip McSween (751 KP) rated Ben-Hur (1959) in Movies
Jun 10, 2019
Solid Conflict but Falls Just Short of a Classic For Me
Jewish hero Judah Ben-Hur rises up to challenge the Romans after they make him a slave.
Acting: 10
I understand that Charlton Heston’s performance as Ben-Hur is a point of contention with this movie, but I thought he delivered a strong performance. Was it perfect? Nope, but he gave me enough of a fiery presence to keep me entertained and to give me someone to root for. One thing I will not contend is that Stephen Boyd’s performance as Messala was the best in the movie. He’s an easy person to hate, but Boyd also helps you sympathize with the role as well. There’s a quiet fierceness about him that you loathe and respect at the same time.
Beginning: 5
Oh, that this was just about the Overture. It’s not. I understand full-well that a lot of classics had an Overture before the start of the movie. That wasn’t my problem. There were at least sixty minutes that could have been cut from this movie and twenty of them come from the beginning. By the time Judah and Messala converse for the first time, I was almost fully checked out. It took me a minute to get involved in the story again.
Characters: 10
Cinematography/Visuals: 10
You expect an epic like this to deliver on the visuals and Ben-Hur doesn’t disappoint. The movie takes you throughout a number of different setpieces, each of them just as beautiful as the last. From the Coliseum to the Valley of the Lepers, director William Wyler puts you right where you need to be. I was captivated by the magic of the visuals and, as a result, never bored.
Conflict: 9
It is hard to stretch conflict out over the course of almost four hours, but Ben-Hur really succeeds here. You know the Romans are bad news so you feel the trouble brewing when they start marching in Judah’s city. From there, through Judah’s captivity, to his return home, there is a consistent amount of action that drives and pushes the story forward. There are some slow parts but the chariot scene alone makes up for those parts. It is historically viewed as a classic scene and it doesn’t take long to see why. By the end of it, I was cheering harder than when I watched Rocky beat up the Russian.
Genre: 7
Memorability: 9
Pace: 6
Plot: 8
Ben-Hur’s story is beautiful for the most part. Again, it definitely could have been cut quite a few times, but I still rather enjoyed the adventure. It makes you really feel like you are a part of something special. If only it hadn’t overstayed it’s welcome…
Resolution: 4
Overall: 78
I refuse to call a movie a classic because everyone else does. A classic is something you want to watch over and over. When it comes to Ben-Hur, once was absolutely enough.
Acting: 10
I understand that Charlton Heston’s performance as Ben-Hur is a point of contention with this movie, but I thought he delivered a strong performance. Was it perfect? Nope, but he gave me enough of a fiery presence to keep me entertained and to give me someone to root for. One thing I will not contend is that Stephen Boyd’s performance as Messala was the best in the movie. He’s an easy person to hate, but Boyd also helps you sympathize with the role as well. There’s a quiet fierceness about him that you loathe and respect at the same time.
Beginning: 5
Oh, that this was just about the Overture. It’s not. I understand full-well that a lot of classics had an Overture before the start of the movie. That wasn’t my problem. There were at least sixty minutes that could have been cut from this movie and twenty of them come from the beginning. By the time Judah and Messala converse for the first time, I was almost fully checked out. It took me a minute to get involved in the story again.
Characters: 10
Cinematography/Visuals: 10
You expect an epic like this to deliver on the visuals and Ben-Hur doesn’t disappoint. The movie takes you throughout a number of different setpieces, each of them just as beautiful as the last. From the Coliseum to the Valley of the Lepers, director William Wyler puts you right where you need to be. I was captivated by the magic of the visuals and, as a result, never bored.
Conflict: 9
It is hard to stretch conflict out over the course of almost four hours, but Ben-Hur really succeeds here. You know the Romans are bad news so you feel the trouble brewing when they start marching in Judah’s city. From there, through Judah’s captivity, to his return home, there is a consistent amount of action that drives and pushes the story forward. There are some slow parts but the chariot scene alone makes up for those parts. It is historically viewed as a classic scene and it doesn’t take long to see why. By the end of it, I was cheering harder than when I watched Rocky beat up the Russian.
Genre: 7
Memorability: 9
Pace: 6
Plot: 8
Ben-Hur’s story is beautiful for the most part. Again, it definitely could have been cut quite a few times, but I still rather enjoyed the adventure. It makes you really feel like you are a part of something special. If only it hadn’t overstayed it’s welcome…
Resolution: 4
Overall: 78
I refuse to call a movie a classic because everyone else does. A classic is something you want to watch over and over. When it comes to Ben-Hur, once was absolutely enough.
Zuky the BookBum (15 KP) rated The Dark Net in Books
Mar 15, 2018
I really think that the synopsis for this book is not up to scratch! Although, yes, the synopsis is what initially drew me to this book, after reading it I can say that the book is <i><b>WAY</b></i> better than the synopsis would make you believe!
This book tackles the subject of good and evil, with references to demons and black magic which I didnt get at all from the synopsis! I was expecting this to have a much deeper involvement with the dark net, whats on it and how its used. While yes, there is that to the book, its not necessarily its main focus.
To begin with, this lack of talk about the dark net actually made me hesitant about the book. I was expecting something so much different to what I was reading, I felt really disappointed. But, that feeling didnt last for long. This is so unlike anything Ive ever read before and that made everything about this book really exciting. Not to mention, this is a super clever book! It uses real life scenarios that we can all relate to, or at least know about, and explains it with a black magic twist.
For example, when talking about demon possession, it explains how small demons can take over and that causes a man to plow a lorry through a busy crowd, or a school shooting a one off awful occasion in history. But when a big, strong demon comes along, it can posses not only a person, but a nation. It uses examples of the Holocaust and the Rwandan Genocide, which I thought was really smart!
Characters in this book were excellent, but there were quite a lot of them that we needed to get to know. Juniper was by far my favourite of the bunch, Sarin coming in at a close second. I loved that there was a strong, bad-ass female character who wasnt irritating (Lela, Im looking at you!).
As for the story, I will say that it feels a bit all over the place at times. Its not difficult to wrap your head around but there are a lot of things pulled in to the story at different times and this sometimes got a bit manic. This is classed as a horror novel, and for me, there definitely were some creepy bits. The hounds especially made my skin crawl.
Overall, I ended up really loving this novel. It was short and sweet (although it almost took me a whole 7 days to read), and it was exciting, creepy and fast-paced! A great novel for anyone who likes a darker thriller. Lots of gruesome deaths and bad-ass characters.
<i>Thanks to BookBridgr and Hodder & Stoughton for sending me an ARC in exchange for an honest review.</i>
This book tackles the subject of good and evil, with references to demons and black magic which I didnt get at all from the synopsis! I was expecting this to have a much deeper involvement with the dark net, whats on it and how its used. While yes, there is that to the book, its not necessarily its main focus.
To begin with, this lack of talk about the dark net actually made me hesitant about the book. I was expecting something so much different to what I was reading, I felt really disappointed. But, that feeling didnt last for long. This is so unlike anything Ive ever read before and that made everything about this book really exciting. Not to mention, this is a super clever book! It uses real life scenarios that we can all relate to, or at least know about, and explains it with a black magic twist.
For example, when talking about demon possession, it explains how small demons can take over and that causes a man to plow a lorry through a busy crowd, or a school shooting a one off awful occasion in history. But when a big, strong demon comes along, it can posses not only a person, but a nation. It uses examples of the Holocaust and the Rwandan Genocide, which I thought was really smart!
Characters in this book were excellent, but there were quite a lot of them that we needed to get to know. Juniper was by far my favourite of the bunch, Sarin coming in at a close second. I loved that there was a strong, bad-ass female character who wasnt irritating (Lela, Im looking at you!).
As for the story, I will say that it feels a bit all over the place at times. Its not difficult to wrap your head around but there are a lot of things pulled in to the story at different times and this sometimes got a bit manic. This is classed as a horror novel, and for me, there definitely were some creepy bits. The hounds especially made my skin crawl.
Overall, I ended up really loving this novel. It was short and sweet (although it almost took me a whole 7 days to read), and it was exciting, creepy and fast-paced! A great novel for anyone who likes a darker thriller. Lots of gruesome deaths and bad-ass characters.
<i>Thanks to BookBridgr and Hodder & Stoughton for sending me an ARC in exchange for an honest review.</i>
Kirk Bage (1775 KP) rated Midsommar (2019) in Movies
Jan 22, 2021
In 2017 the stale market of “horror” thrillers got a royal shake-up when Jordan Peele made Get Out. All of a sudden it seemed possible again to use the tired genre, that had been relying on gore and jump shocks alone for at least two decades, as a palette for intelligent social commentary and some seriously artistic flourishes. The following year, Ari Aster came out of nowhere with a debut feature that impressed everyone for it’s originality and bravado in this new “art-horror” model – the devisive yet always interesting Hereditary, a film that confused me on first watch, but gave me faith that I could be unnerved again, it’s secret being that you couldn’t compare it to anything since the golden days of the 70s.
So, when I saw the trailer for Midsommar in 2019 and realised it was the same director, it went straight to the top of my must see list. Add to the appeal the significant lure of the lead actress and main character, the extremely promising Florence Pugh, who blew me away for her raw ability in Lady Macbeth, and beguiled me even more in every minute of Chan-Wook Park’s superlative espionage mini-series The Little Drummer Girl, and I knew this was something I didn’t want to miss. Sometimes it only takes two projects on a CV to elevate a future star from obscurity to A-list potential. In Pugh I had already seen enough range, charisma and depth to suspect she was one of those special few. By the end of Midsommar I was convinced of it!
Plot wise, all you need to know going in cold is that Dani (Pugh) racked with grief following early scenes is dragged to Sweden to participate in the Midsommar celebrations of a small isolated community, as her relationship with boyfriend Christian is very much on the rocks and she is in need of some catharsis and release. At first the Idyllic setting, bathed in sunlight you can almost feel, seems refreshing and clean. The whites, yellows and blues of the images are so crisp you can imagine every smell and texture, and you find yourself smiling, despite the fact a creeping unease and sinister secret is already infiltrating the calm in wonderfully subtle ways.
Needless to say it goes to some very dark and strange places. So much so I gasped out loud twice and stood up from my seat involuntarily on one particularly disturbing moment. To try and explain how that unfolds and comes to be is both impossible and would need some big time spoilers, so I won’t do that. It’s enough to say that where you are emotionally at the end of this filmic experience is very, very far from where you started. Much in the same way as Hereditary, you feel you have been dragged by the hair on a very uncomfortable journey that is both strangely unsatisfying, confusing and upsetting; you can’t say you “liked” either film as much as admitting you can’t stop thinking about them and need to see them again to absorb the detail, if indeed you can bear that.
As of writing this I haven’t gone back and watched this again – I’m genuinely wary of putting myself through it a second time! But, I have gone back to Hereditary and appreciated it much more knowing the ending already, and seeing the detail that is there from the beginning, that makes it all make sense in a way it doesn’t first time around. Midsommar, I sense, is the same, in that there has been so much attention to the build up and background that you will see and hear relevant clues to the mystery much more the more times you watch it. What they are wearing, images on walls and seemingly insignificant things the camera picks up on create a tapestry of loose threads that can be woven together into deeper meaning if that is what you want to do.
Without doing that it may seem like a bewildering entity, deliberately odd for the sake of it, and as such it could put anyone off. At 2 hours and 28 minutes it is a bit of a stretch, and the last half hour, once it descends into the complete madness suggested earlier, perhaps doesn’t live up to the promises it makes. Also, despite Pugh being a mesmeric presence from start to finish, the supporting cast can’t quite go with her on the same level. Even the talented Will Poulter seems burdened by a less than three dimensional character, underwritten as are many in a script that focuses so much on Dani that everything else suffers.
My overall impression of it as a film is that it falls short of greatness by a narrow margin, but comes very close at times to genuine genius. It is the promise of Aster as a filmmaker that excites me most, even if this is not the film it could have been with a little more experience, maturity and, perhaps, budget. It is his Bottle Rocket, or Hard Eight, when you suspect he will have a Grand Budapest Hotel, or a There Will Be Blood in him at some point down the line.
In conclusion, I can’t emphasise enough how much I was drawn to every moment of what Florence Pugh was doing. Be wary of the film if a casual viewing experience is what you want, because it may infuriate you, and compel you even to switch it off, if you are not totally ready to meet it where it wants to take you. But, watch it for Pugh and see what a rare talent she is bringing to cinema into the 2020s. A very exciting prospect indeed.
So, when I saw the trailer for Midsommar in 2019 and realised it was the same director, it went straight to the top of my must see list. Add to the appeal the significant lure of the lead actress and main character, the extremely promising Florence Pugh, who blew me away for her raw ability in Lady Macbeth, and beguiled me even more in every minute of Chan-Wook Park’s superlative espionage mini-series The Little Drummer Girl, and I knew this was something I didn’t want to miss. Sometimes it only takes two projects on a CV to elevate a future star from obscurity to A-list potential. In Pugh I had already seen enough range, charisma and depth to suspect she was one of those special few. By the end of Midsommar I was convinced of it!
Plot wise, all you need to know going in cold is that Dani (Pugh) racked with grief following early scenes is dragged to Sweden to participate in the Midsommar celebrations of a small isolated community, as her relationship with boyfriend Christian is very much on the rocks and she is in need of some catharsis and release. At first the Idyllic setting, bathed in sunlight you can almost feel, seems refreshing and clean. The whites, yellows and blues of the images are so crisp you can imagine every smell and texture, and you find yourself smiling, despite the fact a creeping unease and sinister secret is already infiltrating the calm in wonderfully subtle ways.
Needless to say it goes to some very dark and strange places. So much so I gasped out loud twice and stood up from my seat involuntarily on one particularly disturbing moment. To try and explain how that unfolds and comes to be is both impossible and would need some big time spoilers, so I won’t do that. It’s enough to say that where you are emotionally at the end of this filmic experience is very, very far from where you started. Much in the same way as Hereditary, you feel you have been dragged by the hair on a very uncomfortable journey that is both strangely unsatisfying, confusing and upsetting; you can’t say you “liked” either film as much as admitting you can’t stop thinking about them and need to see them again to absorb the detail, if indeed you can bear that.
As of writing this I haven’t gone back and watched this again – I’m genuinely wary of putting myself through it a second time! But, I have gone back to Hereditary and appreciated it much more knowing the ending already, and seeing the detail that is there from the beginning, that makes it all make sense in a way it doesn’t first time around. Midsommar, I sense, is the same, in that there has been so much attention to the build up and background that you will see and hear relevant clues to the mystery much more the more times you watch it. What they are wearing, images on walls and seemingly insignificant things the camera picks up on create a tapestry of loose threads that can be woven together into deeper meaning if that is what you want to do.
Without doing that it may seem like a bewildering entity, deliberately odd for the sake of it, and as such it could put anyone off. At 2 hours and 28 minutes it is a bit of a stretch, and the last half hour, once it descends into the complete madness suggested earlier, perhaps doesn’t live up to the promises it makes. Also, despite Pugh being a mesmeric presence from start to finish, the supporting cast can’t quite go with her on the same level. Even the talented Will Poulter seems burdened by a less than three dimensional character, underwritten as are many in a script that focuses so much on Dani that everything else suffers.
My overall impression of it as a film is that it falls short of greatness by a narrow margin, but comes very close at times to genuine genius. It is the promise of Aster as a filmmaker that excites me most, even if this is not the film it could have been with a little more experience, maturity and, perhaps, budget. It is his Bottle Rocket, or Hard Eight, when you suspect he will have a Grand Budapest Hotel, or a There Will Be Blood in him at some point down the line.
In conclusion, I can’t emphasise enough how much I was drawn to every moment of what Florence Pugh was doing. Be wary of the film if a casual viewing experience is what you want, because it may infuriate you, and compel you even to switch it off, if you are not totally ready to meet it where it wants to take you. But, watch it for Pugh and see what a rare talent she is bringing to cinema into the 2020s. A very exciting prospect indeed.
To be honest I knew nothing about TILM until I accepted a new teaching position for next year. The principal is fantastic about including new staff in end of the year communication about prep for next year. One of the things she mentioned is looking for a pilot group to read The Leader in Me & try it out in their rooms. I was skeptical about "adding one more thing"...after 11 years of teaching I've seen more grand ideas & guaranteed fixes come & go. But after reading this I can say this feels different. This isn't a new fad, it's basic skills we should all have &, much like cursive writing, are being pushed aside in our testing culture. The ideas are easy to incorporate & the authors stress easing into it.
But the authors say it best, "In today's global economy, we simply cannot afford to continue waiting until young people receive their first promotion into corporate leadership before we teach them how to get along with others, to set goals, to think ahead. We cannot idly wait for them to become school-teachers, doctors, firefighters, engineers, or parents before we teach them how to organize their lives, to take initiative, or to work in teams. We cannot afford to relax and hope they detect their own worth and potential on their own. They deserve better. They deserve hope. "
But the authors say it best, "In today's global economy, we simply cannot afford to continue waiting until young people receive their first promotion into corporate leadership before we teach them how to get along with others, to set goals, to think ahead. We cannot idly wait for them to become school-teachers, doctors, firefighters, engineers, or parents before we teach them how to organize their lives, to take initiative, or to work in teams. We cannot afford to relax and hope they detect their own worth and potential on their own. They deserve better. They deserve hope. "
tapestry100 (306 KP) rated Star Wars: Han Solo in Books
Aug 2, 2017
I believe this volume takes place shortly after Episode IV: A New Hope.
After deciding to take a break from the Rebellion and go back to being a smuggler, Han Solo is abruptly pulled back into the Rebellion by Leia with a proposal he finds hard to turn down: a chance to race the Dragon Void run, a prestigious racing competition. Of course, Leia has ulterior motives for needing Han, but all he sees is a chance at the prestige of winning this race. The race itself made me feel a little like this was a galactic version of the Hunger Games, as the race's organizers set up specific obstacles for the racers to avoid (not that this is a race to the death, but I just got the impression of that idea). There was also a little more science fiction than I'm used to with Star Wars, with the inclusion of wormholes and other dimensions, but it worked really well here. Marjorie Liu really had a grasp of the characters and handled them quite well; I had no problem hearing Han's and Leia's voices in my head. Mark Brooks' art is fantastic here and I'm hoping that Marvel utilizes him more frequently on the Star Wars titles. Overall, this is a solid addition to the Marvel portion of the Star Wars universe.
After deciding to take a break from the Rebellion and go back to being a smuggler, Han Solo is abruptly pulled back into the Rebellion by Leia with a proposal he finds hard to turn down: a chance to race the Dragon Void run, a prestigious racing competition. Of course, Leia has ulterior motives for needing Han, but all he sees is a chance at the prestige of winning this race. The race itself made me feel a little like this was a galactic version of the Hunger Games, as the race's organizers set up specific obstacles for the racers to avoid (not that this is a race to the death, but I just got the impression of that idea). There was also a little more science fiction than I'm used to with Star Wars, with the inclusion of wormholes and other dimensions, but it worked really well here. Marjorie Liu really had a grasp of the characters and handled them quite well; I had no problem hearing Han's and Leia's voices in my head. Mark Brooks' art is fantastic here and I'm hoping that Marvel utilizes him more frequently on the Star Wars titles. Overall, this is a solid addition to the Marvel portion of the Star Wars universe.
Haley Mathiot (9 KP) rated The Alligator Man in Books
Apr 27, 2018
I decided I loved James Sheehan’s work after reading last year’s release The Lawyer’s Lawyer. I jumped at the chance to read this new book and was not at all disappointed.
The Alligator Man starts off with a chapter from the perspective of a murder victim. From the very first chapter, I was hooked. There were two parallel stories going on at the same time, and at one point I didn’t know how they related. About halfway through the book the connection became clear and suddenly every character was a thousand times more important, and every word more interesting. At one point the case seemed hopeless, at others it seemed there could be no other alternate ending. But of course there were several wild twists at the end that totally through me. Yeah, several. Not just one surprise. Like, surprise after surprise. And maybe a little bit of crying at the very end.
All in all, I loved The Alligator Man and am, once again, impressed with Sheehan’s ability to make a dry boring courtroom seem exciting, and to weave a powerful story about humans and love and greed and destiny.
The narration was very good, though not as good as The Lawyer’s Lawyer. In the same way that the narrator didn’t add anything to the book, he didn’t take anything away either.
The Alligator Man starts off with a chapter from the perspective of a murder victim. From the very first chapter, I was hooked. There were two parallel stories going on at the same time, and at one point I didn’t know how they related. About halfway through the book the connection became clear and suddenly every character was a thousand times more important, and every word more interesting. At one point the case seemed hopeless, at others it seemed there could be no other alternate ending. But of course there were several wild twists at the end that totally through me. Yeah, several. Not just one surprise. Like, surprise after surprise. And maybe a little bit of crying at the very end.
All in all, I loved The Alligator Man and am, once again, impressed with Sheehan’s ability to make a dry boring courtroom seem exciting, and to weave a powerful story about humans and love and greed and destiny.
The narration was very good, though not as good as The Lawyer’s Lawyer. In the same way that the narrator didn’t add anything to the book, he didn’t take anything away either.
Andy K (10823 KP) rated San Andreas (2015) in Movies
Feb 9, 2019
A thrill ride of a good time!
Ok, normally I rip on these CGI puke fests with no apparent plot in sight, but this one was a lot of fun. You obviously can't take it seriously, but if you go along for the ride, I think you will enjoy it.
When a rescue worker and his estranged wife find each other amidst the great California earthquakes we all fear, their only goal is to find and rescue their daughter after already losing a child together.
I've sat through a lot of disaster films in my life and seem to have a soft spot for them I guess. Maybe because of the dooming sound in my home theatre or my 75" TV showing all the cool effects larger than life. Somehow The Rock always seems to find projects that suit his talents well. In the modern age of movie stars generally not being the box office draws they once were, he seems to have carved out a fine career for himself in doing these types of movies.
Liked it quite a bit more than I thought I would.
One thing about the movies that makes me the happiest is being pleasantly surprised since it doesn't happen much any more.
Highly recommended.
When a rescue worker and his estranged wife find each other amidst the great California earthquakes we all fear, their only goal is to find and rescue their daughter after already losing a child together.
I've sat through a lot of disaster films in my life and seem to have a soft spot for them I guess. Maybe because of the dooming sound in my home theatre or my 75" TV showing all the cool effects larger than life. Somehow The Rock always seems to find projects that suit his talents well. In the modern age of movie stars generally not being the box office draws they once were, he seems to have carved out a fine career for himself in doing these types of movies.
Liked it quite a bit more than I thought I would.
One thing about the movies that makes me the happiest is being pleasantly surprised since it doesn't happen much any more.
Highly recommended.
Rachel King (13 KP) rated The Beginning (Glee, #1) in Books
Feb 11, 2019
I am a total "Gleek," and I have been in love with the show since the very first episode. I'll spare you the details. But of course, I had to read the Glee book that answers my burning questions about what happened before the t.v. show kicked off, such as what grades the main characters are in, and how did Puck and Quinn wind up in bed together? I have a life, just not on Tuesdays.
Anyways, the book is true to form, right down to Sue Sylvester's hilariously-vile comments, Finn's adorable naivety, Rachel's incredibly self-involved attitude, and Kurt's sense of style. I also appreciated that the book helped me to better appreciate Artie's and Tina's characters, as I got to see how they interacted with each other and the thoughts that went through their heads. Tina apparently has an artistic side that comes out in the novel. I also got to see more of the difficulty that Artie deals with daily using a wheelchair. All of the other familiar characters make appearances, as well, such as Miss Emma Pillsbury, Will Schuester, and even sweaty Jacob.
The only thing I was really missing while reading the novel was the lack of music and singing. The characters did "sing" and "dance" to particular songs, but it helps to take advantage of Youtube if you want to have the full experience.
Anyways, the book is true to form, right down to Sue Sylvester's hilariously-vile comments, Finn's adorable naivety, Rachel's incredibly self-involved attitude, and Kurt's sense of style. I also appreciated that the book helped me to better appreciate Artie's and Tina's characters, as I got to see how they interacted with each other and the thoughts that went through their heads. Tina apparently has an artistic side that comes out in the novel. I also got to see more of the difficulty that Artie deals with daily using a wheelchair. All of the other familiar characters make appearances, as well, such as Miss Emma Pillsbury, Will Schuester, and even sweaty Jacob.
The only thing I was really missing while reading the novel was the lack of music and singing. The characters did "sing" and "dance" to particular songs, but it helps to take advantage of Youtube if you want to have the full experience.
ClareR (5950 KP) rated Doggerland in Books
May 3, 2019
The boy (Jim), who is not a boy, and the old man (Griel), live and work on a wind farm out at sea. Land seems to be a distant memory, and escape from the wind farm seems unlikely. The boy is required to take over his fathers contract after he disappears. The old man might know what happened to him, but the boy never really asks, and no information is volunteered.
This has been compared to The Road and Waiting For Godot, and I’d agree with both of these. There is an overwhelming feeling of being trapped, even though they are out at sea and can see for miles, and this brought Huis Clos by Jean Paul Sartre to mind for me. Two men, trapped for what feels like eternity in the same place, with no hope of escape.
It’s a climate change story as well. It tells of the power of the sea and water, and how it will reclaim everything. This makes the story all the more futile. What’s the point if it’s all for nothing anyway?
I liked this book - I would say that it wasn’t a book I loved, but at the same time, it was a book that I didn’t want to put down. It’s a pretty bleak story, but compelling all the same.
This has been compared to The Road and Waiting For Godot, and I’d agree with both of these. There is an overwhelming feeling of being trapped, even though they are out at sea and can see for miles, and this brought Huis Clos by Jean Paul Sartre to mind for me. Two men, trapped for what feels like eternity in the same place, with no hope of escape.
It’s a climate change story as well. It tells of the power of the sea and water, and how it will reclaim everything. This makes the story all the more futile. What’s the point if it’s all for nothing anyway?
I liked this book - I would say that it wasn’t a book I loved, but at the same time, it was a book that I didn’t want to put down. It’s a pretty bleak story, but compelling all the same.
Louise (64 KP) rated Sometimes I Lie in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the publishers in exchange for an honest review*
This book must have one of the shortest blurbs but one of the most intriguing, When I saw this book I instantly knew that I wanted to read it, there so much mystery in that blurb – I wanted to know why she was in a coma, why her husband didn’t love and what she lied about and if these lies were the reasons she was in a coma.
For a debut novel this absolutely fantastic, very absorbing, gripping and has you on the edge of your seat the whole way through, I truly am excited to see what this very talented writer is going to come up with next.
I am not going to write anything about the story as i think it will take some of the allure away. All you need to know is that you will be trying to second guess what is going and trying to reveal the truth. There are so many twists and turns in this book,if you are anything like me when I got to the plot twist I had to read it a few times to get my head round it.
This novel was dark,gritty and a great mystery/thriller novel.
This book must have one of the shortest blurbs but one of the most intriguing, When I saw this book I instantly knew that I wanted to read it, there so much mystery in that blurb – I wanted to know why she was in a coma, why her husband didn’t love and what she lied about and if these lies were the reasons she was in a coma.
For a debut novel this absolutely fantastic, very absorbing, gripping and has you on the edge of your seat the whole way through, I truly am excited to see what this very talented writer is going to come up with next.
I am not going to write anything about the story as i think it will take some of the allure away. All you need to know is that you will be trying to second guess what is going and trying to reveal the truth. There are so many twists and turns in this book,if you are anything like me when I got to the plot twist I had to read it a few times to get my head round it.
This novel was dark,gritty and a great mystery/thriller novel.