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Emma @ The Movies (1786 KP) rated Second Act (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Second Act is what I'm going to call a proper romcom, despite the fact that romance isn't actually that prominent in the story. Jennifer Lopez has the knack of this sort of film, she never seems to age either so I'm hoping that we can get a lot more of these on our screens over the next few years.
There's no doubt for me that Lopez is a master in this category of film, she probably has several of the top ten slots, so apart from saying that she was yet again a great leading lady I don't want to bombard you with all the reasons why. What I do want to do is talk about how some of the supporting actors nailed their roles.
Leah Remini as Maya's best friend Joan... yeeeeeees. I can totally identify with Joan, the performance that Remini gives is so entertaining. The swearing, the jeans button, just everything. She's the comic relief, and I know that sounds odd to say about someone in a comedy film but I just mean that you know you're going to get something great from her character.
Dave Foley gets the line of the movie though... "Coxswain my ass." His delivery is perfect and you can guarantee great return for him if you give him one liners like that.
Despite loving this romcom it is a little light on the rom. One of the only notes I made about the romance angle was the fact that I didn't really understand how that whole part of the film played out. I don't think it's really a spoiler to say that they're together, some stuff happens and then they break up... after all that's basically what you'd expect from a romcom. In this genre's world, woman make terrible choices, go out and do things for themselves and then realise what a terrible mistake they've made somewhere along the line. (I may be living in a romcom... I don't want to think about it.) Second Act sticks to that premise really well but I think that it's actually more to do with the rest of her life than the romance side which really just feels like it's there to be able to kick start the rest of the story.
If you love classics like Maid In Manhattan and When Harry Met Sally I honestly think you'll enjoy this, there's something very nostalgic about it that sets it apart from modern attempts at the genre.
(On a separate note, if anyone fancies some crazy dancing to Salt-N-Pepa's Push It please let me know.)
What you should do
This is perfect girls' night out fodder. It's a very enjoyable watch and something a little more light hearted in this bleak January schedule.
Movie thing you wish you could take home
The dress that Maya wears to her interview at F&C is incredible. One of those please!
"The only thing stopping you is you." - This is something I think we should probably all take home from this film
There's no doubt for me that Lopez is a master in this category of film, she probably has several of the top ten slots, so apart from saying that she was yet again a great leading lady I don't want to bombard you with all the reasons why. What I do want to do is talk about how some of the supporting actors nailed their roles.
Leah Remini as Maya's best friend Joan... yeeeeeees. I can totally identify with Joan, the performance that Remini gives is so entertaining. The swearing, the jeans button, just everything. She's the comic relief, and I know that sounds odd to say about someone in a comedy film but I just mean that you know you're going to get something great from her character.
Dave Foley gets the line of the movie though... "Coxswain my ass." His delivery is perfect and you can guarantee great return for him if you give him one liners like that.
Despite loving this romcom it is a little light on the rom. One of the only notes I made about the romance angle was the fact that I didn't really understand how that whole part of the film played out. I don't think it's really a spoiler to say that they're together, some stuff happens and then they break up... after all that's basically what you'd expect from a romcom. In this genre's world, woman make terrible choices, go out and do things for themselves and then realise what a terrible mistake they've made somewhere along the line. (I may be living in a romcom... I don't want to think about it.) Second Act sticks to that premise really well but I think that it's actually more to do with the rest of her life than the romance side which really just feels like it's there to be able to kick start the rest of the story.
If you love classics like Maid In Manhattan and When Harry Met Sally I honestly think you'll enjoy this, there's something very nostalgic about it that sets it apart from modern attempts at the genre.
(On a separate note, if anyone fancies some crazy dancing to Salt-N-Pepa's Push It please let me know.)
What you should do
This is perfect girls' night out fodder. It's a very enjoyable watch and something a little more light hearted in this bleak January schedule.
Movie thing you wish you could take home
The dress that Maya wears to her interview at F&C is incredible. One of those please!
"The only thing stopping you is you." - This is something I think we should probably all take home from this film
Nick Beaty (70 KP) rated Joker (2019) in Movies
Nov 25, 2019 (Updated Nov 26, 2019)
And the Oscar goes to...
First things first, you can not start a review of Joker without mentioning the lead performance from Joaquin Phoenix as Arthur Fleck. I would say he is probably an evens favourite to take home the best actor Oscar at next years ceremony.
As for the movie itself, Tod Phillips take on Joker almost feels like a tribute to early Martin Scorsese movies, with the most obvious being Taxi Driver & The King of Comedy, both starring Robert De Niro who also appears here. This is certainly not a bad thing as they are brilliant pieces of cinema, that will stand the test of time. As will Joker in my opinion for it's excellent cinematography & gritty authenticity, I think people will still be talking about this movie for many years to come.
There are a few very slight flaws that I could point out. The first being that because it is so Scorsese like, for me it loses the feeling of being set in Gotham city and just feels very much like we are in New York city. Secondly the Wayne's and Alfred are very much portrayed as the bad guys in this movie, in my opinion I felt myself siding with Arthur/Joker a little too much maybe, which makes you lose all sympathy for the reason Batman became the Dark Knight in the first place. Last but not least the very controversial choice of adding a Gary Glitter song at a pivotal point of the movie, is a strange choice to say the least.
Overall Joker is an exceptional character study of a very disturbed individual with many mental health issues, add to that a superb performance by Joaquin Phoenix and I think you have a movie that will only get better with time and become a genre classic. With the huge box office success, I just hope DC keep this grim, very true to life approach for their future Batman projects.
As for the movie itself, Tod Phillips take on Joker almost feels like a tribute to early Martin Scorsese movies, with the most obvious being Taxi Driver & The King of Comedy, both starring Robert De Niro who also appears here. This is certainly not a bad thing as they are brilliant pieces of cinema, that will stand the test of time. As will Joker in my opinion for it's excellent cinematography & gritty authenticity, I think people will still be talking about this movie for many years to come.
There are a few very slight flaws that I could point out. The first being that because it is so Scorsese like, for me it loses the feeling of being set in Gotham city and just feels very much like we are in New York city. Secondly the Wayne's and Alfred are very much portrayed as the bad guys in this movie, in my opinion I felt myself siding with Arthur/Joker a little too much maybe, which makes you lose all sympathy for the reason Batman became the Dark Knight in the first place. Last but not least the very controversial choice of adding a Gary Glitter song at a pivotal point of the movie, is a strange choice to say the least.
Overall Joker is an exceptional character study of a very disturbed individual with many mental health issues, add to that a superb performance by Joaquin Phoenix and I think you have a movie that will only get better with time and become a genre classic. With the huge box office success, I just hope DC keep this grim, very true to life approach for their future Batman projects.
Gelato Messina: The Creative Department
Book
Since opening in Sydney in 2002 Gelato Messina has set the benchmark for gelato in Australia. Their...
Hazel (2934 KP) rated A Link To Kill (Hawthorne & Horowitz Mystery #3) in Books
Aug 29, 2021
I haven't read anything by Mr Horowitz before and was a little apprehensive about reading this, with it being the third in the series, but I needn't have worried - this is a unique and enjoyable mystery.
I have never read a book where the author puts himself as one of the main characters in a book but here he is joining up with an ex-Detective Inspector Hawthorne and, I must say, it really worked for me. Mr Horowitz doesn't take himself too seriously and he comes across as a Dr Watson-type character to Hawthorne's Sherlock Holmes - which, let's face it, isn't a bad thing at all. How much the fictional Horowitz is like the real Horowitz, I don't know but I like him!
Anyway, Horowitz and Hawthorne have been invited to take part in a literary festival on the island of Alderney. A murder ensues and Hawthorne is asked to assist the local constabulary to investigate with Horowitz in tow. The relationship between the two is a complex one ... do they really like each other or do they just tolerate each other for the purposes of writing books? I am still working that one out but I am liking it.
This is a proper old-style mystery with a cast of excellent characters many of whom have their own secrets which creates multiple suspects and I for one must have said "I knew it was them all along" numerous times and was wrong! There is a lot of humour and tongue-in-cheek moments which make this a fun and enjoyable read with a very satisfying ending.
I thoroughly enjoyed this book and it was quite nice to read a murder/mystery without a plethora of violence for once and I am very much looking forward to more "adventures" from Hawthorne and Horowitz.
A thank you must go to Penguin Random House UK / Cornerstone via NetGalley for my copy in return for an unbiased and unedited review.
I have never read a book where the author puts himself as one of the main characters in a book but here he is joining up with an ex-Detective Inspector Hawthorne and, I must say, it really worked for me. Mr Horowitz doesn't take himself too seriously and he comes across as a Dr Watson-type character to Hawthorne's Sherlock Holmes - which, let's face it, isn't a bad thing at all. How much the fictional Horowitz is like the real Horowitz, I don't know but I like him!
Anyway, Horowitz and Hawthorne have been invited to take part in a literary festival on the island of Alderney. A murder ensues and Hawthorne is asked to assist the local constabulary to investigate with Horowitz in tow. The relationship between the two is a complex one ... do they really like each other or do they just tolerate each other for the purposes of writing books? I am still working that one out but I am liking it.
This is a proper old-style mystery with a cast of excellent characters many of whom have their own secrets which creates multiple suspects and I for one must have said "I knew it was them all along" numerous times and was wrong! There is a lot of humour and tongue-in-cheek moments which make this a fun and enjoyable read with a very satisfying ending.
I thoroughly enjoyed this book and it was quite nice to read a murder/mystery without a plethora of violence for once and I am very much looking forward to more "adventures" from Hawthorne and Horowitz.
A thank you must go to Penguin Random House UK / Cornerstone via NetGalley for my copy in return for an unbiased and unedited review.
Sophia (Bookwyrming Thoughts) (530 KP) rated Daughter of Isis (Descendants of Isis #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Author in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
The first book in Kelsey Ketch's <em>Descendants of Isis</em> series is a book with very heavy romance.
Of course, I was highly aware of that upon reading the synopsis.
But I'm an absolute sucker for mythology of all kinds (This is why I am highly interested in debut author Heidi Helig's <em>The Girl From Everywhere</em>. I mean, <em>Hawaiian</em>. Saucer eyes RIGHT here! I intend on waiting until the book is published, though.) and I simply couldn't resist myself. So instead of moping about the possibility of a heavy romance, I replaced my "NUUU ROMANCE" hat with my "TOLERABLE ROMANTIC" hat (the caps are intentional), sat back with my tablet (after transferring the review copy from the computer), and just hoped Ketch would take me on an unforgettable journey.
Natti has just moved from London to a small town in California after her Grandmother's death, with her only clue in a necklace she inherited. Since the first day Natti starts at her new school, Seth O'Keefe starts pursuing her in the hopes of seducing her.
Plus, Tolerable Romantic (I'll stop capping my hats now) hat says it's not exactly love at first sight Natti is completely resistant to Seth's attempts at charming her from the beginning, even though she sort of succumbs to his charms eventually. At that point in time, however, I know each of the characters well enough and have a particular fondness for each of them (for the first in a series) that it isn't awkward at all.
Ketch writes the book in two views: Natti's and Seth's. Natti's comparison of British life to American life and big city to a small town is mildly hilarious (we totally do everything backward). Even though she would rather remain in England, she smoothly transitions into her new life after meeting Wanda, Kevin, and Jen and being tucked under their wings.
Also, she has a fire in her I kind of like.
I honestly feel having Seth's view works out in the book's favor; hearing from his point of view makes him a lot more human than he comes out as with the other Sons of Set: someone who worships the Egyptian god Set and spreads chaos in the world on his behalf, hoping to eventually come across a secret from the past. They also sound insane and just want to take over the world one woman at a time.
It basically puts him in an entirely different perspective for readers than simply reading what Natti thinks of him.
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://3.bp.blogspot.com/-kFwoMM-NvD4/VodHIVFyhoI/AAAAAAAAFqQ/y-lTjSgr4j0/s1600/perspective.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2016/01/perspective.gif"; width="320" height="240" border="0" /></a></div>
<em>Daughter of Isis</em> is one of those books where I'll probably keep my Tolerable Romantic hat on for the entire series because the romance between Seth and Natti fits the story really well. The world Kelsey builds in a small town California where nearly everyone is under the thumb of the Sons of Set captivated me by the end of the book I can't wait to see what trials the couple will face in the future of the series.
<a href="https://bookwyrmingthoughts.com/review-daughter-of-isis-by-kelsey-ketc/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
The first book in Kelsey Ketch's <em>Descendants of Isis</em> series is a book with very heavy romance.
Of course, I was highly aware of that upon reading the synopsis.
But I'm an absolute sucker for mythology of all kinds (This is why I am highly interested in debut author Heidi Helig's <em>The Girl From Everywhere</em>. I mean, <em>Hawaiian</em>. Saucer eyes RIGHT here! I intend on waiting until the book is published, though.) and I simply couldn't resist myself. So instead of moping about the possibility of a heavy romance, I replaced my "NUUU ROMANCE" hat with my "TOLERABLE ROMANTIC" hat (the caps are intentional), sat back with my tablet (after transferring the review copy from the computer), and just hoped Ketch would take me on an unforgettable journey.
Natti has just moved from London to a small town in California after her Grandmother's death, with her only clue in a necklace she inherited. Since the first day Natti starts at her new school, Seth O'Keefe starts pursuing her in the hopes of seducing her.
Plus, Tolerable Romantic (I'll stop capping my hats now) hat says it's not exactly love at first sight Natti is completely resistant to Seth's attempts at charming her from the beginning, even though she sort of succumbs to his charms eventually. At that point in time, however, I know each of the characters well enough and have a particular fondness for each of them (for the first in a series) that it isn't awkward at all.
Ketch writes the book in two views: Natti's and Seth's. Natti's comparison of British life to American life and big city to a small town is mildly hilarious (we totally do everything backward). Even though she would rather remain in England, she smoothly transitions into her new life after meeting Wanda, Kevin, and Jen and being tucked under their wings.
Also, she has a fire in her I kind of like.
I honestly feel having Seth's view works out in the book's favor; hearing from his point of view makes him a lot more human than he comes out as with the other Sons of Set: someone who worships the Egyptian god Set and spreads chaos in the world on his behalf, hoping to eventually come across a secret from the past. They also sound insane and just want to take over the world one woman at a time.
It basically puts him in an entirely different perspective for readers than simply reading what Natti thinks of him.
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://3.bp.blogspot.com/-kFwoMM-NvD4/VodHIVFyhoI/AAAAAAAAFqQ/y-lTjSgr4j0/s1600/perspective.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2016/01/perspective.gif"; width="320" height="240" border="0" /></a></div>
<em>Daughter of Isis</em> is one of those books where I'll probably keep my Tolerable Romantic hat on for the entire series because the romance between Seth and Natti fits the story really well. The world Kelsey builds in a small town California where nearly everyone is under the thumb of the Sons of Set captivated me by the end of the book I can't wait to see what trials the couple will face in the future of the series.
<a href="https://bookwyrmingthoughts.com/review-daughter-of-isis-by-kelsey-ketc/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Phillip McSween (751 KP) rated Christopher Robin (2018) in Movies
Apr 1, 2019
Endearing and Pleasant
Never was a big “Winnie the Pooh” guy growing up, but I was always familiar with the characters. Christopher Robin made me fall in love with these characters all the same. Now an adult, Christopher returns to the Hundred Acre Woods to reunite with old friends he left behind.
Acting: 10
Jim Cummings is stellar as both Pooh and Tigger. Although I don’t have a huge point of reference, I can say that it felt like he poured his heart into these characters, making them extremely lovable. His tone and inflection just have a way of making me smile. I also loved Brad Garrett voicing Eeyore. That choice is almost a given as his voice is perfect, but I loved how he took the role and made it his own. Amazing job by the cast all around.
Beginning: 9
Characters: 10
Cinematography/Visuals: 10
Reminiscent of what they did with the Snuggle bear, the characters are not quite animated, but an odd form of CGI. They don’t feel like fake creatures, rather they are a uniquely pleasant creation. Seeing them interact with Christopher Robin and the settings around them was a treat. I loved the way the Hundred Acre Woods are captured and the well-crafted closeups of the characters that evoke emotion. Especially powerful was the montage of Christopher Robin growing into a man at the beginning of the movie. It shows you just how far removed he is from his childhood.
Conflict: 7
Genre: 9
I appreciate it when a kids film can take their material and use it to appeal to adults. Christopher Robin straddles the line between adults and children extremely well and makes it an enjoyable experience for all. I smiled. I laughed. And maybe, just maybe, I got a little teary.
Memorability: 9
The movie hits you with a strong message about the necessity of growing up and the importance of holding on to yourself as you age. Watching it inspired me to remember how it felt to be fancy free without a care in the world and how good that felt. The movie does a great job of sprinkling the message in with the fun of the story.
One of my favorite scenes in the movie is when Pooh and Christopher reunite for the first time. They are sitting on park benches facing away from each other. It’s an endearing moment that helps to get the adventure rolling.
Pace: 10
Plot: 10
Resolution: 10
If this ending doesn’t move you, you are not human. Kidding, but it’s the perfect sappy ending for a sappy movie. The kind of ending that makes you want to start the movie over from the beginning and watch it all over again.
Overall: 94
First Po, then Paddington, now Pooh. I don’t know what it is about these bears that put a smile on my face, but whatever it is, it works! Christopher Robin was definitely one of my favorite movies of 2018.
Acting: 10
Jim Cummings is stellar as both Pooh and Tigger. Although I don’t have a huge point of reference, I can say that it felt like he poured his heart into these characters, making them extremely lovable. His tone and inflection just have a way of making me smile. I also loved Brad Garrett voicing Eeyore. That choice is almost a given as his voice is perfect, but I loved how he took the role and made it his own. Amazing job by the cast all around.
Beginning: 9
Characters: 10
Cinematography/Visuals: 10
Reminiscent of what they did with the Snuggle bear, the characters are not quite animated, but an odd form of CGI. They don’t feel like fake creatures, rather they are a uniquely pleasant creation. Seeing them interact with Christopher Robin and the settings around them was a treat. I loved the way the Hundred Acre Woods are captured and the well-crafted closeups of the characters that evoke emotion. Especially powerful was the montage of Christopher Robin growing into a man at the beginning of the movie. It shows you just how far removed he is from his childhood.
Conflict: 7
Genre: 9
I appreciate it when a kids film can take their material and use it to appeal to adults. Christopher Robin straddles the line between adults and children extremely well and makes it an enjoyable experience for all. I smiled. I laughed. And maybe, just maybe, I got a little teary.
Memorability: 9
The movie hits you with a strong message about the necessity of growing up and the importance of holding on to yourself as you age. Watching it inspired me to remember how it felt to be fancy free without a care in the world and how good that felt. The movie does a great job of sprinkling the message in with the fun of the story.
One of my favorite scenes in the movie is when Pooh and Christopher reunite for the first time. They are sitting on park benches facing away from each other. It’s an endearing moment that helps to get the adventure rolling.
Pace: 10
Plot: 10
Resolution: 10
If this ending doesn’t move you, you are not human. Kidding, but it’s the perfect sappy ending for a sappy movie. The kind of ending that makes you want to start the movie over from the beginning and watch it all over again.
Overall: 94
First Po, then Paddington, now Pooh. I don’t know what it is about these bears that put a smile on my face, but whatever it is, it works! Christopher Robin was definitely one of my favorite movies of 2018.
Debbiereadsbook (1777 KP) rated Hush (Nights #8) in Books
Dec 10, 2018
i love this series!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
So! This is book 8 in the Nights Series, but this one really can be read as a stand alone. I'm not sure I recall Lana or Tom from any of the previous books, but that might be me. Also, books one through 6 are male/male pairings and book7 and this one are male/female pairings. Again, I'm not picky, especially when the author pulls off the difference incredibly well, but I know some readers are. Books one through 3, and 6 and 7 are all 5 stars reads from me too.
Lana has been the bane of Tom's existence since he fell in love with her at 16. Having worked for her for 4 years, Tom really has reached the end of his tether, and feels he needs to move on. But when Lana turns up at his door, drunk, demanding sex, what's a guy to do, huh?? He does the right thing, and puts her to bed, while sleeping on the sofa. But, things change between Lana and Tom, and Lana begins to feel things more keenly. These feelings she never realised she had. And the feelings that she wants more than the verbal battling they have every day. But Tom runs, and Lana has to face some facts.
A thoroughly enjoyable addition to this series, even if i found it not quite up to par as the rest.
Oh, don't get me wrong! It's a great book, told from both Lana and Tom's point of view. It's sexy and hot, and I did read it in one sitting.
It just doesn't have the heat level the other books have, and I think I missed that! Ya'll know I made a new shelf for these books, "fan yourself, it's a hot one" and this book doesn't get to join the others there, simply because of that fact.
There is, though, more emotions in this one, I think. Having loved Lana for the better part of his life, Tom's feeling are front and centre, right from the beginning, but Lana's take some digging out. I LOVED the scene when she's talking to Eveline and Lincoln from book 7, about just WHY Lana is annoyed with Tom!
I really have enjoyed this series, and there is just one book to go, and I will be so bloody sad to see the end of these books!
I also find myself curious as to what name this author usually writes under, as AM Salinger is a pen name. I'd LOVE to read something written under that name, just to see the differences. But then again, it might be young adult, or zombies and they really don't float my boat. So, on reflection, no, I don't want to know!
4 solid sexy (but not quite as sexy as the rest) stars
**same worded review will appear elsewhere**
So! This is book 8 in the Nights Series, but this one really can be read as a stand alone. I'm not sure I recall Lana or Tom from any of the previous books, but that might be me. Also, books one through 6 are male/male pairings and book7 and this one are male/female pairings. Again, I'm not picky, especially when the author pulls off the difference incredibly well, but I know some readers are. Books one through 3, and 6 and 7 are all 5 stars reads from me too.
Lana has been the bane of Tom's existence since he fell in love with her at 16. Having worked for her for 4 years, Tom really has reached the end of his tether, and feels he needs to move on. But when Lana turns up at his door, drunk, demanding sex, what's a guy to do, huh?? He does the right thing, and puts her to bed, while sleeping on the sofa. But, things change between Lana and Tom, and Lana begins to feel things more keenly. These feelings she never realised she had. And the feelings that she wants more than the verbal battling they have every day. But Tom runs, and Lana has to face some facts.
A thoroughly enjoyable addition to this series, even if i found it not quite up to par as the rest.
Oh, don't get me wrong! It's a great book, told from both Lana and Tom's point of view. It's sexy and hot, and I did read it in one sitting.
It just doesn't have the heat level the other books have, and I think I missed that! Ya'll know I made a new shelf for these books, "fan yourself, it's a hot one" and this book doesn't get to join the others there, simply because of that fact.
There is, though, more emotions in this one, I think. Having loved Lana for the better part of his life, Tom's feeling are front and centre, right from the beginning, but Lana's take some digging out. I LOVED the scene when she's talking to Eveline and Lincoln from book 7, about just WHY Lana is annoyed with Tom!
I really have enjoyed this series, and there is just one book to go, and I will be so bloody sad to see the end of these books!
I also find myself curious as to what name this author usually writes under, as AM Salinger is a pen name. I'd LOVE to read something written under that name, just to see the differences. But then again, it might be young adult, or zombies and they really don't float my boat. So, on reflection, no, I don't want to know!
4 solid sexy (but not quite as sexy as the rest) stars
**same worded review will appear elsewhere**
BankofMarquis (1832 KP) rated Good Will Hunting (1997) in Movies
Jul 9, 2021
Well Deserved Oscars for Williams, Damon and Affleck
One of the benefits of “Secret Movie Night” is that it forces me to watch (or rewatch) a film that I would not seek out on my own. Such is the case with this month’s selection - GOOD WILL HUNTING - the film that made Matt Damon and Ben Affleck stars and earned the late, great Robin Williams his only Academy Award.
Leaning hard on the mantra “write what you know”, GOOD WILL HUNTING tells the tale of a generationally talented math prodigy, who grew up in South Boston and fights his demons to find his place in this world.
Famously, the screenplay of this film earned Damon and Affleck Oscars for Best Original Screenplay and it is well deserved. They paint a picture of life of these “Southies” that appears to me real and genuine. The “family” feel of the friendship of the main characters rings true and Damon and Affleck have real chemistry with each other - like old friends playing off each other.
However, the relationship between Affleck and Damon’s character in this film is only the 3rd best relationship in this film. The best, of course, is the relationship between Will Hunting (Damon) and the shrink that is assigned to him, played by Robin Williams. It is a haunting, raw, emotional and REAL performance by Williams - one very deserving of the Oscar - and I was more than a little sad to watch this performance knowing that this uniquely talented performer is no longer with us.
The surprise to me in this rewatch of the film is the performance of Minnie Driver as a young lady that becomes emotionally attached to Will. Driver’s performance as Harvard student Skylar is also real and the struggles of her character to get a connection with Will was heartbreaking to watch.
Good Will Hunting also features strong supporting work by Stellan Skarsgard as the MIT Math Professor who discovers - and then becomes jealous of - Will’s talents and Ben Affleck’s younger brother, a then unknown Casey Affleck, who steals almost every scene he is in.
All of this would not have worked without the magnificent, Oscar nominated, Direction of Gus Van Sant (DRUGSTORE COWBOY). He was the perfect choice to direct this intimate, personal drama and he has a way of drawing out the emotions and rawness of the characters on the screen without being cloying or overdramatic. He was a strong contender for Best Director that year (as was Good Will Hunting for Best Picture) but it ran into a roadblock that was James Cameron and TITANIC.
If you have never seen this film - or if you haven’t seen this in quite some time - check out GOOD WILL HUNTING, it is well worth your time.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Leaning hard on the mantra “write what you know”, GOOD WILL HUNTING tells the tale of a generationally talented math prodigy, who grew up in South Boston and fights his demons to find his place in this world.
Famously, the screenplay of this film earned Damon and Affleck Oscars for Best Original Screenplay and it is well deserved. They paint a picture of life of these “Southies” that appears to me real and genuine. The “family” feel of the friendship of the main characters rings true and Damon and Affleck have real chemistry with each other - like old friends playing off each other.
However, the relationship between Affleck and Damon’s character in this film is only the 3rd best relationship in this film. The best, of course, is the relationship between Will Hunting (Damon) and the shrink that is assigned to him, played by Robin Williams. It is a haunting, raw, emotional and REAL performance by Williams - one very deserving of the Oscar - and I was more than a little sad to watch this performance knowing that this uniquely talented performer is no longer with us.
The surprise to me in this rewatch of the film is the performance of Minnie Driver as a young lady that becomes emotionally attached to Will. Driver’s performance as Harvard student Skylar is also real and the struggles of her character to get a connection with Will was heartbreaking to watch.
Good Will Hunting also features strong supporting work by Stellan Skarsgard as the MIT Math Professor who discovers - and then becomes jealous of - Will’s talents and Ben Affleck’s younger brother, a then unknown Casey Affleck, who steals almost every scene he is in.
All of this would not have worked without the magnificent, Oscar nominated, Direction of Gus Van Sant (DRUGSTORE COWBOY). He was the perfect choice to direct this intimate, personal drama and he has a way of drawing out the emotions and rawness of the characters on the screen without being cloying or overdramatic. He was a strong contender for Best Director that year (as was Good Will Hunting for Best Picture) but it ran into a roadblock that was James Cameron and TITANIC.
If you have never seen this film - or if you haven’t seen this in quite some time - check out GOOD WILL HUNTING, it is well worth your time.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated The Lighthouse (2019) in Movies
Jan 25, 2021
Weird - and I couldn't look away
I have viewed some really strange films in my day. When asked, I often mention MIRRORMASK (based on a Neil Gaiman story) and mother! (the Darren Aronofsky oddity) as the strangest films I have ever seen.
Add Robert Eggers’ THE LIGHTHOUSE to this list.
Based on a real life tragedy from 1801, THE LIGHTHOUSE follows 2 isolated Lighthouse keepers as they interact with each other, slowly going mad in the process…or did they? Is one of them mad and the other sane? Are they both mad? Or…is it the viewer who is going mad? Eggers let’s you, the viewer, decide.
And…good for him. I have now encountered 2 films directed by former Production Designer Eggers - THE WITCH and now this film. In both cases, the movies are interestingly shot and intriguing to view but almost incomprehensible. The more so with THE LIGHTHOUSE, it is almost as if Eggers heard the criticism of THE WITCH of being incomprehensible and said “hold my beer”.
Besides the production values - which really are quite good (especially Eggers use of Black and White) - what holds this movie in high regards is the acting of the 2 people in film. These 2 characters are the only speaking parts in this movie.
Willem Dafoe portrays the older, veteran Lighthouseman who tells the tales of Mermaids and Curses and has a generally air of foreboding from the start. It is a masterwork by Dafoe - his best work of his career (and that’s saying something). He is unnerving to view from the start. The only thing the viewer needs to figure out is whether he is insane or very, very, very sane.
The surprise for me in this movie is the work of Robert Pattinson, the younger Lighthouseman who is in his first assignment. He is the audience’s eyes into this weird world and he is very much sane at the beginning. At the end…well…you decide. He was able to go toe-to-toe with DaFoe and held his own very well. This young actor has made a conscious choice following the Twilight films and with this movie and with Christopher Nolan's TENANT he is establishing himself as a darn good performer.
As for the film itself, my one recommendation for you is to not be too concerned of making sense of what is going on in the scene you are watching…you’ll drive yourself mad doing this (at least it was driving me mad). After awhile I just sat back and drank in the weirdness - and the quality acting and production values - that was enfolding in front of me and the ending was satisfying (enough).
All in all one of the stranger times I’ve had at the movies.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
Add Robert Eggers’ THE LIGHTHOUSE to this list.
Based on a real life tragedy from 1801, THE LIGHTHOUSE follows 2 isolated Lighthouse keepers as they interact with each other, slowly going mad in the process…or did they? Is one of them mad and the other sane? Are they both mad? Or…is it the viewer who is going mad? Eggers let’s you, the viewer, decide.
And…good for him. I have now encountered 2 films directed by former Production Designer Eggers - THE WITCH and now this film. In both cases, the movies are interestingly shot and intriguing to view but almost incomprehensible. The more so with THE LIGHTHOUSE, it is almost as if Eggers heard the criticism of THE WITCH of being incomprehensible and said “hold my beer”.
Besides the production values - which really are quite good (especially Eggers use of Black and White) - what holds this movie in high regards is the acting of the 2 people in film. These 2 characters are the only speaking parts in this movie.
Willem Dafoe portrays the older, veteran Lighthouseman who tells the tales of Mermaids and Curses and has a generally air of foreboding from the start. It is a masterwork by Dafoe - his best work of his career (and that’s saying something). He is unnerving to view from the start. The only thing the viewer needs to figure out is whether he is insane or very, very, very sane.
The surprise for me in this movie is the work of Robert Pattinson, the younger Lighthouseman who is in his first assignment. He is the audience’s eyes into this weird world and he is very much sane at the beginning. At the end…well…you decide. He was able to go toe-to-toe with DaFoe and held his own very well. This young actor has made a conscious choice following the Twilight films and with this movie and with Christopher Nolan's TENANT he is establishing himself as a darn good performer.
As for the film itself, my one recommendation for you is to not be too concerned of making sense of what is going on in the scene you are watching…you’ll drive yourself mad doing this (at least it was driving me mad). After awhile I just sat back and drank in the weirdness - and the quality acting and production values - that was enfolding in front of me and the ending was satisfying (enough).
All in all one of the stranger times I’ve had at the movies.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
Emma @ The Movies (1786 KP) rated Bad Times at the El Royale (2018) in Movies
Sep 25, 2019
What can I say about this one? I left the cinema pondering. I'm still pondering this morning trying to work out what to score it. I wasn't bored, yet I wasn't enthralled. It felt long, but not too long. I could follow the story lines, but some of them didn't quite make sense... It's definitely a contender for Goldilocks of the Year.
I was keen on watching this after seeing the trailer. A star studded cast and an intriguing idea really is all you need to hook people in. I can't decide (I know, it's happening a lot this review) if the trailer gave too much away. Could they have kept more elements back as a surprise? Possibly that wouldn't have left such a sense of anticipation about the film.
Being set in 1969 we're obviously given a lot of classic tunes through the jukebox and singing of Darlene Sweet. The latter is goosebump inducing at times and magical to listen to.
The way this movie is told is very reminiscent of a lot of things to me. I was getting flashes of Kill Bill and Lost, and as Drew Goddard was involved with Lost that's probably not a coincidence. The scenario also made me think of the 2003 film Identity and an episode of Criminal Minds called Paradise.
I enjoyed seeing each person's journey that led them up to the El Royale. You feel much more involved in the story because you switch allegiances between the characters every time you see a new perspective. It also gives you just enough of teaser to something that's going to happen to draw you further in.
The use of intertitle cards felt a little out of place, it's not really a sixties thing and the style of them didn't seem to fit with the film itself. They do their job which is to say "now for a bit of back story on this person" but looking a little less silent movie and a little more El Royale wouldn't have gone amiss.
A whole section of story line seemed to have no conclusion, for reasons that will be partly obvious to you when you see the film. What I can't work out is if I missed something about it that would have left me less confused. This movie could definitely do with a second watch.
What you should do
I'd probably recommend watching this one at home on DVD or streaming with a bunch of movie friends. It feels like it needs discussing more than watching.
You should also probably watch this gif a lot. I'm only sorry that I can't find a longer version without other distractions in it... like the rest of the film.
Movie thing you wish you could take home
I'd quite like the El Royale to live in. Although I think I'd convert the spying corridor into a regular corridor and make the whole place a home rather than a playground for snooping and murder.
I was keen on watching this after seeing the trailer. A star studded cast and an intriguing idea really is all you need to hook people in. I can't decide (I know, it's happening a lot this review) if the trailer gave too much away. Could they have kept more elements back as a surprise? Possibly that wouldn't have left such a sense of anticipation about the film.
Being set in 1969 we're obviously given a lot of classic tunes through the jukebox and singing of Darlene Sweet. The latter is goosebump inducing at times and magical to listen to.
The way this movie is told is very reminiscent of a lot of things to me. I was getting flashes of Kill Bill and Lost, and as Drew Goddard was involved with Lost that's probably not a coincidence. The scenario also made me think of the 2003 film Identity and an episode of Criminal Minds called Paradise.
I enjoyed seeing each person's journey that led them up to the El Royale. You feel much more involved in the story because you switch allegiances between the characters every time you see a new perspective. It also gives you just enough of teaser to something that's going to happen to draw you further in.
The use of intertitle cards felt a little out of place, it's not really a sixties thing and the style of them didn't seem to fit with the film itself. They do their job which is to say "now for a bit of back story on this person" but looking a little less silent movie and a little more El Royale wouldn't have gone amiss.
A whole section of story line seemed to have no conclusion, for reasons that will be partly obvious to you when you see the film. What I can't work out is if I missed something about it that would have left me less confused. This movie could definitely do with a second watch.
What you should do
I'd probably recommend watching this one at home on DVD or streaming with a bunch of movie friends. It feels like it needs discussing more than watching.
You should also probably watch this gif a lot. I'm only sorry that I can't find a longer version without other distractions in it... like the rest of the film.
Movie thing you wish you could take home
I'd quite like the El Royale to live in. Although I think I'd convert the spying corridor into a regular corridor and make the whole place a home rather than a playground for snooping and murder.