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Merissa (11950 KP) rated Dark Phoenix (Phoenix #2) in Books
May 8, 2023
OMG, I never expected this story to go this way! I will say now that I think I spent far too long actually wanting to whop a character upside his head!
Dark Phoenix pretty much starts where Phoenix Rising left off. Cody and Daughtry are still trying to learn what it's like to be bonded mates, but things aren't going too well given outside circumstances. For example, there is a big shocker that happens about who it was that actually kidnapped Daughtry. This results in Cody being a complete donk and pushing Daughtry away. She is feeling overwhelmed and her feelings of inadequacy are rampant. She also feels very lonely as her friendships with John and Suz take a beating too. Daughtry is so strong in some ways, as Morgan very eloquently said. She has faced so much, been betrayed by so many, and yet still carries on with a pure heart.
Just like with book one, this book has it all - an action-packed climax, enough feels to leave you feeling wrung out, and a big enough dollop of humour that you feel like you just have to carry on. The secrets and mysteries that are revealed in this book are stunning and I personally hope for some more from this series, as I don't feel that I am ready to leave Daughtry and Cody yet. I am hopeful from the way it ended that there will be more to come. Highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 17, 2015
Dark Phoenix pretty much starts where Phoenix Rising left off. Cody and Daughtry are still trying to learn what it's like to be bonded mates, but things aren't going too well given outside circumstances. For example, there is a big shocker that happens about who it was that actually kidnapped Daughtry. This results in Cody being a complete donk and pushing Daughtry away. She is feeling overwhelmed and her feelings of inadequacy are rampant. She also feels very lonely as her friendships with John and Suz take a beating too. Daughtry is so strong in some ways, as Morgan very eloquently said. She has faced so much, been betrayed by so many, and yet still carries on with a pure heart.
Just like with book one, this book has it all - an action-packed climax, enough feels to leave you feeling wrung out, and a big enough dollop of humour that you feel like you just have to carry on. The secrets and mysteries that are revealed in this book are stunning and I personally hope for some more from this series, as I don't feel that I am ready to leave Daughtry and Cody yet. I am hopeful from the way it ended that there will be more to come. Highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 17, 2015
Debbiereadsbook (1166 KP) rated Designation: Submissive (The Designation Series #1) in Books
Dec 12, 2023
different. but hard work.
Independent reviewer for GRR, I was gifted my copy of this book.
I'm not really sure what I feel about this book, to be honest but I will try to explain.
I liked the blurb, it grabbed me so that's why I read it, and the blurb fits the book well.
I did found this book to have a lot of *noise* for want of a better word. Both Criag and Sam go off on pages and pages of internal monologues and it made for distracting reading, especially when that monologue lands slap bang in the middle of the smexy times!
And there are a LOT of smexy times. I'm not ashamed to say I ove my books on the steamier side, but I like some STORY too.
I mean, very quickly, you know what is going to happen: it's all laid out for you. And...........................that's it!
More world and character building would have been nice, but in a much less instructional way, you know? I almost felt I was being told to listen and take in all in, all in one go, and I really don't like that.
I've not tagged it as romancce, because, to be honest, I didn't get it. Sam wanted and sub and Craig wanted his own Dominant and they get that.
What I do want to know, though, is what happened to Robert, a side character who has disappeared. Now, there is a second book that tells us, and I really REALLY want to read that. Robert is a Dominant with some extra skills that Sam does not have.
Kassel has a large back catalogue. I've not read any of their work before. I might go pick a random one and read something else.
A good 3 star read.
* same worded review will appear elsewhere
I'm not really sure what I feel about this book, to be honest but I will try to explain.
I liked the blurb, it grabbed me so that's why I read it, and the blurb fits the book well.
I did found this book to have a lot of *noise* for want of a better word. Both Criag and Sam go off on pages and pages of internal monologues and it made for distracting reading, especially when that monologue lands slap bang in the middle of the smexy times!
And there are a LOT of smexy times. I'm not ashamed to say I ove my books on the steamier side, but I like some STORY too.
I mean, very quickly, you know what is going to happen: it's all laid out for you. And...........................that's it!
More world and character building would have been nice, but in a much less instructional way, you know? I almost felt I was being told to listen and take in all in, all in one go, and I really don't like that.
I've not tagged it as romancce, because, to be honest, I didn't get it. Sam wanted and sub and Craig wanted his own Dominant and they get that.
What I do want to know, though, is what happened to Robert, a side character who has disappeared. Now, there is a second book that tells us, and I really REALLY want to read that. Robert is a Dominant with some extra skills that Sam does not have.
Kassel has a large back catalogue. I've not read any of their work before. I might go pick a random one and read something else.
A good 3 star read.
* same worded review will appear elsewhere
Lyndsey Gollogly (2893 KP) rated Tidelands ( Fairmile book 1) in Books
May 8, 2022
79 of 230
Book
Tidelands ( Fairmile book 1)
By Philippa Gregory
⭐️⭐️⭐️
A country at war
A king beheaded
A woman with a dangerous secret
On Midsummer’s Eve, Alinor waits in the church graveyard, hoping to encounter the ghost of her missing husband and thus confirm his death. Until she can, she is neither maiden nor wife nor widow, living in a perilous limbo. Instead she meets James, a young man on the run. She shows him the secret ways across the treacherous marshy landscape of the Tidelands, not knowing she is leading a spy and an enemy into her life.
England is in the grip of a bloody civil war that reaches into the most remote parts of the kingdom. Alinor’s suspicious neighbors are watching each other for any sign that someone might be disloyal to the new parliament, and Alinor’s ambition and determination mark her as a woman who doesn’t follow the rules. They have always whispered about the sinister power of Alinor’s beauty, but the secrets they don’t know about her and James are far more damning. This is the time of witch-mania, and if the villagers discover the truth, they could take matters into their own hands.
This was my first Philippa Gregory book and I liked it but it didn’t wow me! I took a while to get into it and struggled a little for a while. I’m glad I stuck with it though and it did really pick up towards the end. I’m a fan of historical history reads so the era was right up my street. I must say the ending was just so sad and my heart actually wrenched for Allinor. I look forward to reading more.
Book
Tidelands ( Fairmile book 1)
By Philippa Gregory
⭐️⭐️⭐️
A country at war
A king beheaded
A woman with a dangerous secret
On Midsummer’s Eve, Alinor waits in the church graveyard, hoping to encounter the ghost of her missing husband and thus confirm his death. Until she can, she is neither maiden nor wife nor widow, living in a perilous limbo. Instead she meets James, a young man on the run. She shows him the secret ways across the treacherous marshy landscape of the Tidelands, not knowing she is leading a spy and an enemy into her life.
England is in the grip of a bloody civil war that reaches into the most remote parts of the kingdom. Alinor’s suspicious neighbors are watching each other for any sign that someone might be disloyal to the new parliament, and Alinor’s ambition and determination mark her as a woman who doesn’t follow the rules. They have always whispered about the sinister power of Alinor’s beauty, but the secrets they don’t know about her and James are far more damning. This is the time of witch-mania, and if the villagers discover the truth, they could take matters into their own hands.
This was my first Philippa Gregory book and I liked it but it didn’t wow me! I took a while to get into it and struggled a little for a while. I’m glad I stuck with it though and it did really pick up towards the end. I’m a fan of historical history reads so the era was right up my street. I must say the ending was just so sad and my heart actually wrenched for Allinor. I look forward to reading more.
Merissa (11950 KP) rated On the 2 in Books
Aug 2, 2023
ON THE 2 is a standalone story set in New York that features some characters from previous books. You don't need to have read those to get the benefit, but I did so love seeing them and remembering their stories!
Nash is closed-off and straight-laced, working with numbers because they make sense and won't lie or betray him. Ethan is friendly and outgoing; working in a department store, he needs to be approachable. These two meet on the 2, a subway train that they both take from home to work.
One of the things guaranteed by a Felice Stevens book is the characters will be relatable. Whether because they're the grumpy or the sunshine, there will be something there that you read and laugh out loud with, from either doing the same thing yourself or knowing someone else who has done it. Neither Ethan nor Nash have the best family lives but they make the best with what they've got, in the way they know. I absolutely adored the slow burn with these two, as both of them try to figure the other one out.
I also thoroughly enjoyed how the difficulties they faced weren't just swept away in a wonderful wave of love. They worked it out and got to where they needed to be by communicating and working together. Nash speaks to Oscar, and Ethan speaks to Julia - both of them choosing kindness. Two more fantastic scenes!
A great book that I loved and have no hesitation in HIGHLY recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 2, 2023
Nash is closed-off and straight-laced, working with numbers because they make sense and won't lie or betray him. Ethan is friendly and outgoing; working in a department store, he needs to be approachable. These two meet on the 2, a subway train that they both take from home to work.
One of the things guaranteed by a Felice Stevens book is the characters will be relatable. Whether because they're the grumpy or the sunshine, there will be something there that you read and laugh out loud with, from either doing the same thing yourself or knowing someone else who has done it. Neither Ethan nor Nash have the best family lives but they make the best with what they've got, in the way they know. I absolutely adored the slow burn with these two, as both of them try to figure the other one out.
I also thoroughly enjoyed how the difficulties they faced weren't just swept away in a wonderful wave of love. They worked it out and got to where they needed to be by communicating and working together. Nash speaks to Oscar, and Ethan speaks to Julia - both of them choosing kindness. Two more fantastic scenes!
A great book that I loved and have no hesitation in HIGHLY recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 2, 2023
Debbiereadsbook (1166 KP) rated Hidden Rooms in Books
May 3, 2024
4 very VERY good stars
Independent reviewer for Archaeolibrarian via BookSirens, I was gifted my copy of this book.
This is the author's debut novel, and I reckon she nailed it!
Riley's sister-in-law to be, Beth, is murdered, and her brother Ethan, is the prime suspect. Riley knows he's innocent, and sets about to prove it.
What I particularly liked about this, was being kept on my toes! Until it all came out, I didn't know whether Ethan did it or not!
Beth is keeping secrets, and those secrets cost her, but again, it takes time for things to come out.
Everything does take a time to come out, and I suggest, if like me, you weren't liking the slow pace, KEEP AT IT! It does speed up and move at pace. I am glad I kept with it.
Riley tells a great tale, even with this illness that rocks her through much of the book. I enjoyed her, especially as she is the only voice in the book. I liked the way the illness was dealt with, or not for much of the time!
I think I might not have enjoyed this so much had someone else had a say, which is contrary to my usual "I wanted to hear from everyone" thing, I know, but I really did like Riley.
It's well written, and well delivered. There is just enough suspense, once it kicks off, to keep you fully engaged and invested with this group of people.
As an ARC reader of many years, my primary genre is romance. Once in a while something different will come through and my interest is piqued. I am certainly glad I took this one on, and will absolutely read more by this author as and when.
4 very VERY good stars
*same worded review will appear elsewhere
This is the author's debut novel, and I reckon she nailed it!
Riley's sister-in-law to be, Beth, is murdered, and her brother Ethan, is the prime suspect. Riley knows he's innocent, and sets about to prove it.
What I particularly liked about this, was being kept on my toes! Until it all came out, I didn't know whether Ethan did it or not!
Beth is keeping secrets, and those secrets cost her, but again, it takes time for things to come out.
Everything does take a time to come out, and I suggest, if like me, you weren't liking the slow pace, KEEP AT IT! It does speed up and move at pace. I am glad I kept with it.
Riley tells a great tale, even with this illness that rocks her through much of the book. I enjoyed her, especially as she is the only voice in the book. I liked the way the illness was dealt with, or not for much of the time!
I think I might not have enjoyed this so much had someone else had a say, which is contrary to my usual "I wanted to hear from everyone" thing, I know, but I really did like Riley.
It's well written, and well delivered. There is just enough suspense, once it kicks off, to keep you fully engaged and invested with this group of people.
As an ARC reader of many years, my primary genre is romance. Once in a while something different will come through and my interest is piqued. I am certainly glad I took this one on, and will absolutely read more by this author as and when.
4 very VERY good stars
*same worded review will appear elsewhere
Kirk Bage (1775 KP) rated Seinfeld - Season 1 in TV
Jan 22, 2021
I always assumed I wouldn’t like Seinfeld in the 90s. In fact I was opposed to the very idea of it on principle. And that principle was: I’ve never heard of this guy as a comedian, and American stand-up usually isn’t funny. I never saw a single episode until six months ago – in my head it was some dumb, canned laughter show with very forced scripts and little charm. I just didn’t get why it was always quoted amongst the best sitcoms of all time, and I wasn’t willing to find out. This is called “being ignorant”. Guilty.
One random day with nothing else inspiring me I finally took the plunge and put an episode on. Guess what happened? I laughed, I found it completely charming and witty and easy to watch, with some great lines and likeable characters. 3 hours later I had done 6 episodes and was as hooked as anyone can be with anything. It was just so nostalgically and completely 90s! And I loved that!
A show doesn’t run for 9 years and over 170 episodes without being some kind of special, especially taking into account the depreciation due to being dated, as all sitcoms eventually are, and it really is quite remarkable – deserving of a place in the conversation of the greatest ever American half hour shows. Sure, there is an element early on in the preoccupation with everyone’s sex life and dating habits that is a little creepy in 2020, but I am totally willing to forgive it.
Shows that are hyper aware of themselves and the audience are odd creatures the minute they take themselves too seriously, and Seinfeld never does that. It knows it is trivial, essentially about nothing and going nowhere, and style-wise it is always winking at us for being in on the joke and a part of it, even to the point of applauding new characters on their entrance, which is a uniquely American thing to do.
The secret of the show is undoubtedly the chemistry of the four leads, so mismatched that it someone works a spell and creates magic, much in the same way Friends managed to do, times six. Jerry Seinfeld himself is a very likeable everyman, and the schtick of each show beginning and ending with 30 seconds of stand up is a gimmick that grows on you, as does everything about it: the more you watch, the more you love it for what it is.
Jason Alexander as the balding, quirky, self-conscious, opinionated best friend is perhaps my least favourite of the regular quartet, but he has some amazing moments over the course of things, and plays great dead-pan. But the other two are on a plane of equal genius. The verbal timing of the super cute, super smart Julia Louis-Dreyfus as Elaine (who I have fallen in love with a little bit in 1993) and the physical slapstick timing of Michael Richards as Cosmo Kramer (surely one of the most memorable characters in sitcom history) have both left me aching with laughter time after time after time. Just a glance or an expression is often enough.
And the great thing is, it never seems to get old. They are always finding new ways and new situations that keep it fresh. Some trick! Even in the final season of the 9, when there is a small melancholia creeping in because they all know it is coming to an end, it still manages to create moments that aren’t just repeats of previous gags. Which means, as future background watching it is 100% perfect. Leave it on whilst doing something else, look up once in a while, and like the best of all long running US comedy shows each episode is indistinguishable from any other in the best way – it is like having a friend in the room.
I can’t imagine ever saying it is amongst my very favourites, maybe because I missed out on it first time around – which I put down to an inherent middle aged appeal, rather than a youth appeal – but I wouldn’t also ever argue with anyone that did say that it was one of their favourites. Because I get it now. And I’m so glad I got to do it, no matter how late to the party!
One random day with nothing else inspiring me I finally took the plunge and put an episode on. Guess what happened? I laughed, I found it completely charming and witty and easy to watch, with some great lines and likeable characters. 3 hours later I had done 6 episodes and was as hooked as anyone can be with anything. It was just so nostalgically and completely 90s! And I loved that!
A show doesn’t run for 9 years and over 170 episodes without being some kind of special, especially taking into account the depreciation due to being dated, as all sitcoms eventually are, and it really is quite remarkable – deserving of a place in the conversation of the greatest ever American half hour shows. Sure, there is an element early on in the preoccupation with everyone’s sex life and dating habits that is a little creepy in 2020, but I am totally willing to forgive it.
Shows that are hyper aware of themselves and the audience are odd creatures the minute they take themselves too seriously, and Seinfeld never does that. It knows it is trivial, essentially about nothing and going nowhere, and style-wise it is always winking at us for being in on the joke and a part of it, even to the point of applauding new characters on their entrance, which is a uniquely American thing to do.
The secret of the show is undoubtedly the chemistry of the four leads, so mismatched that it someone works a spell and creates magic, much in the same way Friends managed to do, times six. Jerry Seinfeld himself is a very likeable everyman, and the schtick of each show beginning and ending with 30 seconds of stand up is a gimmick that grows on you, as does everything about it: the more you watch, the more you love it for what it is.
Jason Alexander as the balding, quirky, self-conscious, opinionated best friend is perhaps my least favourite of the regular quartet, but he has some amazing moments over the course of things, and plays great dead-pan. But the other two are on a plane of equal genius. The verbal timing of the super cute, super smart Julia Louis-Dreyfus as Elaine (who I have fallen in love with a little bit in 1993) and the physical slapstick timing of Michael Richards as Cosmo Kramer (surely one of the most memorable characters in sitcom history) have both left me aching with laughter time after time after time. Just a glance or an expression is often enough.
And the great thing is, it never seems to get old. They are always finding new ways and new situations that keep it fresh. Some trick! Even in the final season of the 9, when there is a small melancholia creeping in because they all know it is coming to an end, it still manages to create moments that aren’t just repeats of previous gags. Which means, as future background watching it is 100% perfect. Leave it on whilst doing something else, look up once in a while, and like the best of all long running US comedy shows each episode is indistinguishable from any other in the best way – it is like having a friend in the room.
I can’t imagine ever saying it is amongst my very favourites, maybe because I missed out on it first time around – which I put down to an inherent middle aged appeal, rather than a youth appeal – but I wouldn’t also ever argue with anyone that did say that it was one of their favourites. Because I get it now. And I’m so glad I got to do it, no matter how late to the party!
Purple Phoenix Games (2266 KP) rated 13 Monsters Armed to the Teeth in Tabletop Games
Sep 22, 2020 (Updated Sep 22, 2020)
Let’s talk expansions. Some expansions are absolutely worth everything to have in with the base game, and some expansions just take up space on your shelves because either you A) love the base game so much that you can’t imagine anything adding to the experience, or B) just can’t seem to pull the trigger to try them out. What about when expansions completely change the game? And those that merely give you more of the same? And where does this expansion for 13 Monsters land? So many questions!
13 Monsters Armed to the Teeth (which I will call “the expansion” from here) is a big expansion to the successful 13 Monsters that recently fulfilled their Kickstarter campaign rewards. I was lucky enough to be able to preview OG 13 Monsters, and I suggest you take a look there before continuing on if you aren’t familiar with the base game. 13 Monsters can be summed up as, “a game of Memory where you use the pieces you’ve matched to battle your opponents.” Once you add in the expansion, though, the description takes on new veribiage, “a game of Memory where you use the pieces you matched along with enhancement items like weapons, shields, new abilities, and a new elemental species to decimate your opponents.” Intrigued?
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
Setup will be the same as base 13 Monsters but with added components to lay on the table. These include a big mini (is that a thing?) of a new character named Trall, new black dice, weapon tiles, shield tiles, Metal monster tiles, and durability counters for the weapons and shields. Once all these items are added the base tile grid the game may begin!
Now, I won’t go into detail how to play base 13 Monsters, but rather give an idea of what the expansion adds. Trall is a smithy who is intrigued by new monstersets matched and added to a player’s tableau, so he will come visit that player once a match is made. On one’s turn, if Trall is visiting, he will allow the player to Forge an item (weapon, shield, or Metal monster tile) by rolling the black dice and taking a tile from the specific pile, or Steal an item from another player by winning a roll-off of the new black dice.
The new abilities given to players are numerous and include names like All Seeing Eye and Oopsie Poopsie. I will leave you to the rulebook to discover all the new abilities.
Obviously, when players attach weapons to a monster they will be able to increase their attack power, but will also have to account for hits in durability using the small counters. Similarly, durability counters are included for the shield tiles that assist in deflecting portions of attacks from opponents.
The Metal monsters are part of a new elemental species of monster and are helpful, but worth less VP at the end of the game.
Components. If you have or know of the component quality in base 13 Monsters, then you will be glad to know that the components in the expansion are just as good if not better. When I opened the box the first thing I grabbed for was the Trall mini. He’s a big guy and while the prototype version is a 3D printed mini, I have seen photos of a cardboard standee in a box (however, my money is on a resin mini of Trall as a stretch goal). The weapon, shield, and Metal monster tiles are the same quality as the base tiles so it’s a match there. The new dice are black with white print, which contrast nicely with the base game’s pink dice and white pips. All in all the production quality is great, even in the prototype!
So is this expansion good or necessary or bad or what? Well, let me state the obvious first: if you are happy with how base 13 Monsters plays, then you do not need this expansion. If you want a lot more meat from your game, then this expansion is absolutely necessary. It adds so many more layers of complexity onto a somewhat harmless base game. Yes, there is battle in the base game and stealing of monstersets, but to me it seems it hurts way more using the expansion because you can spend lots more time buffing up your monsters with the extra battle accessories and such to have them just pilfered away.
That still doesn’t answer if I think 13 Monsters Armed to the Teeth is good. Here are my negative points off first. Adding in the expansion content will most certainly add length to the gameplay as well, especially with higher play counts. Players have a ton of options available on a turn now and though some events will be triggered via dice rolls, the new abilities will adjust how players play this versus just the base. A game can now be well over two hours depending on how players play and which type of players are playing. To help combat this, the rulebook advises ways of reducing game time by 50% and I highly suggest you take that advice. I did and games are still around 90 minutes with players who know how to play.
On the positive side, though, there’s more 13 Monsters goodness in this box! And while I do not classify this as “more of the same,” I enjoy more 13 Monsters goodies. This definitely amps up the pressure for each turn and players are involved at all times. Now, I will not be using the expansion when pulling out the game with new players or when I might use 13 Monsters as a gateway game. The expansion just adds too much complexity. But, after a couple plays of the base game, go ahead. Throw it in and watch the eyes widen in anticipation.
So yes, 13 Monsters Armed to the Teeth is a great expansion to a great game. If you like 13 Monsters and want to add more complexity and options, then definitely pick up this expansion. If you missed out on backing 13 Monsters last time, maybe the team at Twisted Stranger will offer them during the next campaign for this expansion. I am quite happy to be adding this to my collection and I know it will see lots of table time for me. Good job team! Now go obliterate your friends! I mean, their monsters.
13 Monsters Armed to the Teeth (which I will call “the expansion” from here) is a big expansion to the successful 13 Monsters that recently fulfilled their Kickstarter campaign rewards. I was lucky enough to be able to preview OG 13 Monsters, and I suggest you take a look there before continuing on if you aren’t familiar with the base game. 13 Monsters can be summed up as, “a game of Memory where you use the pieces you’ve matched to battle your opponents.” Once you add in the expansion, though, the description takes on new veribiage, “a game of Memory where you use the pieces you matched along with enhancement items like weapons, shields, new abilities, and a new elemental species to decimate your opponents.” Intrigued?
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
Setup will be the same as base 13 Monsters but with added components to lay on the table. These include a big mini (is that a thing?) of a new character named Trall, new black dice, weapon tiles, shield tiles, Metal monster tiles, and durability counters for the weapons and shields. Once all these items are added the base tile grid the game may begin!
Now, I won’t go into detail how to play base 13 Monsters, but rather give an idea of what the expansion adds. Trall is a smithy who is intrigued by new monstersets matched and added to a player’s tableau, so he will come visit that player once a match is made. On one’s turn, if Trall is visiting, he will allow the player to Forge an item (weapon, shield, or Metal monster tile) by rolling the black dice and taking a tile from the specific pile, or Steal an item from another player by winning a roll-off of the new black dice.
The new abilities given to players are numerous and include names like All Seeing Eye and Oopsie Poopsie. I will leave you to the rulebook to discover all the new abilities.
Obviously, when players attach weapons to a monster they will be able to increase their attack power, but will also have to account for hits in durability using the small counters. Similarly, durability counters are included for the shield tiles that assist in deflecting portions of attacks from opponents.
The Metal monsters are part of a new elemental species of monster and are helpful, but worth less VP at the end of the game.
Components. If you have or know of the component quality in base 13 Monsters, then you will be glad to know that the components in the expansion are just as good if not better. When I opened the box the first thing I grabbed for was the Trall mini. He’s a big guy and while the prototype version is a 3D printed mini, I have seen photos of a cardboard standee in a box (however, my money is on a resin mini of Trall as a stretch goal). The weapon, shield, and Metal monster tiles are the same quality as the base tiles so it’s a match there. The new dice are black with white print, which contrast nicely with the base game’s pink dice and white pips. All in all the production quality is great, even in the prototype!
So is this expansion good or necessary or bad or what? Well, let me state the obvious first: if you are happy with how base 13 Monsters plays, then you do not need this expansion. If you want a lot more meat from your game, then this expansion is absolutely necessary. It adds so many more layers of complexity onto a somewhat harmless base game. Yes, there is battle in the base game and stealing of monstersets, but to me it seems it hurts way more using the expansion because you can spend lots more time buffing up your monsters with the extra battle accessories and such to have them just pilfered away.
That still doesn’t answer if I think 13 Monsters Armed to the Teeth is good. Here are my negative points off first. Adding in the expansion content will most certainly add length to the gameplay as well, especially with higher play counts. Players have a ton of options available on a turn now and though some events will be triggered via dice rolls, the new abilities will adjust how players play this versus just the base. A game can now be well over two hours depending on how players play and which type of players are playing. To help combat this, the rulebook advises ways of reducing game time by 50% and I highly suggest you take that advice. I did and games are still around 90 minutes with players who know how to play.
On the positive side, though, there’s more 13 Monsters goodness in this box! And while I do not classify this as “more of the same,” I enjoy more 13 Monsters goodies. This definitely amps up the pressure for each turn and players are involved at all times. Now, I will not be using the expansion when pulling out the game with new players or when I might use 13 Monsters as a gateway game. The expansion just adds too much complexity. But, after a couple plays of the base game, go ahead. Throw it in and watch the eyes widen in anticipation.
So yes, 13 Monsters Armed to the Teeth is a great expansion to a great game. If you like 13 Monsters and want to add more complexity and options, then definitely pick up this expansion. If you missed out on backing 13 Monsters last time, maybe the team at Twisted Stranger will offer them during the next campaign for this expansion. I am quite happy to be adding this to my collection and I know it will see lots of table time for me. Good job team! Now go obliterate your friends! I mean, their monsters.
Emma @ The Movies (1786 KP) rated Pokémon: Detective Pikachu (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
The answer to the above is "yes" by the way... it's always yes.
When Tim gets to Ryme City and finds Pikachu, who was presumed dead along with his father, a mystery presents itself. Where is Harry Goodman? And why can Tim understand Pikachu? With an accidental encounter with a substance called R, and a reporter/intern sniffing around for a story, the sleuthing duo realise there's something bigger going on.
This really is a kids' version of Deadpool. I was even abbreviating "DP" in my notes.
I don't quite know where to start. My knowledge of Pokémon is very limited and as such, it hadn't occurred to me that Pokémon don't generally speak English. Had I remembered that fact then I probably would have guessed the ending very quickly. (Also, there's a point on this that is a spoiler that has since wound me up.)
It's not a great film, but it's an amusing one. I'm stumped as to who it is actually aimed at, it's not a kids films and it's not a adults film. It hovers somewhere overhead trying to get a slice of all the action. The kids were entertained but it was generally cooing at the animated characters when they appeared or laughing at physical humour. I was actually quite surprised that Pikachu's script has bad language in it considering it was a PG and always going to attract family viewers.
One of the many things that didn't fit for me was the very beginning of the film. While I love Karan Soni, I would have cut out the whole first scenes for a shorter and slightly more logical lead into the film. It felt a little forced as it's the only sighting of a Pokéball. I get it, you think Pokémon you see the ball, but with the city's introduction as a place where humans and Pokémon co-exist without battles you really didn't need to jam it in there.
Pikachu's animation was really good, particularly when we see him with wet fur. Consistency with the characters was a little hit and miss though and occasionally I felt like some scenes had missed a step compared to the rest of the film.
Generally the animation to real life interactions were good, generally. I can't get over how bad the full bar scene is that we see in the trailer. When Pikachu turns and his tail slaps Tim in the face... if you can't line it up well then why do it? I also found it very frustrating that Justice Smith never seemed to be looking at him properly, and it was more than just the ignoring him as was established earlier in the scene.
Kathryn Newton as Lucy Stevens... Now, I know there is always someone hyperactive in these things, but oh my. She also seemed a little surplus to requirements. Her only real purpose seemed to be as an awkward (sort of) love interest. Everything she brought to the story could easily have been achieved in other more relevant ways.
My absolute favourite part of the film is again, something that was slightly covered in a trailer, but the whole cut is wonderful if a little extreme if you over think it. Tim, Pikachu and Mr Mime. The interrogation scene is so funny... slightly sinister at the end but fun. I won't go on anymore because I don't want to spoil it for you.
I genuinely don't know how much the acting in this actually affects the overall film. Had you replaced any of the on-screen actors then you probably would have come out with the same film, without Ryan Reynolds, I'm not so sure.
As I said at the beginning, I don't know a massive about Pokémon, but even to me it doesn't seem like it matches with the franchise, perhaps that's the point. Will there be another? I don't know, but I suspect there's scope for it even though [SPOILER].
What you should do
It's amusing and I'm sure it'll be on for a while so perhaps see it when the hype has passed.
Movie thing you wish you could take home
Well obviously I want a Pokémon, but do I want a Pikachu or a Growlithe?
When Tim gets to Ryme City and finds Pikachu, who was presumed dead along with his father, a mystery presents itself. Where is Harry Goodman? And why can Tim understand Pikachu? With an accidental encounter with a substance called R, and a reporter/intern sniffing around for a story, the sleuthing duo realise there's something bigger going on.
This really is a kids' version of Deadpool. I was even abbreviating "DP" in my notes.
I don't quite know where to start. My knowledge of Pokémon is very limited and as such, it hadn't occurred to me that Pokémon don't generally speak English. Had I remembered that fact then I probably would have guessed the ending very quickly. (Also, there's a point on this that is a spoiler that has since wound me up.)
It's not a great film, but it's an amusing one. I'm stumped as to who it is actually aimed at, it's not a kids films and it's not a adults film. It hovers somewhere overhead trying to get a slice of all the action. The kids were entertained but it was generally cooing at the animated characters when they appeared or laughing at physical humour. I was actually quite surprised that Pikachu's script has bad language in it considering it was a PG and always going to attract family viewers.
One of the many things that didn't fit for me was the very beginning of the film. While I love Karan Soni, I would have cut out the whole first scenes for a shorter and slightly more logical lead into the film. It felt a little forced as it's the only sighting of a Pokéball. I get it, you think Pokémon you see the ball, but with the city's introduction as a place where humans and Pokémon co-exist without battles you really didn't need to jam it in there.
Pikachu's animation was really good, particularly when we see him with wet fur. Consistency with the characters was a little hit and miss though and occasionally I felt like some scenes had missed a step compared to the rest of the film.
Generally the animation to real life interactions were good, generally. I can't get over how bad the full bar scene is that we see in the trailer. When Pikachu turns and his tail slaps Tim in the face... if you can't line it up well then why do it? I also found it very frustrating that Justice Smith never seemed to be looking at him properly, and it was more than just the ignoring him as was established earlier in the scene.
Kathryn Newton as Lucy Stevens... Now, I know there is always someone hyperactive in these things, but oh my. She also seemed a little surplus to requirements. Her only real purpose seemed to be as an awkward (sort of) love interest. Everything she brought to the story could easily have been achieved in other more relevant ways.
My absolute favourite part of the film is again, something that was slightly covered in a trailer, but the whole cut is wonderful if a little extreme if you over think it. Tim, Pikachu and Mr Mime. The interrogation scene is so funny... slightly sinister at the end but fun. I won't go on anymore because I don't want to spoil it for you.
I genuinely don't know how much the acting in this actually affects the overall film. Had you replaced any of the on-screen actors then you probably would have come out with the same film, without Ryan Reynolds, I'm not so sure.
As I said at the beginning, I don't know a massive about Pokémon, but even to me it doesn't seem like it matches with the franchise, perhaps that's the point. Will there be another? I don't know, but I suspect there's scope for it even though [SPOILER].
What you should do
It's amusing and I'm sure it'll be on for a while so perhaps see it when the hype has passed.
Movie thing you wish you could take home
Well obviously I want a Pokémon, but do I want a Pikachu or a Growlithe?
Sophia (Bookwyrming Thoughts) (530 KP) rated Frost in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Ah, my first Norse mythology book (okay, I have another one by another author, but I'm a little hesitant on reading another of their works...).
For a debut novelist who started the book on Wattpad, <i>Frost</i> isn't that bad of a book. Latimer does a great job with building the world of Jotunheim (there's another name, but that's the easiest I remember) it's an icy world with frost giants, and there's magic to keep the ice palace from falling apart, etc. I personally think the entire world is really cool, and I would totally hop on an airplane to visit the place if it were real and I wouldn't get hypothermia from the moment I actually step off the plane.
Regardless, though, <i>Frost</i> had a decent grasp on a lot of elements that didn't make too much of an impact on me, not to mention the fact there aren't much Norse mythology going on here. The author is really using Norse mythology as a base and using the usual tropes of young adult fiction to fluff it up.
The writing style? I feel like there's something missing, but maybe it's because there's this gap when it comes to my relationship with Wattpad works. I'm not exactly used to Wattpad works, so I'm a little lenient in this department.
The characters? Petty, petty, petty. Too much pettiness going on here. Too much flawlessness and perfection going on with the jotun. I swear there is so much perfection going on with them, the only flaw they probably have is they're assholes. It's enough that "jerk" is not simply not good enough of a word to describe those jotun.
Most, if not all, hate Megan simply because she is the queen's favorite. They strive to take her down and pretty much urge her to leave, and they do it through threats and attacks. Meanwhile, the queen is completely unbelievable for doting on Megan MEGAN IS A STRANGER, FOR GODS' SAKES. But Latimer establishes the fact her frosty majesty is perhaps a little cuckoo in the head you're forgiven, I suppose.
And then there's Megan and Amora where do the boundaries between them end? Megan is called Amora, Amora is Amora, Megan is Megan. With all of the characters calling Megan, "Amora," it took a long while to get used to the fact Megan's "given" name by her frosty majesty is "Amora." However, at no point in the book does Latimer mention why Megan was given the name of Amora. Thus, assumptions must be made, and I personally believe it's grief and guilt.
Megan, on the other hand, is not exactly as insecure as she thinks. She's secretly brave, and I like her. I would like to say, however, that she is quite naïve in the beginning when she is running from Loki. She makes poor decisions that are worth facepalming using a credit card, even if it is not her own? Bad idea. They can still track you. (Must be a media hermit.)
The plot and storyline? Weak, but not that weak. I personally think the jotun being vengeful for a good part of the book probably played a big role in the weak plot. In the long run, I think Latimer probably didn't go into much detail with the overall plot because there seems to be a sequel coming in the future.
If anything, <i>Frost</i> is really just a book where the main character learns something unusual about herself and discovers who, or what, she really is. As mentioned before, there really isn't much from Norse mythology coming from this one, but I sure hope if there is a sequel, there are a lot more mythological elements used.
<a href="https://bookwyrmingthoughts.com/arc-review-frost-by-e-latimer/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Ah, my first Norse mythology book (okay, I have another one by another author, but I'm a little hesitant on reading another of their works...).
For a debut novelist who started the book on Wattpad, <i>Frost</i> isn't that bad of a book. Latimer does a great job with building the world of Jotunheim (there's another name, but that's the easiest I remember) it's an icy world with frost giants, and there's magic to keep the ice palace from falling apart, etc. I personally think the entire world is really cool, and I would totally hop on an airplane to visit the place if it were real and I wouldn't get hypothermia from the moment I actually step off the plane.
Regardless, though, <i>Frost</i> had a decent grasp on a lot of elements that didn't make too much of an impact on me, not to mention the fact there aren't much Norse mythology going on here. The author is really using Norse mythology as a base and using the usual tropes of young adult fiction to fluff it up.
The writing style? I feel like there's something missing, but maybe it's because there's this gap when it comes to my relationship with Wattpad works. I'm not exactly used to Wattpad works, so I'm a little lenient in this department.
The characters? Petty, petty, petty. Too much pettiness going on here. Too much flawlessness and perfection going on with the jotun. I swear there is so much perfection going on with them, the only flaw they probably have is they're assholes. It's enough that "jerk" is not simply not good enough of a word to describe those jotun.
Most, if not all, hate Megan simply because she is the queen's favorite. They strive to take her down and pretty much urge her to leave, and they do it through threats and attacks. Meanwhile, the queen is completely unbelievable for doting on Megan MEGAN IS A STRANGER, FOR GODS' SAKES. But Latimer establishes the fact her frosty majesty is perhaps a little cuckoo in the head you're forgiven, I suppose.
And then there's Megan and Amora where do the boundaries between them end? Megan is called Amora, Amora is Amora, Megan is Megan. With all of the characters calling Megan, "Amora," it took a long while to get used to the fact Megan's "given" name by her frosty majesty is "Amora." However, at no point in the book does Latimer mention why Megan was given the name of Amora. Thus, assumptions must be made, and I personally believe it's grief and guilt.
Megan, on the other hand, is not exactly as insecure as she thinks. She's secretly brave, and I like her. I would like to say, however, that she is quite naïve in the beginning when she is running from Loki. She makes poor decisions that are worth facepalming using a credit card, even if it is not her own? Bad idea. They can still track you. (Must be a media hermit.)
The plot and storyline? Weak, but not that weak. I personally think the jotun being vengeful for a good part of the book probably played a big role in the weak plot. In the long run, I think Latimer probably didn't go into much detail with the overall plot because there seems to be a sequel coming in the future.
If anything, <i>Frost</i> is really just a book where the main character learns something unusual about herself and discovers who, or what, she really is. As mentioned before, there really isn't much from Norse mythology coming from this one, but I sure hope if there is a sequel, there are a lot more mythological elements used.
<a href="https://bookwyrmingthoughts.com/arc-review-frost-by-e-latimer/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
BankofMarquis (1832 KP) rated A Wrinkle in Time (2018) in Movies
Mar 25, 2018
Need to iron out this Wrinkle
The target audience for Ava DuVernay's adaptation of the 1962 classic novel A WRINKLE IN TIME are youth ages 10-14.
I am not a youth ages 10-14.
A WRINKLE IN TIME follows the story of Meg, a young girl who's father has gone missing. With the help of mysterious figures Mrs. Which, Mrs. Whatsit and Mrs. Who, Meg goes in searching for her father - through space and time - and ends up helping to save the universe in the process.
As Directed by DuVernay (SELMA), this WRINKLE is fantastical in all ways, starting with the visuals I don't know how much was spent on this film, but all of it is on the screen as the images - and imagery - are fascinating to look at, the costumes are unique (to say the least) and the story is simple enough for even a young person to follow.
And that might be enough to hold the attention of a 10-14 youth - it wasn't enough for me.
If you start to really follow the plot (what there was of it) and the intentions in the scenes, items start to not add up at all. While I understood Meg's motivations - to find her Dad - well enough, NONE of the other character's motivations - and intentions - were clear, or made sense. At one point, a character turns from good to bad (or was it vica-versa) and it just didn't make any sense.
I think a lot of this issue was the 3 big stars that were cast as the benevolent overseers for Meg's journey. Reese Witherspoon, Mindy Kahling and, yes, Oprah Winfrey as Mrs. Whatsit, Mrs. Who and Mrs. Which (respectively). Their role in this adventure (I guess) is to guide and help Meg on her adventure, so they were supposed to be loving, caring and gentle with just a hint of secretness (so, I guess that Meg can figure things out for herself - kind of like Glinda the Good Witch in the Wizard of Oz). But, instead, they come off as smug, annoying know-it-alls who are purposely keeping key information from this young girl - if I was around, I would have called the police on them. Also...they all seemed to be acting in their own movies, so their styles just didn't mesh, as well as the acting styles of other "stars" like Michael Pena and (especially) Zach Galifinakas - I don't know what they heck he was doing, but Director DuVernay did a poor job of reigning him in or helping him to create any kind of semblance of character.
A fantastical feature with eye-popping visuals and, I'm afraid, poorly written, acted and directed. This might be enough for an enjoyable afternoon in the theater for the target audience.
It wasn't for me - and, I think, my front runner for WORST FILM OF 2018.
Letter Grade C (for the visuals and the always appealing performance of Chris Pine, who - I have to admit - I have a man crush on).
4 (out of 10) stars and you can take that to the Bank (OfMarquis)
I am not a youth ages 10-14.
A WRINKLE IN TIME follows the story of Meg, a young girl who's father has gone missing. With the help of mysterious figures Mrs. Which, Mrs. Whatsit and Mrs. Who, Meg goes in searching for her father - through space and time - and ends up helping to save the universe in the process.
As Directed by DuVernay (SELMA), this WRINKLE is fantastical in all ways, starting with the visuals I don't know how much was spent on this film, but all of it is on the screen as the images - and imagery - are fascinating to look at, the costumes are unique (to say the least) and the story is simple enough for even a young person to follow.
And that might be enough to hold the attention of a 10-14 youth - it wasn't enough for me.
If you start to really follow the plot (what there was of it) and the intentions in the scenes, items start to not add up at all. While I understood Meg's motivations - to find her Dad - well enough, NONE of the other character's motivations - and intentions - were clear, or made sense. At one point, a character turns from good to bad (or was it vica-versa) and it just didn't make any sense.
I think a lot of this issue was the 3 big stars that were cast as the benevolent overseers for Meg's journey. Reese Witherspoon, Mindy Kahling and, yes, Oprah Winfrey as Mrs. Whatsit, Mrs. Who and Mrs. Which (respectively). Their role in this adventure (I guess) is to guide and help Meg on her adventure, so they were supposed to be loving, caring and gentle with just a hint of secretness (so, I guess that Meg can figure things out for herself - kind of like Glinda the Good Witch in the Wizard of Oz). But, instead, they come off as smug, annoying know-it-alls who are purposely keeping key information from this young girl - if I was around, I would have called the police on them. Also...they all seemed to be acting in their own movies, so their styles just didn't mesh, as well as the acting styles of other "stars" like Michael Pena and (especially) Zach Galifinakas - I don't know what they heck he was doing, but Director DuVernay did a poor job of reigning him in or helping him to create any kind of semblance of character.
A fantastical feature with eye-popping visuals and, I'm afraid, poorly written, acted and directed. This might be enough for an enjoyable afternoon in the theater for the target audience.
It wasn't for me - and, I think, my front runner for WORST FILM OF 2018.
Letter Grade C (for the visuals and the always appealing performance of Chris Pine, who - I have to admit - I have a man crush on).
4 (out of 10) stars and you can take that to the Bank (OfMarquis)