Search
Search results
Ivana A. | Diary of Difference (1171 KP) rated The Stranger Game in Books
Feb 3, 2020
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://diaryofdifference.com/wp-content/uploads/2019/08/Book-Review-Banner-14.png"/>;
When Rebecca's boyfriend Ezra goes missing, she knows something is not quite right. But when she reports it to the police, they don't seem to really care. They suspect he's been playing ''The Stranger Game'', a game that went viral, where people take social media behaviour on the streets and start following each other in real life.
<b><i>The rules of the game are simple:</i></b>
<i>* You must choose a random person.
* You cannot make contact with other people (or tell them you're playing the game)
* You mustn't follow the same person twice.</i>
But as the game spreads, the rules start to change, and people start disappearing without a trace.
In hope that she she can find her man, Rebecca starts playing the game herself. But the more she gets involved, the bigger the risk is.
<b>When I read the synopsis about ''The Stranger Game'' by Peter Gadol, I knew I had to read the book. It is a plot that intrigues me and I am always up for reading more psychological thrillers.
But this book's delivery was weak. I found the story very slow and unintriguing, with no exceptional plot twists and with a disappointing and rather predictable ending. </b>
Rebecca was a difficult character to begin with. The writing in the chapters felt different, even though it was the same character's point of view. I was left very confused. I just wanted to get a better glance at ''The Stranger Game''. And I did, but the game scenario was so much different compared to the synopsis - which was only slightly annoying. But to top up the annoyance, there was a huge lack of mystery and suspense throughout the book. I just stopped caring whether Rebecca was going to find Ezra or not. I did not care whether her life was in danger. I was that unbothered.
<b><i>On a positive note,</i></b>
I did enjoy the psychological theme and people's behaviour. I always want to know more about how and why people behave in a certain way and this book definitely opened some interesting discussion points.
<b><i>Do I recommend it? Yes.
If you like human psychology and behaviour, this is a good book to have on your stack. But will this be the next mystery and suspense hit? Probably not...</i></b>
Thank you to team at HQ (Harper Collins Publishers), for sending me a copy of this book in exchange for my honest review.
<i>''The Stranger Game'' comes out on 5th September 2019.</i>
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://diaryofdifference.com/wp-content/uploads/2019/08/Book-Review-Banner-14.png"/>;
When Rebecca's boyfriend Ezra goes missing, she knows something is not quite right. But when she reports it to the police, they don't seem to really care. They suspect he's been playing ''The Stranger Game'', a game that went viral, where people take social media behaviour on the streets and start following each other in real life.
<b><i>The rules of the game are simple:</i></b>
<i>* You must choose a random person.
* You cannot make contact with other people (or tell them you're playing the game)
* You mustn't follow the same person twice.</i>
But as the game spreads, the rules start to change, and people start disappearing without a trace.
In hope that she she can find her man, Rebecca starts playing the game herself. But the more she gets involved, the bigger the risk is.
<b>When I read the synopsis about ''The Stranger Game'' by Peter Gadol, I knew I had to read the book. It is a plot that intrigues me and I am always up for reading more psychological thrillers.
But this book's delivery was weak. I found the story very slow and unintriguing, with no exceptional plot twists and with a disappointing and rather predictable ending. </b>
Rebecca was a difficult character to begin with. The writing in the chapters felt different, even though it was the same character's point of view. I was left very confused. I just wanted to get a better glance at ''The Stranger Game''. And I did, but the game scenario was so much different compared to the synopsis - which was only slightly annoying. But to top up the annoyance, there was a huge lack of mystery and suspense throughout the book. I just stopped caring whether Rebecca was going to find Ezra or not. I did not care whether her life was in danger. I was that unbothered.
<b><i>On a positive note,</i></b>
I did enjoy the psychological theme and people's behaviour. I always want to know more about how and why people behave in a certain way and this book definitely opened some interesting discussion points.
<b><i>Do I recommend it? Yes.
If you like human psychology and behaviour, this is a good book to have on your stack. But will this be the next mystery and suspense hit? Probably not...</i></b>
Thank you to team at HQ (Harper Collins Publishers), for sending me a copy of this book in exchange for my honest review.
<i>''The Stranger Game'' comes out on 5th September 2019.</i>
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Kirk Bage (1775 KP) rated Wheels (2014) in Movies
Mar 3, 2020 (Updated Mar 12, 2020)
According to the film’s IMDb page, this low budget indie production, filmed in Los Angeles is the greatest film of all time! A month ago it sat at 9.3, which is better than The Godfather and The Shawshank Redemption! As I am writing and compiling a book about the best 200 films of the 21st century, up to the end of 2019, I was obliged to check this out. With almost 18,000 votes to its name, there must be something in it being rated that highly, right?
Well, obviously not. Someone smart behind the film, listed variously as a 2014 or 2017 production, depending on where you look, had clearly gone out of their way to manipulate its online presence in the hope of gaining viewers. Look, it worked – I watched it, and now I’m writing about it. Pretty shameful really, as you find that almost no website has a bad review or rating for it out there; it has pretty much been scrubbed clean. How they did it, I do not know, but it is indefensible to be honest. The real shame being that it isn’t a bad film for the budget at all, and may have got more views and respect the old fashioned way.
The story revolves around a recently paralysed man becoming suicidal and finding another guy in a wheelchair to ask if he will blow his brains out with a gun. From there the two go on a rampage of drug addiction, self harm and anti-social misbehaviour. For every cliche in there, there is another moment which is quite well done, and although you can see the cracks here and there it is mostly a watchable and enjoyable film, with some laughs and some genuine emotion. Acting wise, the two leads (writer and co-director Donavon Warren and Patrick Hume) have their moments too; perhaps lacking anything hugely inciteful, but certainly competent enough to compare favourably to some higher profile movies.
Ultimately, it is merely fine. Not something you would recommend or especially remember, but not a complete waste of 2 hours either. It is clearly going for the idea that disabled people are helpless victims on its head, and does largely succeed in not condescending or amping up the pity. That doesn’t stop either of them being unlikable people, however – perhaps that is the point.
More interesting than the film by far is how these guys manipulated the publicity system to get it seen. So many films worth seeing drift into obscurity for lack of money, take the films of Shane Caruth, Primer and Upstream Color. Both incredible, original and intelligent movies that no one saw, and only word of mouth many years later puts them on anyone’s radar. Then there are the endless festival films that do the rounds and can’t pick up distribution, no matter how good. Perhaps a film like Wheels needs to employ these kind of tactics to survive. It is really a question of ethics. I have to say, as an honest reviewer, it does bother me that fake ratings and reviews can exist and slip under the wire. But maybe that is just me…?
Well, obviously not. Someone smart behind the film, listed variously as a 2014 or 2017 production, depending on where you look, had clearly gone out of their way to manipulate its online presence in the hope of gaining viewers. Look, it worked – I watched it, and now I’m writing about it. Pretty shameful really, as you find that almost no website has a bad review or rating for it out there; it has pretty much been scrubbed clean. How they did it, I do not know, but it is indefensible to be honest. The real shame being that it isn’t a bad film for the budget at all, and may have got more views and respect the old fashioned way.
The story revolves around a recently paralysed man becoming suicidal and finding another guy in a wheelchair to ask if he will blow his brains out with a gun. From there the two go on a rampage of drug addiction, self harm and anti-social misbehaviour. For every cliche in there, there is another moment which is quite well done, and although you can see the cracks here and there it is mostly a watchable and enjoyable film, with some laughs and some genuine emotion. Acting wise, the two leads (writer and co-director Donavon Warren and Patrick Hume) have their moments too; perhaps lacking anything hugely inciteful, but certainly competent enough to compare favourably to some higher profile movies.
Ultimately, it is merely fine. Not something you would recommend or especially remember, but not a complete waste of 2 hours either. It is clearly going for the idea that disabled people are helpless victims on its head, and does largely succeed in not condescending or amping up the pity. That doesn’t stop either of them being unlikable people, however – perhaps that is the point.
More interesting than the film by far is how these guys manipulated the publicity system to get it seen. So many films worth seeing drift into obscurity for lack of money, take the films of Shane Caruth, Primer and Upstream Color. Both incredible, original and intelligent movies that no one saw, and only word of mouth many years later puts them on anyone’s radar. Then there are the endless festival films that do the rounds and can’t pick up distribution, no matter how good. Perhaps a film like Wheels needs to employ these kind of tactics to survive. It is really a question of ethics. I have to say, as an honest reviewer, it does bother me that fake ratings and reviews can exist and slip under the wire. But maybe that is just me…?
Gareth von Kallenbach (980 KP) rated Snake Eyes: G.I. Joe Origins (2021) in Movies
Jul 22, 2021
The latest film in the G.I. Joe cinematic universe has arrived with “Snake Eyes: GI Joe Origins”. The film was originally planned to arrive in March of 2020 but faced delays due to cinematic closures during the Pandemic.
The film opens with a young boy being orphaned after a group of thugs kills his father. Years later the man is still obsessed with finding out who killed his father and earns a living in underground fighting known as Snake Eyes (Henry Golding)
His exploits get the attention of Kenta (Takehiro Hira); who hires him into his organization with a promise to help him find the man who killed his father.
Snake Eyes soon finds himself working on the docks where he smuggles guns into fish bound for Japan. Despite his misgivings working for criminals, he befriends a man named Tommy (Andrew Koji); who teases him about his demeaning work by calling him “Fish Boy”.
When Kenta forces Snake Eyes to kill Tommy for being a spy; Snake Eyes refuses and the two make a daring escape to Japan. It is learned that Tommy is next in line to run his clan and that Kenta was banished years prior and plans revenge.
Despite mistrust from a trusted associate named Akiko (Hakura Abe); Snake Eyes begins his training in the Ninja Arts which should he survive will make him a valued part of the Clan which Tommy believes is correct thanks to his Blood Debt to Snake Eyes.
The film focuses on various aspects of training before branching into the larger story of divided loyalties and honors which results in a few battles and chases along the way.
While the film does space the action out; it does provide some great cinematography and the action is entertaining even if it lacks much tension.
The biggest issue is that the G.I. Joe/COBRA connection seems a bit forced as The Baroness (Ursula Corbero) arrives to move things along but it is mainly for the purpose of getting characters to do this and get that so the film can move towards the climactic action.
Samara Weaving does show up as Scarlett but she does not have a very large part in the story and aside from a few limited action moments; she seems to be more of the token G.I.Joe representation.
Golding and Hira are very good and their intertwined and complicated relationship is giving plenty of time to develop as their past is a large part of their futures and the film does a good job in explaining their past and future motivations.
The film blends Asian and Western film styles and in doing so creates an enjoyable film that for me was more enjoyable than the prior films in the series. To me those films focused mainly on action and this one was focused on developing characters.
While it remains to be seen what direction future films in the franchise will take; it would be interesting to see more of Snake Eyes story down the line.
3 stars out of 5
The film opens with a young boy being orphaned after a group of thugs kills his father. Years later the man is still obsessed with finding out who killed his father and earns a living in underground fighting known as Snake Eyes (Henry Golding)
His exploits get the attention of Kenta (Takehiro Hira); who hires him into his organization with a promise to help him find the man who killed his father.
Snake Eyes soon finds himself working on the docks where he smuggles guns into fish bound for Japan. Despite his misgivings working for criminals, he befriends a man named Tommy (Andrew Koji); who teases him about his demeaning work by calling him “Fish Boy”.
When Kenta forces Snake Eyes to kill Tommy for being a spy; Snake Eyes refuses and the two make a daring escape to Japan. It is learned that Tommy is next in line to run his clan and that Kenta was banished years prior and plans revenge.
Despite mistrust from a trusted associate named Akiko (Hakura Abe); Snake Eyes begins his training in the Ninja Arts which should he survive will make him a valued part of the Clan which Tommy believes is correct thanks to his Blood Debt to Snake Eyes.
The film focuses on various aspects of training before branching into the larger story of divided loyalties and honors which results in a few battles and chases along the way.
While the film does space the action out; it does provide some great cinematography and the action is entertaining even if it lacks much tension.
The biggest issue is that the G.I. Joe/COBRA connection seems a bit forced as The Baroness (Ursula Corbero) arrives to move things along but it is mainly for the purpose of getting characters to do this and get that so the film can move towards the climactic action.
Samara Weaving does show up as Scarlett but she does not have a very large part in the story and aside from a few limited action moments; she seems to be more of the token G.I.Joe representation.
Golding and Hira are very good and their intertwined and complicated relationship is giving plenty of time to develop as their past is a large part of their futures and the film does a good job in explaining their past and future motivations.
The film blends Asian and Western film styles and in doing so creates an enjoyable film that for me was more enjoyable than the prior films in the series. To me those films focused mainly on action and this one was focused on developing characters.
While it remains to be seen what direction future films in the franchise will take; it would be interesting to see more of Snake Eyes story down the line.
3 stars out of 5
Tessa Duvall is an independent artist, who depends on no one but herself. It doesn't matter that she's barely scraping by: she has her pride. When Tessa reluctantly agrees to accompany her best friend, Holly, to a party at the ritzy hotel where Holly works, she isn't expecting much. Tessa isn't one for the lavish affairs that take place at the Grange--a hotel owned by the two incredibly wealthy Monahan brothers. That night, however, Tessa meets Ross Monahan, a renowned playboy. The two have a one-night-stand and Tessa doesn't think much of it: until she realizes she's pregnant. Meanwhile, Holly, spends her entire life throwing herself at Ross' brother, Max, but Max doesn't give her the time of day.
So, while this is a romance, and we're sort of all supposed to know how it ends up, we--as readers--are also supposed to enjoy getting there. It's like the cheesy Christmas movies I've been enjoying during the holiday season. Sure, you know immediately how they will end, but you should like watching the lovelorn workaholic and the handsome Christmas tree farmer fall in love nonetheless. Alas, it just didn't happen for me in this one. The plot was enjoyable at first, but then it just seemed like the same things kept happening over and over. And over. Pregnancies! Weeping! Running away! Angst! Some of the plot twists were just so strange and seemed inserted to keep the book going, but it didn't need to keep going, because it was *lasting forever.*
The majority of the characters annoyed me for most of the novel. Tessa, our supposedly independent heroine, spends a decent chunk of the novel running from her issues. And while I suppose that meant she wasn't running into Ross' arms, it was irritating nonetheless. Ross seemed to just be a cad, and I honestly didn't blame Tessa for avoiding him. The supporting cast was more enjoyable, but after a while, the book seemed bogged down by their own endless problems and "will they or won't they" issues of their own, along with a lot of plot devoted to Ross' exploits. After a while, I really didn't care who ended up with whom, I just wanted it all to be over. I smiled a few times and laughed a bit (Holly is a trip) but overall, this one just irritated me.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
So, while this is a romance, and we're sort of all supposed to know how it ends up, we--as readers--are also supposed to enjoy getting there. It's like the cheesy Christmas movies I've been enjoying during the holiday season. Sure, you know immediately how they will end, but you should like watching the lovelorn workaholic and the handsome Christmas tree farmer fall in love nonetheless. Alas, it just didn't happen for me in this one. The plot was enjoyable at first, but then it just seemed like the same things kept happening over and over. And over. Pregnancies! Weeping! Running away! Angst! Some of the plot twists were just so strange and seemed inserted to keep the book going, but it didn't need to keep going, because it was *lasting forever.*
The majority of the characters annoyed me for most of the novel. Tessa, our supposedly independent heroine, spends a decent chunk of the novel running from her issues. And while I suppose that meant she wasn't running into Ross' arms, it was irritating nonetheless. Ross seemed to just be a cad, and I honestly didn't blame Tessa for avoiding him. The supporting cast was more enjoyable, but after a while, the book seemed bogged down by their own endless problems and "will they or won't they" issues of their own, along with a lot of plot devoted to Ross' exploits. After a while, I really didn't care who ended up with whom, I just wanted it all to be over. I smiled a few times and laughed a bit (Holly is a trip) but overall, this one just irritated me.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Chris Sawin (602 KP) rated Bronson (2009) in Movies
Jun 19, 2019 (Updated Jun 20, 2019)
Michael Peterson has always wanted to be famous, but didn't really have any potential to be much of anything. So he robbed a post office and received a seven year sentence. That seven years soon became over thirty and the majority of it was spent in solitary confinement. It was during this time that Michael Peterson let his alter-ego, Charles Bronson, take over. During his multi-year prison sentence, Peterson became violent and unpredictable. To this day, he's still considered to be Britain's most famous prisoner. Michael Peterson was no more and Charles Bronson was all that remained.
Bronson is one of the more interesting films I've had the pleasure of sitting through as of late. In the trailer (and movie poster), a quote can be seen where a reviewer called the film, "A Clockwork Orange for the 21st century." That quote is really spot-on. There is a big Clockwork Orange influence in this film. While Michael Peterson narrates the entire film, the film jumps between what actually happened and Peterson performing in front of an audience in a rather large theater. The make-up, the setting, and Hardy's performance are all very Clockwork Orange-esque. Another film that came to mind was Snatch. The action sequences and a lot of the humor gave off the same kind of vibe Guy Ritchie's film did. Bronson is very much its own film, but shares the same beloved qualities of the films mentioned.
Bronson is what it is because of Tom Hardy's performance. He's guiding you through his life, his dreams, and his goals while you're with him the duration of the film, so it's only logical that he steals the show since he gets the most screen time. The fact that he doesn't waste any of it is something to be proud of though. He makes what would be a rather dismal story entertaining, exciting, and worth sitting through. Hardy's performance is the highlight of the film. There's really no questioning that.
Bronson was really a sleeper hit for me since its premise didn't interest me at all, but it wound up luring me in with its trailer. It's a very unorthodox type of film that isn't like many other films out there. Films like Bronson think outside the box of normal cinema and is the type of gem you'd hope to find whenever you journey out to your favorite theater. If you're looking for a film that is a knock-down-drag-out, eccentric, thrill-ride with a strong lead actor performance, then look no further. Bronson is exactly what you're looking for.
Bronson is one of the more interesting films I've had the pleasure of sitting through as of late. In the trailer (and movie poster), a quote can be seen where a reviewer called the film, "A Clockwork Orange for the 21st century." That quote is really spot-on. There is a big Clockwork Orange influence in this film. While Michael Peterson narrates the entire film, the film jumps between what actually happened and Peterson performing in front of an audience in a rather large theater. The make-up, the setting, and Hardy's performance are all very Clockwork Orange-esque. Another film that came to mind was Snatch. The action sequences and a lot of the humor gave off the same kind of vibe Guy Ritchie's film did. Bronson is very much its own film, but shares the same beloved qualities of the films mentioned.
Bronson is what it is because of Tom Hardy's performance. He's guiding you through his life, his dreams, and his goals while you're with him the duration of the film, so it's only logical that he steals the show since he gets the most screen time. The fact that he doesn't waste any of it is something to be proud of though. He makes what would be a rather dismal story entertaining, exciting, and worth sitting through. Hardy's performance is the highlight of the film. There's really no questioning that.
Bronson was really a sleeper hit for me since its premise didn't interest me at all, but it wound up luring me in with its trailer. It's a very unorthodox type of film that isn't like many other films out there. Films like Bronson think outside the box of normal cinema and is the type of gem you'd hope to find whenever you journey out to your favorite theater. If you're looking for a film that is a knock-down-drag-out, eccentric, thrill-ride with a strong lead actor performance, then look no further. Bronson is exactly what you're looking for.
Eleanor Luhar (47 KP) rated Breakfast with Tiffany: An Uncle's Memoir. Edwin John Wintle in Books
Jun 24, 2019
My teacher gave me a small stack of books to read upon hearing how much I love reading, and claimed that this was her all-time favourite. Honestly, the title is what really appealed to me - clearly, it wasn't anything to do with Breakfast at Tiffany's, but I appreciated the reference.
This novel, this memoir, is a truthful, brutally honest book about life. I can't say I know what it's like to be in the author's place - I'm not a man, I'm not gay, I am not the guardian of my niece and I don't even live in America - but the little things are just so real.
Tiffany's home life isn't great, and one day her uncle volunteers to take her in. Never did he anticipate so much drama and pain from such a small girl. She's thirteen when she first moves in with her Uncle Eddy, and despite being a nice girl she is known to hang around with the wrong crowd. No matter how hard he tries, Eddy cannot prevent her from finding similar friends at her new school.
The pair really go through their ups and downs, and Ed himself talks a lot about personal thoughts and issues. He'd tested HIV-positive many years ago, and was also an unsuccessful actor. He broke up with his boyfriend relatively recently, and suffers from obsessive compulsive disorder. Basically, life just has not turned out the way he'd planned.
Living with a teenager teaches him a lot of things. He is reminded of his own youth, and has to get on with his life all while keeping Tiffany going too. It's not easy. Things do get rough, and he does find himself wondering why he ever got himself into this. But in the end their relationship is good, and they have a lot of fun together.
I did find this book great. It has hints of humour, conveys the bitter truth, and even gave me a taste of what it's like to be a guardian of a teenage girl. There are definitely references I would have appreciated more had I been older than sixteen, and many of Ed's problems, thoughts or situations may have been more interesting or important to an older generation.
That being said, I actually kind of loved this book. It isn't quite in my favourites - but who knows, maybe in thirty years time it will be. I think I can easily give Breakfast with Tiffany: An Uncle's Memoir 4.5 stars out of the full five.
This novel, this memoir, is a truthful, brutally honest book about life. I can't say I know what it's like to be in the author's place - I'm not a man, I'm not gay, I am not the guardian of my niece and I don't even live in America - but the little things are just so real.
Tiffany's home life isn't great, and one day her uncle volunteers to take her in. Never did he anticipate so much drama and pain from such a small girl. She's thirteen when she first moves in with her Uncle Eddy, and despite being a nice girl she is known to hang around with the wrong crowd. No matter how hard he tries, Eddy cannot prevent her from finding similar friends at her new school.
The pair really go through their ups and downs, and Ed himself talks a lot about personal thoughts and issues. He'd tested HIV-positive many years ago, and was also an unsuccessful actor. He broke up with his boyfriend relatively recently, and suffers from obsessive compulsive disorder. Basically, life just has not turned out the way he'd planned.
Living with a teenager teaches him a lot of things. He is reminded of his own youth, and has to get on with his life all while keeping Tiffany going too. It's not easy. Things do get rough, and he does find himself wondering why he ever got himself into this. But in the end their relationship is good, and they have a lot of fun together.
I did find this book great. It has hints of humour, conveys the bitter truth, and even gave me a taste of what it's like to be a guardian of a teenage girl. There are definitely references I would have appreciated more had I been older than sixteen, and many of Ed's problems, thoughts or situations may have been more interesting or important to an older generation.
That being said, I actually kind of loved this book. It isn't quite in my favourites - but who knows, maybe in thirty years time it will be. I think I can easily give Breakfast with Tiffany: An Uncle's Memoir 4.5 stars out of the full five.
LeftSideCut (3776 KP) rated X-Men: Apocalypse (2016) in Movies
Aug 19, 2019 (Updated Oct 25, 2019)
A dammmnnn shame
Contains spoilers, click to show
Oh boy.
I'm going to get straight to the main flaw with this one - I'm not sure how someone can really mess up Apocalypse so bad - he is a great X-Men villain. I remember watching the cartoon as a kid, being enamoured whenever Apocalypse turned up. The first mutant, practically a god, terrifying voice etc.
The Age of Apocalypse story arc is also a great comic - one where we see just how dangerous Apocalypse can be.
But instead of this classic villain, we get, well whatever the hell this is.
Oscar Isaac is give or take in other films I've seen him in, he just sort of exists to me, but I'm sure he did the best he could with what he was given.
But the character we're presented with in X-Men: Apocalypse is a mutant that isn't particularly terrifying, whose motives aren't very clear, and who speaks in a goddam normal human voice for the entire movie.
He looks, ok I guess, a little Ivan Ooze-ish at times, and there is a (very) brief moment where his voice goes all demonic and his eyes turn white, which offers a tiny glimpse of what could have been.
Elsewhere, the still awesome Michael Fassbender is relegated to a sidekick character, new cast members such as Psylocke, Angel, and Storm are there just to strike poses to edgy rock music, and Quicksilver gets a re hash of his great scene from DOFP that just doesn't quite hit the mark this time round.
The introduction of Sophie Turner as Jean Grey is fine, and it's nice to see a young Cyclops, Nightcrawler etc, but they're not given too much to do. It all just feels like one big wasted opportunity.
The film would have been much better and ballsier had it ended with Apocalypse winning, and ushering a full on Age of Apocalypse scenario for a sequel, but instead, he is dispatched with not too much trouble, as the writers poorly shoehorn in a segue for Dark Phoenix (for the second time in this franchise)
It's not all bad, there are times where I felt I was watching the cartoon come to life. The opening scene in ancient Egypt was pretty fun, and I actually quite enjoyed the brief Wolverine scene - those few minutes were way more entertaining to me than the entirety of X-Men Origins: Wolverine.
Overall though, this one had me wanting the rights to return to Marvel Studios.
I'm going to get straight to the main flaw with this one - I'm not sure how someone can really mess up Apocalypse so bad - he is a great X-Men villain. I remember watching the cartoon as a kid, being enamoured whenever Apocalypse turned up. The first mutant, practically a god, terrifying voice etc.
The Age of Apocalypse story arc is also a great comic - one where we see just how dangerous Apocalypse can be.
But instead of this classic villain, we get, well whatever the hell this is.
Oscar Isaac is give or take in other films I've seen him in, he just sort of exists to me, but I'm sure he did the best he could with what he was given.
But the character we're presented with in X-Men: Apocalypse is a mutant that isn't particularly terrifying, whose motives aren't very clear, and who speaks in a goddam normal human voice for the entire movie.
He looks, ok I guess, a little Ivan Ooze-ish at times, and there is a (very) brief moment where his voice goes all demonic and his eyes turn white, which offers a tiny glimpse of what could have been.
Elsewhere, the still awesome Michael Fassbender is relegated to a sidekick character, new cast members such as Psylocke, Angel, and Storm are there just to strike poses to edgy rock music, and Quicksilver gets a re hash of his great scene from DOFP that just doesn't quite hit the mark this time round.
The introduction of Sophie Turner as Jean Grey is fine, and it's nice to see a young Cyclops, Nightcrawler etc, but they're not given too much to do. It all just feels like one big wasted opportunity.
The film would have been much better and ballsier had it ended with Apocalypse winning, and ushering a full on Age of Apocalypse scenario for a sequel, but instead, he is dispatched with not too much trouble, as the writers poorly shoehorn in a segue for Dark Phoenix (for the second time in this franchise)
It's not all bad, there are times where I felt I was watching the cartoon come to life. The opening scene in ancient Egypt was pretty fun, and I actually quite enjoyed the brief Wolverine scene - those few minutes were way more entertaining to me than the entirety of X-Men Origins: Wolverine.
Overall though, this one had me wanting the rights to return to Marvel Studios.
Merissa (13398 KP) rated Survaine (Gen-Heirs: The Guardians of Sziveria #6) in Books
Jun 13, 2023
SURVAINE is the sixth book in the Gen-Heirs: The Guardians of Sziveria series and we finally get Ramsey's story! Oh boy, but I've been waiting for this one. She is smart and sassy, with a strong sense of right and wrong. Due to her circumstances, she has been protected by her brother as much as he can. But unknown to Jonathan, she met Caiden one night when things were bad. A connection formed and he returned to her when she needed him most, even if she wasn't aware of it!
I love this series. Honestly, each book is great in its own way. This one - it was Ramsey and Caiden that were the stars for me. I mean, obviously, it should be; it's their book. It doesn't always work that way though. I loved how Ramsey was uncomfortable and even a little whiny as she dealt with things she'd never had to do before.
It was also good to catch up with others from this series - Sean and Katria plus Jonathan and Sylphine - to see what's going on with them. Others are mentioned as this story moves the story arc along in a big way, which although needed is one of the reasons I felt a little disconnected from Ramsey and Caiden. Take them as separate characters and they are both outstanding. Both of them are strong but not infallible. They draw strength from each other and have an attraction to top the charts - BUT - I felt as though something was missing.
After thinking it over, I've come to the conclusion that it's because this is such an action-packed book. And I know it's necessary and helped move it along, but they never got any downtime. When we're with them, it's either action or wannabe sexy times. There was little in the way of just 'them.' And I missed that as, in the bits we did get, Caiden was so caring and attentive, with Ramsey being so strong and cheeky, I wanted more.
All in all, this was a fantastic read and a wonderful addition to the series. I can't wait to read Deklan's story and I'm really hoping Ryan and Delanee get one too! Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 13, 2023
I love this series. Honestly, each book is great in its own way. This one - it was Ramsey and Caiden that were the stars for me. I mean, obviously, it should be; it's their book. It doesn't always work that way though. I loved how Ramsey was uncomfortable and even a little whiny as she dealt with things she'd never had to do before.
It was also good to catch up with others from this series - Sean and Katria plus Jonathan and Sylphine - to see what's going on with them. Others are mentioned as this story moves the story arc along in a big way, which although needed is one of the reasons I felt a little disconnected from Ramsey and Caiden. Take them as separate characters and they are both outstanding. Both of them are strong but not infallible. They draw strength from each other and have an attraction to top the charts - BUT - I felt as though something was missing.
After thinking it over, I've come to the conclusion that it's because this is such an action-packed book. And I know it's necessary and helped move it along, but they never got any downtime. When we're with them, it's either action or wannabe sexy times. There was little in the way of just 'them.' And I missed that as, in the bits we did get, Caiden was so caring and attentive, with Ramsey being so strong and cheeky, I wanted more.
All in all, this was a fantastic read and a wonderful addition to the series. I can't wait to read Deklan's story and I'm really hoping Ryan and Delanee get one too! Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 13, 2023
Kristy H (1252 KP) rated Dear Thing in Books
Feb 13, 2018
Claire and Ben have a seemingly ideal life - good jobs, a beautiful house, and what seems to be a strong relationship. But they've been trying to have a baby for years, and it's starting to take a toll on them and their marriage. After yet another failed round of IVF, Claire is done. She cannot put her body (and her heart) through this pain yet again. Ben is upset and not ready to give up. So when his best friend, Romily, drunkenly offers to act as a surrogate for the couple, Ben jumps on it! Why not? Romily -- already a single mom to Posie -- seems like the perfect choice, after all. And Romily does want to give Ben and Claire the baby they so desire. But if she really admits it, she really wants to give *Ben* this baby: Ben, whom Romily has secretly loved since university. Will Romily really be able to give up this baby? And, can she give up Ben?
This was a lovely and fascinating book, which I devoured in the span of about 24 hours. It's an extremely quick read with well-drawn characters who immediately pull you into the story. Having struggled with infertility myself, I certainly identified with Claire, but also found pieces of Romily and Ben to love as well. One of the strengths of Cohen's book is that there is no one true "winner" here - you don't go in and immediately find yourself rooting for one of the women and their "side," which I think benefits the entire book and its storyline.
Some of the plot is almost a little too unbelievable (and sometimes I'd like to swat clueless Ben in the head), but most of it is made up for by the realism of the characters and their emotions. Claire, especially, in her fertility struggle, is true to form, as is Romily, as she struggles with her feelings for Ben. Romily's young daughter Posie is a wonderful character - you will immediately fall for spirited, sweet Posie.
To me, the only weakness of this book was the ending, which seemed a little to pat and simplified for all the complicated emotions the characters had been struggling with throughout. That's the only thing preventing a 4-star rating. Still, a solid 3.5 read and, really, a lovely and worthwhile book. It gets you out of your head for a bit.
I received an ARC of this novel from Netgalley (thank you!); it is available for U.S. publication on 3/29. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
This was a lovely and fascinating book, which I devoured in the span of about 24 hours. It's an extremely quick read with well-drawn characters who immediately pull you into the story. Having struggled with infertility myself, I certainly identified with Claire, but also found pieces of Romily and Ben to love as well. One of the strengths of Cohen's book is that there is no one true "winner" here - you don't go in and immediately find yourself rooting for one of the women and their "side," which I think benefits the entire book and its storyline.
Some of the plot is almost a little too unbelievable (and sometimes I'd like to swat clueless Ben in the head), but most of it is made up for by the realism of the characters and their emotions. Claire, especially, in her fertility struggle, is true to form, as is Romily, as she struggles with her feelings for Ben. Romily's young daughter Posie is a wonderful character - you will immediately fall for spirited, sweet Posie.
To me, the only weakness of this book was the ending, which seemed a little to pat and simplified for all the complicated emotions the characters had been struggling with throughout. That's the only thing preventing a 4-star rating. Still, a solid 3.5 read and, really, a lovely and worthwhile book. It gets you out of your head for a bit.
I received an ARC of this novel from Netgalley (thank you!); it is available for U.S. publication on 3/29. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
Alice (12 KP) rated Blood Bank in Books
Jul 3, 2018
<i>I received a copy of this book in exchange for an honest review</i>
Blood Bank is the first book by Zoe Markham that I’ve read and it was one of those “swallow you whole” books. It was only a short little novella but it was packed full of action and kept your interest from the get go.
From the very first page we’re drawn into a story about the paranormal like no other; it begins with a carnival and quickly transfers into the town of Swindon and vampires. Not just any vampires – we’re talking brutal business men – not the romantic kind we all know – but vampires you DO NOT FUCK with.
There’s a club in Swindon where only the down-on-their-luck can get an invitation into its depths, where, if you can’t pay in money, you pay in the next best commodity – blood. The characters we see in this book are Zack, Ben and Lucy – all three of whom eventually have a link.
Zack and Lucy are in a relationship and this is basically where the story begins, they’re out on a date and as usual Lucy ends up paying for it, Zach has got himself into some big time debt and the only way to get out of it is to donate his blood.
Ben is a vampire – 10 years converted and hating it more each day – he comes to Lucy’s rescue when something bad happens to her and they develop a relationship that seems to be healthier than Lucy and Zack’s one. Zack has got the ugliest bracelet on which was supplied to him by his new employer, the creepiest priest agoing y’all. When they call, he has to come, if he doesn’t then the debt goes to his nearest and dearest.
The writing style of this book was one that I really liked, the correct terminology was used for the enemy of the vampires which was great and there was a suitable amount of freak out on Zack’s part and it was written with that in mind. Lucy was surprisingly mature given her age and I liked that about her.
There also wasn’t a lot of unnecessary filler dialogue or descriptions which I sometimes find with novellas – as if they struggled to fill the small amount of pages novellas take up – I didn’t find this with Zoe’s Blood Bank which has kind of given me an insight into her other writing which I’d love to read.
Blood Bank is the first book by Zoe Markham that I’ve read and it was one of those “swallow you whole” books. It was only a short little novella but it was packed full of action and kept your interest from the get go.
From the very first page we’re drawn into a story about the paranormal like no other; it begins with a carnival and quickly transfers into the town of Swindon and vampires. Not just any vampires – we’re talking brutal business men – not the romantic kind we all know – but vampires you DO NOT FUCK with.
There’s a club in Swindon where only the down-on-their-luck can get an invitation into its depths, where, if you can’t pay in money, you pay in the next best commodity – blood. The characters we see in this book are Zack, Ben and Lucy – all three of whom eventually have a link.
Zack and Lucy are in a relationship and this is basically where the story begins, they’re out on a date and as usual Lucy ends up paying for it, Zach has got himself into some big time debt and the only way to get out of it is to donate his blood.
Ben is a vampire – 10 years converted and hating it more each day – he comes to Lucy’s rescue when something bad happens to her and they develop a relationship that seems to be healthier than Lucy and Zack’s one. Zack has got the ugliest bracelet on which was supplied to him by his new employer, the creepiest priest agoing y’all. When they call, he has to come, if he doesn’t then the debt goes to his nearest and dearest.
The writing style of this book was one that I really liked, the correct terminology was used for the enemy of the vampires which was great and there was a suitable amount of freak out on Zack’s part and it was written with that in mind. Lucy was surprisingly mature given her age and I liked that about her.
There also wasn’t a lot of unnecessary filler dialogue or descriptions which I sometimes find with novellas – as if they struggled to fill the small amount of pages novellas take up – I didn’t find this with Zoe’s Blood Bank which has kind of given me an insight into her other writing which I’d love to read.