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BankofMarquis (1832 KP) rated Interstellar (2014) in Movies
Aug 9, 2018
Another top notch cinematic experience by the best director of our time
2014's INTERSTELLAR is one of Christopher Nolan's most ambitious works - and that is saying alot. It also is one of his best. Nolan - and his brother, the screenwriter of this film, Jonathan Nolan - wanted to make a "real" science fiction film, with the emphasis on the science, so they enlisted the help of noted theoretical physicist, Dr. Kip Thorne to ensure that they were not violating any established physical laws and that all speculations would spring from science and not fantasy.
And, for the most part, they succeed.
Following the adventures of "everyman" Cooper (if you call a farmer who is also a top notch astronaut, pilot and engineer an everyman), Interstellar tells of an Earth of the not-too-distant future that is running out of food and mankind must find a new planet to inhabit or else face extinction. Talked into leaving his family and heading into space, Cooper must face the challenges of his mission while fighting the emotions of leaving his family behind on a dying world.
As Cooper, Matthew McConaughey (at the height of his "McConnaissance") is perfectly cast as this "everyman". He brings the right balance of charisma, heroism, emotional maturity, intelligence and a "down to earth" behavior that has us rooting for him from the start. His acting is at the highest level and is matched, beat by beat by Jessica Chastain and (surprisingly to me at the time) Anne Hathaway as a fellow astronaut/scientist.
The special effects, worlds, circumstances, narrow escapes and deflating defeats are all handled in typical top-notch Nolan fashion, but it is the emotional stakes - specifically between McConaughey and Chastain (as his grown up daughter) are what keeps this film "grounded" and rises it above the standard sci-fi fair.
Nolan regular Michael Caine, the always great John Lithgow, Wes Bentley, Ellen Burstyn, a "before he was famous" Timothee Chalamet, another "before he was famous" David Oyelowo, Casey Affleck and a "surprise apperance" by a very famous "A" lister (who I will not name, so as not to ruin it) are all equally as good and give the proceedings the gravitas it needs.
Special notice needs to be made of the performance of Bill Irwin as the robot TARS (all space movies need a robot, right?). He performs the puppetry of the robot (Nolan wished to do everything as "practical" as possible) and adds large doses of humanity - and humor - to this non-human.
Another bit of special notice needs to be given to frequent Nolan collaborator - the brilliant Composer Hans Zimmer. He was tasked by Nolan to create a "unique" score - one that does not rely heavily on crescendoing strings and horns - and he succeeds tremendously with a hauntingly, melodic and driving score that heightens - but never overpowers - the scenes playing on the screen.
The decision as to whether or not you like this film will hinge on your "believability" of the final chapter - one where I "went with the flow" and was all right with, but (I'm sure) others will struggle with.
All in all, another top notch film by the best director of our day. If you have never seen INTERSTELLAR - or if you haven't seen it in awhile - I suggest you check it out, you'll be glad you did.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank (ofMarquis)
And, for the most part, they succeed.
Following the adventures of "everyman" Cooper (if you call a farmer who is also a top notch astronaut, pilot and engineer an everyman), Interstellar tells of an Earth of the not-too-distant future that is running out of food and mankind must find a new planet to inhabit or else face extinction. Talked into leaving his family and heading into space, Cooper must face the challenges of his mission while fighting the emotions of leaving his family behind on a dying world.
As Cooper, Matthew McConaughey (at the height of his "McConnaissance") is perfectly cast as this "everyman". He brings the right balance of charisma, heroism, emotional maturity, intelligence and a "down to earth" behavior that has us rooting for him from the start. His acting is at the highest level and is matched, beat by beat by Jessica Chastain and (surprisingly to me at the time) Anne Hathaway as a fellow astronaut/scientist.
The special effects, worlds, circumstances, narrow escapes and deflating defeats are all handled in typical top-notch Nolan fashion, but it is the emotional stakes - specifically between McConaughey and Chastain (as his grown up daughter) are what keeps this film "grounded" and rises it above the standard sci-fi fair.
Nolan regular Michael Caine, the always great John Lithgow, Wes Bentley, Ellen Burstyn, a "before he was famous" Timothee Chalamet, another "before he was famous" David Oyelowo, Casey Affleck and a "surprise apperance" by a very famous "A" lister (who I will not name, so as not to ruin it) are all equally as good and give the proceedings the gravitas it needs.
Special notice needs to be made of the performance of Bill Irwin as the robot TARS (all space movies need a robot, right?). He performs the puppetry of the robot (Nolan wished to do everything as "practical" as possible) and adds large doses of humanity - and humor - to this non-human.
Another bit of special notice needs to be given to frequent Nolan collaborator - the brilliant Composer Hans Zimmer. He was tasked by Nolan to create a "unique" score - one that does not rely heavily on crescendoing strings and horns - and he succeeds tremendously with a hauntingly, melodic and driving score that heightens - but never overpowers - the scenes playing on the screen.
The decision as to whether or not you like this film will hinge on your "believability" of the final chapter - one where I "went with the flow" and was all right with, but (I'm sure) others will struggle with.
All in all, another top notch film by the best director of our day. If you have never seen INTERSTELLAR - or if you haven't seen it in awhile - I suggest you check it out, you'll be glad you did.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank (ofMarquis)
Phillip McSween (751 KP) rated Ant-Man and the Wasp (2018) in Movies
Oct 2, 2018
Solid and Light
The micro-sized superhero is back on a new adventure with old friends.
Acting: 10
Beginning: 10
Ant-Man and the Wasp gets off to a solid start that grabs your attention from jump. The players are re-introduced fairly quickly and it’s not long before you remember why you missed this portion of the Marvel Cinematic Universe. While I felt there were definitely some big shoes to fill following behind and an Avengers film (and we all remember how that started, sorry Hulk), the first ten minutes left a big smile on my face.
Characters: 10
The gang is back and in full effect. Scott Lang (Paul Rudd) is just a man trying to live out his house arrest sentence so he can be free to spend more time with his daughter. He packs a hilarity and sincerity that I’ve come to appreciate in all of Rudd’s roles. He is a star…but this film wouldn’t survive without Luis (Michael Pena). He’s frantic, clueless, and gives out way too many details every chance he gets. He innocently has no filter and it makes for some serious rib-splitting moments. Just thinking about it now makes me want to go back for a rewatch.
Cinematography/Visuals: 10
Hands-down some of the best special effects you will see in a Marvel film. I have immense respect for the larger-than-life setpieces they create when the characters are ant-sized. It’s like an entirely different world a la Honey I Shrunk the Kids. The transition from large-to-small and vice versa is seamless, making for perfect action sequences.
Conflict: 10
The film has everything you could want from an action standpoint. Car chases? Check. Fight scenes? Top notch. Superhero action? Yes please!
I’ve seen some critics come down on the fact that the villain was less of a threat than previous Marvel films, but I believe the villain matched perfectly with the overall tone of this sequel. Besides, how do you follow up on Thanos? You go completely in the opposite direction. Last thing to note: Ghost wasn’t exactly a slouch. She kicked some serious butt throughout and had some great scenes.
Genre: 7
I think this has more to do with where the genre has come rather than a knock on the film itself. In a genre where the stakes are higher than ever, the screen is packed with stars, and more films are driving a point home with an actual message, Ant-Man and the Wasp is more of a light-hearted romp that doesn’t serve to take itself too seriously. It’s a fun film that does fun better than most.
Memorability: 9
Perfect blend of action and comedy. The film succeeds by staying in its lane and doing what it does best. The action sequences are creative and fresh while the storytelling comes at you in such a hilarious way, it makes itself stand out. No spoilers, just know you’re in for a treat.
Pace: 10
Plot: 7
Resolution: 10
Overall: 93
Looking for some good family fun that will keep you entertained and laughing. Don’t miss Ant-Man and the Wasp. Hands down one of the best films I have seen in 2018.
Acting: 10
Beginning: 10
Ant-Man and the Wasp gets off to a solid start that grabs your attention from jump. The players are re-introduced fairly quickly and it’s not long before you remember why you missed this portion of the Marvel Cinematic Universe. While I felt there were definitely some big shoes to fill following behind and an Avengers film (and we all remember how that started, sorry Hulk), the first ten minutes left a big smile on my face.
Characters: 10
The gang is back and in full effect. Scott Lang (Paul Rudd) is just a man trying to live out his house arrest sentence so he can be free to spend more time with his daughter. He packs a hilarity and sincerity that I’ve come to appreciate in all of Rudd’s roles. He is a star…but this film wouldn’t survive without Luis (Michael Pena). He’s frantic, clueless, and gives out way too many details every chance he gets. He innocently has no filter and it makes for some serious rib-splitting moments. Just thinking about it now makes me want to go back for a rewatch.
Cinematography/Visuals: 10
Hands-down some of the best special effects you will see in a Marvel film. I have immense respect for the larger-than-life setpieces they create when the characters are ant-sized. It’s like an entirely different world a la Honey I Shrunk the Kids. The transition from large-to-small and vice versa is seamless, making for perfect action sequences.
Conflict: 10
The film has everything you could want from an action standpoint. Car chases? Check. Fight scenes? Top notch. Superhero action? Yes please!
I’ve seen some critics come down on the fact that the villain was less of a threat than previous Marvel films, but I believe the villain matched perfectly with the overall tone of this sequel. Besides, how do you follow up on Thanos? You go completely in the opposite direction. Last thing to note: Ghost wasn’t exactly a slouch. She kicked some serious butt throughout and had some great scenes.
Genre: 7
I think this has more to do with where the genre has come rather than a knock on the film itself. In a genre where the stakes are higher than ever, the screen is packed with stars, and more films are driving a point home with an actual message, Ant-Man and the Wasp is more of a light-hearted romp that doesn’t serve to take itself too seriously. It’s a fun film that does fun better than most.
Memorability: 9
Perfect blend of action and comedy. The film succeeds by staying in its lane and doing what it does best. The action sequences are creative and fresh while the storytelling comes at you in such a hilarious way, it makes itself stand out. No spoilers, just know you’re in for a treat.
Pace: 10
Plot: 7
Resolution: 10
Overall: 93
Looking for some good family fun that will keep you entertained and laughing. Don’t miss Ant-Man and the Wasp. Hands down one of the best films I have seen in 2018.
Gareth von Kallenbach (974 KP) rated Mad Max: Fury Road (2015) in Movies
Jun 19, 2019
When we last saw former cop turned wasteland warrior Max, it was nearly 30 years ago. Writer/Director George Miller had envisioned a follow up back in 2000, but various factors delayed the film so much that star Mel Gibson believed he had become too old to play the character which opened the door for Tom Hardy to don the knee brace of the famous character.
In “Fury Road”, fans are given a lavish spectacle that is one non-stop ride of intensity that is as my wife put it, “pushing me so far back into my seat that I am almost in the row behind us”.
When Max is captured by a vicious group lead by Immortal Joe, he stumbles into a true hell on earth as Joe has legions of warriors, most of whom have various health issues, it is assumed from the post nuclear world in which they live. They use captured individuals as blood donors to help make the sick live longer and Joe himself controls a large supply of fresh water as well as oversees what he considers his breeding stock of women.
When Imperator Furiosa (Charlize Theron), goes rogue and abducts Joe’s harem, this begins a breakneck and deadly pursuit across the wastelands where Max finds himself literally chained to the front of a car as a blood bag for the driver.
Amidst the eventually carnage that follows, Max is able to free himself and forges an uneasy alliance with Furiosa as she is attempting to lead the women she has liberated from Joe to safety.
With Joe and his large band of followers hot on their heels, Max must once again face overwhelming odds to save the day.
The film does an amazing job of creating an intense visual spectacle as the car chases and combat take up a good half the film and they are absolutely breathtaking to watch. CGI is kept to a minimum and what you see on the screen is a clash of metal as vehicles flip through the air, crash, and explode in spectacular fashion.
The film though is light on details as much of the story is left for you to read between the lines and fill in the blanks. Theron has explained her characters motivations very well in interviews but in the film it is at times murky. The limited dialogue in the film can at times be hard to understand due to accent and a form of “New Speak” but it is Hardy himself who is most interesting. He plays Max as a strong and silent type who is haunted by ghosts of his past, the people he could not save are a constant presence in his life as he sees them in his dreams and when he is awake, this leads to a character who is reduced to little more than pure survival instinct and does not allow for much in the way of character development.
In many ways this is a reintroduction of Max to a new generation so much of the charisma and intensity that was a part of Gibson’s portrayal has been scaled back to a world weary individual who has pretty much given up on finding the better life that he lost many years ago.
Miller has said he has enough material for two more films and if they are in the same league as this one, I would love to see further adventures for Max, let us just hope the wait is not as long next time out.
http://sknr.net/2015/05/14/mad-max-fury-road/
In “Fury Road”, fans are given a lavish spectacle that is one non-stop ride of intensity that is as my wife put it, “pushing me so far back into my seat that I am almost in the row behind us”.
When Max is captured by a vicious group lead by Immortal Joe, he stumbles into a true hell on earth as Joe has legions of warriors, most of whom have various health issues, it is assumed from the post nuclear world in which they live. They use captured individuals as blood donors to help make the sick live longer and Joe himself controls a large supply of fresh water as well as oversees what he considers his breeding stock of women.
When Imperator Furiosa (Charlize Theron), goes rogue and abducts Joe’s harem, this begins a breakneck and deadly pursuit across the wastelands where Max finds himself literally chained to the front of a car as a blood bag for the driver.
Amidst the eventually carnage that follows, Max is able to free himself and forges an uneasy alliance with Furiosa as she is attempting to lead the women she has liberated from Joe to safety.
With Joe and his large band of followers hot on their heels, Max must once again face overwhelming odds to save the day.
The film does an amazing job of creating an intense visual spectacle as the car chases and combat take up a good half the film and they are absolutely breathtaking to watch. CGI is kept to a minimum and what you see on the screen is a clash of metal as vehicles flip through the air, crash, and explode in spectacular fashion.
The film though is light on details as much of the story is left for you to read between the lines and fill in the blanks. Theron has explained her characters motivations very well in interviews but in the film it is at times murky. The limited dialogue in the film can at times be hard to understand due to accent and a form of “New Speak” but it is Hardy himself who is most interesting. He plays Max as a strong and silent type who is haunted by ghosts of his past, the people he could not save are a constant presence in his life as he sees them in his dreams and when he is awake, this leads to a character who is reduced to little more than pure survival instinct and does not allow for much in the way of character development.
In many ways this is a reintroduction of Max to a new generation so much of the charisma and intensity that was a part of Gibson’s portrayal has been scaled back to a world weary individual who has pretty much given up on finding the better life that he lost many years ago.
Miller has said he has enough material for two more films and if they are in the same league as this one, I would love to see further adventures for Max, let us just hope the wait is not as long next time out.
http://sknr.net/2015/05/14/mad-max-fury-road/
Sarah (7798 KP) rated Ghosts of War (2020) in Movies
Nov 9, 2020
The ending is worth it
Ghosts of War follows a group of American soldiers as they make their way to take up post at a French chateau towards the end of the Second World War, and encounter much more than they bargained for in this slightly above average B movie.
Right from the start, this opens with your usual cliched group of soldiers that you’d find in any war film. Brenton Thwaites is Chris, the boss and leader, you have Skylar Astin as Eugene, the brains/intellectual, Kyle Gallner as the odd and trouble sniper Tappert, Alan Ritchson as a typical macho man and finally Theo Rossi as the filler. So far, so generic, and other than Tappert who gets a decent bit of creepy character development later on, the rest of the main group are virtually one dimensional. Which is a shame as the cast are a decent group of actors that have been let down by the poor writing. Although I did enjoy Billy Zane popping up with a intentionally cheesy blink and you’ll miss it cameo as a Nazi with horrific German accent.
The film begins like your typical war movie; a group of soldiers working their way across country to reach their destination. It’s nothing we haven’t seen before. However what helps lift this is a rather moving and poignant opening quote, and a score that accompanies this very well. The score in this would be at home on any dramatic war film, and almost seems out of place in a horror film. It gives this a feeling that it’s a lot more epic and grand than it actually turns out to be.
What really drags this film down is when the group arrive at the aforementioned chateau and begin to experience all of the supernatural going’s on. Aside from a a couple of potentially creepy scenes, the jump scares are tired and predictable and the ghosts look like every other spook that’s been in a modern day horror film recently. It reeks of a below average, typical ghost film with some hit and miss special effects (albeit with an respectable amount of blood and gore) and had it continued on like this, it would’ve been completely forgettable. However throughout the scenes in the chateau there are hints that there is something deeper and more sinister going on, and it starts to pick up again when the group encounter a party of Nazi soldiers trying to enter the building. Things start to get a little weird and confusing and then a big reveal in the last 20 minutes completely shifts this film into something you never expected. I didn’t see this particular twist coming and for me, this made this movie more than just a sub par horror film. The reveal has been met with mixed reviews from critics and reviews alike, but I think it injects some much needed enjoyment and intrigue – it’s just a shame we have to wait over an hour to get there. The entire twist and ending is rather disturbing and also quite moving and emotional, and the final scene, whilst one we’ve seen done many times before, did make this a satisfying and darkly entertaining end.
Ghosts of War starts off as a below average clichéd war horror film, however it you can get through the first hour, the ending packs a decent, enjoyable and rather surprising punch. It’s just a shame the first two acts don’t match up to the ending.
Right from the start, this opens with your usual cliched group of soldiers that you’d find in any war film. Brenton Thwaites is Chris, the boss and leader, you have Skylar Astin as Eugene, the brains/intellectual, Kyle Gallner as the odd and trouble sniper Tappert, Alan Ritchson as a typical macho man and finally Theo Rossi as the filler. So far, so generic, and other than Tappert who gets a decent bit of creepy character development later on, the rest of the main group are virtually one dimensional. Which is a shame as the cast are a decent group of actors that have been let down by the poor writing. Although I did enjoy Billy Zane popping up with a intentionally cheesy blink and you’ll miss it cameo as a Nazi with horrific German accent.
The film begins like your typical war movie; a group of soldiers working their way across country to reach their destination. It’s nothing we haven’t seen before. However what helps lift this is a rather moving and poignant opening quote, and a score that accompanies this very well. The score in this would be at home on any dramatic war film, and almost seems out of place in a horror film. It gives this a feeling that it’s a lot more epic and grand than it actually turns out to be.
What really drags this film down is when the group arrive at the aforementioned chateau and begin to experience all of the supernatural going’s on. Aside from a a couple of potentially creepy scenes, the jump scares are tired and predictable and the ghosts look like every other spook that’s been in a modern day horror film recently. It reeks of a below average, typical ghost film with some hit and miss special effects (albeit with an respectable amount of blood and gore) and had it continued on like this, it would’ve been completely forgettable. However throughout the scenes in the chateau there are hints that there is something deeper and more sinister going on, and it starts to pick up again when the group encounter a party of Nazi soldiers trying to enter the building. Things start to get a little weird and confusing and then a big reveal in the last 20 minutes completely shifts this film into something you never expected. I didn’t see this particular twist coming and for me, this made this movie more than just a sub par horror film. The reveal has been met with mixed reviews from critics and reviews alike, but I think it injects some much needed enjoyment and intrigue – it’s just a shame we have to wait over an hour to get there. The entire twist and ending is rather disturbing and also quite moving and emotional, and the final scene, whilst one we’ve seen done many times before, did make this a satisfying and darkly entertaining end.
Ghosts of War starts off as a below average clichéd war horror film, however it you can get through the first hour, the ending packs a decent, enjoyable and rather surprising punch. It’s just a shame the first two acts don’t match up to the ending.
Sarah (7798 KP) rated The Rocky Horror Picture Show (1975) in Movies
Nov 25, 2020
Gloriously kitsch
Film #4 on the 100 Movies Bucket List: The Rocky Horror Picture Show
The Rocky Horror Picture Show is a bonafide cult classic and I doubt there is anyone who would disagree with this. It flopped on first release at the cinema but soon after gained a massive cult following and became a hugely interactive musical experience. For me, I became part of this cult following at university and have attended a fair few parties and shows over the years (in fancy dress of course). However it’s been quite some time since I watched this and seeing it again now makes for a rather interesting watch.
The Rocky Horror Picture Show is a 1975 musical directed by Jim Sharman, spanning a multitude of genres. It follows newly engaged (and rather wholesome) couple Brad (Barry Bostwick) and Janet (Susan Sarandon) as a flat tyre leaves them stranded and they’re left to seek shelter in a nearby castle owned by Dr Frank-N-Furter (Tim Curry).
This film is undoubtedly bats**t crazy. The plot is absolutely bonkers – a group of aliens from the planet Transexual led by a mad scientist in his quest to make the perfect man. It spans so many genres from comic horror to glam-rock musical and everything in between. It’s aim to spoof old school science fiction films is spot on, and there isn’t many films that can pull off cannibalism, murder and erotic sexual experimentation in the same 2 hour run time.
Admittedly there are some aspects of the plot that haven’t quite stood the test of time. 45 years ago the freedom exhibited around gender and sexuality was unlike anything anyone had ever seen and is still a rather wonderful thing to watch. However, there are other sides to this (such as lack of consent) which have become more apparent as society evolves and maybe aren’t quite acceptable now as they were back then. Fortunately this doesn’t spoil the overall feel of the film and it’s still as camp and cheesy and kitsch as it ever was.
One of the reasons for this films success is Richard O Brien’s script and music, and his performance as Riff Raff is pretty creepy and fun too. It’s clever and smart, and the music is top notch. The songs are some of the most catchy I’ve ever heard and they make you forget how crazy the plot is as soon as the music starts. From the legendary Time Warp to the wonderful Meat Loaf cameo on Hot Patootie, to the incredibly moving and inspirational Don’t Dream It, Be It, the songs are hugely memorable.
And then you have Tim Curry as Frank-N-Furter, in an absolute standout performance. He is perfect in Frank (I’ve yet to see anyone do it better) and it’s probably the best role he’s ever had. He looks like he’s having so much fun and steals every scene, you can’t take your eyes off him and that’s not just because he’s in stockings and suspenders. He makes you feel fascinated by Frank, disgusted and then ultimately sorry for him and this is no mean feat. No disrespect to the rest of the cast, but when Curry isn’t on screen the film does suffer ever so slightly.
The Rocky Horror Picture Show is a wacky, campy riot of a musical with a message that is heartwarming and inclusive. It may have aged a little over the years and certain topics don’t scrub up quite as well, but it’s still a hugely entertaining and unique musical experience.
The Rocky Horror Picture Show is a bonafide cult classic and I doubt there is anyone who would disagree with this. It flopped on first release at the cinema but soon after gained a massive cult following and became a hugely interactive musical experience. For me, I became part of this cult following at university and have attended a fair few parties and shows over the years (in fancy dress of course). However it’s been quite some time since I watched this and seeing it again now makes for a rather interesting watch.
The Rocky Horror Picture Show is a 1975 musical directed by Jim Sharman, spanning a multitude of genres. It follows newly engaged (and rather wholesome) couple Brad (Barry Bostwick) and Janet (Susan Sarandon) as a flat tyre leaves them stranded and they’re left to seek shelter in a nearby castle owned by Dr Frank-N-Furter (Tim Curry).
This film is undoubtedly bats**t crazy. The plot is absolutely bonkers – a group of aliens from the planet Transexual led by a mad scientist in his quest to make the perfect man. It spans so many genres from comic horror to glam-rock musical and everything in between. It’s aim to spoof old school science fiction films is spot on, and there isn’t many films that can pull off cannibalism, murder and erotic sexual experimentation in the same 2 hour run time.
Admittedly there are some aspects of the plot that haven’t quite stood the test of time. 45 years ago the freedom exhibited around gender and sexuality was unlike anything anyone had ever seen and is still a rather wonderful thing to watch. However, there are other sides to this (such as lack of consent) which have become more apparent as society evolves and maybe aren’t quite acceptable now as they were back then. Fortunately this doesn’t spoil the overall feel of the film and it’s still as camp and cheesy and kitsch as it ever was.
One of the reasons for this films success is Richard O Brien’s script and music, and his performance as Riff Raff is pretty creepy and fun too. It’s clever and smart, and the music is top notch. The songs are some of the most catchy I’ve ever heard and they make you forget how crazy the plot is as soon as the music starts. From the legendary Time Warp to the wonderful Meat Loaf cameo on Hot Patootie, to the incredibly moving and inspirational Don’t Dream It, Be It, the songs are hugely memorable.
And then you have Tim Curry as Frank-N-Furter, in an absolute standout performance. He is perfect in Frank (I’ve yet to see anyone do it better) and it’s probably the best role he’s ever had. He looks like he’s having so much fun and steals every scene, you can’t take your eyes off him and that’s not just because he’s in stockings and suspenders. He makes you feel fascinated by Frank, disgusted and then ultimately sorry for him and this is no mean feat. No disrespect to the rest of the cast, but when Curry isn’t on screen the film does suffer ever so slightly.
The Rocky Horror Picture Show is a wacky, campy riot of a musical with a message that is heartwarming and inclusive. It may have aged a little over the years and certain topics don’t scrub up quite as well, but it’s still a hugely entertaining and unique musical experience.
Darren (1599 KP) rated Warsaw 44 (2014) in Movies
Jun 25, 2019
Story: Warsaw 44 starts as we meet Stefan (Pawlowski) a young man living in Warsaw in 1944 during the war, he lives with his mother and younger brother bring the money back to the home, this changes when he meets a group of people similar to his age, they offer him a chance to go into the Polish army as they plan to fight back against the Germans.
As the Uprising starts to attack the Nazi’s Stefan learns the harsh reality of war up close and personal, with the love of his life Biedronka (Wichlacz) being the only one that will help him through the destruction.
Thoughts on Warsaw 44
Characters – Stefan is the honest hard working young man, he supports his family, protects his brother from the horrors of war, he is however led to join the Uprising in Warsaw against the Nazi’s, a move which will change his life, he will learn love and heartache as the war comes closer than he would imagine. Biedronka is the woman that Stefan falls for in the uprising, she fights alongside the men and will do everything to save lives. Kama is another woman in the uprising that shows love towards Stefan, we get plenty of characters in this film that are mostly following the ones in the uprising that will do anything to get their freedom back.
Performances – Jozef Pawlowski is good in the leading role, the charm he shows saying goodbye to his little brother could melt a heart and seeing his reaction to the war side of the film shows us how any young man would have been going through during the time. The rest of the cast is good, getting their moments to shine with the desperation needed through the war.
Story – The story follows the young people of Poland setting up an uprising to take on the Nazis during World War II, it starts as a small fight and soon throws them into the true harsh reality of war. While seeing the realities of war isn’t anything new, we do know how destruction, devasting and brutal war is on the people involved and World War II could well have been the worse in modern history, these people didn’t have any hope and only wanted freedom, they were willing to lay die their lives to do so. The characters however are fictional which could hold back being truly connected to the real people that would have suffered through the events. The story isn’t an easy watch and does have parts we don’t need to see, mostly the romance.
History/Romance/War – The history behind this film is true, we knew how bad the war was on the people and just how fighting back was the only way, these two parts of the film are shown near perfectly for what it could have cost people. The romance however just feels tacked on and unneeded for most of the film.
Settings – The film makes us feel like we are there, feeling each explosion, moment of destruction with hauntingly created settings.
Scene of the Movie – The graveyard battle, because it shows us what they will truly be battling.
That Moment That Annoyed Me – The romance side of the film.
Final Thoughts – This is a hard hitting war drama, it shows us just what people were willing to do through the war through the eyes of the young adults.
Overall: Hard-hitting war drama
https://moviesreview101.com/2019/06/23/abc-film-challenge-world-cinema-w-warsaw-44-2014/
As the Uprising starts to attack the Nazi’s Stefan learns the harsh reality of war up close and personal, with the love of his life Biedronka (Wichlacz) being the only one that will help him through the destruction.
Thoughts on Warsaw 44
Characters – Stefan is the honest hard working young man, he supports his family, protects his brother from the horrors of war, he is however led to join the Uprising in Warsaw against the Nazi’s, a move which will change his life, he will learn love and heartache as the war comes closer than he would imagine. Biedronka is the woman that Stefan falls for in the uprising, she fights alongside the men and will do everything to save lives. Kama is another woman in the uprising that shows love towards Stefan, we get plenty of characters in this film that are mostly following the ones in the uprising that will do anything to get their freedom back.
Performances – Jozef Pawlowski is good in the leading role, the charm he shows saying goodbye to his little brother could melt a heart and seeing his reaction to the war side of the film shows us how any young man would have been going through during the time. The rest of the cast is good, getting their moments to shine with the desperation needed through the war.
Story – The story follows the young people of Poland setting up an uprising to take on the Nazis during World War II, it starts as a small fight and soon throws them into the true harsh reality of war. While seeing the realities of war isn’t anything new, we do know how destruction, devasting and brutal war is on the people involved and World War II could well have been the worse in modern history, these people didn’t have any hope and only wanted freedom, they were willing to lay die their lives to do so. The characters however are fictional which could hold back being truly connected to the real people that would have suffered through the events. The story isn’t an easy watch and does have parts we don’t need to see, mostly the romance.
History/Romance/War – The history behind this film is true, we knew how bad the war was on the people and just how fighting back was the only way, these two parts of the film are shown near perfectly for what it could have cost people. The romance however just feels tacked on and unneeded for most of the film.
Settings – The film makes us feel like we are there, feeling each explosion, moment of destruction with hauntingly created settings.
Scene of the Movie – The graveyard battle, because it shows us what they will truly be battling.
That Moment That Annoyed Me – The romance side of the film.
Final Thoughts – This is a hard hitting war drama, it shows us just what people were willing to do through the war through the eyes of the young adults.
Overall: Hard-hitting war drama
https://moviesreview101.com/2019/06/23/abc-film-challenge-world-cinema-w-warsaw-44-2014/
Gareth von Kallenbach (974 KP) rated Colossal (2016) in Movies
Jul 11, 2019
Gloria (Anne Hathaway) is out all night drinking and comes home to her boyfriend Tim (Dan Stevens). Tim is headed to work and tired of Gloria’s partying ways. He’s packed her bags and tells her to not be there when he comes home from work. With no job, no place to live, and her life seemingly in at its low point she decided to go back to her home town. She is able to stay in her childhood home which is empty and she finds herself sleeping on the floor. Gloria heads out to get an air mattress to make her a little more comfortable. On her way back she runs into a childhood friend Oscar (Jason Sudeikis). He invites her to the bar he owns and despite the fact drinking ruined her relationship and is the reason she finds herself in this position she agrees.
Gloria winds up spending all night drinking with Oscar and his buddies. She stumbles home and passes out. She is awoken the next day by a phone call telling her about a giant monster that has appeared in Seoul. Gloria, Oscar and his two friends (Tim Blake and Austin Stowell) meet up again that night to talk about the Earth shaking event and wind up drinking all night, again. Gloria wakes up in the morning and again the monster appears in Seoul. It showed up at the exact time and the exact same spot in Seoul. As Gloria watches the footage of the newest sighting a strange thing occurs, the monster scratches its head in a very familiar way. Ever since Gloria was little she had a tick of scratching the top of her head in a particular way. Now on TV the monster is doing the same thing. She looks at the footage from the last sighting and notices that the monster looks to be carrying something, exactly like she was carrying the mattress she bought the morning before through the park. Is she the monster? If she is why is it only appearing in Seoul?
Colossal is a very interesting and original take on the “monster” movie. I hesitate to describe any more of the movie in the narrative because I really was surprised by the direction the movie took and think anyone why watches it should not have a preconceived idea of what is going to happen. Anne Hathaway and Jason Sudeikis are real good. Sudeikis really surprised me in his role. It wasn’t his typical character and I thought he played it really well. The supporting cast is okay but not particularly memorable. But the story really was focused on the two main characters. I thought the film was funny and dark. I definitely laughed throughout the film. There were times I questioned where the story was going. It didn’t transition from one point to the next very well. But I thought it did a good job of bringing everything together in the end. The visuals were good but not great but that is to be expected with an independent film. Another thing I will remember from this film was the soundtrack. The music seem to really follow the tone of the movie well.
This is a movie I will definitely find myself watching again. The story was interesting and, minus some sloppy plot transitions, was really well done.
Gloria winds up spending all night drinking with Oscar and his buddies. She stumbles home and passes out. She is awoken the next day by a phone call telling her about a giant monster that has appeared in Seoul. Gloria, Oscar and his two friends (Tim Blake and Austin Stowell) meet up again that night to talk about the Earth shaking event and wind up drinking all night, again. Gloria wakes up in the morning and again the monster appears in Seoul. It showed up at the exact time and the exact same spot in Seoul. As Gloria watches the footage of the newest sighting a strange thing occurs, the monster scratches its head in a very familiar way. Ever since Gloria was little she had a tick of scratching the top of her head in a particular way. Now on TV the monster is doing the same thing. She looks at the footage from the last sighting and notices that the monster looks to be carrying something, exactly like she was carrying the mattress she bought the morning before through the park. Is she the monster? If she is why is it only appearing in Seoul?
Colossal is a very interesting and original take on the “monster” movie. I hesitate to describe any more of the movie in the narrative because I really was surprised by the direction the movie took and think anyone why watches it should not have a preconceived idea of what is going to happen. Anne Hathaway and Jason Sudeikis are real good. Sudeikis really surprised me in his role. It wasn’t his typical character and I thought he played it really well. The supporting cast is okay but not particularly memorable. But the story really was focused on the two main characters. I thought the film was funny and dark. I definitely laughed throughout the film. There were times I questioned where the story was going. It didn’t transition from one point to the next very well. But I thought it did a good job of bringing everything together in the end. The visuals were good but not great but that is to be expected with an independent film. Another thing I will remember from this film was the soundtrack. The music seem to really follow the tone of the movie well.
This is a movie I will definitely find myself watching again. The story was interesting and, minus some sloppy plot transitions, was really well done.
Becs (244 KP) rated Stars Like Fate in Books
Oct 2, 2019
Highlights: I loved the cover design, it helped give an idea of what Nyole looked like. I wish there were pictures of the other characters, like as a gallery at the back of the book. It was nice of the author to put a character list and their pronunciation at the beginning of the book. It helped tremendously!!
Style: Casual to light
Point of View: Third person
Difficulty reading: First couple of chapters were difficult to get into but after the fifth chapter, I couldn’t put the book down! It has it’s fast-paced moments that has you flipping through pages and it has its slower moments that take a bit more effort to get into. A very fun read!
Promise: The book promised a fantasy, adventure packed book and it delivered it on a silver platter. The characters are mythical, the countries are mythical, and magic is involved – leading to the fantasy aspect of things. Nyole and Saphryis both go on a long and heartbreaking journey to gain Saphryis her memories and power back – leading to the adventure aspect of things.
Quality: An all-around great book. If you like World of Warcraft, you’ll like this book. It touches on the mythical creatures in a way that resembles characters in World of Warcraft.
Insights: I loved the fact that it was a fantasy young adult book. These types of books are one of my favorite genres. When I first got the book, I read the synopsis and instantly thought of World of Warcraft. Reading, I had a difficult time with the first five chapters. It wasn’t that they were bad, it was more along the lines of they lacked in the background and the flow seemed like it was all over the place. Once I hit chapter six though, I couldn’t put the book down. The background and plot leveled out so it was a much easier read. As I was coming down to the last couple of chapters, I realized I didn’t want it to end. I wanted it to continue on into an everlasting void of Stars Like Fate because fate is simply ineffable.
Ah-Ha Moment: When Nyole finally realized that he was related to King Aryon. I would also become furious if I was related to someone as cruel as King Aryon the murderer.
Favorite Quote: “Fate is unexplainable, Fate is unfair, but Fate will always happen.” – Nyole realizes that if he never would have met Saphryis, then he would have never known what was coming in the future. But with meeting her, he realizes what is coming and has a faint idea what Saphryis will mean to him.
“ ‘I need you to live, Saphryis. I need you around,’ Nyole murmured before adding a selfish wish. ‘I want you beside me.’ ” – I feel this is the moment that Nyole falls just a bit in love with Saphryis. Which is good, because I ship them 110%.
What will you gain: A love for a new and upcoming author with an imaginative world that you can just step right into. Plus an awesome book worth a re-read!
Aesthetics: Cover design was really nice, character list was great, nice size book – not too heavy and not to thin, font and size was good – didn’t strain the eyes, there were a few grammatical errors – but are barely noticeable, third-person point of view, a riveting action fantasy book that will keep you on your toes.
“Fate is simply ineffable.”
Style: Casual to light
Point of View: Third person
Difficulty reading: First couple of chapters were difficult to get into but after the fifth chapter, I couldn’t put the book down! It has it’s fast-paced moments that has you flipping through pages and it has its slower moments that take a bit more effort to get into. A very fun read!
Promise: The book promised a fantasy, adventure packed book and it delivered it on a silver platter. The characters are mythical, the countries are mythical, and magic is involved – leading to the fantasy aspect of things. Nyole and Saphryis both go on a long and heartbreaking journey to gain Saphryis her memories and power back – leading to the adventure aspect of things.
Quality: An all-around great book. If you like World of Warcraft, you’ll like this book. It touches on the mythical creatures in a way that resembles characters in World of Warcraft.
Insights: I loved the fact that it was a fantasy young adult book. These types of books are one of my favorite genres. When I first got the book, I read the synopsis and instantly thought of World of Warcraft. Reading, I had a difficult time with the first five chapters. It wasn’t that they were bad, it was more along the lines of they lacked in the background and the flow seemed like it was all over the place. Once I hit chapter six though, I couldn’t put the book down. The background and plot leveled out so it was a much easier read. As I was coming down to the last couple of chapters, I realized I didn’t want it to end. I wanted it to continue on into an everlasting void of Stars Like Fate because fate is simply ineffable.
Ah-Ha Moment: When Nyole finally realized that he was related to King Aryon. I would also become furious if I was related to someone as cruel as King Aryon the murderer.
Favorite Quote: “Fate is unexplainable, Fate is unfair, but Fate will always happen.” – Nyole realizes that if he never would have met Saphryis, then he would have never known what was coming in the future. But with meeting her, he realizes what is coming and has a faint idea what Saphryis will mean to him.
“ ‘I need you to live, Saphryis. I need you around,’ Nyole murmured before adding a selfish wish. ‘I want you beside me.’ ” – I feel this is the moment that Nyole falls just a bit in love with Saphryis. Which is good, because I ship them 110%.
What will you gain: A love for a new and upcoming author with an imaginative world that you can just step right into. Plus an awesome book worth a re-read!
Aesthetics: Cover design was really nice, character list was great, nice size book – not too heavy and not to thin, font and size was good – didn’t strain the eyes, there were a few grammatical errors – but are barely noticeable, third-person point of view, a riveting action fantasy book that will keep you on your toes.
“Fate is simply ineffable.”
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BankofMarquis (1832 KP) rated Morbius (2022) in Movies
Jul 7, 2022
It's Not Bad...It's Stupid
“It’s not as bad as you heard”, is certainly the very definition of damning something with faint praise, but that is exactly the right thing to say about the 2022 Sony Comic Book Film Adaptation of MORBIUS.
Starring Jared Leto, MORBIUS follows the origin story - and first adventure - of Spiderman villain Morbius who, inexplicably, becomes the hero in this story.
While, ultimately, not a good film, there are some good things happening here, so let’s begin there.
The lead performance by Jared Leto as Dr. Michael Morbius is - very surprisingly - somewhat grounded in reality. Leto is not one to be subtle in his character choices (see HOUSE OF GUCCI) but in this one, he is (somewhat) reserved. It would have been easy for Leto to go over the top with this character, but he wisely chooses the opposite route…and it works. The always watchable Jared Harris (CHERNOBYL) is on-board in the “mentor” role while Tyrese Gibson and Al Madrigal bring some humor to the proceedings as “Agents” who are chasing after Morbius. The rest of the cast are benign - neither adding nor detracting from the proceedings - with the exception of Matt Smith (LAST NIGHT IN SOHO) who’s character is so badly written that he flounders under the weight of the absurdity of what his character is tasked with.
Trying to overcome the ridiculousness of the story is the Direction by Daniel Espinosa (the Denzel Washington action flick SAFE HOUSE). He moves the action along quickly, never really lingering on the absurdities of the events going on (and there are PLENTY of absurdities to avoid - more on that later) and Espinosa actually has an artistic vision of what he wanted to accomplish visually in this comic-book film, freezing many frames when the picture on the screen looked like a page from a graphic novel. It’s a smart choice for a film that can only be described as dumb.
And dumb this film is. I kept feeling any sense of common sense and reality slip away as this film - written by Matt Sazama and Burk Sharpless - quickly devolved into the absurd and ridiculous. One does have to suspend belief when watching Comic Book films (how else are we going to believe that a man can turn into a human spider) but in this case, the suspension is mighty - it is one of the dumbest films ever made (in terms of plot and situations) and that is saying something. The makers of this film really stretch the term “go with me here” as Morbius is constantly chasing and evolving and being chased in the most absurd ways throughout this film with special effects that add to the absurdity of the proceedings. To be fair, this film never falls into the “so bad it’s good” range, it hovers just above that line.
The end credits scenes start to setup a “Sinister Six” Spiderman film, so there is some hope for this - it would be interesting to see Leto’s Morbius team up with some other Spiderman villains (who’s names would be a spoiler), provided the script is better. There’s no way that it can be worse.
MORBIUS is not a bad film - it just will insult your intelligence.
Letter Grade: C
4 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Starring Jared Leto, MORBIUS follows the origin story - and first adventure - of Spiderman villain Morbius who, inexplicably, becomes the hero in this story.
While, ultimately, not a good film, there are some good things happening here, so let’s begin there.
The lead performance by Jared Leto as Dr. Michael Morbius is - very surprisingly - somewhat grounded in reality. Leto is not one to be subtle in his character choices (see HOUSE OF GUCCI) but in this one, he is (somewhat) reserved. It would have been easy for Leto to go over the top with this character, but he wisely chooses the opposite route…and it works. The always watchable Jared Harris (CHERNOBYL) is on-board in the “mentor” role while Tyrese Gibson and Al Madrigal bring some humor to the proceedings as “Agents” who are chasing after Morbius. The rest of the cast are benign - neither adding nor detracting from the proceedings - with the exception of Matt Smith (LAST NIGHT IN SOHO) who’s character is so badly written that he flounders under the weight of the absurdity of what his character is tasked with.
Trying to overcome the ridiculousness of the story is the Direction by Daniel Espinosa (the Denzel Washington action flick SAFE HOUSE). He moves the action along quickly, never really lingering on the absurdities of the events going on (and there are PLENTY of absurdities to avoid - more on that later) and Espinosa actually has an artistic vision of what he wanted to accomplish visually in this comic-book film, freezing many frames when the picture on the screen looked like a page from a graphic novel. It’s a smart choice for a film that can only be described as dumb.
And dumb this film is. I kept feeling any sense of common sense and reality slip away as this film - written by Matt Sazama and Burk Sharpless - quickly devolved into the absurd and ridiculous. One does have to suspend belief when watching Comic Book films (how else are we going to believe that a man can turn into a human spider) but in this case, the suspension is mighty - it is one of the dumbest films ever made (in terms of plot and situations) and that is saying something. The makers of this film really stretch the term “go with me here” as Morbius is constantly chasing and evolving and being chased in the most absurd ways throughout this film with special effects that add to the absurdity of the proceedings. To be fair, this film never falls into the “so bad it’s good” range, it hovers just above that line.
The end credits scenes start to setup a “Sinister Six” Spiderman film, so there is some hope for this - it would be interesting to see Leto’s Morbius team up with some other Spiderman villains (who’s names would be a spoiler), provided the script is better. There’s no way that it can be worse.
MORBIUS is not a bad film - it just will insult your intelligence.
Letter Grade: C
4 Stars (out of 10) and you can take that to the Bank(ofMarquis)