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Sophia (Bookwyrming Thoughts) (530 KP) rated The Wanderers (The Wanderers, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Kate Ormand takes a unique twist in <i>The Wanderers</i>, following a group of nomad shapeshifters traveling under the guise of a circus. Flo has been part of the circus ever since she was young but has always thought of what the world would be like if she were not a part of the circus. When she accidentally reveals what the circus really is to the public, shapeshifter hunters attack and take away everything she has ever known.
There aren't a lot of shapeshifter books out there all the ones I've come across so far typically have characters that shift into wolves (<i>technically</i> werewolves are like shapeshifters. They're interchangeable). <i>The Wanderers</i>, on the other hand, don't really have wolves (I don't think there are any here). Ormand takes the concept and expands the idea of shapeshifter to include all kinds of animals bears, seals, tigers, horses, etc. It's a breather to have all kinds of animals instead of the usual furry four-legged ones. Have I mentioned there's a shapeshifting parrot? Uber-cool.
Flo (I started imagining her as that Progressive chick) has elements of a good character she's realistic and brave, even though she's watching her back constantly for hunters. She has a constant inner battle with a desire and curiosity to see the world outside of the circus but has no clue if she wants to take that opportunity when she's old enough to be offered a life outside. But Flo is a bit of a mystery to me, and so are most of the shifters.
<i>The Wanderers</i> feels more like a discovery book no one aside from the "elders" know how the circus originated in the first place. Flo and the other shifters seem as though they've been there all their lives they all have a similar past and their way to the circus are all similar. The book becomes more of a survival book after the attack and the remaining shifters work together (albeit the tolerable tension some have towards Flo) to escape the clutches of the hunters going after them. In the midst of it all, Flo discovers a disturbing plot and sets about breaking it before other shifters get hurt as well.
Ormand pulls off an ending similar to <a title="Killer of Enemies by Joseph Bruchac" href="https://bookwyrmingthoughts.com/review-killer-of-enemies-by-joseph-bruchac/"; target="_blank" rel="noopener">Bruchac's in <i>Killer of Enemies</i></a> there's a solid ending, but it's very open-ended and lots of things could potentially happen. The ending to <i>The Wanderers</i> feels very fitting with the story considering the title and the concept. Even though I'm not a huge fan of this book, Ormand has certainly left a mark with just the entire idea.
<a href="https://bookwyrmingthoughts.com/arc-review-the-wanderers-by-kate-ormand/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Kate Ormand takes a unique twist in <i>The Wanderers</i>, following a group of nomad shapeshifters traveling under the guise of a circus. Flo has been part of the circus ever since she was young but has always thought of what the world would be like if she were not a part of the circus. When she accidentally reveals what the circus really is to the public, shapeshifter hunters attack and take away everything she has ever known.
There aren't a lot of shapeshifter books out there all the ones I've come across so far typically have characters that shift into wolves (<i>technically</i> werewolves are like shapeshifters. They're interchangeable). <i>The Wanderers</i>, on the other hand, don't really have wolves (I don't think there are any here). Ormand takes the concept and expands the idea of shapeshifter to include all kinds of animals bears, seals, tigers, horses, etc. It's a breather to have all kinds of animals instead of the usual furry four-legged ones. Have I mentioned there's a shapeshifting parrot? Uber-cool.
Flo (I started imagining her as that Progressive chick) has elements of a good character she's realistic and brave, even though she's watching her back constantly for hunters. She has a constant inner battle with a desire and curiosity to see the world outside of the circus but has no clue if she wants to take that opportunity when she's old enough to be offered a life outside. But Flo is a bit of a mystery to me, and so are most of the shifters.
<i>The Wanderers</i> feels more like a discovery book no one aside from the "elders" know how the circus originated in the first place. Flo and the other shifters seem as though they've been there all their lives they all have a similar past and their way to the circus are all similar. The book becomes more of a survival book after the attack and the remaining shifters work together (albeit the tolerable tension some have towards Flo) to escape the clutches of the hunters going after them. In the midst of it all, Flo discovers a disturbing plot and sets about breaking it before other shifters get hurt as well.
Ormand pulls off an ending similar to <a title="Killer of Enemies by Joseph Bruchac" href="https://bookwyrmingthoughts.com/review-killer-of-enemies-by-joseph-bruchac/"; target="_blank" rel="noopener">Bruchac's in <i>Killer of Enemies</i></a> there's a solid ending, but it's very open-ended and lots of things could potentially happen. The ending to <i>The Wanderers</i> feels very fitting with the story considering the title and the concept. Even though I'm not a huge fan of this book, Ormand has certainly left a mark with just the entire idea.
<a href="https://bookwyrmingthoughts.com/arc-review-the-wanderers-by-kate-ormand/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Night Reader Reviews (683 KP) rated What If... in Books
Jan 10, 2020
Honest Review for Free Copy of Book
What If… by Corrina Joy is one woman’s story as she explores her ‘what if..’. A word of warning though, this book is full of both happiness and heartbreak. Depending on the reader’s current emotional state and lifestyle this book could be very depressing or uplifting.
Joy Chambers feels like there is something missing in her life. Her husband is a hardworking man but puts money and sports above caring about her. He doesn't pay attention to her or her needs and lets her take care of the house and children alone. The crushing loneliness of her marriage mixed with her longing to feel true love and joy again propels her to take a half-hour break at the beach. This is so that she can emotionally let go before returning to her daily chores. A random wave knocks her into the water where she hits her head and comes across her “magical little relic”.
Upon twisting this relic Joy gets transported to a different dimension where her life is significantly different. There is one common theme in each dimension that she visits, Jerry. Unconditionally but was unable to be with him in her original dimension. For some reason on another each one of Joy’s visits is cut short and so is her time with Jerry. How Joy’s story ends is completely up to the reader thanks to two very clever options for endings by the author. Both of the endings are extremely different but as the book says “Her destiny is in your hands...”
What I liked best was all the different dimensions that Joy visited while trying to find what was missing from her life. I did notice one thing that may or may not have been true. It seemed to me that each ‘dimension’ was really just a different time period in the same dimension or the world. As if Joy only changed dimension once and visited important points in that dimension. What I did not like was in the first chapter Joy explains her life to the reader. She talks of just existing, not living, and an unnamed husband who does not seem to care for her or emotionally support her, and their children. After she finds her magical little relic they are not mentioned again. I can not help but wonder about Joy’s feelings about leaving them behind, especially her kids. What becomes of them?
This book is directed more towards adults. Specifically, those who find themselves wondering what their lives might be like if they had done things differently. At the same time, this book is just as enjoyable for everyone else. I rate this book 4 out of 4. This book was beautiful. Over its 188 pages, Joy finds what element in her life she needs in order to feel whole. The final twelve pages or so consist of two alternate endings (an amazing and unusual concept) so the reader can decide exactly how Joy’s life turns out.
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Joy Chambers feels like there is something missing in her life. Her husband is a hardworking man but puts money and sports above caring about her. He doesn't pay attention to her or her needs and lets her take care of the house and children alone. The crushing loneliness of her marriage mixed with her longing to feel true love and joy again propels her to take a half-hour break at the beach. This is so that she can emotionally let go before returning to her daily chores. A random wave knocks her into the water where she hits her head and comes across her “magical little relic”.
Upon twisting this relic Joy gets transported to a different dimension where her life is significantly different. There is one common theme in each dimension that she visits, Jerry. Unconditionally but was unable to be with him in her original dimension. For some reason on another each one of Joy’s visits is cut short and so is her time with Jerry. How Joy’s story ends is completely up to the reader thanks to two very clever options for endings by the author. Both of the endings are extremely different but as the book says “Her destiny is in your hands...”
What I liked best was all the different dimensions that Joy visited while trying to find what was missing from her life. I did notice one thing that may or may not have been true. It seemed to me that each ‘dimension’ was really just a different time period in the same dimension or the world. As if Joy only changed dimension once and visited important points in that dimension. What I did not like was in the first chapter Joy explains her life to the reader. She talks of just existing, not living, and an unnamed husband who does not seem to care for her or emotionally support her, and their children. After she finds her magical little relic they are not mentioned again. I can not help but wonder about Joy’s feelings about leaving them behind, especially her kids. What becomes of them?
This book is directed more towards adults. Specifically, those who find themselves wondering what their lives might be like if they had done things differently. At the same time, this book is just as enjoyable for everyone else. I rate this book 4 out of 4. This book was beautiful. Over its 188 pages, Joy finds what element in her life she needs in order to feel whole. The final twelve pages or so consist of two alternate endings (an amazing and unusual concept) so the reader can decide exactly how Joy’s life turns out.
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Night Reader Reviews (683 KP) rated The Core Fulcrum in Books
Apr 6, 2020
Honest Review for Free Copy of Book
The Core Fulcrum by Prashanti Talluri has multiple details that made me think it was largely inspired by Harry Potter. The school has rooms that move daily which were a big reminder of Harry Potter but there were multiple little things as well.
Snowball and Goldie are two kittens that have just started the fifth grade. Like the school's humans are used to there are classes that everyone has to take an optional class. It is one of these optional classes that Snowball, Goldie, and some of their friends choose that sends them on an amazing and scary adventure. They all choose to take part in the class called “Curiosity Kills the Cat”, but so does their class bully Hisky.
In this class, after passing a test they learn of the Core Fulcrum. They learn that the Core Fulcrum is a powerful artifact that is responsible for all the cat’s extraordinary abilities. The problem is that the Core Fulcrum is missing and that could cause major issues for all cats unless it is found soon. Their solution is to enlist the help of kittens in school to join the dangerous search for this all-important item. Can they find it before it it's too late and the rats figure out how to use it?
I like how it acknowledges how cats essentially got their independence from humans (although I can’t help but wonder what happened to the people). It was also interesting how the casts and rats have created separate kingdoms from each other and even seem to war with each other to some extent. Honestly things like the snakes that bite their tails to function as seat belts just seemed a bit farfetched, along with busses that seem to be living animals at the same time (or maybe just created to mimic animal abilities, I am not sure). Then there was how the cats were in harnesses to practice for their version of the Olympics yet they were going through tunnels without getting tangled and finishing in around fifteen seconds seemed unrealistic even for cats.
This is a children's book all the way. I don’t think may people past middle school would be all that interested in it or find it very enjoyable. It may even be questionable for some middle school readers. It all depends on how well a reader can accept the strangeness of this book. I rate this book 2 out of 4. This is because the base story is good but the details just felt awkward. I just don’t think anyone but younger readers are going to be into it. I could be wrong though.
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Snowball and Goldie are two kittens that have just started the fifth grade. Like the school's humans are used to there are classes that everyone has to take an optional class. It is one of these optional classes that Snowball, Goldie, and some of their friends choose that sends them on an amazing and scary adventure. They all choose to take part in the class called “Curiosity Kills the Cat”, but so does their class bully Hisky.
In this class, after passing a test they learn of the Core Fulcrum. They learn that the Core Fulcrum is a powerful artifact that is responsible for all the cat’s extraordinary abilities. The problem is that the Core Fulcrum is missing and that could cause major issues for all cats unless it is found soon. Their solution is to enlist the help of kittens in school to join the dangerous search for this all-important item. Can they find it before it it's too late and the rats figure out how to use it?
I like how it acknowledges how cats essentially got their independence from humans (although I can’t help but wonder what happened to the people). It was also interesting how the casts and rats have created separate kingdoms from each other and even seem to war with each other to some extent. Honestly things like the snakes that bite their tails to function as seat belts just seemed a bit farfetched, along with busses that seem to be living animals at the same time (or maybe just created to mimic animal abilities, I am not sure). Then there was how the cats were in harnesses to practice for their version of the Olympics yet they were going through tunnels without getting tangled and finishing in around fifteen seconds seemed unrealistic even for cats.
This is a children's book all the way. I don’t think may people past middle school would be all that interested in it or find it very enjoyable. It may even be questionable for some middle school readers. It all depends on how well a reader can accept the strangeness of this book. I rate this book 2 out of 4. This is because the base story is good but the details just felt awkward. I just don’t think anyone but younger readers are going to be into it. I could be wrong though.
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Gareth von Kallenbach (980 KP) rated Seventh Son (2015) in Movies
Aug 6, 2019
After a two-year delay, Seventh Son has finally reached the big screen, and it will leave you conflicted.
Seventh Son is brought to us by director Sergey Bodrov. Originally set for a February 2013 release, the film had complicated distribution arrangements between Legendary and Warner Brothers, which kept causing delays.
Jeff Bridges plays one of the title characters: Master John Gregory. He is the last of an order of peacekeeper knights, which once used to be a thousand strong. All of these knights are seventh sons of seventh sons, and are self-tasked with keeping the evil creatures of the world at bay.
The movie starts off with a young Gregory completing a prison cell for an unknown woman. Years later, the prisoner, a draconic beast, breaks out and attacks a nearby town, specifically targeting the aged Knight and his apprentice (Kit Harington — Jon Snow from Game of Thrones). This recently released evil is Mother Malkin (Julianne Moore), the queen of witches.
During the battle, Harington’s brief existence in this film is brought to an end, causing Gregory to seek out another apprentice. This search leads him to young Thomas Ward (Ben Barnes). After Ward goes through some sad goodbyes with his family, he and Gregory set out to take down the Witch Queen before the blood moon sets.
His training would normally take 10 years, but they only have a week.
Put simply, this movie was very fragmented. It isn’t a good movie, but it isn’t a bad one either. It has reasonable special effects and decent fight scenes.
There is plenty of star power: Jeff Bridges, Julianne Moore, Kit Harington, Djimon Hounsou (one of my favorites), and Jason Scott Lee.
Jeff Bridges missed the mark on his character. It’s one thing to be disgruntled and war-torn with a curious sense of humor, but it’s something quite different to be outright silly.
There were no explanations. How did the order come about? Why seventh sons of seventh sons? How did Gregory KNOW there was a seventh son at that house? How did the war start? Why is Gregory the last? Why wasn’t there more about Gregory’s relationship with Malkin? Why did the skeleton in the armor attack Tom? Why do the swords hum? Where did the stone come from? Why was it powerful? Why anything, really? The story has no depth, failing to explain the “why” of any of its lore. There were only statements of fact, which confuses viewers and prevents them from becoming emotionally anchored to the story.
I simply didn’t care about the characters. The film was disorganized and rushed. Perhaps it would have been better served as two films, or a longer film, or even a mini series.
Seventh Son had the potential to be so much more. A combination of poor writing and bad direction made the movie lackluster to me and all three of my companions.
The actors delivered many campy one-liners, and the chuckles they drew from the crowd were quite unintentional.
If you are a fan of high fantasy, it’s probably worth seeing, but wait for it to arrive on Netflix and use it as background entertainment
Seventh Son is brought to us by director Sergey Bodrov. Originally set for a February 2013 release, the film had complicated distribution arrangements between Legendary and Warner Brothers, which kept causing delays.
Jeff Bridges plays one of the title characters: Master John Gregory. He is the last of an order of peacekeeper knights, which once used to be a thousand strong. All of these knights are seventh sons of seventh sons, and are self-tasked with keeping the evil creatures of the world at bay.
The movie starts off with a young Gregory completing a prison cell for an unknown woman. Years later, the prisoner, a draconic beast, breaks out and attacks a nearby town, specifically targeting the aged Knight and his apprentice (Kit Harington — Jon Snow from Game of Thrones). This recently released evil is Mother Malkin (Julianne Moore), the queen of witches.
During the battle, Harington’s brief existence in this film is brought to an end, causing Gregory to seek out another apprentice. This search leads him to young Thomas Ward (Ben Barnes). After Ward goes through some sad goodbyes with his family, he and Gregory set out to take down the Witch Queen before the blood moon sets.
His training would normally take 10 years, but they only have a week.
Put simply, this movie was very fragmented. It isn’t a good movie, but it isn’t a bad one either. It has reasonable special effects and decent fight scenes.
There is plenty of star power: Jeff Bridges, Julianne Moore, Kit Harington, Djimon Hounsou (one of my favorites), and Jason Scott Lee.
Jeff Bridges missed the mark on his character. It’s one thing to be disgruntled and war-torn with a curious sense of humor, but it’s something quite different to be outright silly.
There were no explanations. How did the order come about? Why seventh sons of seventh sons? How did Gregory KNOW there was a seventh son at that house? How did the war start? Why is Gregory the last? Why wasn’t there more about Gregory’s relationship with Malkin? Why did the skeleton in the armor attack Tom? Why do the swords hum? Where did the stone come from? Why was it powerful? Why anything, really? The story has no depth, failing to explain the “why” of any of its lore. There were only statements of fact, which confuses viewers and prevents them from becoming emotionally anchored to the story.
I simply didn’t care about the characters. The film was disorganized and rushed. Perhaps it would have been better served as two films, or a longer film, or even a mini series.
Seventh Son had the potential to be so much more. A combination of poor writing and bad direction made the movie lackluster to me and all three of my companions.
The actors delivered many campy one-liners, and the chuckles they drew from the crowd were quite unintentional.
If you are a fan of high fantasy, it’s probably worth seeing, but wait for it to arrive on Netflix and use it as background entertainment
BankofMarquis (1832 KP) rated The Tomorrow War (2021) in Movies
Jul 16, 2021
Slow to start but finishes as a fun Summer flick
The reviews that I had read before I watched the Chris Pratt/Alien Invaders flick THE TOMORROW WAR was that it was a pretty okay film for the first hour and a half, but goes “off the rails” in the last 1/2 hour.
I couldn’t disagree more. The Tomorrow War is a safe and confined film for the first hour and a half and only becomes interesting when they take off all constraints and “goes for it” in the last 1/2 hour.
Directed by Chris McKay (THE LEGO MOVIE), THE TOMORROW WAR follows a working class guy (Chris Pratt) who is recruited to head into the future to help fight alien invaders. He teams up with one of the leaders of the “Tomorrow War” (Yvonne Strahovski) for whom he has a special bond with to recapture Earth for the humans.
The premise is solid enough, but the Direction by McKay keeps the film in the “safe zone”, never veering away into anything interesting and original, almost like McKay wanted to keep the events of the future “believable”. This is a miscalculation by McKay (and Pratt) and makes the film “fine”, but not much more than that.
Pratt’s performance is also in the “safe zone” and tones down his usual daffy charm and charisma - rarely a good idea with a Movie Star who relies on these qualities. Strahovski is solid and believable (enough) as the tough-as-nails scientist as one of the leaders of the future humans. She and Pratt worked well off each other and this helped get me through the middle of this film (where it sags under the weight of it’s own pretentions).
Also along for the ride is Sam Richardson (VEEP) as a fellow Tomorrow War draftee who provides much needed comic relief in the first part of the film. But he does veer into the “over-acting/caricature” territory that these types of parts can lead to. It was also good to see Mary Lynn Rajskub (Chloe in the TV Series 24) up on the screen again. I was rooting for her throughout the film.
But it is the work of the always great J.K. Simmons that salvages the film. He only appears in 1 scene in the first 3/4 of this movie - he is the estranged father of Pratt’s character - but when these 2 join forces for the last 1/2 hour, the film takes a dramatic turn to the Summer Blockbuster over-the-top action hero fun flick that it probably needed to be from the beginning. Simmons looks like he is having a blast taking out Alien after Alien and Pratt suddenly looks interested and his natural charm and charisma comes out.
Watch the first hour and a half as a setup for the last 1/2 hour. If you are looking for mindless Summer entertainment, the final part of this film will fit the bill, indeed.
Letter Grade: B- (the first hour and a half takes some initiative to get through)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
I couldn’t disagree more. The Tomorrow War is a safe and confined film for the first hour and a half and only becomes interesting when they take off all constraints and “goes for it” in the last 1/2 hour.
Directed by Chris McKay (THE LEGO MOVIE), THE TOMORROW WAR follows a working class guy (Chris Pratt) who is recruited to head into the future to help fight alien invaders. He teams up with one of the leaders of the “Tomorrow War” (Yvonne Strahovski) for whom he has a special bond with to recapture Earth for the humans.
The premise is solid enough, but the Direction by McKay keeps the film in the “safe zone”, never veering away into anything interesting and original, almost like McKay wanted to keep the events of the future “believable”. This is a miscalculation by McKay (and Pratt) and makes the film “fine”, but not much more than that.
Pratt’s performance is also in the “safe zone” and tones down his usual daffy charm and charisma - rarely a good idea with a Movie Star who relies on these qualities. Strahovski is solid and believable (enough) as the tough-as-nails scientist as one of the leaders of the future humans. She and Pratt worked well off each other and this helped get me through the middle of this film (where it sags under the weight of it’s own pretentions).
Also along for the ride is Sam Richardson (VEEP) as a fellow Tomorrow War draftee who provides much needed comic relief in the first part of the film. But he does veer into the “over-acting/caricature” territory that these types of parts can lead to. It was also good to see Mary Lynn Rajskub (Chloe in the TV Series 24) up on the screen again. I was rooting for her throughout the film.
But it is the work of the always great J.K. Simmons that salvages the film. He only appears in 1 scene in the first 3/4 of this movie - he is the estranged father of Pratt’s character - but when these 2 join forces for the last 1/2 hour, the film takes a dramatic turn to the Summer Blockbuster over-the-top action hero fun flick that it probably needed to be from the beginning. Simmons looks like he is having a blast taking out Alien after Alien and Pratt suddenly looks interested and his natural charm and charisma comes out.
Watch the first hour and a half as a setup for the last 1/2 hour. If you are looking for mindless Summer entertainment, the final part of this film will fit the bill, indeed.
Letter Grade: B- (the first hour and a half takes some initiative to get through)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Justin Taylor (59 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Oct 29, 2018
The action pieces were kinda on point (4 more)
Of course the Rock kills it as usual and brings his a game or at least tries his best
The trio of Kevin Hart, Karen Gillan and Jack Black are the best things about this movie
It does something original with the source material
A good movie to sit down and eat popcorn to
Although this is a sequel to Jumanji yeah in case y'all didn't know it's a sequel and outside of a couple of references including a name-drop of Robin Williams character from the original it has nothing to do with the first (2 more)
Also basic plot getting sucked into a video game which is a plot that we have seen in Many other things (Spy Kids, Tron and fairly odd parents to name a few) and while it does it in a fresh way at the end of the day it's the exact same plot from the first
The villain is pretty much meh but if u like Jumanji I think you probably have no problem with him
Jumanji was passable
Contains spoilers, click to show
Ok this movie ain't perfect but it did do it's purpose and I personally thought it wasn't bad,
Too be honest I wasn't crazy about a Jumanji sequel especially after the late great Robin Williams passed away. But they did some things good and some things not so good so I'll start with the good first
1. It does something fresh with the original so in case you haven't seen it spoiler warning the board game we all know and love turned into a video game which is something I was kinda expecting but I wasn't surprised and it was nice seeing it getting updated for a new generation
2. The characters in the Jumanji world are hilariously entertaining with props particularly to Karen Gillan and Jack Black..they bring it in this movie and they had me laughing my butt off. Not totally saying that the Rock and Kevin Hart weren't funny either but they all are great
3 the action sequences are awesomely executed and exciting as it should be. Nothing more to say.
Now for the bad
1. Elephant in the room, the plot, ok so getting stuck in a video game is something that's been done to death but they do something creative with it but at the end of the day it's the exact same plot of the first movie.
2. The villains pretty much meh, he's your standard I'm gonna take what I want and no one can stop me type villain and yes in case your wondering his last name is van pelt.
3. Speaking of homages to the first movie don't expect too much outside of a couple of references including a name drop of Williams character from the original movie it has nothing to do with the first movie so it's like a standalone sequel and a soft reboot which means the events of the original still exist but they're pretty much making some retcons.
Overall I didn't hate this movie, I laughed at anything but I think if u take ur nostalgia glasses off and watch it with a new point of view youll enjoy it also this movie did something right because its getting a sequel next year
Too be honest I wasn't crazy about a Jumanji sequel especially after the late great Robin Williams passed away. But they did some things good and some things not so good so I'll start with the good first
1. It does something fresh with the original so in case you haven't seen it spoiler warning the board game we all know and love turned into a video game which is something I was kinda expecting but I wasn't surprised and it was nice seeing it getting updated for a new generation
2. The characters in the Jumanji world are hilariously entertaining with props particularly to Karen Gillan and Jack Black..they bring it in this movie and they had me laughing my butt off. Not totally saying that the Rock and Kevin Hart weren't funny either but they all are great
3 the action sequences are awesomely executed and exciting as it should be. Nothing more to say.
Now for the bad
1. Elephant in the room, the plot, ok so getting stuck in a video game is something that's been done to death but they do something creative with it but at the end of the day it's the exact same plot of the first movie.
2. The villains pretty much meh, he's your standard I'm gonna take what I want and no one can stop me type villain and yes in case your wondering his last name is van pelt.
3. Speaking of homages to the first movie don't expect too much outside of a couple of references including a name drop of Williams character from the original movie it has nothing to do with the first movie so it's like a standalone sequel and a soft reboot which means the events of the original still exist but they're pretty much making some retcons.
Overall I didn't hate this movie, I laughed at anything but I think if u take ur nostalgia glasses off and watch it with a new point of view youll enjoy it also this movie did something right because its getting a sequel next year
BankofMarquis (1832 KP) rated Ralph Breaks the Internet: Wreck-It Ralph 2 (2018) in Movies
Dec 1, 2018
Come for Ralph and Vanelope, stay for the Disney Princesses
I'm pretty sure that this is going to be the only review of WRECK-IT RALPH 2: RALPH BREAKS THE INTERNET that will draw a comparison between Ralph2 and DEADPOOL 2.
Like, DP2, Ralph2 suffers in the first 1/2 hour of the film with an issue - it tries too hard to repeat what was successful in the first film. I spent the first portion of both films thinking "you did this - better - in the first film". But, like DP2, Ralph2 finds it's footing - and it's own voice - after a fashion and becomes a very entertaining film.
And you can thank the Disney Princesses for that.
Without giving too much away, the plot of Ralph2 has Wreck-it Ralph (John C. Reilly) and Vanelope (Sarah Silverman) heading to the Internet (notably E:BAY) to find a replacement part for her game. The main theme of this film is "finding the place where you belong" and along this journey Vanelope enters in the world of Disney and encounters all of the Disney Princesses backstage.
Kudos to The Walt Disney Company - and Disney Animation Studios - for having a sense of humor and poking fun at themselves. These versions of the princesses are funny and don't take themselves too seriously, by taking themselves very seriously (if that makes any sense) - every character acts (and reacts) ways that make sense. It's a tribute to this extended bit that EVERY original voice of these characters (at least the ones that are still alive) agreed to contribute their voice talents to this bit. The funniest bit was the way Disney Animation handled the character of Princess Merida from BRAVE - a Pixar film.
As for the film proper - it is fine enough. John C. Reilly (as Ralph) and Sarah Silverman (as Vanelope) reprise their roles and they are winning enough to hold our attention throughout (though Ralph is sidelined for long stretches as this is really Vanelope's story). Jacks McBrayer's Fix-It Felix is back (for small bits in the beginning and end) as is the great Jane Lynch's Calhoun character. I get that these 2 characters are not really in service to the story - and I applaud the filmmakers for not trying to shoehorn them in - but I can't believe ANY conversation that starts "We have Jane Lynch, so we're going to push her in the background and use very little of her."
As for the other voice cast, Alan Tudyk (the voice of the King Candy in the first Wreck-It Ralph) is back as the voice of an overly-aggressive search engine. Tudyk is this generation's "Man of a Thousand Voices" and I had no idea it was him until the credits, which was fun (for me). Joining the fun this time around - and acquitting herself quite well - is Gal Gadot as an on-line game Race Car Drive that becomes Big Sister/mentor to Vanelope.
One final mention, there are 2 credits scene. The first one is fun enough (and is a callback to the first film), but the 2nd one (at the very end of the credits) had me chuckling - and I was glad I stayed for it.
Come for Ralph and Vanelope, stay for the Disney Princesses. You'll be glad you did.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Like, DP2, Ralph2 suffers in the first 1/2 hour of the film with an issue - it tries too hard to repeat what was successful in the first film. I spent the first portion of both films thinking "you did this - better - in the first film". But, like DP2, Ralph2 finds it's footing - and it's own voice - after a fashion and becomes a very entertaining film.
And you can thank the Disney Princesses for that.
Without giving too much away, the plot of Ralph2 has Wreck-it Ralph (John C. Reilly) and Vanelope (Sarah Silverman) heading to the Internet (notably E:BAY) to find a replacement part for her game. The main theme of this film is "finding the place where you belong" and along this journey Vanelope enters in the world of Disney and encounters all of the Disney Princesses backstage.
Kudos to The Walt Disney Company - and Disney Animation Studios - for having a sense of humor and poking fun at themselves. These versions of the princesses are funny and don't take themselves too seriously, by taking themselves very seriously (if that makes any sense) - every character acts (and reacts) ways that make sense. It's a tribute to this extended bit that EVERY original voice of these characters (at least the ones that are still alive) agreed to contribute their voice talents to this bit. The funniest bit was the way Disney Animation handled the character of Princess Merida from BRAVE - a Pixar film.
As for the film proper - it is fine enough. John C. Reilly (as Ralph) and Sarah Silverman (as Vanelope) reprise their roles and they are winning enough to hold our attention throughout (though Ralph is sidelined for long stretches as this is really Vanelope's story). Jacks McBrayer's Fix-It Felix is back (for small bits in the beginning and end) as is the great Jane Lynch's Calhoun character. I get that these 2 characters are not really in service to the story - and I applaud the filmmakers for not trying to shoehorn them in - but I can't believe ANY conversation that starts "We have Jane Lynch, so we're going to push her in the background and use very little of her."
As for the other voice cast, Alan Tudyk (the voice of the King Candy in the first Wreck-It Ralph) is back as the voice of an overly-aggressive search engine. Tudyk is this generation's "Man of a Thousand Voices" and I had no idea it was him until the credits, which was fun (for me). Joining the fun this time around - and acquitting herself quite well - is Gal Gadot as an on-line game Race Car Drive that becomes Big Sister/mentor to Vanelope.
One final mention, there are 2 credits scene. The first one is fun enough (and is a callback to the first film), but the 2nd one (at the very end of the credits) had me chuckling - and I was glad I stayed for it.
Come for Ralph and Vanelope, stay for the Disney Princesses. You'll be glad you did.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
JT (287 KP) rated Mama (2013) in Movies
Mar 10, 2020
When a film is presented by a well-known director it initially has a certain weight to it that will place it above the shoulders of others. In the case of horror/thriller Mama it has the backing of Spanish director Guillermo del Toro which is a certain plus point for any one who is a fan.
However, any big name attachment is probably there to push the marketing of the film, sadly this one doesn’t quite do itself much justice and falls some way short of achieving any greatness.
It’s a film of two halves, which as the second and third acts take shape becomes more and more ridiculous.
The film is brought to the big screen by director by Andrés Muschietti who also helmed the short three minute piece. It follows the story of two girls Lily and Victoria who are taken away by their father Jeffrey after he goes a bit doolally and offs his co-workers and wife.
When the car they are travelling in crashes they take shelter in a house deep in the forest, riddled with guilt Jeffrey then decides to enter into murder suicide, but something supernatural stops him and the girls are left to fend for themselves.
Move ahead five years and Jeffrey’s brother Lucas continues his search for the girls hiring a couple of hicks to trail the forest looking for the derelict cabin. When they are finally found the girls are practically feral and need psychiatric supervision as they are welcomed back into society.
Lucas and his grunge girlfriend Annabel are given custody as well as a nice new house for them to live in, all under the watchful eye of Dr. Dreyfuss. Once inside the house its clear to see that the girls have brought something back with them, something that doesn’t want to let them go.
Mama starts well enough, with a frenetic opening that glimpses the supernatural entity through blurred vision it moves from eerie strength to strength building tension and then unleashing it in small doses not giving the audience long enough to draw breath.
Of course it sticks quite closely to now tried and tested horror clichés, with things lurking in the shadows, children talking to imaginary nothingness and the so old “what’s in the closet” routine?
Then the director, whether bored with just giving us tit bits of the mother like antagonist, decides to reveal ‘it’ in all its glory. It then moves from scare mongering horror to poorly constructed ghost story in the space of a few minutes.
The acting is nothing to write home about, Jessica Chastain while so dominant in Zero Dark Thirty is flat and a little off the mark here, why the need for the grunge look is beyond me. Maybe it was in keeping with the Gothic back story?
The young girls do well, sweet and innocent yet dependable when needed, the rest of the cast pretty much fall by the wayside. The ending was for me beyond ridiculous and undid most if not all of the good work the start gave us, although saying that it was pretty much on the decline when Mama herself becomes much more of a central character.
It’s not as main stream a horror as you would expect, but the protagonist shadows the central figure that graced the god awful Darkness Falls and that is one supernatural entity well worth staying away from.
However, any big name attachment is probably there to push the marketing of the film, sadly this one doesn’t quite do itself much justice and falls some way short of achieving any greatness.
It’s a film of two halves, which as the second and third acts take shape becomes more and more ridiculous.
The film is brought to the big screen by director by Andrés Muschietti who also helmed the short three minute piece. It follows the story of two girls Lily and Victoria who are taken away by their father Jeffrey after he goes a bit doolally and offs his co-workers and wife.
When the car they are travelling in crashes they take shelter in a house deep in the forest, riddled with guilt Jeffrey then decides to enter into murder suicide, but something supernatural stops him and the girls are left to fend for themselves.
Move ahead five years and Jeffrey’s brother Lucas continues his search for the girls hiring a couple of hicks to trail the forest looking for the derelict cabin. When they are finally found the girls are practically feral and need psychiatric supervision as they are welcomed back into society.
Lucas and his grunge girlfriend Annabel are given custody as well as a nice new house for them to live in, all under the watchful eye of Dr. Dreyfuss. Once inside the house its clear to see that the girls have brought something back with them, something that doesn’t want to let them go.
Mama starts well enough, with a frenetic opening that glimpses the supernatural entity through blurred vision it moves from eerie strength to strength building tension and then unleashing it in small doses not giving the audience long enough to draw breath.
Of course it sticks quite closely to now tried and tested horror clichés, with things lurking in the shadows, children talking to imaginary nothingness and the so old “what’s in the closet” routine?
Then the director, whether bored with just giving us tit bits of the mother like antagonist, decides to reveal ‘it’ in all its glory. It then moves from scare mongering horror to poorly constructed ghost story in the space of a few minutes.
The acting is nothing to write home about, Jessica Chastain while so dominant in Zero Dark Thirty is flat and a little off the mark here, why the need for the grunge look is beyond me. Maybe it was in keeping with the Gothic back story?
The young girls do well, sweet and innocent yet dependable when needed, the rest of the cast pretty much fall by the wayside. The ending was for me beyond ridiculous and undid most if not all of the good work the start gave us, although saying that it was pretty much on the decline when Mama herself becomes much more of a central character.
It’s not as main stream a horror as you would expect, but the protagonist shadows the central figure that graced the god awful Darkness Falls and that is one supernatural entity well worth staying away from.
Ivana A. | Diary of Difference (1171 KP) rated Dracula in Books
Oct 2, 2020
Dracula by Bram Stoker is the ultimate horror classic of all times. This is where it all started. A tale about a creature that feeds on the blood to survive, but also a tale of friendship and love, described and presented in a way we rarely have a privilege to see these days.
If Vampire Diaries, Vampire Academy, Twilight and the Sookie Stackhouse series pop to your mind when you first think of vampires, this book might feel extremely slow to your taste. However, if you want to experience the real horror and the building tension through many diary entries - you will enjoy this book completely.
I am a fan of both, and I had moments where I fell in love with the detailed explanations of weather and whereabouts. But the setting of writing many polite letters to people dear to the characters also made me cringe. I suppose a cringe can’t be all bad for a horror book though?
Through many diary entries of various characters, we follow their experience with the Count Dracula. Young Jonathan Harker is sent to go to Transylvania and arrange for the apartments the Count Dracula wants to buy in London. During his stay, he faces many unusual things. Meanwhile, his fiance Mina and her friend Lucy are in London, and Lucy is facing some unusual experiences herself, when Dr. Seward arrives to help better her condition.
“How blessed are some people, whose lives have no fears, no dreads; to whom sleep is a blessing that comes nightly, and brings nothing but sweet dreams.”
I knew what I was getting into, and I believe knowing this is a classic, and not a fast-paced romance with a paranormal twist put me in the right mood from the very beginning, so I was aware of what I was going into, and I really enjoyed it!
Dracula as a character is so mysterious, so powerful, very feared and secretly admired. I both loved and hated the fact that we don’t get to really see much of him, but we have to be satisfied with what the other characters are going through. And even though, he continues to be a shadow, a fear, a thought of everything they are doing. He is always there, even when he isn’t, and it requires great skills as a writer to create that presence for a character.
The characters of Lucy and Mina were very interesting - from a time perspective. How things have changed for women in all these years. What women were doing and thinking at that time, and how different it is now. I suppose I could make all the comparisons in the world - but one thing stays true will all classic books - they leave a mark of the time they were written, and this mark always gets better as time goes by.
“It is really wonderful how much resilience there is in human nature. Let any obstructing cause, no matter what, be removed in any way - even by death - and we fly back to first principles of hope and enjoyment."
I am glad I read Dracula, and I will try to read more classics in the new year. The writing style, the past of them, they remind you to take a big breath and acknowledge many things you take for granted in today’s world. In a world of page-turners, you sometimes need a slow book that makes you think deeply.
If Vampire Diaries, Vampire Academy, Twilight and the Sookie Stackhouse series pop to your mind when you first think of vampires, this book might feel extremely slow to your taste. However, if you want to experience the real horror and the building tension through many diary entries - you will enjoy this book completely.
I am a fan of both, and I had moments where I fell in love with the detailed explanations of weather and whereabouts. But the setting of writing many polite letters to people dear to the characters also made me cringe. I suppose a cringe can’t be all bad for a horror book though?
Through many diary entries of various characters, we follow their experience with the Count Dracula. Young Jonathan Harker is sent to go to Transylvania and arrange for the apartments the Count Dracula wants to buy in London. During his stay, he faces many unusual things. Meanwhile, his fiance Mina and her friend Lucy are in London, and Lucy is facing some unusual experiences herself, when Dr. Seward arrives to help better her condition.
“How blessed are some people, whose lives have no fears, no dreads; to whom sleep is a blessing that comes nightly, and brings nothing but sweet dreams.”
I knew what I was getting into, and I believe knowing this is a classic, and not a fast-paced romance with a paranormal twist put me in the right mood from the very beginning, so I was aware of what I was going into, and I really enjoyed it!
Dracula as a character is so mysterious, so powerful, very feared and secretly admired. I both loved and hated the fact that we don’t get to really see much of him, but we have to be satisfied with what the other characters are going through. And even though, he continues to be a shadow, a fear, a thought of everything they are doing. He is always there, even when he isn’t, and it requires great skills as a writer to create that presence for a character.
The characters of Lucy and Mina were very interesting - from a time perspective. How things have changed for women in all these years. What women were doing and thinking at that time, and how different it is now. I suppose I could make all the comparisons in the world - but one thing stays true will all classic books - they leave a mark of the time they were written, and this mark always gets better as time goes by.
“It is really wonderful how much resilience there is in human nature. Let any obstructing cause, no matter what, be removed in any way - even by death - and we fly back to first principles of hope and enjoyment."
I am glad I read Dracula, and I will try to read more classics in the new year. The writing style, the past of them, they remind you to take a big breath and acknowledge many things you take for granted in today’s world. In a world of page-turners, you sometimes need a slow book that makes you think deeply.
Purple Phoenix Games (2266 KP) rated Shuffle Grand Prix in Tabletop Games
Jun 12, 2019 (Updated Jun 12, 2019)
I very rarely reference video games in my reviews. Mostly because I have never really been a big video gamer. I was always more into RPG style video games (Final Fantasy XI ftw), but some styles of video games I also enjoyed quite a bit. Among those were the battle racing style games of Crash Team Racing and Mario Kart. So much fun not only to race to the finish but also to plant traps and equip weapons to slow your opponents’ progress. Such is your plight as you play Shuffle Grand Prix by new-to-the-board-game-scene publisher Games by Bicycle.
DISCLAIMER: While I will not be delving completely into the rulebook and describing every rule and scenario, I will give you a good idea of how the game plays and what I think of it. -T
Okay let’s setup this game in our minds. Shuffle the large deck of Distance Cards (in denominations of 25, 50, 75, and 100 distance) to form a draw deck. Each player will draft a team of racer and co-pilot, which means taking the racer’s deck and co-pilot’s deck to form their team. Each pilot is a different character with different decks and different special abilities that can be used throughout the game. For example, my first team was the wizard and the musician. Place the driver’s character card on top of the wheel (health) card at maximum wheel strength, and tuck the co-pilot’s card underneath them. You cannot use the co-pilot’s ability until they become the driver (when your main pilot spins out due to your opponents and their dastardly play). Now shuffle the driver’s and co-pilot’s decks together (a la Smash Up) to form your personal draw deck, draw three cards, and you are ready to begin!
On your turn you will flip over the top Distance Card and place it in front of yourself. This is how far you have driven this turn, and ultimately is your VP stack. From there you may play cards from your hand to affect your own cards, the cards of your opponents, or place traps. You may equip items to your car (max 2), switch out equipment, or pass your turn ? This structure continues until there are no more Distance Cards to draw, then the game ends and you count Distance to see who is the winner! I have intentionally left some rules out because they are fun to discover and play – like making your opponent spin out (for trophies), nerfing your opponents, card combo play, etc.
Components: this game is relatively light on components as it is a large number of playing cards and a collection of trophy chits. The chits are good quality, and were definitely too numerous for our plays. The cards are of great quality, which is what you expect from Bicycle, the playing card giant. The art in this game is VERY quirky. I wouldn’t say the art is amazing, but it’s fun and fits the theme. Think Munchkin art. In fact, think of this game as a whole as a combination of CTR/Mario Kart meets Munchkin.
Overall, I really dig this game. It’s pretty fast-playing, though those AP-prone players will hold up the game a bit on their turns. The rules are light, the game play is really fun, and the flavor text on the cards is quite humorous. I thought out loud as we were playing that this is a replacement for Munchkin for me, and I like Munchkin a lot. The take-that/screw-your-neighbor aspect is certainly there, but even when you pile on it doesn’t seem to slow you down so much that you can no longer do much on your turn. I appreciate that. The eight provided playable character decks feels like I can play this game for a really long time with different combinations and enjoy it each time. So for the ease of play, enjoyment of play, different combos we are excited to try, and absolute silliness, Purple Phoenix Games gives this one a bashin’ 14 / 18. Check it out!
https://purplephoenixgames.wordpress.com/2019/06/06/shuffle-grand-prix-review/
DISCLAIMER: While I will not be delving completely into the rulebook and describing every rule and scenario, I will give you a good idea of how the game plays and what I think of it. -T
Okay let’s setup this game in our minds. Shuffle the large deck of Distance Cards (in denominations of 25, 50, 75, and 100 distance) to form a draw deck. Each player will draft a team of racer and co-pilot, which means taking the racer’s deck and co-pilot’s deck to form their team. Each pilot is a different character with different decks and different special abilities that can be used throughout the game. For example, my first team was the wizard and the musician. Place the driver’s character card on top of the wheel (health) card at maximum wheel strength, and tuck the co-pilot’s card underneath them. You cannot use the co-pilot’s ability until they become the driver (when your main pilot spins out due to your opponents and their dastardly play). Now shuffle the driver’s and co-pilot’s decks together (a la Smash Up) to form your personal draw deck, draw three cards, and you are ready to begin!
On your turn you will flip over the top Distance Card and place it in front of yourself. This is how far you have driven this turn, and ultimately is your VP stack. From there you may play cards from your hand to affect your own cards, the cards of your opponents, or place traps. You may equip items to your car (max 2), switch out equipment, or pass your turn ? This structure continues until there are no more Distance Cards to draw, then the game ends and you count Distance to see who is the winner! I have intentionally left some rules out because they are fun to discover and play – like making your opponent spin out (for trophies), nerfing your opponents, card combo play, etc.
Components: this game is relatively light on components as it is a large number of playing cards and a collection of trophy chits. The chits are good quality, and were definitely too numerous for our plays. The cards are of great quality, which is what you expect from Bicycle, the playing card giant. The art in this game is VERY quirky. I wouldn’t say the art is amazing, but it’s fun and fits the theme. Think Munchkin art. In fact, think of this game as a whole as a combination of CTR/Mario Kart meets Munchkin.
Overall, I really dig this game. It’s pretty fast-playing, though those AP-prone players will hold up the game a bit on their turns. The rules are light, the game play is really fun, and the flavor text on the cards is quite humorous. I thought out loud as we were playing that this is a replacement for Munchkin for me, and I like Munchkin a lot. The take-that/screw-your-neighbor aspect is certainly there, but even when you pile on it doesn’t seem to slow you down so much that you can no longer do much on your turn. I appreciate that. The eight provided playable character decks feels like I can play this game for a really long time with different combinations and enjoy it each time. So for the ease of play, enjoyment of play, different combos we are excited to try, and absolute silliness, Purple Phoenix Games gives this one a bashin’ 14 / 18. Check it out!
https://purplephoenixgames.wordpress.com/2019/06/06/shuffle-grand-prix-review/