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Purple Phoenix Games (2266 KP) rated Set a Watch in Tabletop Games
Sep 26, 2019
Purple Phoenix Games Solo Chronicles
I love a good fantasy-themed game. We’ve all, at some point in our lives, probably dreamed of being adventurers – traveling across the land, fighting monsters, and saving all of humanity. Sounds like it could maybe be fun to me. So whenever I see a game that emulates that theme, I am drawn to it. Such was definitely the case when I stumbled across Set a Watch as I was perusing Kickstarter one day, and the rest is history.
The kingdom is under attack. Hoards of creatures are amassing at locations around the realm in an attempt to resurrect ancient Unhallowed monsters. Their ultimate goal? To take control of the world. You and your fellow adventurers have been tasked with stopping this uprising. By traveling to these various locations, you will attempt to clear the area of evil-doers and maintain peace in the kingdom. Keep a vigilant watch, and your team will be successful. But if you wane for even a moment, all could be lost.
DISCLAIMER: This review uses the Deluxe version of Set a Watch that we backed on Kickstarter. Some components may differ from components found other versions. -T
Set A Watch is a cooperative game for 1-4 players in which players must secure nine locations around the realm to prevent the release of the deadly Unhallowed monsters. The party always consists of 4 adventurers, regardless of actual player count. In each round, one adventurer will stay back at camp, resting and taking strategic actions, while the other 3 adventurers take watch and fight off the creatures attempting to infiltrate the camp by using special abilities and powers to aid in battle. The game ends in victory if the adventurers have successfully secured all locations. If, at the end of a round, all adventurers on watch are exhausted, the camp is overrun and the game is lost.
So how does solo play differ from multiplayer games? It doesn’t! A solo game of Set A Watch plays identically to a multiplayer game – the solo player just controls all 4 adventurers at once instead of being split up among the players. Obviously, as a solo player, you have to make all of the decisions, which is sometimes nicer than playing with other people. You get to play whatever strategy YOU want to, without having to compromise with other players. On the flip side, that could be treacherous if your strategy is too bold/too meek or if you get in a tight spot and are at a loss for what to do next. Other than the aspect of solo decision-making, the gameplay remains unchanged. One adventurer still rests at camp while the other 3 stand watch and battle monsters.
Typically, I am not a fan of solo games in which you are forced to play multiple characters. That just feels like kind of a cop-out way to say ‘Yeah, we have a solo mode’ when in reality you’re still playing a multiplayer game, just by yourself. That being said, I actually don’t mind this aspect in Set A Watch. Why? Because there really are no ‘turns’ to track. One adventurer stays at camp and acts first, but the other 3 go to battle and act whenever/however they want. There is no real turn order. I make the characters act when and how I want them to, and that really opens the rounds up to a lot of freedom. I don’t have to sacrifice special powers/abilities because it wasn’t that character’s ‘turn’ – I can come up with some sweet combos, utilizing whichever characters I need to, to really do some damage. The lack of turns makes this a truly cooperative game, even when playing solo.
Overall, I love Set A Watch. It was, admittedly, a little intimidating at first, but once I got the hang of it, it plays great! The components are nice and sturdy, the box transforms into the game board, and the artwork is very nicely done. Set A Watch is a game I would definitely play either multiplayer or solo, and not as a last resort. The gameplay is engaging, the strategic options give you a different game every play, and the theme itself is just exciting to me. I am very happy with this Kickstarter purchase, and I look forward to any expansions/reimplementations that could be in the works!
The kingdom is under attack. Hoards of creatures are amassing at locations around the realm in an attempt to resurrect ancient Unhallowed monsters. Their ultimate goal? To take control of the world. You and your fellow adventurers have been tasked with stopping this uprising. By traveling to these various locations, you will attempt to clear the area of evil-doers and maintain peace in the kingdom. Keep a vigilant watch, and your team will be successful. But if you wane for even a moment, all could be lost.
DISCLAIMER: This review uses the Deluxe version of Set a Watch that we backed on Kickstarter. Some components may differ from components found other versions. -T
Set A Watch is a cooperative game for 1-4 players in which players must secure nine locations around the realm to prevent the release of the deadly Unhallowed monsters. The party always consists of 4 adventurers, regardless of actual player count. In each round, one adventurer will stay back at camp, resting and taking strategic actions, while the other 3 adventurers take watch and fight off the creatures attempting to infiltrate the camp by using special abilities and powers to aid in battle. The game ends in victory if the adventurers have successfully secured all locations. If, at the end of a round, all adventurers on watch are exhausted, the camp is overrun and the game is lost.
So how does solo play differ from multiplayer games? It doesn’t! A solo game of Set A Watch plays identically to a multiplayer game – the solo player just controls all 4 adventurers at once instead of being split up among the players. Obviously, as a solo player, you have to make all of the decisions, which is sometimes nicer than playing with other people. You get to play whatever strategy YOU want to, without having to compromise with other players. On the flip side, that could be treacherous if your strategy is too bold/too meek or if you get in a tight spot and are at a loss for what to do next. Other than the aspect of solo decision-making, the gameplay remains unchanged. One adventurer still rests at camp while the other 3 stand watch and battle monsters.
Typically, I am not a fan of solo games in which you are forced to play multiple characters. That just feels like kind of a cop-out way to say ‘Yeah, we have a solo mode’ when in reality you’re still playing a multiplayer game, just by yourself. That being said, I actually don’t mind this aspect in Set A Watch. Why? Because there really are no ‘turns’ to track. One adventurer stays at camp and acts first, but the other 3 go to battle and act whenever/however they want. There is no real turn order. I make the characters act when and how I want them to, and that really opens the rounds up to a lot of freedom. I don’t have to sacrifice special powers/abilities because it wasn’t that character’s ‘turn’ – I can come up with some sweet combos, utilizing whichever characters I need to, to really do some damage. The lack of turns makes this a truly cooperative game, even when playing solo.
Overall, I love Set A Watch. It was, admittedly, a little intimidating at first, but once I got the hang of it, it plays great! The components are nice and sturdy, the box transforms into the game board, and the artwork is very nicely done. Set A Watch is a game I would definitely play either multiplayer or solo, and not as a last resort. The gameplay is engaging, the strategic options give you a different game every play, and the theme itself is just exciting to me. I am very happy with this Kickstarter purchase, and I look forward to any expansions/reimplementations that could be in the works!
Goddess in the Stacks (553 KP) rated Bright Smoke, Cold Fire in Books
Apr 15, 2018
Fantastic Shakespeare retelling (3 more)
Excellent characters
Interesting worldbuilding
Romeo & Juliet + Zombies!
I read the description of this book somewhere and immediately requested it from the library - a re-imagining of Romeo and Juliet in a dying world with necromancers? SIGN ME UP. And it did not disappoint!
Hodge has written a few other books - Cruel Beauty, a retelling of Beauty and the Beast, and Crimson Bound, a retelling of Little Red Riding Hood. (She also has a novella that spins Cinderella.) You all know how much I like my redone Fairy Tales! Bright Smoke, Cold Fire, is a little different in that it's a Shakespeare play, instead of a fairy tale. I recently read and reviewed Miranda and Caliban, another Shakespeare reskin, but this, I think, is much better.
The Capulets have become the Catresou, and the Montagues the Mahyanai in this dark fantasy. The Ruining has killed every human outside the city of Viyara/Verona - only stopped by the mystical walls put up by a long-dead priestess and maintained by a mysterious cult of nuns.
My favorite characters in this book - and arguably the main characters - are Runajo (Rosaline) and Paris, rather than Romeo and the Juliet. (It's a title, not a name - her name was stripped from her as an infant when the magic was worked to make her "the Juliet.") The original play doesn't give either of them much time, and they are both fascinating characters in this novel - Runajo a little more than Paris, in my opinion. Runajo is a member of the Sisters of Thorns - the cult of nuns keeping the walls of Viyara up against The Ruining. When she accidentally brings the Juliet back from death, she becomes - or at least thinks she becomes - that which she and the city fear the most. A necromancer. Runajo and the Juliet both believe they will (and should) die for this crime, but still use the time they have left to try and save the city from the necromancers operating within.
Meanwhile, Paris and Romeo have found themselves bound by the magic that should have bound Romeo and Juliet, had it not gone terribly wrong. They can feel each other's emotions, see each other's memories, hear each other's thoughts. This is understandably awkward for Paris as he feels Romeo's grief for the Juliet's supposed death, and occasionally catches flashes of more intimate moments between the two. They decide to take on the city's necromancers in memory of the Juliet.
I liked how, similar to the play, Romeo and Juliet both operate for the entirety of the book under the assumption that the other one is dead. They both take risks and agree to things they would not have done if they didn't each welcome death in their own way.
I also very much enjoyed a side, non-binary character who I really want to see more of!
The book ended on an upsetting cliffhanger, which is really my only problem with it. The sequel is due out this summer (Endless Water, Starless Sky) and I will definitely be picking it up.
Great book, but you may want to wait a few months so you can immediately follow it with the sequel!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Hodge has written a few other books - Cruel Beauty, a retelling of Beauty and the Beast, and Crimson Bound, a retelling of Little Red Riding Hood. (She also has a novella that spins Cinderella.) You all know how much I like my redone Fairy Tales! Bright Smoke, Cold Fire, is a little different in that it's a Shakespeare play, instead of a fairy tale. I recently read and reviewed Miranda and Caliban, another Shakespeare reskin, but this, I think, is much better.
The Capulets have become the Catresou, and the Montagues the Mahyanai in this dark fantasy. The Ruining has killed every human outside the city of Viyara/Verona - only stopped by the mystical walls put up by a long-dead priestess and maintained by a mysterious cult of nuns.
My favorite characters in this book - and arguably the main characters - are Runajo (Rosaline) and Paris, rather than Romeo and the Juliet. (It's a title, not a name - her name was stripped from her as an infant when the magic was worked to make her "the Juliet.") The original play doesn't give either of them much time, and they are both fascinating characters in this novel - Runajo a little more than Paris, in my opinion. Runajo is a member of the Sisters of Thorns - the cult of nuns keeping the walls of Viyara up against The Ruining. When she accidentally brings the Juliet back from death, she becomes - or at least thinks she becomes - that which she and the city fear the most. A necromancer. Runajo and the Juliet both believe they will (and should) die for this crime, but still use the time they have left to try and save the city from the necromancers operating within.
Meanwhile, Paris and Romeo have found themselves bound by the magic that should have bound Romeo and Juliet, had it not gone terribly wrong. They can feel each other's emotions, see each other's memories, hear each other's thoughts. This is understandably awkward for Paris as he feels Romeo's grief for the Juliet's supposed death, and occasionally catches flashes of more intimate moments between the two. They decide to take on the city's necromancers in memory of the Juliet.
I liked how, similar to the play, Romeo and Juliet both operate for the entirety of the book under the assumption that the other one is dead. They both take risks and agree to things they would not have done if they didn't each welcome death in their own way.
I also very much enjoyed a side, non-binary character who I really want to see more of!
The book ended on an upsetting cliffhanger, which is really my only problem with it. The sequel is due out this summer (Endless Water, Starless Sky) and I will definitely be picking it up.
Great book, but you may want to wait a few months so you can immediately follow it with the sequel!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Debbiereadsbook (1166 KP) rated His Steady Heart in Books
May 30, 2019
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
I’m gonna jump straight in here, cos, well, because it’s my review and I can.
If you follow my reviews, you’ll know I have a particular dislike of several things.
First Person
Present Tense
Single Point of View.
So, when I started this book, and found it first person AND present tense, I got all ansty and twitchy and thought, nope, not doing it. THEN I realised it was single point of view, and my twitchiness went sky high and . . . .
bloody hell if I did not bloody LOVE this book!
Ashley or Buck, depending on who addresses him, was 22 years old when he first met Pippin and now, some 15 years (I was a bit unclear on that) later, he is still looking out for the little 6 year old boy who wormed his way into his heart. Now though, the little boy is all man, and when Pippin’s mother throws him under a bus (not literally, mind you!) of course Ashley will step up to look after the young man. But Pippin is proud, and won’t just take Ashley’s care, he must give back. The big bear of a man is Pippin’s idea of heaven, he just has to reach out and take him.
This has to be the sweetest, cutest CLEANEST book I've read in a long time, and I inhaled this book. I mean, I sat down, and didn’t move til I was done. It is only short, took me just over an hour but I really LOVED!
Ashley is the sweetest bear of a man, and no one can see that, except Pippin. Pippin sees Ashley, deep down, that he isn’t anyone’s “daddy”. He wants to look after people, yes, but PIPPIN is at the top of that very short list. PIPPIN is the one he realises he wants, even as he fights his attraction to the smaller man. PIPPIN tells Ashley he wants him, too, but not just for a quick lay. Pippin wants his first time to be special, and ASHLEY is that special man for Pippin.
I didn’t like what Pippin’s mum does to him, but you kinda saw that one coming like a train wreck and you can’t do anything to stop it.
The only thing, the one thing I cannot forgive is that Pippin doesn’t get a say! I wanted desperately to hear from him, even if it does make it first person/present tense/MULTI point of view (cos that would be my idea of Hell!) I NEEDED Pippin and I don’t get him. And I wanted to know, just what it was about Ashley that pushed his buttons, what he thought when Ashley’s ex turned up (and I LOVED how Pippin reacted to that!) and I wanted to know how he felt about his mum, and what she was doing to him.
That’s the only reason I gave it 4 stars and not 5 stars, was because I did not get Pippin and I really needed him.
I’ve not read anything by this author before, but if they are all this good, I’d gladly inhale a few more!
4 sweet, cute, warm and so bloody fuzzies stars
**same worded review will appear elsewhere**
I’m gonna jump straight in here, cos, well, because it’s my review and I can.
If you follow my reviews, you’ll know I have a particular dislike of several things.
First Person
Present Tense
Single Point of View.
So, when I started this book, and found it first person AND present tense, I got all ansty and twitchy and thought, nope, not doing it. THEN I realised it was single point of view, and my twitchiness went sky high and . . . .
bloody hell if I did not bloody LOVE this book!
Ashley or Buck, depending on who addresses him, was 22 years old when he first met Pippin and now, some 15 years (I was a bit unclear on that) later, he is still looking out for the little 6 year old boy who wormed his way into his heart. Now though, the little boy is all man, and when Pippin’s mother throws him under a bus (not literally, mind you!) of course Ashley will step up to look after the young man. But Pippin is proud, and won’t just take Ashley’s care, he must give back. The big bear of a man is Pippin’s idea of heaven, he just has to reach out and take him.
This has to be the sweetest, cutest CLEANEST book I've read in a long time, and I inhaled this book. I mean, I sat down, and didn’t move til I was done. It is only short, took me just over an hour but I really LOVED!
Ashley is the sweetest bear of a man, and no one can see that, except Pippin. Pippin sees Ashley, deep down, that he isn’t anyone’s “daddy”. He wants to look after people, yes, but PIPPIN is at the top of that very short list. PIPPIN is the one he realises he wants, even as he fights his attraction to the smaller man. PIPPIN tells Ashley he wants him, too, but not just for a quick lay. Pippin wants his first time to be special, and ASHLEY is that special man for Pippin.
I didn’t like what Pippin’s mum does to him, but you kinda saw that one coming like a train wreck and you can’t do anything to stop it.
The only thing, the one thing I cannot forgive is that Pippin doesn’t get a say! I wanted desperately to hear from him, even if it does make it first person/present tense/MULTI point of view (cos that would be my idea of Hell!) I NEEDED Pippin and I don’t get him. And I wanted to know, just what it was about Ashley that pushed his buttons, what he thought when Ashley’s ex turned up (and I LOVED how Pippin reacted to that!) and I wanted to know how he felt about his mum, and what she was doing to him.
That’s the only reason I gave it 4 stars and not 5 stars, was because I did not get Pippin and I really needed him.
I’ve not read anything by this author before, but if they are all this good, I’d gladly inhale a few more!
4 sweet, cute, warm and so bloody fuzzies stars
**same worded review will appear elsewhere**
Gareth von Kallenbach (974 KP) rated Once Upon A Deadpool (Deadpool 2 PG-13 Version) (2018) in Movies
Jun 19, 2019
Taking what was old making it new again as long been criticism that is been levied against Hollywood. With abundance equals flooding the theaters as well as reboots; people often cynically ask if Hollywood has run out of new ideas. The latest film to fall under these criteria would be “Once Upon A Deadpool” where audiences are presented with a sanitized version of “Deadpool 2” accompanied by approximately 11 min. worth of new footage at the beginning and spread throughout.
The PG-13 take on what was definitely a very “R” rated film is been met with skeptics who see this as a sign of the pending Disney acquisition of Fox to test the waters to see if audiences will accept a more subdued take on the hero us paving the way for future adventures to be the more box office friendly “PG-13″.
The film cleverly opens with Deadpool (Ryan Reynolds), having kidnapped or as he likes to refer to it” involuntary relocation assistance”; Fred Savage as he attempts to re-create the opening of “The Princess Bride” and reads to him a family-friendlier version of “Deadpool 2”.
The film plays out as it did earlier this summer safe for much of the language being removed and use of pixels and cutaways to remove objectionable or an adult content to preserve the “PG-13” rating. What makes it enjoyable are the new seems where Reynolds and Savage exchange banter and debate topics ranging from Nickelback to the pending Disney acquisition of Fox.
I found myself looking forward to the next cutaway to hear what comments would be coming next including a very clever discussion of possible outcomes of Deadpool’s regenerative properties; and how they were not explored in the film due to “lazy writing”.
For me it was mostly a mixed bag as I enjoyed seeing the new footage as any new Deadpool content is always a treat and Reynolds seem to be having a great time returning to the character in an abbreviated fashion.
While the film basically played out as before; I found a sanitized version to not be as appealing simply because one of the joys of the character and the series is not knowing what will come next. How far will a joke be taken, how much Gore is going to be used for comedic effect, what invented a new profanity is going to spew from Deadpool? Much of this is been taken away to what I believe is a detriment to the franchise. One of the joys about the films is that the wise comments come at the audience and a rapid-fire approach. This makes you want to see the film again in order to catch what you witnessed previously. It felt like I was being deprived of this opportunity because while in many ways it was the same film, much of the adage that made the film stand out has been subdued.
While it is great that younger audiences will have an opportunity to experience the character; those of us who’ve seen him and his full uncensored glory will undoubtedly feel that this is a direction that should not be pursued for the future and that audiences want and deserve a fully uncensored Deadpool.
However for a little bit of family fun and a cute new laughs; “Once Upon A Deadpool”, is a pleasant enough distraction.
http://sknr.net/2018/12/12/once-upon-a-deadpool/
The PG-13 take on what was definitely a very “R” rated film is been met with skeptics who see this as a sign of the pending Disney acquisition of Fox to test the waters to see if audiences will accept a more subdued take on the hero us paving the way for future adventures to be the more box office friendly “PG-13″.
The film cleverly opens with Deadpool (Ryan Reynolds), having kidnapped or as he likes to refer to it” involuntary relocation assistance”; Fred Savage as he attempts to re-create the opening of “The Princess Bride” and reads to him a family-friendlier version of “Deadpool 2”.
The film plays out as it did earlier this summer safe for much of the language being removed and use of pixels and cutaways to remove objectionable or an adult content to preserve the “PG-13” rating. What makes it enjoyable are the new seems where Reynolds and Savage exchange banter and debate topics ranging from Nickelback to the pending Disney acquisition of Fox.
I found myself looking forward to the next cutaway to hear what comments would be coming next including a very clever discussion of possible outcomes of Deadpool’s regenerative properties; and how they were not explored in the film due to “lazy writing”.
For me it was mostly a mixed bag as I enjoyed seeing the new footage as any new Deadpool content is always a treat and Reynolds seem to be having a great time returning to the character in an abbreviated fashion.
While the film basically played out as before; I found a sanitized version to not be as appealing simply because one of the joys of the character and the series is not knowing what will come next. How far will a joke be taken, how much Gore is going to be used for comedic effect, what invented a new profanity is going to spew from Deadpool? Much of this is been taken away to what I believe is a detriment to the franchise. One of the joys about the films is that the wise comments come at the audience and a rapid-fire approach. This makes you want to see the film again in order to catch what you witnessed previously. It felt like I was being deprived of this opportunity because while in many ways it was the same film, much of the adage that made the film stand out has been subdued.
While it is great that younger audiences will have an opportunity to experience the character; those of us who’ve seen him and his full uncensored glory will undoubtedly feel that this is a direction that should not be pursued for the future and that audiences want and deserve a fully uncensored Deadpool.
However for a little bit of family fun and a cute new laughs; “Once Upon A Deadpool”, is a pleasant enough distraction.
http://sknr.net/2018/12/12/once-upon-a-deadpool/
Kristy H (1252 KP) rated The Unhoneymooners in Books
Jun 21, 2019
Ami and Olive Torres are twins, but they couldn't be more different. Ami is known for her good luck. She wins everything (seriously, everything--her entire wedding is basically free thanks to her winnings) and is known for her charmed life. Olive, on the other hand, has chronic bad luck. Olive is known for getting stuck in a toy claw machine at the age of six (people still google the YouTube video). As of late, her roommate moved out, forcing Olive to find a new, more expensive place, and she lost her job and hasn't found a new one. Now Ami's getting married to Dane, and therefore Olive must face her worst nemesis: Dane's older brother, Ethan, aka the best man. For some reason, Ethan seems to hate Olive, and the feeling is mutual. But then everyone at Ami's wedding gets sick--really sick--after eating the buffet, except for Olive and Ethan. So Ami encourages Olive--and Dane, Ethan--to take the couple's free honeymoon to Maui. The two reluctantly agree, and Olive's luck seems to be turning. She's even offered a new job while waiting at the airport. But at the resort, she and Ethan run into Olive's new boss, forcing them to continue the lie of being a happy newly married couple. But Olive finds she doesn't really mind pretending to be married to Ethan. Maybe this trip won't be so bad after all, right?
"You know what they say about self-fulfilling prophecies, I'm sure. Winning makes you feel like a winner, and then somehow... you keep winning. It has to be true, because Ami wins everything."
This was such an enjoyable romance. For me, I have to take to the couple from the start, and it was so easy to fall for Olive, who is such a sweet and easy protagonist to root for. The witty banter between her and Ethan begins at Ami's wedding and never stops. There's immediate sexual tension and chemistry between these two, and you can't help but want them to get together and totally love this adorable couple. It's even easier to love them when poor Olive feels as if she's been plagued by bad luck her entire life--she's labeled by most as a cynic and pessimist. But I found myself cheering her on, inspired by her bravery and ability to face any situation thrown at her.
"Whereas Ami is a four-leaf-clover, I have always been unlucky."
There are definitely some crazy situations in this book, but it still felt very real and true. There are real heartfelt moments, and Olive and Ami's twin relationship is an anchoring piece of the entire novel. So is their crazy extended family of the twins' (dysfunctional) parents, cousins, aunts, and uncles, which provide great comic relief, but also love and tender pieces.
"It wasn't until I was in the fifth grade that I realized not everyone has nineteen first cousins."
This is a delicious, sexy romance and also a lovely coming-of-age story for Olive. I loved both sides of the book. It's downright hilarious in parts, and it's impossible not to love Olive. Even better, Olive and Ethan are a great, memorable couple. The ending is also amazing, and I found myself literally cheering at parts of it. This would make a great movie, truly. Honestly, there was really nothing I didn't love about this one. Highly recommend. 4.5+ stars.
"You know what they say about self-fulfilling prophecies, I'm sure. Winning makes you feel like a winner, and then somehow... you keep winning. It has to be true, because Ami wins everything."
This was such an enjoyable romance. For me, I have to take to the couple from the start, and it was so easy to fall for Olive, who is such a sweet and easy protagonist to root for. The witty banter between her and Ethan begins at Ami's wedding and never stops. There's immediate sexual tension and chemistry between these two, and you can't help but want them to get together and totally love this adorable couple. It's even easier to love them when poor Olive feels as if she's been plagued by bad luck her entire life--she's labeled by most as a cynic and pessimist. But I found myself cheering her on, inspired by her bravery and ability to face any situation thrown at her.
"Whereas Ami is a four-leaf-clover, I have always been unlucky."
There are definitely some crazy situations in this book, but it still felt very real and true. There are real heartfelt moments, and Olive and Ami's twin relationship is an anchoring piece of the entire novel. So is their crazy extended family of the twins' (dysfunctional) parents, cousins, aunts, and uncles, which provide great comic relief, but also love and tender pieces.
"It wasn't until I was in the fifth grade that I realized not everyone has nineteen first cousins."
This is a delicious, sexy romance and also a lovely coming-of-age story for Olive. I loved both sides of the book. It's downright hilarious in parts, and it's impossible not to love Olive. Even better, Olive and Ethan are a great, memorable couple. The ending is also amazing, and I found myself literally cheering at parts of it. This would make a great movie, truly. Honestly, there was really nothing I didn't love about this one. Highly recommend. 4.5+ stars.
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Debbiereadsbook (1166 KP) rated Close to Home (Sawyer's Ferry #4) in Books
Jun 28, 2019
my fav of the four!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 4 in the Sawyers Ferry series, but you don't NEED to read the other books for this one to make sense. The previous stories come before this in time, and the previous characters pop up here too. But, you know? two 5 stars and a 4star read from me, so why not, eh?
Witt somehow manages to get himself a beating, and by some miracle, drives himself to the only place he feels safe: Sawyers Ferry. His boss did not like it when Witt said no. Mason is struggling at his place with his house mates family visiting, so when Logan and Jackson ask Mason to move into their place to keep an eye on the still recovering Witt, he jumps at the chance to not only get out his house, but to get to know the shy man a whole lot better. Something about Witt pulls at Mason, and he can't figure out what, not yet. But when Witt's boss turns up in town, Mason figures it out real quick. Witt is HIS and Mason will do everything he can to protect him.
So, book 4 and this carries a far darker story line. Witt has been working with a bully, and managed to, up to now, avoid any serious confrontation but when Witt says no to more overtime, that confrontation happens and Witt suffers at the hands of his boss. How he managed to get as far as the ferry, he will never know, but Logan and Jackson are there, they will help him. Then Mason is in the house, and Witt doesn't quite know what to do about the man who seemed to have invaded his dreams somewhere along the way.
Mason works with Barrett at the Copper Creek Brewery. He met Witt some time ago, the smaller shy man trying to almost hide in the sofa. But Mason noticed, he noticed a lot about Witt. Visiting Witt at the hospital bought all kinds of rage out of Mason, and all kinds of other feelings he didn't want to examine just yet. Being able to look after Witt when Logan and Jackson go out of town is just the best thing.
Slowly, Witt comes out of himself. He is painfully shy, and Mason so darn gentle with him, it was a delight to see Witt break his shell. And when Witt decides to take the plunge and take what he wants, or rather WHO he wants, ooooeeee that was so hawt!
It was great fun watching these two dance around each other for a huge part of the book! Mason admitted his feelings to Barrett and Frnakie quite early, but Witt took a while to get there. Neither man was sure what the other was feeling!
Brody pops up, and Mason's best friend. He has a short in this series, Laguna, which is availble for free from Profilicworks. And I do mean SHORT! 34 pages is all, but I do know that Ms Ashwood will be writing Brody and Beckett's full story shortly! Can't wait for that, I tell ya!
I just got back off my holidays, and I read this on the plane. Fabulous way to pass a 4 hour flight!
5 full and shiny stars!
**same worded review will appear elsewhere**
This is book 4 in the Sawyers Ferry series, but you don't NEED to read the other books for this one to make sense. The previous stories come before this in time, and the previous characters pop up here too. But, you know? two 5 stars and a 4star read from me, so why not, eh?
Witt somehow manages to get himself a beating, and by some miracle, drives himself to the only place he feels safe: Sawyers Ferry. His boss did not like it when Witt said no. Mason is struggling at his place with his house mates family visiting, so when Logan and Jackson ask Mason to move into their place to keep an eye on the still recovering Witt, he jumps at the chance to not only get out his house, but to get to know the shy man a whole lot better. Something about Witt pulls at Mason, and he can't figure out what, not yet. But when Witt's boss turns up in town, Mason figures it out real quick. Witt is HIS and Mason will do everything he can to protect him.
So, book 4 and this carries a far darker story line. Witt has been working with a bully, and managed to, up to now, avoid any serious confrontation but when Witt says no to more overtime, that confrontation happens and Witt suffers at the hands of his boss. How he managed to get as far as the ferry, he will never know, but Logan and Jackson are there, they will help him. Then Mason is in the house, and Witt doesn't quite know what to do about the man who seemed to have invaded his dreams somewhere along the way.
Mason works with Barrett at the Copper Creek Brewery. He met Witt some time ago, the smaller shy man trying to almost hide in the sofa. But Mason noticed, he noticed a lot about Witt. Visiting Witt at the hospital bought all kinds of rage out of Mason, and all kinds of other feelings he didn't want to examine just yet. Being able to look after Witt when Logan and Jackson go out of town is just the best thing.
Slowly, Witt comes out of himself. He is painfully shy, and Mason so darn gentle with him, it was a delight to see Witt break his shell. And when Witt decides to take the plunge and take what he wants, or rather WHO he wants, ooooeeee that was so hawt!
It was great fun watching these two dance around each other for a huge part of the book! Mason admitted his feelings to Barrett and Frnakie quite early, but Witt took a while to get there. Neither man was sure what the other was feeling!
Brody pops up, and Mason's best friend. He has a short in this series, Laguna, which is availble for free from Profilicworks. And I do mean SHORT! 34 pages is all, but I do know that Ms Ashwood will be writing Brody and Beckett's full story shortly! Can't wait for that, I tell ya!
I just got back off my holidays, and I read this on the plane. Fabulous way to pass a 4 hour flight!
5 full and shiny stars!
**same worded review will appear elsewhere**
Darren (1599 KP) rated Citadel (2012) in Movies
Oct 14, 2019
Characters – Tommy is a father with agoraphobia after he saw his wife attacked by a group of children, he is trying to be the good father for his new born child, but his fears are controlling the situation, he sees children trying to take his child, he needs to face his fears to make it through this trauma he is going through. Priest is a renegade man that is aggressively searching for a way to bring down the feral children, he sees Tommy as a chance to get the job done, even if it is against what his religion states. Marie is one of the social workers that will help Tommy, she is trying to help him through the medical side even if she is the one that puts him in contact with the priest. The Feral Children are the highlight of the film because they are genuinely frightening when they attack.
Performances – Aneurin Barnard in the leading role does make us feel for his character, we believe he has been through the trauma and is the desperation to save his family. James Cosmo is fun to watch as anti-priest figure. Wunmi Mosaku doesn’t do anything wrong in the supporting role, if only we could have seen more from the character.
Story – The story here follows a new father that is dealing with his own trauma while raising his new born child, which will see him needing to face off against feral child that feed on people’s fears. The early thing that must be pointed out here, comes from the idea that we are not full convinced that we are seeing the fears of the character dealt with, for the most part we are seeing one man terrorised but even the people without the fear seem to be targets too, this mostly confuses the rule point in place. the idea that the feral child live in the abandoned flat complex doesn’t improve on things either because you would think more incidents would happen. The part of the story that does standout and is interesting to watch would be seeing how Tommy is dealing with his own traumas while remaining strong facing the possibility of not being able to raise his own child because of his problems, sadly we don’t see enough of this addressed with the horror side of the story taking over, which simply put, isn’t as interesting.
Horror – The horror starts of being home invasion like horror, which worked for the illness Tommy had, but when we enter the flats, it does become the highlight of the action in the film, feeling dark, scary with anything able to jump out to get them.
Settings – The settings show us the run down neighbourhood in which Tommy lives, the support groups around it and most importantly the empty flat block which has the feral children in it.
Special Effects – The effects are used mostly look practical, with the moments surrounding the feral child being the most notable and scary ones.
Scene of the Movie – Inside the flat block.
That Moment That Annoyed Me – It breaks the rules it sets up too easily.
Final Thoughts – This is a horror film that does take its time getting going, one the chaos is unleashed with get a highly intense final act which ramps the fear up to the max.
Overall: Slow Start, Strong Finish.
Performances – Aneurin Barnard in the leading role does make us feel for his character, we believe he has been through the trauma and is the desperation to save his family. James Cosmo is fun to watch as anti-priest figure. Wunmi Mosaku doesn’t do anything wrong in the supporting role, if only we could have seen more from the character.
Story – The story here follows a new father that is dealing with his own trauma while raising his new born child, which will see him needing to face off against feral child that feed on people’s fears. The early thing that must be pointed out here, comes from the idea that we are not full convinced that we are seeing the fears of the character dealt with, for the most part we are seeing one man terrorised but even the people without the fear seem to be targets too, this mostly confuses the rule point in place. the idea that the feral child live in the abandoned flat complex doesn’t improve on things either because you would think more incidents would happen. The part of the story that does standout and is interesting to watch would be seeing how Tommy is dealing with his own traumas while remaining strong facing the possibility of not being able to raise his own child because of his problems, sadly we don’t see enough of this addressed with the horror side of the story taking over, which simply put, isn’t as interesting.
Horror – The horror starts of being home invasion like horror, which worked for the illness Tommy had, but when we enter the flats, it does become the highlight of the action in the film, feeling dark, scary with anything able to jump out to get them.
Settings – The settings show us the run down neighbourhood in which Tommy lives, the support groups around it and most importantly the empty flat block which has the feral children in it.
Special Effects – The effects are used mostly look practical, with the moments surrounding the feral child being the most notable and scary ones.
Scene of the Movie – Inside the flat block.
That Moment That Annoyed Me – It breaks the rules it sets up too easily.
Final Thoughts – This is a horror film that does take its time getting going, one the chaos is unleashed with get a highly intense final act which ramps the fear up to the max.
Overall: Slow Start, Strong Finish.
Debbiereadsbook (1166 KP) rated Smith's Corner: Hunter and Holden (The Heartwood Series #6) in Books
May 13, 2022
Long time coming, but these boys do not disappoint, no ma'am they do not!
Independent Reviewer for Archaeolibrarian - I Dig Good Books!
Book 6 in the Heartwood series, and Lord has it been a wait for these two!
Hunter is best friends to Faith (book 4, Faith and Fox) but he's been a constant in this group since the beginning. As has Holden. Hunter knows Holden is straight, but his heart wants Holden and his heart will wait Holden out. Because Holden starts to feel something for the annoying bigger man who laid claim to him, even if he doesn't want to. And then all of a sudden, Holden questions everything he ever knew about himself.
Long time coming, but these boys do not disappoint, no ma'am they do not!
We knew Hunter had a thing for Holden, waaaaaay back in book one, and there is some overlap here with the later books. So I'd suggest you read all the other books before this one, to get the full picture of these two and how everyone else can see what's going on, even if Holden can't quite get it. They are, however M/F books, and might not be your thing, but they are so good! Most of the other pairings are crash condensed in this one, though.
There is anger here, with Holden fighting how he feels, how Hunter makes him feels. The thing is though, Holden does not ever say NO to Hunter. He pushes him away, sure, and he fights himself so freaking hard, but not once, does he utter the words NO to Hunter.
There is so much love too. Hunter does love Holden, even if Holden rejects him at first and Hunter cannot be with anyone else. Coco, Holden's daughter, can see how Hunter makes Holden feel, once they actually decide to do this thing between them, and she is a real delight here, loving that Hunter knows he can't just take Holden, he gotta take Coco too.
There is smexy times: so much with the smexy times, even if we do have to wait for the main event! But I loved being made to wait, I really did, and the epilogue? Oh! I loved the epilogue, I really did. It shows just how much Hunter loved Holden, and how he would wait for Holden to be ready to fully consummate their relationship.
There is pain here, too. Mostly on Hunter's part. A part he hides from a lot of people, but Holden sees it in Hunter, when he least expects to, and Holden does not do tears!
I think what I especially liked here, is that all the angst comes BEFORE they get together, you know? Once they decide to be a couple, they are all in and I loved that.
Loved watching the other pairings from both Holden and Hunter's point of view.
Who is next? No idea since all the brothers are now spoken for. Dakota (from the clothes store) needs a story, and Monty (the chef in the bar) oh I wanna know why Monty is so angry with the world (for most of the time, but he does come good here for Holden!) But I don't really care who comes next, I will read it!
5 full and shiny stars! I honestly think the best was saved for last!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Book 6 in the Heartwood series, and Lord has it been a wait for these two!
Hunter is best friends to Faith (book 4, Faith and Fox) but he's been a constant in this group since the beginning. As has Holden. Hunter knows Holden is straight, but his heart wants Holden and his heart will wait Holden out. Because Holden starts to feel something for the annoying bigger man who laid claim to him, even if he doesn't want to. And then all of a sudden, Holden questions everything he ever knew about himself.
Long time coming, but these boys do not disappoint, no ma'am they do not!
We knew Hunter had a thing for Holden, waaaaaay back in book one, and there is some overlap here with the later books. So I'd suggest you read all the other books before this one, to get the full picture of these two and how everyone else can see what's going on, even if Holden can't quite get it. They are, however M/F books, and might not be your thing, but they are so good! Most of the other pairings are crash condensed in this one, though.
There is anger here, with Holden fighting how he feels, how Hunter makes him feels. The thing is though, Holden does not ever say NO to Hunter. He pushes him away, sure, and he fights himself so freaking hard, but not once, does he utter the words NO to Hunter.
There is so much love too. Hunter does love Holden, even if Holden rejects him at first and Hunter cannot be with anyone else. Coco, Holden's daughter, can see how Hunter makes Holden feel, once they actually decide to do this thing between them, and she is a real delight here, loving that Hunter knows he can't just take Holden, he gotta take Coco too.
There is smexy times: so much with the smexy times, even if we do have to wait for the main event! But I loved being made to wait, I really did, and the epilogue? Oh! I loved the epilogue, I really did. It shows just how much Hunter loved Holden, and how he would wait for Holden to be ready to fully consummate their relationship.
There is pain here, too. Mostly on Hunter's part. A part he hides from a lot of people, but Holden sees it in Hunter, when he least expects to, and Holden does not do tears!
I think what I especially liked here, is that all the angst comes BEFORE they get together, you know? Once they decide to be a couple, they are all in and I loved that.
Loved watching the other pairings from both Holden and Hunter's point of view.
Who is next? No idea since all the brothers are now spoken for. Dakota (from the clothes store) needs a story, and Monty (the chef in the bar) oh I wanna know why Monty is so angry with the world (for most of the time, but he does come good here for Holden!) But I don't really care who comes next, I will read it!
5 full and shiny stars! I honestly think the best was saved for last!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
BankofMarquis (1832 KP) rated Glass Onion: A Knives Out Mystery (2022) in Movies
Dec 31, 2022
Not "just" a Murder Mystery
Move over, James Bond, Daniel Craig has another series to star in.
A surprise hit when it was released in 2019, KNIVES OUT was Daniel Craig’s first outing as Southern Master Detective Benoit Blanc. This All Star whodunnit, Directed by Rian Johnson (STAR WARS: THE LAST JEDI) was a resounding hit and a sequel was inevitable. The biggest mystery was the question as to whether the new mystery - and this character - would hold up to the first one.
And…that question has been answered as THE GLASS ONION is a fascinating, interesting commentary on our modern “Click Bait” society, the pandemic and the shallow people looking for attention while also disguising itself as a murder mystery.
THE GLASS ONION does what a good sequel should do - take the essence of the first movie (the characters, the tone) - and opens it up in new, unusual and daring ways. And, in this, THE GLASS ONION acquits itself nicely.
Credit, of course, goes to Writer/Director Johnson who found a new premise and direction for our intrepid Detective to go and peels back the layers of this Onion in intriguing and clever directions. The story was always one step ahead of the viewer in it’s twists and turns - the sign of a well devised mystery - and Johnson knows how to thread this needle honestly (the clues were there all along, you just needed to see them). He also throws in enough red herrings to keep the audience guessing and mentally going down dead-end rabbit holes.
Craig puts back on the SeerSucker Suite of Benoit Blanc and this suit, improbably, fits him perfectly. As befits a good actor who gets a second chance to play a character, Craig fleshes out Blanc while settling back into a character that is now familiar to the audience.
As befits a good murder mystery, Johnson brings together an All-Star Cast and not only does one have to figure out “whodunnit”, but in this GLASS ONION, one also needs to figure out “who’s gonna get it”. Edward Norton (Fight Club), Kate Hudson (ALMOST FAMOUS), David Bautista (GUARDIANS OF THE GALAXY), Kathryn Hahn (BAD MOMS) and Leslie Odom, Jr. (Broadway’s HAMILTON) all bring the right level of star power, mystery and intrigue to their characters and they blend together into a nice ensemble that adds to the “whodunnit” aspect of this film.
Sticking out from this ensemble - and the clique that the others have formed - is Janelle Monae (HIDDEN FIGURES) as an estranged person from the past who will help unlock the secret of THE GLASS ONION - but will it be as the solver of the mystery? A key piece of the puzzle? The victim? The murderer? Her performance brings all of that to the table and continues to get me wondering why Ms. Monae isn’t a bigger Movie Star than she is. She has shone in every film that I have seen her in (including the woe-fully misguided ANTEBELLUM). It was GREAT to see her shine again.
An original murder mystery - that is more than “just” a murder mystery - THE GLASS ONION will be satisfying for those who enjoy these types of films, while also bringing something new to the genre…and cements Benoit Blanc as a character that Daniel Craig will be playing for many films to come.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
A surprise hit when it was released in 2019, KNIVES OUT was Daniel Craig’s first outing as Southern Master Detective Benoit Blanc. This All Star whodunnit, Directed by Rian Johnson (STAR WARS: THE LAST JEDI) was a resounding hit and a sequel was inevitable. The biggest mystery was the question as to whether the new mystery - and this character - would hold up to the first one.
And…that question has been answered as THE GLASS ONION is a fascinating, interesting commentary on our modern “Click Bait” society, the pandemic and the shallow people looking for attention while also disguising itself as a murder mystery.
THE GLASS ONION does what a good sequel should do - take the essence of the first movie (the characters, the tone) - and opens it up in new, unusual and daring ways. And, in this, THE GLASS ONION acquits itself nicely.
Credit, of course, goes to Writer/Director Johnson who found a new premise and direction for our intrepid Detective to go and peels back the layers of this Onion in intriguing and clever directions. The story was always one step ahead of the viewer in it’s twists and turns - the sign of a well devised mystery - and Johnson knows how to thread this needle honestly (the clues were there all along, you just needed to see them). He also throws in enough red herrings to keep the audience guessing and mentally going down dead-end rabbit holes.
Craig puts back on the SeerSucker Suite of Benoit Blanc and this suit, improbably, fits him perfectly. As befits a good actor who gets a second chance to play a character, Craig fleshes out Blanc while settling back into a character that is now familiar to the audience.
As befits a good murder mystery, Johnson brings together an All-Star Cast and not only does one have to figure out “whodunnit”, but in this GLASS ONION, one also needs to figure out “who’s gonna get it”. Edward Norton (Fight Club), Kate Hudson (ALMOST FAMOUS), David Bautista (GUARDIANS OF THE GALAXY), Kathryn Hahn (BAD MOMS) and Leslie Odom, Jr. (Broadway’s HAMILTON) all bring the right level of star power, mystery and intrigue to their characters and they blend together into a nice ensemble that adds to the “whodunnit” aspect of this film.
Sticking out from this ensemble - and the clique that the others have formed - is Janelle Monae (HIDDEN FIGURES) as an estranged person from the past who will help unlock the secret of THE GLASS ONION - but will it be as the solver of the mystery? A key piece of the puzzle? The victim? The murderer? Her performance brings all of that to the table and continues to get me wondering why Ms. Monae isn’t a bigger Movie Star than she is. She has shone in every film that I have seen her in (including the woe-fully misguided ANTEBELLUM). It was GREAT to see her shine again.
An original murder mystery - that is more than “just” a murder mystery - THE GLASS ONION will be satisfying for those who enjoy these types of films, while also bringing something new to the genre…and cements Benoit Blanc as a character that Daniel Craig will be playing for many films to come.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)