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Purple Phoenix Games (2266 KP) rated Cult of the Deep in Tabletop Games
Feb 24, 2021
You see that cultist in the foreground of the box art about to dab? If I knew being in a cult was THIS cool… Well, I have never been in a cult. At least not that I am aware. However, if I ever were to be in a cult, I certainly wouldn’t wish it to be one that is intent on reviving or calling upon the scourges of the earth. I would rather be in one of those happy cults that take wisdom from a prophet and make delicious breads or something. But how does the Cult of the Deep operate and would I want to join?
Cult of the Deep is a dice-driven, fantasy horror, hidden role game with similarities to some classic games. In it players will be donning the personas (personae?) of cultists with different roles and agendas. Players will be forming alliances with other cultists of unknown roles and possibly having their character perish and return to play as a Wraith with a totally new agenda. Each cultist’s role will have their own victory conditions to fulfill and the game ends once a player (or players) have fulfilling their victory conditions.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
Setup involves placing out the Altar Boards and Ritual Cards upon them. Players will also receive one Role, Character, Sigil, and Reference Card to use during play. Players will reveal their Character Cards and collect enough Life Tokens to equal what is shown upon these cards. Each set of dice and the coins are to be set on the table within reach. The player who received the High Priest Role Card reveals it, takes extra Life Counters, and becomes the first player. They take five Cultist Dice and the game may begin!
Each turn is divided into four phases: Roll, Commit, Response, Resolve. During the Roll phase the active player will roll five dice, and any dice may be re-rolled another two times. Once all re-rolls are complete or the player decides to stop, they will take each die and Commit them to other players, altars, or themselves. For example, if the player rolls two blood drop icons they may wish to heal themselves by two, so they can commit these dice to themselves. Should this player also have rolled any dagger icons they may commit these dice to other players in order to attack them for one life per icon. If any player has a special ability that can be enacted during the Response phase, they must now use it. One such ability may be turning a one-dagger icon into a two-dagger icon, or other abilities. Once all players have had a chance to activate any abilities during this phase, the dice must now be Resolved in any order of the active player’s choosing. So now the player can regain life counters (or even surpass their starting life total), attack other players’ life points, or activate any Altar abilities if dice were placed on Ritual Cards on altars.
The Resolve phase is where the action happens, and can lead to some serious actions. Players can be killed, Rituals can be activated, and players can be healed. If a Ritual is completed (no more activation slots remaining) during this phase, the active player becomes the Keeper of the Ritual and collects its card from the altar to be used for an immediate effect, or an ongoing effect for the rest of the game. Should a player be slain, they may return to the game as a Wraith, and thus draws a Wraith card (shown below) to now represent their altered state. Wraiths play the game differently, as they will not be able to commit any dice during their turn, but rather have their dice to be used during other cultists’ Response phases.
Play continues in this fashion of taking turns around the table until victory conditions have been met for a player or group of players. The game may be over, but the lasting effects of the results will remain in each player’s heart for some time.
Components. Again, this is a prototype copy of the game, so not all components are as they will be in the finished version. That said, we received an excellent prototype copy of the game. The cards are great, the cardboard components are equally great, and I know we were provided with examples of the Kickstarter exclusive add-on metal coins, but I certainly would spring for them. These coins are the real deal and just feel amazing to handle. I know the dice will be different upon a successful campaign, as stickered dice simply will not hold up to many plays (and I see on the KS page that the d4s will have numbers ON TOP, which is where they should be). So once all is said and done, I believe this will be a beautiful, if not dark, game with excellent components and art style.
I mentioned in my open that this game reminds me of bits of other classic games. Perhaps you were able to discern these in my description, but here are my thoughts. I enjoy dice-based hidden-role games like BANG! The Dice Game. Cult of the Deep feels similar in that players may suss out roles of other players simply by attacking them until roles are revealed or cultists slain. This is not the ideal strategy, as I have been repeatedly told by my wife, but it certain is effective. What is improved here is that players come back as Wraiths and really are not ever out of the game. This is very good, as I usually am the player who is ganged up on and first to exit any game of this type.
Secondly, rolling dice and then committing them to certain areas of the game feels extremely reminiscent of the classic Biblios. Biblios uses cards and each turn the different areas MUST be committed to, but here again Cult of the Deep improves on this mechanic by allowing the player to choose every location to which they wish to commit their dice. Maybe every turn a player will commit daggers to one player (more than likely the High Priest), or certain dice faces to heal another player, but it is not necessary, and always being aware of what faces the Rituals need to progress will also dissuade players from ganging on one player each turn.
I didn’t mention it in my description, but each player is also given a Sigil card that can be used once per game, and they are especially powerful. Having so many choices available during a turn, or even during other players’ turns makes this game unique and incredibly enjoyable.
If you are looking for a game that has that Cthulhu-esque theme, hints of other classic game mechanics, and a deluxe look, then Cult of the Deep is certainly highly recommended. It is a notch more difficult than BANG! The Dice Game, and utilizes Biblios’s resource allocation mechanic better, thus creating a great blend of each. I do think you should check out the Kickstarter campaign ending Wednesday, March 3, 2021 to back it and add it to your collection. Obviously, this isn’t for everyone, but if you have read this far, I will assume at least a small measure of interest. I believe it will be a great game to have available for the right group of people who can handle the theme and don’t mind dying and becoming a character in Lord of the Rings.
Cult of the Deep is a dice-driven, fantasy horror, hidden role game with similarities to some classic games. In it players will be donning the personas (personae?) of cultists with different roles and agendas. Players will be forming alliances with other cultists of unknown roles and possibly having their character perish and return to play as a Wraith with a totally new agenda. Each cultist’s role will have their own victory conditions to fulfill and the game ends once a player (or players) have fulfilling their victory conditions.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
Setup involves placing out the Altar Boards and Ritual Cards upon them. Players will also receive one Role, Character, Sigil, and Reference Card to use during play. Players will reveal their Character Cards and collect enough Life Tokens to equal what is shown upon these cards. Each set of dice and the coins are to be set on the table within reach. The player who received the High Priest Role Card reveals it, takes extra Life Counters, and becomes the first player. They take five Cultist Dice and the game may begin!
Each turn is divided into four phases: Roll, Commit, Response, Resolve. During the Roll phase the active player will roll five dice, and any dice may be re-rolled another two times. Once all re-rolls are complete or the player decides to stop, they will take each die and Commit them to other players, altars, or themselves. For example, if the player rolls two blood drop icons they may wish to heal themselves by two, so they can commit these dice to themselves. Should this player also have rolled any dagger icons they may commit these dice to other players in order to attack them for one life per icon. If any player has a special ability that can be enacted during the Response phase, they must now use it. One such ability may be turning a one-dagger icon into a two-dagger icon, or other abilities. Once all players have had a chance to activate any abilities during this phase, the dice must now be Resolved in any order of the active player’s choosing. So now the player can regain life counters (or even surpass their starting life total), attack other players’ life points, or activate any Altar abilities if dice were placed on Ritual Cards on altars.
The Resolve phase is where the action happens, and can lead to some serious actions. Players can be killed, Rituals can be activated, and players can be healed. If a Ritual is completed (no more activation slots remaining) during this phase, the active player becomes the Keeper of the Ritual and collects its card from the altar to be used for an immediate effect, or an ongoing effect for the rest of the game. Should a player be slain, they may return to the game as a Wraith, and thus draws a Wraith card (shown below) to now represent their altered state. Wraiths play the game differently, as they will not be able to commit any dice during their turn, but rather have their dice to be used during other cultists’ Response phases.
Play continues in this fashion of taking turns around the table until victory conditions have been met for a player or group of players. The game may be over, but the lasting effects of the results will remain in each player’s heart for some time.
Components. Again, this is a prototype copy of the game, so not all components are as they will be in the finished version. That said, we received an excellent prototype copy of the game. The cards are great, the cardboard components are equally great, and I know we were provided with examples of the Kickstarter exclusive add-on metal coins, but I certainly would spring for them. These coins are the real deal and just feel amazing to handle. I know the dice will be different upon a successful campaign, as stickered dice simply will not hold up to many plays (and I see on the KS page that the d4s will have numbers ON TOP, which is where they should be). So once all is said and done, I believe this will be a beautiful, if not dark, game with excellent components and art style.
I mentioned in my open that this game reminds me of bits of other classic games. Perhaps you were able to discern these in my description, but here are my thoughts. I enjoy dice-based hidden-role games like BANG! The Dice Game. Cult of the Deep feels similar in that players may suss out roles of other players simply by attacking them until roles are revealed or cultists slain. This is not the ideal strategy, as I have been repeatedly told by my wife, but it certain is effective. What is improved here is that players come back as Wraiths and really are not ever out of the game. This is very good, as I usually am the player who is ganged up on and first to exit any game of this type.
Secondly, rolling dice and then committing them to certain areas of the game feels extremely reminiscent of the classic Biblios. Biblios uses cards and each turn the different areas MUST be committed to, but here again Cult of the Deep improves on this mechanic by allowing the player to choose every location to which they wish to commit their dice. Maybe every turn a player will commit daggers to one player (more than likely the High Priest), or certain dice faces to heal another player, but it is not necessary, and always being aware of what faces the Rituals need to progress will also dissuade players from ganging on one player each turn.
I didn’t mention it in my description, but each player is also given a Sigil card that can be used once per game, and they are especially powerful. Having so many choices available during a turn, or even during other players’ turns makes this game unique and incredibly enjoyable.
If you are looking for a game that has that Cthulhu-esque theme, hints of other classic game mechanics, and a deluxe look, then Cult of the Deep is certainly highly recommended. It is a notch more difficult than BANG! The Dice Game, and utilizes Biblios’s resource allocation mechanic better, thus creating a great blend of each. I do think you should check out the Kickstarter campaign ending Wednesday, March 3, 2021 to back it and add it to your collection. Obviously, this isn’t for everyone, but if you have read this far, I will assume at least a small measure of interest. I believe it will be a great game to have available for the right group of people who can handle the theme and don’t mind dying and becoming a character in Lord of the Rings.
Gareth von Kallenbach (980 KP) rated The Addams Family (2019) in Movies
Oct 13, 2019
“They’re creepy and they’re kooky, Mysterious and spooky, They’re all together ooky, The Addams family…” a theme song that everyone aged five to ninety-five seem to know the words to. It’s amazing to think that a show that first aired in 1964 and only ran for two seasons could continue to have the impact that it does fifty-five years later. Let that sink in for just a couple of minutes, for reference the Apollo 11 moon landing occurred in 1969 almost three years after the show’s end date. To simply say that the Addams Family has made a cultural impact on our society is a bit of an understatement, so how would the first animated full-length movie treat these cultural icons?
The Addams Family is an origin story of sorts for everyone’s favorite kooky family. Gomez Addams (Oscar Isaac) and Morticia (Charlize Theron) are rudely interrupted during their wedding ceremony by a bunch of angry villagers carrying pitchforks. While this is a little cliché’ it sets the tone for the interaction between the Addams family and how they are perceived by “normal” folks. Morticia longs for a place where they can live in peace away from those who wish to disturb their lives. On a long and windy road in New Jersey, fate appears in the form of Lurch (Conrad Vernon) as he bounces off the hood of their car. In the distance, as lightning strikes, they peer up a mountain side to see an abandoned, haunted insane asylum. The perfect place to raise a family away from the peering eyes of the rest of the world.
For thirteen years the Addams Family lives in relative seclusion with their two young children, Wednesday (Chloë Grace Moretz) and Pugsley (Finn Wolfhard). Neither of the children are allowed to leave the Asylum grounds and know of nothing outside the cold iron gates. One day, the swamp is drained, the clouds part and the Addams Family life of seclusion comes to an abrupt end. Down in the valley the town of Assimilation, a town that as its name suggests was built by famous HAG TV designer Margaux Needler (Allison Janney). The asylum (and its inhabitants) do not “fit-in” with the designer’s vision and kookiness ensues as she attempts to make-over (and take-over) the family’s home.
Visually The Addams Family reminds me of several Tim Burton classics albeit with a more colorful palette. Each member of the family is a caricature of their infamous selves and stylistically imbues the spooky, ooky, kookiest versions we would expect. Backed by an incredible amount of supporting voice talent such as Bette Midler, Martin Short, and Snoop-Dog as everyone’s favorite fuzzy cousin…It, it’s a star-studded event that even the most die-hard Addams Family purist will enjoy.
The story goes through typical tropes that we’ve seen played out a thousand times already. A misunderstood family is misjudged by their neighbors, only to come together in the end. It’s a story about celebrating our differences and learning to appreciate what makes each of us unique. In a world of social media, cell phones and television shows that try to make us all conform, it teaches us that while people may look and act different than us, they all bring something special to the table. It’s this light-heartedness and sweet story telling which while not unique is something that I feel we need more of in the world today.
The Addams Family is a film for the entire family, there is light-hearted violence, but all done in jest with no one ever getting hurt. While it doesn’t bring anything unexpected to the table, its still enjoyable and a film that doesn’t ever attempt to take itself seriously. It won’t win any best picture awards, and likely will become another 30 days of Halloween past-time when it makes its way to television, it is still one that will leave you with a smile on your face long after it is over. The experience you get from it, will likely be based on the audience reaction to the film. In the theater I was in, there was lots of laughter, snapping and even a sing-along at the end. It’s a movie to see with other people, and even if you aren’t a fan of the TV series, it will still offer you something. Sometimes a simple movie, with a simple message, is exactly the escape we need from everything in the world today. The Addams Family makes a perfect escape for the entire family this Halloween Season.
3.5 out of 5 stars
http://sknr.net/2019/10/10/the-addams-family/
The Addams Family is an origin story of sorts for everyone’s favorite kooky family. Gomez Addams (Oscar Isaac) and Morticia (Charlize Theron) are rudely interrupted during their wedding ceremony by a bunch of angry villagers carrying pitchforks. While this is a little cliché’ it sets the tone for the interaction between the Addams family and how they are perceived by “normal” folks. Morticia longs for a place where they can live in peace away from those who wish to disturb their lives. On a long and windy road in New Jersey, fate appears in the form of Lurch (Conrad Vernon) as he bounces off the hood of their car. In the distance, as lightning strikes, they peer up a mountain side to see an abandoned, haunted insane asylum. The perfect place to raise a family away from the peering eyes of the rest of the world.
For thirteen years the Addams Family lives in relative seclusion with their two young children, Wednesday (Chloë Grace Moretz) and Pugsley (Finn Wolfhard). Neither of the children are allowed to leave the Asylum grounds and know of nothing outside the cold iron gates. One day, the swamp is drained, the clouds part and the Addams Family life of seclusion comes to an abrupt end. Down in the valley the town of Assimilation, a town that as its name suggests was built by famous HAG TV designer Margaux Needler (Allison Janney). The asylum (and its inhabitants) do not “fit-in” with the designer’s vision and kookiness ensues as she attempts to make-over (and take-over) the family’s home.
Visually The Addams Family reminds me of several Tim Burton classics albeit with a more colorful palette. Each member of the family is a caricature of their infamous selves and stylistically imbues the spooky, ooky, kookiest versions we would expect. Backed by an incredible amount of supporting voice talent such as Bette Midler, Martin Short, and Snoop-Dog as everyone’s favorite fuzzy cousin…It, it’s a star-studded event that even the most die-hard Addams Family purist will enjoy.
The story goes through typical tropes that we’ve seen played out a thousand times already. A misunderstood family is misjudged by their neighbors, only to come together in the end. It’s a story about celebrating our differences and learning to appreciate what makes each of us unique. In a world of social media, cell phones and television shows that try to make us all conform, it teaches us that while people may look and act different than us, they all bring something special to the table. It’s this light-heartedness and sweet story telling which while not unique is something that I feel we need more of in the world today.
The Addams Family is a film for the entire family, there is light-hearted violence, but all done in jest with no one ever getting hurt. While it doesn’t bring anything unexpected to the table, its still enjoyable and a film that doesn’t ever attempt to take itself seriously. It won’t win any best picture awards, and likely will become another 30 days of Halloween past-time when it makes its way to television, it is still one that will leave you with a smile on your face long after it is over. The experience you get from it, will likely be based on the audience reaction to the film. In the theater I was in, there was lots of laughter, snapping and even a sing-along at the end. It’s a movie to see with other people, and even if you aren’t a fan of the TV series, it will still offer you something. Sometimes a simple movie, with a simple message, is exactly the escape we need from everything in the world today. The Addams Family makes a perfect escape for the entire family this Halloween Season.
3.5 out of 5 stars
http://sknr.net/2019/10/10/the-addams-family/
Uptown Oracle (24 KP) rated The House of Mountfathom in Books
Jun 30, 2017
Family, Adventure and Magic
Family, adventure and magic. A perfect combination for this middle grade book. The House of Mountfathom is set in Ireland during times of unrest. The Driochta, always peacekeepers, must choose a side to survive.
My favourite aspect was how alive the house felt as it was so full of magic. The House of Mountfathom seemed like another member of the family almost like it had a mind of it's own. There was so much time given to explaining the house, magic and family though, that it reduced the actual plot to the second half of the book.
The House of Mountfathom has a strong focus on family. The Mountfathom family are the protagonists of the book. The Order of Driochta are another kind of family. There's no romance subplot which was a big plus point for me.
Another thing was that the house was in Ireland. I cant think off the top of my head another book I've read based in Ireland. The introduction of both historical aspects and folklore was great. There's also a distinct discussion about class systems. The 'big houses' aka the upper class in Ireland are in trouble, including the Mountfathom house, even though they're trying to keep the peace.
A problem I had was the format seemed odd, I assume it would be best in a printed book. My kindle seemed to push everything together and it was difficult to discern between chapters. The illustrations would have also worked much better within a book. Since this was an e-ARC though, I wouldn't take that into account.
Another problem is the book doesn't seem quite finished. Understandable as Nigel McDowell passed away in February. Although the ambiguous ending does give something towards the mysterious aspect of the book as a whole.
I really enjoyed how McDowell described the hows of magic. The first part of the book follows Luke as he grows up and learns magic. The five principles are distinct in how Luke learns them. I would compare The House of Mountfathom to Lemony Snicket and Neil Gaiman's Coraline. It was a bit dark and creepy in places. Full of intrigue and magic.
My favourite aspect was how alive the house felt as it was so full of magic. The House of Mountfathom seemed like another member of the family almost like it had a mind of it's own. There was so much time given to explaining the house, magic and family though, that it reduced the actual plot to the second half of the book.
The House of Mountfathom has a strong focus on family. The Mountfathom family are the protagonists of the book. The Order of Driochta are another kind of family. There's no romance subplot which was a big plus point for me.
Another thing was that the house was in Ireland. I cant think off the top of my head another book I've read based in Ireland. The introduction of both historical aspects and folklore was great. There's also a distinct discussion about class systems. The 'big houses' aka the upper class in Ireland are in trouble, including the Mountfathom house, even though they're trying to keep the peace.
A problem I had was the format seemed odd, I assume it would be best in a printed book. My kindle seemed to push everything together and it was difficult to discern between chapters. The illustrations would have also worked much better within a book. Since this was an e-ARC though, I wouldn't take that into account.
Another problem is the book doesn't seem quite finished. Understandable as Nigel McDowell passed away in February. Although the ambiguous ending does give something towards the mysterious aspect of the book as a whole.
I really enjoyed how McDowell described the hows of magic. The first part of the book follows Luke as he grows up and learns magic. The five principles are distinct in how Luke learns them. I would compare The House of Mountfathom to Lemony Snicket and Neil Gaiman's Coraline. It was a bit dark and creepy in places. Full of intrigue and magic.
Dana (24 KP) rated Flame in the Mist in Books
Sep 8, 2017
Enjoyed from beginning to end
Overall, I freaking loved this novel. It's set in feudal Japan and follows a young woman as she is being married off the the emperor's second son. Mariko is a badass, There's no other way to put it. She will take no shit from others which gets her into a lot of trouble. She's also flawed in that aspect too; she's so blinded by her stubbornness to see the actual world around her sometimes. But she's not the only character who gets depth. Her brother, who we see in almost alternating viewpoints in the story, is a character filled with flaws and pride. But that's not all. Several characters get fleshed out back stories (some more in depth than others) and seeing them all grow was a delight to read.
Let's move on to the rich details of the setting. Feudal Japan can be tricky and Renee Ahdieh did it so much justice. It's described so well, I could easily put myself into Mariko's shoes and lose myself in the story. It's so nice to have that level of detail paid attention to in novels set in a different time and place.
And that romance.... oh boy, it was steamy. I must admit my weakness for slow burn romances (especially ones that are hate-to-love) and this did not disappoint. It was a bit awkward; at first I wasn't sure who she was going to get together with, but when it hit it's stride, I was in love. I really don't want to give much away, but it was fantastic to read and fall in love with them.
I am eagerly awaiting the next in the series!
Let's move on to the rich details of the setting. Feudal Japan can be tricky and Renee Ahdieh did it so much justice. It's described so well, I could easily put myself into Mariko's shoes and lose myself in the story. It's so nice to have that level of detail paid attention to in novels set in a different time and place.
And that romance.... oh boy, it was steamy. I must admit my weakness for slow burn romances (especially ones that are hate-to-love) and this did not disappoint. It was a bit awkward; at first I wasn't sure who she was going to get together with, but when it hit it's stride, I was in love. I really don't want to give much away, but it was fantastic to read and fall in love with them.
I am eagerly awaiting the next in the series!
Goddess in the Stacks (553 KP) rated A Blade So Black in Books
Mar 21, 2019
I've seen the point brought up that so many fantasy protagonists have really neglectful parents. Who lets their kid be gone for an unknown amount of time doing something "important" that their kid refuses to tell them about because it's a "secret"? This book makes a point of how NOT neglectful Alice's mother is. The blurb calls her overprotective, but really it's just normal protective. Alice's mom just wants to know her daughter hasn't been shot by the police when she's gone for 24 hours and not answering her phone, that seems normal to me! I actually enjoyed how that was different than a lot of fantasy YA, even if it's really a small sideplot.
In the main plot, Alice is a Dreamwalker, wielding Figment Blades and her own Muchness to kill the Nightmares that try to cross from Wonderland to our world. Her mentor is Addison Hatta, an exile from Wonderland who's been charged to guard his Gateway and train new Dreamwalkers. Along the way we meet two more Dreamwalkers, more exiled Wonderlanders, and learn a bit about the war in Wonderland and why they're exiled but still charged with such an important mission as guiding the Gateways between our world and theirs.
About the only thing I didn't like about this book was how it left so many questions unanswered at the end. We got a cliffhanger to lead us into the sequel, A Dream So Dark, but it isn't due out until September! I'm also wondering where the Cheshire Cat is - he's too instrumental a character to leave out, I would think - but I have a few possible ideas about where the author is going with that, so I'm anxious for the sequel, to see if I'm right.
A Blade So Black is a very unique take on Wonderland by a POC author, starring a POC heroine. There's also an adorable lesbian couple as side characters. With minority racial representation, a fairy tale base, and a splash of LGBT+ rep, this book checked a lot of the boxes I look for in my fantasy. It wasn't the best YA fantasy that I've read in the last year, but it was definitely fun!
You can read all my reviews at http://goddessinthestacks.com
In the main plot, Alice is a Dreamwalker, wielding Figment Blades and her own Muchness to kill the Nightmares that try to cross from Wonderland to our world. Her mentor is Addison Hatta, an exile from Wonderland who's been charged to guard his Gateway and train new Dreamwalkers. Along the way we meet two more Dreamwalkers, more exiled Wonderlanders, and learn a bit about the war in Wonderland and why they're exiled but still charged with such an important mission as guiding the Gateways between our world and theirs.
About the only thing I didn't like about this book was how it left so many questions unanswered at the end. We got a cliffhanger to lead us into the sequel, A Dream So Dark, but it isn't due out until September! I'm also wondering where the Cheshire Cat is - he's too instrumental a character to leave out, I would think - but I have a few possible ideas about where the author is going with that, so I'm anxious for the sequel, to see if I'm right.
A Blade So Black is a very unique take on Wonderland by a POC author, starring a POC heroine. There's also an adorable lesbian couple as side characters. With minority racial representation, a fairy tale base, and a splash of LGBT+ rep, this book checked a lot of the boxes I look for in my fantasy. It wasn't the best YA fantasy that I've read in the last year, but it was definitely fun!
You can read all my reviews at http://goddessinthestacks.com
Joe Julians (221 KP) rated Titanic (1997) in Movies
Jan 30, 2018
A Masterclass of Cinema
At some point between 1997 and, say a few years ago, not liking Titanic became the "cool" thing to do. Despite it's almost overwhelming popularity when it was released, as the years have gone by, fewer will admit their love for this film and some people will actively slate it. Each to their own of course, everyone is entitled to like or dislike anything, but for me, I'll never understand how this can be viewed as anything other than a masterclass of cinema.
This is an epic, grandiose and utterly captivating thing to watch. The cast are perfect- every single one of them. I can't think of a single actor that puts a foot wrong throughout it's admittedly hefty run time. The script is wonderfully and meticulously researched and the set design is incredible. Every detail of the ship was looked at and recreated and whilst there are a few inaccuracies, the Titanic feels real again so many years after the real one went down.
I mentioned the run time and that's often one of the problems that is mentioned when people take issue with Titanic. It is long- perhaps too long. The modern-day sequences that bookend the film could maybe have done with some trimming down, but when I watch this, there's hardly any moment that I could single out as not needing to be there.
In many ways, Titanic is the perfect film. You get the love story dominating the first half, but if you aren't invested in that, the second gives you the sinking and nearly 21 years on, it's still breath taking to watch.
I haven't even mentioned the score yet- it's beautiful. This was James Horner's best work by far, so good in fact that I don't think the film would be anywhere near as memorable were it not for the amazing work he put in here. Celine Dion may be the first name people think of when the music from Titanic is mentioned, but it's certainly Horner that deserves every single bit of credit.
This is an epic, grandiose and utterly captivating thing to watch. The cast are perfect- every single one of them. I can't think of a single actor that puts a foot wrong throughout it's admittedly hefty run time. The script is wonderfully and meticulously researched and the set design is incredible. Every detail of the ship was looked at and recreated and whilst there are a few inaccuracies, the Titanic feels real again so many years after the real one went down.
I mentioned the run time and that's often one of the problems that is mentioned when people take issue with Titanic. It is long- perhaps too long. The modern-day sequences that bookend the film could maybe have done with some trimming down, but when I watch this, there's hardly any moment that I could single out as not needing to be there.
In many ways, Titanic is the perfect film. You get the love story dominating the first half, but if you aren't invested in that, the second gives you the sinking and nearly 21 years on, it's still breath taking to watch.
I haven't even mentioned the score yet- it's beautiful. This was James Horner's best work by far, so good in fact that I don't think the film would be anywhere near as memorable were it not for the amazing work he put in here. Celine Dion may be the first name people think of when the music from Titanic is mentioned, but it's certainly Horner that deserves every single bit of credit.
Kristy H (1252 KP) rated Cruel Beautiful World in Books
Feb 13, 2018
As young girls, Lucy and Caroline come into the care of the older Iris. The girls' parents had died, and they wind up living with Iris, who becomes a sort of adopted mother to the two sisters. Both Lucy and Charlotte are extremely close until high school, when they find themselves drifting apart. Studious Charlotte is focused on getting into college, where she hopes to study to become a vet. Lucy, however, can never quite seem to live up to her sister's academic shadow. That is until she meets a vibrant teacher, William, at her high school. Lucy falls fast for her older English teacher and suddenly finds herself running away to a remote area of Pennsylvania to start over with her new love. Iris and Charlotte, however, are devastated, and cannot give up their search for Lucy. Even worse, Lucy's life of promise and happiness with William may be falling short.
This book is not what I expected, but it was a wonderful (although sometimes haunting) tale. Leavitt creates nuanced, well-developed characters who jump off the page. The book has a poignant sadness that stays with you, even after you've turned the last page. Somehow, I inadvertently read this one directly after [b:The Girls|26893819|The Girls|Emma Cline|https://d2arxad8u2l0g7.cloudfront.net/books/1464528839s/26893819.jpg|42856015], with each tale being set in a similar timeframe, with mentions and allusions to the Manson murders, free love, etc. I actually preferred this novel and its intricate plot and characters, to whom I found myself growing quite attached. The story unfolds from the point of view of Lucy, Charlotte, and Iris, which allows us to get to know each of them. Each is different and beautiful in their own way.
Overall, I loved most of this book. It slowed for me about 3/4 through, but recovered by the end. Some of the characters' actions are frustrating, but it does not take away from its almost poetic nature. Definitely recommend.
I received a copy of this novel from the publisher and LibraryThing (thank you!).
This book is not what I expected, but it was a wonderful (although sometimes haunting) tale. Leavitt creates nuanced, well-developed characters who jump off the page. The book has a poignant sadness that stays with you, even after you've turned the last page. Somehow, I inadvertently read this one directly after [b:The Girls|26893819|The Girls|Emma Cline|https://d2arxad8u2l0g7.cloudfront.net/books/1464528839s/26893819.jpg|42856015], with each tale being set in a similar timeframe, with mentions and allusions to the Manson murders, free love, etc. I actually preferred this novel and its intricate plot and characters, to whom I found myself growing quite attached. The story unfolds from the point of view of Lucy, Charlotte, and Iris, which allows us to get to know each of them. Each is different and beautiful in their own way.
Overall, I loved most of this book. It slowed for me about 3/4 through, but recovered by the end. Some of the characters' actions are frustrating, but it does not take away from its almost poetic nature. Definitely recommend.
I received a copy of this novel from the publisher and LibraryThing (thank you!).
TRUE_REVIEW (8 KP) rated Horizon Zero Dawn: Complete Edition in Video Games
Feb 19, 2018
Amazing Graphics (2 more)
Captivating Storyline
Repeat Playability
A Visually Epic Tale of a Future Dominated By Machines
Horizon Zero Dawn tells the tale of Aloy, an outsider in a future ruled by machines who needs to find her place in the world. A story which reaches from her younger years to adulthood and leads us through interweaving story arch from tribe acceptance to standing side by side with royalty.
Take down an array of machines with just a bow and arrow or create multiple strategies using an armoury of inventive weapons. The combat is sleek, often offering multiple ways of achieving your goal. The storytelling is deep and rich with a cast of hundreds of characters, each with their own interesting backstory to be discovered. Controls are superb, rarely limiting your ability to interact with the environment. Graphically stunning (I played this on a standard PS4 but there are significant improvements to be had if you own a PS4 Pro).
For the collector in you there is plenty to find here albeit easy enough to complete with the maps available for purchase.
This version of the game comes complete with The Frozen Wilds DLC which opens up an additional region to the north of the map with new, deadlier enemies to tackle as well as an entirely new story arch to discover. You can also unlock New Game + which (once the base game is complete) allows you to restart the game with all the weapons, armour and collectibles you have found already. New Game + increases the difficulty significantly bringing new challenges to an already discovered map (which in itself is vast to say the least).
All in all, Horizon Zero Dawn: Complete Edition is an incredible story of survival in a hostile world. One of the top games of 2017 for me (if not the best). Certainly deserves all the awards it received and thankfully paves the way for a sequel through multiple unanswered questions. I award Horizon Zero Dawn: Complete Edition 9/10 and a must have for any PS4 owner (exclusive to PS4).
Review Setup Used:
PS4: Standard 500 gig base model
TV: LG 50PZ570T
Audio (interchanged): LG 5.1 Surround BH7440 OR Turtle Beach Wireless PX4 Headphones
Take down an array of machines with just a bow and arrow or create multiple strategies using an armoury of inventive weapons. The combat is sleek, often offering multiple ways of achieving your goal. The storytelling is deep and rich with a cast of hundreds of characters, each with their own interesting backstory to be discovered. Controls are superb, rarely limiting your ability to interact with the environment. Graphically stunning (I played this on a standard PS4 but there are significant improvements to be had if you own a PS4 Pro).
For the collector in you there is plenty to find here albeit easy enough to complete with the maps available for purchase.
This version of the game comes complete with The Frozen Wilds DLC which opens up an additional region to the north of the map with new, deadlier enemies to tackle as well as an entirely new story arch to discover. You can also unlock New Game + which (once the base game is complete) allows you to restart the game with all the weapons, armour and collectibles you have found already. New Game + increases the difficulty significantly bringing new challenges to an already discovered map (which in itself is vast to say the least).
All in all, Horizon Zero Dawn: Complete Edition is an incredible story of survival in a hostile world. One of the top games of 2017 for me (if not the best). Certainly deserves all the awards it received and thankfully paves the way for a sequel through multiple unanswered questions. I award Horizon Zero Dawn: Complete Edition 9/10 and a must have for any PS4 owner (exclusive to PS4).
Review Setup Used:
PS4: Standard 500 gig base model
TV: LG 50PZ570T
Audio (interchanged): LG 5.1 Surround BH7440 OR Turtle Beach Wireless PX4 Headphones
Although mudlarks were also found in London, diving for pennies in the Thames mudbanks, this book is set in Portsmouth, so I was really enthusiastic to read this, hoping I’d know where the characters were larking about. Going to stay with my grandparents every half term means I know the area fairly well. Sure enough, most of the time I knew where the characters were, which added to my enjoyment of the book. In general, though, Sedden describes the scenes well enough that anyone could pick the book up and become immersed in its landscape.
Jimmy and Reg, the first-person protagonist and his best friend, were really realistic too – there were things like Reg having a stutter, the number of dead-arms the boys give each other (!) and the sense of guilt Jimmy feels when he realises he’s in the wrong, which made the boys really 3D, relatable characters.
I loved that the book brought to life a picture of not only mudlarking, but the start of the First World War and everyday people’s reactions to it. The twists that take place in the book can’t be guessed from the blurb, and I found myself surprised a lot of the time. The solution to the mystery had to be explained to me just as much as it did to Jimmy and Reg, which is rare, as I can usually guess what’s coming from at least a couple of pages before. PLUS, the solution was historically accurate. Double tick!
I reckon this book will appeal to boys (and probably girls too!) around 11-14, especially those with a love of history. Mind you, once I get the book back I’ll be sending it to my grandpa, who I’m sure will love it. It’s his old stomping ground, after all, although he’s never been as nasty as the policemen in the book!
If you liked this review, I also went into some of the history of mudlarking in Portsmouth on my <a href="http://www.a-worldofwords.com/2013/05/mudlark-by-john-sedden.html">blog</a>;; please feel free to check it out!
Jimmy and Reg, the first-person protagonist and his best friend, were really realistic too – there were things like Reg having a stutter, the number of dead-arms the boys give each other (!) and the sense of guilt Jimmy feels when he realises he’s in the wrong, which made the boys really 3D, relatable characters.
I loved that the book brought to life a picture of not only mudlarking, but the start of the First World War and everyday people’s reactions to it. The twists that take place in the book can’t be guessed from the blurb, and I found myself surprised a lot of the time. The solution to the mystery had to be explained to me just as much as it did to Jimmy and Reg, which is rare, as I can usually guess what’s coming from at least a couple of pages before. PLUS, the solution was historically accurate. Double tick!
I reckon this book will appeal to boys (and probably girls too!) around 11-14, especially those with a love of history. Mind you, once I get the book back I’ll be sending it to my grandpa, who I’m sure will love it. It’s his old stomping ground, after all, although he’s never been as nasty as the policemen in the book!
If you liked this review, I also went into some of the history of mudlarking in Portsmouth on my <a href="http://www.a-worldofwords.com/2013/05/mudlark-by-john-sedden.html">blog</a>;; please feel free to check it out!
Jessica - Where the Book Ends (15 KP) rated The Apocalypse of Elena Mendoza in Books
Jan 30, 2019
Lately I’ve been doing a lot of reading, but the books haven’t been grabbing and holding my attention, and always left me wanting more. Then I saw a BookTuber that was raving about how excited she was to read The Apocalypse of Elena Mendoza. She showed her ARC and talked all about the premise of the book and I know immediately that I had to read it. I had never read anything by Shaun David Hutchinson before, but now I definitely know I need to read more of his work.
Hutchinson doesn’t take long to get into the action of the book and the pace doesn’t slow down until it’s over. In the beginning, we met Elena and she explains all about how she was born of a virgin birth. She works at Starbucks and on the day, she is going to finally talk to her crush Freddie everything goes downhill. See, Freddie gets shot by David Combs and Elena heals Freddie and saves her life. At the same time a beam of light comes down from the sky and David Combs disappears. Coincidence? I’ll never tell… You need to read the book to find out.
The characters were phenomenal and relatable. I don’t have anything directly in common with any of the characters, but I loved them so much. They were quirky, genuine, and loveable. The character development throughout the book helped to move the story along and unravel all the pieces. Each of the characters were critical to the story in their own way. They didn’t always seem like they were playing a roll, but it was mandatory for each of them to be there. Each character also learned a lesson which is amazing to see in YA fiction, as I feel it’s something that seems to be lacking lately.
Shaun David Hutchinson is an absolutely amazing writer and the way he weaves a story with the written word makes your want to curl up in his books and become one of his characters. His writing style is delightful, thought provoking, and engaging. I can’t wait to read more of his books and look forward to seeing what the future holds for such a talented individual.
Hutchinson doesn’t take long to get into the action of the book and the pace doesn’t slow down until it’s over. In the beginning, we met Elena and she explains all about how she was born of a virgin birth. She works at Starbucks and on the day, she is going to finally talk to her crush Freddie everything goes downhill. See, Freddie gets shot by David Combs and Elena heals Freddie and saves her life. At the same time a beam of light comes down from the sky and David Combs disappears. Coincidence? I’ll never tell… You need to read the book to find out.
The characters were phenomenal and relatable. I don’t have anything directly in common with any of the characters, but I loved them so much. They were quirky, genuine, and loveable. The character development throughout the book helped to move the story along and unravel all the pieces. Each of the characters were critical to the story in their own way. They didn’t always seem like they were playing a roll, but it was mandatory for each of them to be there. Each character also learned a lesson which is amazing to see in YA fiction, as I feel it’s something that seems to be lacking lately.
Shaun David Hutchinson is an absolutely amazing writer and the way he weaves a story with the written word makes your want to curl up in his books and become one of his characters. His writing style is delightful, thought provoking, and engaging. I can’t wait to read more of his books and look forward to seeing what the future holds for such a talented individual.
Matthew Krueger (10051 KP) Feb 25, 2021