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The Unbearable Weight of Massive Talent (2022)
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Nicolas Cage plays a fictional version of himself - Nick Cage - who is befriended by a superfan who...
The Still Whispering After All These Years: My Autobiography
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A fully revised and updated edition of the autobiography of broadcasting legend Bob Harris. Bob...
Bob Mann (459 KP) rated Venom: Let There Be Carnage (2021) in Movies
Oct 28, 2021
Lots of hens… but turkeys would be more appropriate.
I was not a great fan of the original Venom, although I did find aspects of it to like. Unfortunately, for me, the sequel – “Venom: Let There Be Carnage” – delivered even less. And I found aspects of it positively distasteful.
Plot Summary:
Eddie Brock (Tom Hardy) is living uncomfortably in San Francisco with his symbiotic friend Venom. Anne (Michelle Williams), his ex-girlfriend, and her new fiancee Dan (Reid Scott) are keeping his secret.
With Venom’s help, Eddie gets the evidence needed to send the psychopathic mass murderer Cletus Kasady (Woody Harrelson) to the electric chair. But with a lost love, Frances (Naomie Harris), to rescue and a burning desire for revenge against Brock and Detective Mulligan (Stephen Graham) who captured him, Kasady is not going to go quietly into the night.
Certification:
US: PG-13. UK: 15.
Talent:
Starring: Tom Hardy, Michelle Williams, Woody Harrelson, Naomie Harris, Reid Scott, Stephen Graham.
Directed by: Andy Serkis.
Written by: Kelly Marcel and Tom Hardy.
“Venom: Let There Be Carnage” Review: Positives:
While most of the cast seem to be doing sequel-paint-by-numbers, I thought Naomie Harris was superb as the shrieking ‘X-woman-style’ villain. (I’m embarrassed to say that it took me until the end titles to realise she WAS Naomie Harris!)
Some of the comedy lines between Brock and Venom made me chuckle.
Negatives:
My main beef was with the script and that came down to two primary issues:
Firstly, virtually nothing happens. It’s not too much of an understatement to say that the whole plot can be summarized as a) a villain is introduced; b) the villain teams with another villain and c) Venom defeats them. It’s just all so bland and linear, without any sort of discernable story arc.
For a movie pitched more at the comedy end of the Marvel spectrum, the script is unpleasantly violent. (And, yes, before Marvel fan-boys attack me with comments, I know that this Sony/Marvel offering is NOT part of the official universe). There are numerous points at which I thought “Ugh!” and a nasty taste entered my mouth: the butchering of a ‘Family man’ prison guard, pleading for his life; the brains of a very polite young grocery store boy being senselessly smashed in; and the massacre of a priest in his own cathedral. (Actually, I have no idea what happened with the priest during the “power-up” scene – – a cut by the censors perhaps?) My issue is that, tonally speaking, there is a horrible mismatch between these unnecessarily violent scenes and the lighthearted and flippant nature of the rest. It’s like putting a vicious gang-bang rape in the middle of “Ant Man“.
Sorry. I know he has a lot of fans, but I’m not a great fan of Tom Hardy’s acting style here. “Legend” proved what class he could deliver. But this performance seems to be streets away from that. An acting colleague last week commented that he was looking forward to the interactions between Hardy and Harrelson. But I found both to be underwhelming.
I found the visual effects for the emerged Venom to be utterly unconvincing. There were times when it looked like nothing more than a puppet on strings.
I’m normally a fan of Marco Beltrami‘s scores. But I found the music in here to be intrusive and distracting. And that’s before some (to my ears) pretty awful rap-based tracks over the closing titles.
Summary Thoughts on “Venom: Let There Be Carnage”
You’ll already judge from my balance of comments that this one just didn’t work for me. Even as a “park your brain at the door” action movie, I thought it felt lazy and lacklustre.
My advice? Save your money and go and watch “The Last Duel” instead.
Plot Summary:
Eddie Brock (Tom Hardy) is living uncomfortably in San Francisco with his symbiotic friend Venom. Anne (Michelle Williams), his ex-girlfriend, and her new fiancee Dan (Reid Scott) are keeping his secret.
With Venom’s help, Eddie gets the evidence needed to send the psychopathic mass murderer Cletus Kasady (Woody Harrelson) to the electric chair. But with a lost love, Frances (Naomie Harris), to rescue and a burning desire for revenge against Brock and Detective Mulligan (Stephen Graham) who captured him, Kasady is not going to go quietly into the night.
Certification:
US: PG-13. UK: 15.
Talent:
Starring: Tom Hardy, Michelle Williams, Woody Harrelson, Naomie Harris, Reid Scott, Stephen Graham.
Directed by: Andy Serkis.
Written by: Kelly Marcel and Tom Hardy.
“Venom: Let There Be Carnage” Review: Positives:
While most of the cast seem to be doing sequel-paint-by-numbers, I thought Naomie Harris was superb as the shrieking ‘X-woman-style’ villain. (I’m embarrassed to say that it took me until the end titles to realise she WAS Naomie Harris!)
Some of the comedy lines between Brock and Venom made me chuckle.
Negatives:
My main beef was with the script and that came down to two primary issues:
Firstly, virtually nothing happens. It’s not too much of an understatement to say that the whole plot can be summarized as a) a villain is introduced; b) the villain teams with another villain and c) Venom defeats them. It’s just all so bland and linear, without any sort of discernable story arc.
For a movie pitched more at the comedy end of the Marvel spectrum, the script is unpleasantly violent. (And, yes, before Marvel fan-boys attack me with comments, I know that this Sony/Marvel offering is NOT part of the official universe). There are numerous points at which I thought “Ugh!” and a nasty taste entered my mouth: the butchering of a ‘Family man’ prison guard, pleading for his life; the brains of a very polite young grocery store boy being senselessly smashed in; and the massacre of a priest in his own cathedral. (Actually, I have no idea what happened with the priest during the “power-up” scene – – a cut by the censors perhaps?) My issue is that, tonally speaking, there is a horrible mismatch between these unnecessarily violent scenes and the lighthearted and flippant nature of the rest. It’s like putting a vicious gang-bang rape in the middle of “Ant Man“.
Sorry. I know he has a lot of fans, but I’m not a great fan of Tom Hardy’s acting style here. “Legend” proved what class he could deliver. But this performance seems to be streets away from that. An acting colleague last week commented that he was looking forward to the interactions between Hardy and Harrelson. But I found both to be underwhelming.
I found the visual effects for the emerged Venom to be utterly unconvincing. There were times when it looked like nothing more than a puppet on strings.
I’m normally a fan of Marco Beltrami‘s scores. But I found the music in here to be intrusive and distracting. And that’s before some (to my ears) pretty awful rap-based tracks over the closing titles.
Summary Thoughts on “Venom: Let There Be Carnage”
You’ll already judge from my balance of comments that this one just didn’t work for me. Even as a “park your brain at the door” action movie, I thought it felt lazy and lacklustre.
My advice? Save your money and go and watch “The Last Duel” instead.
Lyndsey Gollogly (2893 KP) rated Dead and Gone (Sookie Stackhouse, #9) in Books
Jul 23, 2019
Better than the last!
Contains spoilers, click to show
The vamps have been out for years, and now the weres and shifters have decided to follow the lead of the undead and reveal their existence to the ordinary world. Sookie Stackhouse already knows about them, of course - her brother turns into a panther at the full moon, she's friend to the local were pack, and Sam, her boss at Merlotte's bar, is a shapeshifter.
The great revelation goes well at first - then the horribly mutilated body of a were-panther is found in the parking lot of Merlotte's, and Sookie agrees to use her telepathic talent to track down the murderer. But there is a far greater danger than this killer threatening Bon Temps: a race of unhuman beings, older, more powerful, and far more secretive than the vampires or the werewolves, is preparing for war. And Sookie is an all-too-human pawn in their ages-old battle...
I have struggled with this series lately! Actually I have struggled with Charlaine Harris for a while! But I actually didn't mind this book. It was easier to read than the last few sookie didn't completely annoy the hell out of me. I think her being with Eric makes her less whinny maybe I don't know. I actually shouted out loud poor Sam a few times when will she wake up to him !
I actually got into the story line in this one too poor Jason and poor Crystal even a bitch like her didn't deserve that! Looking forward to hearing more the fairies too!!
Recommended

The great revelation goes well at first - then the horribly mutilated body of a were-panther is found in the parking lot of Merlotte's, and Sookie agrees to use her telepathic talent to track down the murderer. But there is a far greater danger than this killer threatening Bon Temps: a race of unhuman beings, older, more powerful, and far more secretive than the vampires or the werewolves, is preparing for war. And Sookie is an all-too-human pawn in their ages-old battle...
I have struggled with this series lately! Actually I have struggled with Charlaine Harris for a while! But I actually didn't mind this book. It was easier to read than the last few sookie didn't completely annoy the hell out of me. I think her being with Eric makes her less whinny maybe I don't know. I actually shouted out loud poor Sam a few times when will she wake up to him !
I actually got into the story line in this one too poor Jason and poor Crystal even a bitch like her didn't deserve that! Looking forward to hearing more the fairies too!!
Recommended

LeftSideCut (3778 KP) rated Rampage (2018) in Movies
Dec 11, 2019 (Updated Dec 11, 2019)
A stupidly fun pile of nonsense
Rampage is a big old pile of dumb fun, teeming with mostly passable CGI, and featuring The Rock fighting giant monsters.
The plot is something along the lines of - big shady corporation is practicing illegal genetic tinkering (in space, because Hollywood), they lose control, space ship crashes, experimental lab must infects a few animals, including a Gorilla that is looked after and raised by The Rock (an ex military badass zookeeper helicopter pilot, because Hollywood), the animals become big and aggressive, blah blah blah, BIG MONSTERS FIGHTING EACH OTHER AND DWAYNE JOHNSON AND DESTROYING CHICAGO.
It's absolutely absurd from start to finish, but it knows what kind of film it is.
The Rock is hugely likable as always, Jeffery Dean Morgan is likable as always, everyone else I can kind of give it take.
The script is pretty standard for this kind of film, but does verge into laughable at times, especially when the films 'villains' are on screen. Played by Malin Akerman and Jake Lacy, they go just a bit too overboard with the whole evil CEO schtick, to the point of annoyance.
Also, Naomie Harris is in it for some reason, but doesn't really serve much of a purpose, and therefore, is a waste of her talent.
The CGI is pretty decent for the most part, but make no mistake, Ramage is a CGI orgy, and as such, it does fall apart here and there (that parachuting scene is just haunting).
Rampage is stupid, loud, obnoxious, but it's entertaining enough to be a good time.
The Rock holds it all together, and it could have been a lot worse had it been lead by someone else, and as far as video game movies go, it's not half bad.
The plot is something along the lines of - big shady corporation is practicing illegal genetic tinkering (in space, because Hollywood), they lose control, space ship crashes, experimental lab must infects a few animals, including a Gorilla that is looked after and raised by The Rock (an ex military badass zookeeper helicopter pilot, because Hollywood), the animals become big and aggressive, blah blah blah, BIG MONSTERS FIGHTING EACH OTHER AND DWAYNE JOHNSON AND DESTROYING CHICAGO.
It's absolutely absurd from start to finish, but it knows what kind of film it is.
The Rock is hugely likable as always, Jeffery Dean Morgan is likable as always, everyone else I can kind of give it take.
The script is pretty standard for this kind of film, but does verge into laughable at times, especially when the films 'villains' are on screen. Played by Malin Akerman and Jake Lacy, they go just a bit too overboard with the whole evil CEO schtick, to the point of annoyance.
Also, Naomie Harris is in it for some reason, but doesn't really serve much of a purpose, and therefore, is a waste of her talent.
The CGI is pretty decent for the most part, but make no mistake, Ramage is a CGI orgy, and as such, it does fall apart here and there (that parachuting scene is just haunting).
Rampage is stupid, loud, obnoxious, but it's entertaining enough to be a good time.
The Rock holds it all together, and it could have been a lot worse had it been lead by someone else, and as far as video game movies go, it's not half bad.
Darren (1599 KP) rated Lost In Translation (2003) in Movies
Sep 26, 2019
Characters – Bob Harris is a faded movie star that can still gain a large pay check by starring in commercials, which is why he is in Tokyo, he is feeling lonely because his wife and children haven’t travelled once again, he does offer Charlotte advice about enjoying her life, but not rushing into anything. Charlotte is in Tokyo because of her husband’s work, this sees her feeling lonely as he is always work and she doesn’t know anybody else in the city, she makes friends with Bob as they start to experience the city together, she opens up about her struggle about finding her own calling in life. While Jon is the husband to Charlotte, we don’t really learn to much about him other than he is working.
Performances – The performance revolve around Scarlett Johansson and Bill Murray, they are both wonderful to watch as they show us just how talent they pair can be either alone or as a pair on the screen.
Story – The story follows two people from different worlds in America that are lost in Japan, only to find each other to keep each other company during their time in Tokyo. The story dives into the idea that being in a new country can be isolating and you will need to learn to find somebody new to help them enjoy their time in the country, it does show you can find somebody new could give you a conversation you aren’t able to with friends in your life.
Settings – The film uses the setting of Tokyo which shows just how difficult it can be to find yourself in a country where you have never visited.
Scene of the Movie – Karaoke
That Moment That Annoyed Me – It is just slow.
Final Thoughts – This is a life drama that shows us just how important communication is to the everyday life in a new country.
Overall: Just a life drama.
Performances – The performance revolve around Scarlett Johansson and Bill Murray, they are both wonderful to watch as they show us just how talent they pair can be either alone or as a pair on the screen.
Story – The story follows two people from different worlds in America that are lost in Japan, only to find each other to keep each other company during their time in Tokyo. The story dives into the idea that being in a new country can be isolating and you will need to learn to find somebody new to help them enjoy their time in the country, it does show you can find somebody new could give you a conversation you aren’t able to with friends in your life.
Settings – The film uses the setting of Tokyo which shows just how difficult it can be to find yourself in a country where you have never visited.
Scene of the Movie – Karaoke
That Moment That Annoyed Me – It is just slow.
Final Thoughts – This is a life drama that shows us just how important communication is to the everyday life in a new country.
Overall: Just a life drama.
Bob Mann (459 KP) rated Wild Rose (2018) in Movies
Sep 28, 2021
Three Chords and the Truth.
BAFTA named Jessie Buckley as one of their “Rising Stars” for 2019, and here she proves why.
Buckley plays Glaswegian Rose-Lynn Harlan, a decidedly wild child electronically tagged and released from the clink but straight down to some very public cowgirl sex with her erstwhile boyfriend. Only then does she have the afterthought of going round to the house of her Mum (Julie Walters) where two young children live. For Rose-Lynn is a single mum of two (#needs-to-be-more-careful-with-the-cowgirl-stuff), and the emotional damage metered out to the youngsters from her wayward life is fully evident.
Rose-Lynn is a frustrated ‘country-and-weste’… no, sorry… just ‘western’ singer, and she has a talent for bringing the house down in Glasgow during a show. The desire to ‘make it big’ in Nashville is bordering on obsession, and nothing – not her mum, not her children, nothing – will get in her way.
Rose-Lynn has no idea how to make her dream come true. (And no, she doesn’t bump into Bradley Cooper at this point). But things look up when she lies her way to a cleaning job for the middle class Susannah (Sophie Okonedo) who sees the talent in her and comes up with a couple of innovative ways to move her in the right direction.
Will she get out of her Glasgow poverty trap and rise to fame and fortune as a Nashville star?
Difficult to like.
Rose-Lynn is not an easy character to like. She is borderline sociopathic and has a self-centred selfish streak a mile wide. As she tramples all over her offspring’s young lives, breaking each and every promise like clockwork, then you just want to shout at her and give her a good shaking. It’s a difficult line for the film to walk (did the ghost of Johnny Cash make me write that?) and it only barely walks it unscathed.
Memories of Birdman.
A key shout-out needs to go to director Tom Harper (“Woman in Black 2“, and the TV epic “War and Peace”) and his cinematographer of choice George Steel. Some of the angles and framed shots are exquisitely done. A fantastic dance sequence through Susannah’s house (the best since Hugh Grant‘s No. 10 “Jump” in “Love Actually”) reveals the associated imaginary musicians in various alcoves reminiscent of the drummer in “Birdman“. And there are a couple of great drone shots: one (no spoilers) showing Rose-Lynn leaving a party is particularly effective.
The turns.
The camera simply loves Jessie Buckley. She delivers real energy in the good times and real pathos in the bad. She can – assuming it’s her performing – also sing! (No surprise since she was, you might remember, runner up to Jodie Prenger in the BBC search for a “Maria” for Lloyd Webber’s “Sound of Music”). She is certainly one to watch on the acting stage.
Supporting Buckley in prime roles are national treasure Julie Walters, effecting an impressive Glaswegian accent, and Sophie Okonedo, who is one of those well-known faces from TV that you can never quite place. BBC Radio 2’s Bob Harris also turns up as himself, being marvellously unconvincing as an actor!
But I don’t like country music?
Frankly neither do I. But it hardly matters. As long as you don’t ABSOLUTELY LOATHE it, I predict you’ll tolerate the tunes and enjoy the movie. Followers of this blog might remember that – against the general trend – I was highly unimpressed with “A Star is Born“. This movie I enjoyed far, far more.
Buckley plays Glaswegian Rose-Lynn Harlan, a decidedly wild child electronically tagged and released from the clink but straight down to some very public cowgirl sex with her erstwhile boyfriend. Only then does she have the afterthought of going round to the house of her Mum (Julie Walters) where two young children live. For Rose-Lynn is a single mum of two (#needs-to-be-more-careful-with-the-cowgirl-stuff), and the emotional damage metered out to the youngsters from her wayward life is fully evident.
Rose-Lynn is a frustrated ‘country-and-weste’… no, sorry… just ‘western’ singer, and she has a talent for bringing the house down in Glasgow during a show. The desire to ‘make it big’ in Nashville is bordering on obsession, and nothing – not her mum, not her children, nothing – will get in her way.
Rose-Lynn has no idea how to make her dream come true. (And no, she doesn’t bump into Bradley Cooper at this point). But things look up when she lies her way to a cleaning job for the middle class Susannah (Sophie Okonedo) who sees the talent in her and comes up with a couple of innovative ways to move her in the right direction.
Will she get out of her Glasgow poverty trap and rise to fame and fortune as a Nashville star?
Difficult to like.
Rose-Lynn is not an easy character to like. She is borderline sociopathic and has a self-centred selfish streak a mile wide. As she tramples all over her offspring’s young lives, breaking each and every promise like clockwork, then you just want to shout at her and give her a good shaking. It’s a difficult line for the film to walk (did the ghost of Johnny Cash make me write that?) and it only barely walks it unscathed.
Memories of Birdman.
A key shout-out needs to go to director Tom Harper (“Woman in Black 2“, and the TV epic “War and Peace”) and his cinematographer of choice George Steel. Some of the angles and framed shots are exquisitely done. A fantastic dance sequence through Susannah’s house (the best since Hugh Grant‘s No. 10 “Jump” in “Love Actually”) reveals the associated imaginary musicians in various alcoves reminiscent of the drummer in “Birdman“. And there are a couple of great drone shots: one (no spoilers) showing Rose-Lynn leaving a party is particularly effective.
The turns.
The camera simply loves Jessie Buckley. She delivers real energy in the good times and real pathos in the bad. She can – assuming it’s her performing – also sing! (No surprise since she was, you might remember, runner up to Jodie Prenger in the BBC search for a “Maria” for Lloyd Webber’s “Sound of Music”). She is certainly one to watch on the acting stage.
Supporting Buckley in prime roles are national treasure Julie Walters, effecting an impressive Glaswegian accent, and Sophie Okonedo, who is one of those well-known faces from TV that you can never quite place. BBC Radio 2’s Bob Harris also turns up as himself, being marvellously unconvincing as an actor!
But I don’t like country music?
Frankly neither do I. But it hardly matters. As long as you don’t ABSOLUTELY LOATHE it, I predict you’ll tolerate the tunes and enjoy the movie. Followers of this blog might remember that – against the general trend – I was highly unimpressed with “A Star is Born“. This movie I enjoyed far, far more.