Search
Search results
Adam Carolla recommended track Peace of Mind by Boston in Greatest Hits by Boston in Music (curated)
Gareth von Kallenbach (971 KP) rated Horrible Bosses 2 (2014) in Movies
Aug 6, 2019
Kurt, Nick and Dale are back, and with them comes all the rest in Horrible Bosses 2. This time around, we see our would-be criminals (Jason Sudekis, Jason Bateman and Charlie Dale, respectively) as their own bosses.
Horrible Bosses 2 opens on the trio as a guest on a cheesy day-time talk show. They are there to show off their new invention, the Shower Buddy. This spot gets them some notice from the head of a big time, SkyMall-esque, corporation who wants to place a large order. But when the deal goes south, our boys have to figure out a way to save their own skin, and get back at the corporation.
The greatest thing about this sequel? It was not just a rehashing of the first movie. Yes, there are a lot of the elements there, but the plot was different enough that it could have been a movie of its own and not a prequel. Of course, there were some great call backs to the first movie during the film and the closing credits. But there were new things introduced, and not just the same old re-hashing.
Sudekis, Bateman and Day have such a great chemistry together, too. They played very well off each other, and had near perfect timing through the whole movie. Add to this the returning cast from the first film (Jennifer Aniston, Kevin Spacey, and Jamie Foxx), and introduce Chris Pine and Christoph Waltz to the mix, and it only increases the fun. Our newcomers blew me away too, because I am not used to seeing them in roles such as this.
There is not a lot bad that I can say about this movie. Great performances by main and supporting cast, a well-rounded plot, with the exception of one part of the wrap-up in the end (I won’t spoil it for you), and a very complimentary soundtrack makes this one of the best comedies I have seen in a while. Thumbs up to these guys! I’m hoping they might be able to find the same magic for a third film!
4.5 Stars out of 5
Horrible Bosses 2 opens on the trio as a guest on a cheesy day-time talk show. They are there to show off their new invention, the Shower Buddy. This spot gets them some notice from the head of a big time, SkyMall-esque, corporation who wants to place a large order. But when the deal goes south, our boys have to figure out a way to save their own skin, and get back at the corporation.
The greatest thing about this sequel? It was not just a rehashing of the first movie. Yes, there are a lot of the elements there, but the plot was different enough that it could have been a movie of its own and not a prequel. Of course, there were some great call backs to the first movie during the film and the closing credits. But there were new things introduced, and not just the same old re-hashing.
Sudekis, Bateman and Day have such a great chemistry together, too. They played very well off each other, and had near perfect timing through the whole movie. Add to this the returning cast from the first film (Jennifer Aniston, Kevin Spacey, and Jamie Foxx), and introduce Chris Pine and Christoph Waltz to the mix, and it only increases the fun. Our newcomers blew me away too, because I am not used to seeing them in roles such as this.
There is not a lot bad that I can say about this movie. Great performances by main and supporting cast, a well-rounded plot, with the exception of one part of the wrap-up in the end (I won’t spoil it for you), and a very complimentary soundtrack makes this one of the best comedies I have seen in a while. Thumbs up to these guys! I’m hoping they might be able to find the same magic for a third film!
4.5 Stars out of 5
Debbiereadsbook (1110 KP) rated 3 Is The Magic Number (The Flamingo Bar #3) in Books
Feb 6, 2021
The level of communication is top notch,
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3 in the Flamingo Bar series, BUT you don't NEED to have read the other books first. What you DO NEED to read, however, is The App book 3, Puppy Play. That is the beginning of Jake, Sam and Bailey's journey, and this book is the conclusion (kinda!)
Bailey ran after seeing Jake and Sam in Jake's playroom, and he knows he needs to talk to them both. Having hidden his submission for so long, and his love for Sam, he struggles. Jake, however, is very sure who he wants in his life, and it's both Sam AND Bailey. Sam just has to make Bailey see that he loves him too.
I loved Puppy Play and I was looking forward to reading about Jake, Sam and Bailey getting their Happy Ever After. And I did enjoy it, I really did, it just doesn't hit THAT spot that Puppy Play did!
All three guys get a say, in the first person. So we get them all, pouring their hearts out to themselves, and to each other. The level of communication is top notch, mostly because Jake wants them ALL to be open and honest. Jake does slip up though, and it just goes to show you, he's only human and Sam and Bailey need to take him off the pedestal.
Sam and Bailey carry a huge amount of baggage from their pasts, Jake not so much. So Sam and Bailey do most of the soul searching here. I loved that they both found someone outside of their relationship to talk to, and that they both got the clarity they needed from the guys in the club.
The heat level is high, as you would expect with a 3 way and I loved that Jake was able to get Bailey into that place he never did before: sub-space. Sam needs his puppy gear, and a ball to play with, but I loved that the 3 of them made this work.
I read this in one sitting. So I was fully engaged and I thoroughly enjoyed it. It just doesn't hit the heights Puppy Play, for me! *sorry!*
4.5 stars, rounded down for the blog.
**same worded review will appear elsewhere**
This is book 3 in the Flamingo Bar series, BUT you don't NEED to have read the other books first. What you DO NEED to read, however, is The App book 3, Puppy Play. That is the beginning of Jake, Sam and Bailey's journey, and this book is the conclusion (kinda!)
Bailey ran after seeing Jake and Sam in Jake's playroom, and he knows he needs to talk to them both. Having hidden his submission for so long, and his love for Sam, he struggles. Jake, however, is very sure who he wants in his life, and it's both Sam AND Bailey. Sam just has to make Bailey see that he loves him too.
I loved Puppy Play and I was looking forward to reading about Jake, Sam and Bailey getting their Happy Ever After. And I did enjoy it, I really did, it just doesn't hit THAT spot that Puppy Play did!
All three guys get a say, in the first person. So we get them all, pouring their hearts out to themselves, and to each other. The level of communication is top notch, mostly because Jake wants them ALL to be open and honest. Jake does slip up though, and it just goes to show you, he's only human and Sam and Bailey need to take him off the pedestal.
Sam and Bailey carry a huge amount of baggage from their pasts, Jake not so much. So Sam and Bailey do most of the soul searching here. I loved that they both found someone outside of their relationship to talk to, and that they both got the clarity they needed from the guys in the club.
The heat level is high, as you would expect with a 3 way and I loved that Jake was able to get Bailey into that place he never did before: sub-space. Sam needs his puppy gear, and a ball to play with, but I loved that the 3 of them made this work.
I read this in one sitting. So I was fully engaged and I thoroughly enjoyed it. It just doesn't hit the heights Puppy Play, for me! *sorry!*
4.5 stars, rounded down for the blog.
**same worded review will appear elsewhere**
Bong Mines Entertainment (15 KP) rated Where U From - Single by Mia Ferrari in Music
Jun 25, 2019
Mia Ferrari is a London-based singer-songwriter and Instagram star from Portugal. Not too long ago, she released a lovely electro-pop tune, entitled, “Where U From”.
“Baby tell me where ya from. Can’t tell from ya accent. Bite my lips, tasting ya tongue. Still, don’t know what ya meant. Tryna translate when you text. Hope I don’t regret it. Got so much I wanna say. Not sure if you’ll get it.” – lyrics
Every time Mia meets someone, it doesn’t take too long for that someone to ask her, “Where you from? Because I can’t tell from your accent.”
Her “Where U From” single tells an interesting tale of a young woman who shares a special relationship with a foreign guy whose whispers melts her heart.
Apparently, even though his spelling is okay, he communicates better with his tongue, and his hands talk dirty.
In need of a trip, she finds out where he’s from on the map because she plans on vacationing there soon. Later that night, the guy takes her one thousand miles away, around the world, and now she sees where he comes from.
‘Where U From’ contains a dreamy storyline, ear-welcoming vocals, and dance-friendly instrumentation flavored with an electro-pop aroma.
“Regardless of language, feelings emerge and we can only try our best to show them. ‘Where U From’ reflects thoughts and feelings during that time. Also, the choice of transitioning from talking within a language to talking with the body, hoping not to get lost in translation.” – Mia Ferrari
“Baby tell me where ya from. Can’t tell from ya accent. Bite my lips, tasting ya tongue. Still, don’t know what ya meant. Tryna translate when you text. Hope I don’t regret it. Got so much I wanna say. Not sure if you’ll get it.” – lyrics
Every time Mia meets someone, it doesn’t take too long for that someone to ask her, “Where you from? Because I can’t tell from your accent.”
Her “Where U From” single tells an interesting tale of a young woman who shares a special relationship with a foreign guy whose whispers melts her heart.
Apparently, even though his spelling is okay, he communicates better with his tongue, and his hands talk dirty.
In need of a trip, she finds out where he’s from on the map because she plans on vacationing there soon. Later that night, the guy takes her one thousand miles away, around the world, and now she sees where he comes from.
‘Where U From’ contains a dreamy storyline, ear-welcoming vocals, and dance-friendly instrumentation flavored with an electro-pop aroma.
“Regardless of language, feelings emerge and we can only try our best to show them. ‘Where U From’ reflects thoughts and feelings during that time. Also, the choice of transitioning from talking within a language to talking with the body, hoping not to get lost in translation.” – Mia Ferrari
Bong Mines Entertainment (15 KP) rated In My Shoes - Single by Keyra in Music
Jun 25, 2019
Mia Ferrari is a London-based singer-songwriter and Instagram star from Portugal. Not too long ago, she released a lovely electro-pop tune, entitled, “Where U From”.
“Baby tell me where ya from. Can’t tell from ya accent. Bite my lips, tasting ya tongue. Still, don’t know what ya meant. Tryna translate when you text. Hope I don’t regret it. Got so much I wanna say. Not sure if you’ll get it.” – lyrics
Every time Mia meets someone, it doesn’t take too long for that someone to ask her, “Where you from? Because I can’t tell from your accent.”
Her “Where U From” single tells an interesting tale of a young woman who shares a special relationship with a foreign guy whose whispers melts her heart.
Apparently, even though his spelling is okay, he communicates better with his tongue, and his hands talk dirty.
In need of a trip, she finds out where he’s from on the map because she plans on vacationing there soon. Later that night, the guy takes her one thousand miles away, around the world, and now she sees where he comes from.
‘Where U From’ contains a dreamy storyline, ear-welcoming vocals, and dance-friendly instrumentation flavored with an electro-pop aroma.
“Regardless of language, feelings emerge and we can only try our best to show them. ‘Where U From’ reflects thoughts and feelings during that time. Also, the choice of transitioning from talking within a language to talking with the body, hoping not to get lost in translation.” – Mia Ferrari
“Baby tell me where ya from. Can’t tell from ya accent. Bite my lips, tasting ya tongue. Still, don’t know what ya meant. Tryna translate when you text. Hope I don’t regret it. Got so much I wanna say. Not sure if you’ll get it.” – lyrics
Every time Mia meets someone, it doesn’t take too long for that someone to ask her, “Where you from? Because I can’t tell from your accent.”
Her “Where U From” single tells an interesting tale of a young woman who shares a special relationship with a foreign guy whose whispers melts her heart.
Apparently, even though his spelling is okay, he communicates better with his tongue, and his hands talk dirty.
In need of a trip, she finds out where he’s from on the map because she plans on vacationing there soon. Later that night, the guy takes her one thousand miles away, around the world, and now she sees where he comes from.
‘Where U From’ contains a dreamy storyline, ear-welcoming vocals, and dance-friendly instrumentation flavored with an electro-pop aroma.
“Regardless of language, feelings emerge and we can only try our best to show them. ‘Where U From’ reflects thoughts and feelings during that time. Also, the choice of transitioning from talking within a language to talking with the body, hoping not to get lost in translation.” – Mia Ferrari
Bong Mines Entertainment (15 KP) rated All The Time - Single by Zara Larsson in Music
Jun 25, 2019
Mia Ferrari is a London-based singer-songwriter and Instagram star from Portugal. Not too long ago, she released a lovely electro-pop tune, entitled, “Where U From”.
“Baby tell me where ya from. Can’t tell from ya accent. Bite my lips, tasting ya tongue. Still, don’t know what ya meant. Tryna translate when you text. Hope I don’t regret it. Got so much I wanna say. Not sure if you’ll get it.” – lyrics
Every time Mia meets someone, it doesn’t take too long for that someone to ask her, “Where you from? Because I can’t tell from your accent.”
Her “Where U From” single tells an interesting tale of a young woman who shares a special relationship with a foreign guy whose whispers melts her heart.
Apparently, even though his spelling is okay, he communicates better with his tongue, and his hands talk dirty.
In need of a trip, she finds out where he’s from on the map because she plans on vacationing there soon. Later that night, the guy takes her one thousand miles away, around the world, and now she sees where he comes from.
‘Where U From’ contains a dreamy storyline, ear-welcoming vocals, and dance-friendly instrumentation flavored with an electro-pop aroma.
“Regardless of language, feelings emerge and we can only try our best to show them. ‘Where U From’ reflects thoughts and feelings during that time. Also, the choice of transitioning from talking within a language to talking with the body, hoping not to get lost in translation.” – Mia Ferrari
“Baby tell me where ya from. Can’t tell from ya accent. Bite my lips, tasting ya tongue. Still, don’t know what ya meant. Tryna translate when you text. Hope I don’t regret it. Got so much I wanna say. Not sure if you’ll get it.” – lyrics
Every time Mia meets someone, it doesn’t take too long for that someone to ask her, “Where you from? Because I can’t tell from your accent.”
Her “Where U From” single tells an interesting tale of a young woman who shares a special relationship with a foreign guy whose whispers melts her heart.
Apparently, even though his spelling is okay, he communicates better with his tongue, and his hands talk dirty.
In need of a trip, she finds out where he’s from on the map because she plans on vacationing there soon. Later that night, the guy takes her one thousand miles away, around the world, and now she sees where he comes from.
‘Where U From’ contains a dreamy storyline, ear-welcoming vocals, and dance-friendly instrumentation flavored with an electro-pop aroma.
“Regardless of language, feelings emerge and we can only try our best to show them. ‘Where U From’ reflects thoughts and feelings during that time. Also, the choice of transitioning from talking within a language to talking with the body, hoping not to get lost in translation.” – Mia Ferrari
Gareth von Kallenbach (971 KP) rated Blades of Glory (2007) in Movies
Aug 14, 2019
Chazz Michael Michaels (Will Ferrell), and Jimmy MacElroy (Jon Heder), are as opposite as two men can be. Chazz is loud, boisterous, and highly sexual, whereas Jimmy is soft, artistic, and reserved.
In the new comedy Blades of Glory the two rivals are about to become the talk of their sport when both lose their medals and are banned from competitive skating after an on ice incident shortly after they tie for the gold medal.
While both are devastated by the events, Jimmy has an even higher cost to pay as his adoptive father disowns him since he is no longer a star athlete who will bring him fame an attention.
Flash forward 3.5 years and we find that life has not been easy for the former two stars. Jimmy toils away in a sporting good shop, while Chazz is reduced to playing a masked character in a themed ice show.
Fate steps in when a stalker informs Jimmy that he is only banned from singles skating and is able to compete in pairs competitions. With the signup for qualifications two days away, Jimmy heads to a local ice show in hopes of finding a partner for the competition.
Sadly Jimmy has chosen the same show were Chazz works, and the two bitter rivals soon find themselves fighting once again.
When the footage makes the local news, Jimmy’s old coach (Craig T. Nelson), hits upon the idea of having the two men compete as the first male team in skating history.
Naturally the two men hate the idea, but with a deadline looming and no other options, Chazz and Jimmy begin to train.
As shocking as this turn of events is to the sporting world, it draws the ire of the reigning champions the Van Waldenberg’s (Will Arnett and Amy Poehler), who setout to ruin Jimmy and Chazz so they can once again capture the gold.
As they train, one hilarious situation after another arises, as the two men with vastly different lifestyles and outlooks must find a way to work with one another to recapture their former glory.
At first I was worried that the films premise would grow old after a few minutes, but I am happy to say it did not. The film is very silly and filled with juvenile humor, but has an easygoing charm that makes it a fun if forgettable film.
Heder and Ferrell work well with one another, and their skating sequences have some truly funny and inspired moments. I do not think I will soon forget the look on Chazz’s face when he has to lift Jimmy one handed while balancing him in a sensitive area.
The film will not be confused anytime soon for a comedic work of genius, but if you want some laughs and are not expecting a deep plot or characters, then this film may be what you are looking for.
In the new comedy Blades of Glory the two rivals are about to become the talk of their sport when both lose their medals and are banned from competitive skating after an on ice incident shortly after they tie for the gold medal.
While both are devastated by the events, Jimmy has an even higher cost to pay as his adoptive father disowns him since he is no longer a star athlete who will bring him fame an attention.
Flash forward 3.5 years and we find that life has not been easy for the former two stars. Jimmy toils away in a sporting good shop, while Chazz is reduced to playing a masked character in a themed ice show.
Fate steps in when a stalker informs Jimmy that he is only banned from singles skating and is able to compete in pairs competitions. With the signup for qualifications two days away, Jimmy heads to a local ice show in hopes of finding a partner for the competition.
Sadly Jimmy has chosen the same show were Chazz works, and the two bitter rivals soon find themselves fighting once again.
When the footage makes the local news, Jimmy’s old coach (Craig T. Nelson), hits upon the idea of having the two men compete as the first male team in skating history.
Naturally the two men hate the idea, but with a deadline looming and no other options, Chazz and Jimmy begin to train.
As shocking as this turn of events is to the sporting world, it draws the ire of the reigning champions the Van Waldenberg’s (Will Arnett and Amy Poehler), who setout to ruin Jimmy and Chazz so they can once again capture the gold.
As they train, one hilarious situation after another arises, as the two men with vastly different lifestyles and outlooks must find a way to work with one another to recapture their former glory.
At first I was worried that the films premise would grow old after a few minutes, but I am happy to say it did not. The film is very silly and filled with juvenile humor, but has an easygoing charm that makes it a fun if forgettable film.
Heder and Ferrell work well with one another, and their skating sequences have some truly funny and inspired moments. I do not think I will soon forget the look on Chazz’s face when he has to lift Jimmy one handed while balancing him in a sensitive area.
The film will not be confused anytime soon for a comedic work of genius, but if you want some laughs and are not expecting a deep plot or characters, then this film may be what you are looking for.
Gareth von Kallenbach (971 KP) rated Joker (2019) in Movies
Oct 7, 2019 (Updated Oct 13, 2019)
Arthur Fleck (Joaquin Phoenix) is a broken and troubled man. Arthur toils in as demeaning and berated Clown for Hire, and lives with his troubled mother in a dilapidated apartment.
Arthur meets with a Social Worker in an attempt as the seven medications he takes simply are not cutting it and he struggles to cope in a world that has ignored and discarded him.
Arthur dreams of being a comedian but sadly lacks the confidence and ability to pull off his material which is iffy at best. Undaunted he keeps toiling away even when life continues to beat him down mentally and physically.
This all changes when Arthur stops being the victim during and assault and fights back.
Arthur stops taking his medication and becomes more determined and is no longer afraid to confront those who antagonize him.
This leads Arthur to some renewed opportunities such as an appearance on a talk show which he has long idolized.
All of this happens against a smoldering Gotham City where tensions are high and rising even higher due to a Garbage strike and a perception that the elite of the city have abandoned those in need such as eliminating Arthur’s Social Worker due to budget cuts.
With nowhere to go but up; Arthur transforms from a disturbed individual to a violent and deeply disturbed and dangerous individual who is angry and ready for revenge.
Phoenix is fantastic and he is not afraid to let unglamorous scenes of his very thin body or lingering close ups at unflattering angels undermine him. He uses them to illustrate just how disposable Arthur is too many in the film and to also show how little he cares about such matters. The role is deeply dark and disturbing and will no doubt spark much controversy and debate ranging from making a dangerous person a sympathetic figure as well as commentary about class structure and the danger of unstable people inspiring others via a Cult of Personality.
There is a connection to the larger Batman universe even though the film is light on action and FX. This is a character study of a decent into madness and it is deeply disturbing as it is compelling.
4.5 stars out of 5
http://sknr.net/2019/10/02/joker/
Arthur meets with a Social Worker in an attempt as the seven medications he takes simply are not cutting it and he struggles to cope in a world that has ignored and discarded him.
Arthur dreams of being a comedian but sadly lacks the confidence and ability to pull off his material which is iffy at best. Undaunted he keeps toiling away even when life continues to beat him down mentally and physically.
This all changes when Arthur stops being the victim during and assault and fights back.
Arthur stops taking his medication and becomes more determined and is no longer afraid to confront those who antagonize him.
This leads Arthur to some renewed opportunities such as an appearance on a talk show which he has long idolized.
All of this happens against a smoldering Gotham City where tensions are high and rising even higher due to a Garbage strike and a perception that the elite of the city have abandoned those in need such as eliminating Arthur’s Social Worker due to budget cuts.
With nowhere to go but up; Arthur transforms from a disturbed individual to a violent and deeply disturbed and dangerous individual who is angry and ready for revenge.
Phoenix is fantastic and he is not afraid to let unglamorous scenes of his very thin body or lingering close ups at unflattering angels undermine him. He uses them to illustrate just how disposable Arthur is too many in the film and to also show how little he cares about such matters. The role is deeply dark and disturbing and will no doubt spark much controversy and debate ranging from making a dangerous person a sympathetic figure as well as commentary about class structure and the danger of unstable people inspiring others via a Cult of Personality.
There is a connection to the larger Batman universe even though the film is light on action and FX. This is a character study of a decent into madness and it is deeply disturbing as it is compelling.
4.5 stars out of 5
http://sknr.net/2019/10/02/joker/
Steven Sklansky (231 KP) rated The Bad Batch (2016) in Movies
Apr 15, 2018
Being in the wasteland is just as boring as this movie
I thought with a cast like Keanu, Jim Carey, and Jason Momoa this might have been a decent movie. I was so wrong. The movie started out so gruesome that I thought we were going to get a mad max type of movie. I slowly went down hill from there.
This movie is about a girl that joins the bad batch, a group of people that are sentenced to Texas. Ouch, talk about the perfect prison. This new wasteland, as far as I can tell is divided into 2 groups. Cannibals and Stoners. With the only plot being get a little girl back to here father there was not much else going on.
It seems like the whole movie was just setting up these 2 worlds that really didn't make much sense. Although The Comfort was definitely a better place to live, they really didn't say how they pick the people that can stay there. They are boarded up by shipping containers which leads me to believe they want to keep bad people out, but then again they are all "bad". So maybe the really bad. They just seemed to not care who came and went.
I think the only good thing in the movie was Jim Carrey. Funny enough he didn't even have a spoken line, I didn't even recognize him.
Eating people and getting high could not save this move. Like I always say, I don't want to hold anyone back from seeing a movie because of me. If you like it let me know why. And as always enjoy the show.
This movie is about a girl that joins the bad batch, a group of people that are sentenced to Texas. Ouch, talk about the perfect prison. This new wasteland, as far as I can tell is divided into 2 groups. Cannibals and Stoners. With the only plot being get a little girl back to here father there was not much else going on.
It seems like the whole movie was just setting up these 2 worlds that really didn't make much sense. Although The Comfort was definitely a better place to live, they really didn't say how they pick the people that can stay there. They are boarded up by shipping containers which leads me to believe they want to keep bad people out, but then again they are all "bad". So maybe the really bad. They just seemed to not care who came and went.
I think the only good thing in the movie was Jim Carrey. Funny enough he didn't even have a spoken line, I didn't even recognize him.
Eating people and getting high could not save this move. Like I always say, I don't want to hold anyone back from seeing a movie because of me. If you like it let me know why. And as always enjoy the show.
LeftSideCut (3778 KP) rated The Walking Dead - Season 8 in TV
Dec 23, 2019
Season 8 of The Walking Dead is where the show completely lost me for a good while.
I slowly limped through the first half of it, and had to literally talk myself into watching the next episode.
The main reason for this is just how painfully boring it's all is.
The much anticipated 'All Out War' storyline from the comic series is in full swing, after being set up through season 7, and every episode feels like it's just uninspired gun fight after uninspired gun fight. Any episodes in the past seasons that featured this kind of action felt exciting and tense. It happened rarely so was impactful when they came along.
Here, it just feels a lot like dead weight.
I also felt the writers saw TWD as a much artier project than it actually is at this point - there only so much of main characters staring deeply into the horizon, or at the sun that I care to watch.
Even character deaths feel dragged out and testing and so many
of the gory practical effects have been replaced by sub par CGI now, that it just doesn't even warrant a reaction. It's a sad state of affairs.
It's not all bad, I guess? All of the acting talent are still stellar, they're just not being given much to do. Although the Negan storyline failed to light up the small screen for me, I still enjoy him as a character, and JDM as an actor. There are still some entertaining set pieces strewn throughout, but the overall experience is a shadow of it's former self.
I slowly limped through the first half of it, and had to literally talk myself into watching the next episode.
The main reason for this is just how painfully boring it's all is.
The much anticipated 'All Out War' storyline from the comic series is in full swing, after being set up through season 7, and every episode feels like it's just uninspired gun fight after uninspired gun fight. Any episodes in the past seasons that featured this kind of action felt exciting and tense. It happened rarely so was impactful when they came along.
Here, it just feels a lot like dead weight.
I also felt the writers saw TWD as a much artier project than it actually is at this point - there only so much of main characters staring deeply into the horizon, or at the sun that I care to watch.
Even character deaths feel dragged out and testing and so many
of the gory practical effects have been replaced by sub par CGI now, that it just doesn't even warrant a reaction. It's a sad state of affairs.
It's not all bad, I guess? All of the acting talent are still stellar, they're just not being given much to do. Although the Negan storyline failed to light up the small screen for me, I still enjoy him as a character, and JDM as an actor. There are still some entertaining set pieces strewn throughout, but the overall experience is a shadow of it's former self.