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Andy K (10821 KP) created a video about Good Boys (2019) in Movies
Aug 8, 2019 (Updated Aug 9, 2019)
Erika (17788 KP) created a video about track Black Tambourine by Beck in Guero by Beck in Music
Jun 26, 2019 (Updated Jun 27, 2019)
MusicCritics (472 KP) created a video about track Pick Me Up by Tamar Braxton in Bluebird Of Happiness by Tamar Braxton in Music
Oct 12, 2017
Ollie SB (2279 KP) created a video about track One More Year by Tame Impala in The Slow Rush by Tame Impala in Music
Apr 23, 2020
CKD (37 KP) rated Home Front in Books
Dec 7, 2018
This book was great! I won it through the Goodreads pre-release program and received it in the mail just a few days prior to its release to the public. The story focuses on Jolene, her family and her friendship with Tami and her family. Jolene and Tami are helicopter pilots in the Guard, raising their families on the West Coast and neighbors. Jolene's husband is an attorney and they have two daughters. Jolene's husband does not approve of the war and thinks it's something that is happening "over there" and not something that affects us here in America. Until Jolene and Tami get deployed and he has to reconfigure his entire life to be a single parent while Jolene is gone. This is a wonderful story that is beautifully told and I highly recommend it.
The Craggus (360 KP) rated Adrift (2018) in Movies
Jul 19, 2018
A life or death struggle for survival has never been so dull. Adrift (2018) #Review
The lure of a life of freedom on the open ocean is an easy one to understand, at least when the sea is a beautiful blue expanse, stretching out to an endless horizon. But the romantic picture postcard ideal doesn’t last long for Tami Oldham (Shailene Woodley) and Richard Sharp (Sam Claflin) when their trans-Pacific voyage is interrupted by Hurricane Raymond with devastating results.
There’s no doubting how harrowing the ordeal that Tami Oldham Ashcraft went through was, but this bland Instagram melodrama barely manages to scratch the surface...
Full Review: http://bit.ly/CraggusAdrift
There’s no doubting how harrowing the ordeal that Tami Oldham Ashcraft went through was, but this bland Instagram melodrama barely manages to scratch the surface...
Full Review: http://bit.ly/CraggusAdrift
Christine A. (965 KP) rated The Boy: Broussard and Fourcade Book 2 in Books
Mar 28, 2019
2nd novel in Tami Hoag's Broussard and Fourcade series
I was provided with a complimentary copy of this book so I could give an honest review.
The Boy by Tami Hoag is the 2nd novel in her series about Broussard and Fourcade, a husband and wife team who are detectives in Bayou Breaux, a little town in Louisiana. I often read detective fiction and enjoyed the pairing of Detectives Nick Fourcade and Annie Broussard. The novel focuses mostly on their police pairing but does have some sections about their home life. The dynamics of the relationships of the people surrounding the investigative team are well formed but not the main focus of the story. The boy is. Well, the murder of the boy is.
Hoag shows her characters' flaws but she does not make them the focus of the characters. Broussard and Fourcade are like every married couple and have difficult days. Again, Hoag does not make those days the focus of the story. The boy is. The story has twists and turns. Some of the reveals were expected but not all of them. Hoag surprised me with several details.
I have had Tami Hoag on my "want to read" list for years but never got around to reading any of her work. After reading The Boy, I am disappointed I have not read her sooner.
Review published on Philomathinphila.com on 3/27/19.
The Boy by Tami Hoag is the 2nd novel in her series about Broussard and Fourcade, a husband and wife team who are detectives in Bayou Breaux, a little town in Louisiana. I often read detective fiction and enjoyed the pairing of Detectives Nick Fourcade and Annie Broussard. The novel focuses mostly on their police pairing but does have some sections about their home life. The dynamics of the relationships of the people surrounding the investigative team are well formed but not the main focus of the story. The boy is. Well, the murder of the boy is.
Hoag shows her characters' flaws but she does not make them the focus of the characters. Broussard and Fourcade are like every married couple and have difficult days. Again, Hoag does not make those days the focus of the story. The boy is. The story has twists and turns. Some of the reveals were expected but not all of them. Hoag surprised me with several details.
I have had Tami Hoag on my "want to read" list for years but never got around to reading any of her work. After reading The Boy, I am disappointed I have not read her sooner.
Review published on Philomathinphila.com on 3/27/19.
Bob Mann (459 KP) rated Adrift (2018) in Movies
Sep 29, 2021
“Hurricane Raymond has been upgraded to a category 5”
“Should we be worried” says Tami. Well, yes dear, you really should.
In the glorious surroundings of Tahiti, the American footloose traveller Tami Oldham (Shailene Woodley, “Divergent trilogy“, “The Descendents) meets British footloose traveller Richard Sharp (Sam Claflin, “Journey’s End“, “Me Before You“) and a nautical-based love beckons. Richard is hired by his friends Peter (Jeffrey Thomas) and Christine (Elizabeth Hawthorne) to sail their luxury 44 foot yacht Hazana from Tahiti to Tami’s home city of San Diego. But they hadn’t reckoned on the decidedly un-romantic attentions of Raymond and severely battered and bruised it’s a battle for survival on the vast expanse of the Pacific.
I was intrigued by this film as it seems to have divided the professional critics’ opinions: Kevin Maher in The Times gave it five stars… five! Conversely Edward Porter in The Sunday Times gave it two stars. After seeing the film, I’m with Mr Maher on this one (breaking convention as I haven’t exactly been in tune with this reviewer recently!).
As a story with romantic undertones, the film will live or die on your belief in this aspect. And fortunately the romance works. There is real chemistry between the pair despite them striking you as an odd couple. This is in no small part to the quality of the acting: Claflin proves again that he is a safe pair of hands as a male lead, but it’s Shailene Woodley, who has to carry large portions of the film single-handedly, who again demonstrates just how excellent an actress she is. The camera of Tarentino favourite Robert Richardson (“The Hateful Eight“, “Django Unchained”) stays tightly on Woodley’s features dramatically capturing her tiniest of grimaces.
Woodley is also deliciously un-Hollywood, getting to where she has through acting talent as much as her looks. Yes, she has a great body (liberally, perhaps a tad lasciviously, featured here both above and under the water) but her face is gloriously assymettical with little wrinkles appearing unexpectedly when she grins. She’s a good role model for young girls that perfection is not a pre–requisite for success. (What’s perhaps less good, role-model-wise, is that Woodley allegedly ate only 350 calories a day to get to the emaciated state seen at the end of the film! But to compensate, it’s notable that she looks so much better/sexier at the start of the film than at the end).
It’s also interesting to note that the 27-year old Woodley is also a co-producer on the film, a sign perhaps that as well as being the ‘Meryl Streep of the future'(TM), she is also likely to become a significant mover and shaker in Hollywood when getting there.
A bit like “The Shallows“, it’s unapologetically a B movie, but it’s delivered with such style and chutzpah that it drives its way through the apallingly cheesy dialogue just as the poor Hazana bashes its way throught the mountainous seas. It’s even self-mocking, with Tami rolling her eyes at the corniness of Richard’s, very English, attempts at romantic dialogue. The script is more successful in establishing back-stories for Tami and Richard, demonstrating a degree of parallelism that perhaps better explains their mutual attraction. The irony of fate taking Tami back to her damaged past is exquisite.
A controversial and brave decision by Icelandic director Baltasar Kormákur is to constantly flashback between the survival scenes and Tami and Richard’s courtship that leads up to the cataclismic event. This can be a little distracting, but given the gut-wrenching twist in the third act a linear storytelling would simply have not worked. It’s very well done too, with matched cross-cuts that really work well. Kormákur’s previous film “Everest” was his biggest hit to date, and I noted the cheeky addition of the book “Everest” on the bookshelf on Richard’s boat! (As an aside, “Everest” is for some reason the film review on One Mann’s Movies that has been viewed more often than any other… no idea why… must be down to search engine results!)
Extraordinarily, it’s a true story with the closing frames of the film being genuinely moving.
With many similarities to the excellent Robert Redford thriller “All Is Lost”, this is a robust and enthralling thriller-cum-romance that unusually delivers on both counts. The romance is believable and the thrills suitably thrilling, especially when a panic-ridden Tami is separated from her one patch of dry land. Although slightly let down by some dodgy dialogue, sitting amongst all the big-hitter summer blockbusters this is a movie you should definitely seek out.
In the glorious surroundings of Tahiti, the American footloose traveller Tami Oldham (Shailene Woodley, “Divergent trilogy“, “The Descendents) meets British footloose traveller Richard Sharp (Sam Claflin, “Journey’s End“, “Me Before You“) and a nautical-based love beckons. Richard is hired by his friends Peter (Jeffrey Thomas) and Christine (Elizabeth Hawthorne) to sail their luxury 44 foot yacht Hazana from Tahiti to Tami’s home city of San Diego. But they hadn’t reckoned on the decidedly un-romantic attentions of Raymond and severely battered and bruised it’s a battle for survival on the vast expanse of the Pacific.
I was intrigued by this film as it seems to have divided the professional critics’ opinions: Kevin Maher in The Times gave it five stars… five! Conversely Edward Porter in The Sunday Times gave it two stars. After seeing the film, I’m with Mr Maher on this one (breaking convention as I haven’t exactly been in tune with this reviewer recently!).
As a story with romantic undertones, the film will live or die on your belief in this aspect. And fortunately the romance works. There is real chemistry between the pair despite them striking you as an odd couple. This is in no small part to the quality of the acting: Claflin proves again that he is a safe pair of hands as a male lead, but it’s Shailene Woodley, who has to carry large portions of the film single-handedly, who again demonstrates just how excellent an actress she is. The camera of Tarentino favourite Robert Richardson (“The Hateful Eight“, “Django Unchained”) stays tightly on Woodley’s features dramatically capturing her tiniest of grimaces.
Woodley is also deliciously un-Hollywood, getting to where she has through acting talent as much as her looks. Yes, she has a great body (liberally, perhaps a tad lasciviously, featured here both above and under the water) but her face is gloriously assymettical with little wrinkles appearing unexpectedly when she grins. She’s a good role model for young girls that perfection is not a pre–requisite for success. (What’s perhaps less good, role-model-wise, is that Woodley allegedly ate only 350 calories a day to get to the emaciated state seen at the end of the film! But to compensate, it’s notable that she looks so much better/sexier at the start of the film than at the end).
It’s also interesting to note that the 27-year old Woodley is also a co-producer on the film, a sign perhaps that as well as being the ‘Meryl Streep of the future'(TM), she is also likely to become a significant mover and shaker in Hollywood when getting there.
A bit like “The Shallows“, it’s unapologetically a B movie, but it’s delivered with such style and chutzpah that it drives its way through the apallingly cheesy dialogue just as the poor Hazana bashes its way throught the mountainous seas. It’s even self-mocking, with Tami rolling her eyes at the corniness of Richard’s, very English, attempts at romantic dialogue. The script is more successful in establishing back-stories for Tami and Richard, demonstrating a degree of parallelism that perhaps better explains their mutual attraction. The irony of fate taking Tami back to her damaged past is exquisite.
A controversial and brave decision by Icelandic director Baltasar Kormákur is to constantly flashback between the survival scenes and Tami and Richard’s courtship that leads up to the cataclismic event. This can be a little distracting, but given the gut-wrenching twist in the third act a linear storytelling would simply have not worked. It’s very well done too, with matched cross-cuts that really work well. Kormákur’s previous film “Everest” was his biggest hit to date, and I noted the cheeky addition of the book “Everest” on the bookshelf on Richard’s boat! (As an aside, “Everest” is for some reason the film review on One Mann’s Movies that has been viewed more often than any other… no idea why… must be down to search engine results!)
Extraordinarily, it’s a true story with the closing frames of the film being genuinely moving.
With many similarities to the excellent Robert Redford thriller “All Is Lost”, this is a robust and enthralling thriller-cum-romance that unusually delivers on both counts. The romance is believable and the thrills suitably thrilling, especially when a panic-ridden Tami is separated from her one patch of dry land. Although slightly let down by some dodgy dialogue, sitting amongst all the big-hitter summer blockbusters this is a movie you should definitely seek out.
Dianne Robbins (1738 KP) rated Adrift (2018) in Movies
May 25, 2019
Confusing (1 more)
Grim
Contains spoilers, click to show
You are immediately thrown into the action of Tami coming to after being tossed about below deck from the hurricane. Had I not been reading a play-by-play on IMDB, I might have been more confused than I was but I was intrigued by what I read so I wanted to see how it all played out onscreen. I would have preferred to see the hurricane shown because I'm a fan of disaster films, but instead, we are shown the aftermath and flashbacks of the couple's first meeting and the romance that followed. I would also have liked to see more of the actual rescue and her telling her story to the Japanese sailors and/or people in Hawaii when she was taken to the island instead of brief and vague glimpses of it.
The doldrums of trying to survive aboard a broken vessel and all the boredom of hours upon hours of being adrift is shown.
The acting is decent enough.
There is very little excitement to hold one's interest. I was disappointed that in the movie but it wasn't my story to tell. This is based on the true story of Tami Oldham Ashcraft, who is listed as one of the writers and is shown briefly at the end of the movie.
It's not great. Reading about the actual story online is more satisfying. I am curious about Ashcraft's book but it's probably as boring as the movie.
The doldrums of trying to survive aboard a broken vessel and all the boredom of hours upon hours of being adrift is shown.
The acting is decent enough.
There is very little excitement to hold one's interest. I was disappointed that in the movie but it wasn't my story to tell. This is based on the true story of Tami Oldham Ashcraft, who is listed as one of the writers and is shown briefly at the end of the movie.
It's not great. Reading about the actual story online is more satisfying. I am curious about Ashcraft's book but it's probably as boring as the movie.
Caitlin Ann Cherniak (85 KP) rated Like Vanessa in Books
Nov 28, 2018
From Goodreads: 13-year-old girl from the '80s sees the first black woman win Miss America, which inspires her middle school to throw a pageant to boost moral. What could possibly go wrong?
Normally, I would say everything.
This book, nothing went wrong. In fact, Tami Charles did everything right.
You get an interesting main character. You have her going through real problems. You have this story take a look at a real problem with young black girls when it comes to what level of black skin is beautiful. You have major plot twists at every turn (And I don't take that sentence lightly.) And I actually don't hate the parental character this time (Because seriously, a lot of them try to make these characters awful for no reason at all). And you have the main character drop their walls to tell their vulnerable story to the audience.
In short, I love this book. One of the best middle grade and young adult novels I have ever read.
Normally, I would say everything.
This book, nothing went wrong. In fact, Tami Charles did everything right.
You get an interesting main character. You have her going through real problems. You have this story take a look at a real problem with young black girls when it comes to what level of black skin is beautiful. You have major plot twists at every turn (And I don't take that sentence lightly.) And I actually don't hate the parental character this time (Because seriously, a lot of them try to make these characters awful for no reason at all). And you have the main character drop their walls to tell their vulnerable story to the audience.
In short, I love this book. One of the best middle grade and young adult novels I have ever read.