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Caffeinated Fae (464 KP) rated My Soul to Keep (African Immortals, #1) in Books
Jul 12, 2018
I would give it more of a 4 1/2 star rating but I decided to round up. This was a very good book. It started off fairly slow but I'm glad that I stuck with it.
I will admit that I was fairly hesitant to start reading this book. My sisters kept pressuring me to read it and so I stated that I would have it read by thanksgiving. I do not deny that while reading it I kept thinking of the series that I am in the middle of, the book I finally bought after months of waiting, and the series that I want to restart.
All in all, Tananarive Due is an amazing author. I can see why it has been compared to Anne Rice's novels. I will definitely read the rest of the series when I find the time. The characters were very complex and realistic. This book definitely makes you look inside yourself and question what you would do in the situations that the characters were placed in. Though it did start out a little slow it gradually hooked me.
I will admit that I was fairly hesitant to start reading this book. My sisters kept pressuring me to read it and so I stated that I would have it read by thanksgiving. I do not deny that while reading it I kept thinking of the series that I am in the middle of, the book I finally bought after months of waiting, and the series that I want to restart.
All in all, Tananarive Due is an amazing author. I can see why it has been compared to Anne Rice's novels. I will definitely read the rest of the series when I find the time. The characters were very complex and realistic. This book definitely makes you look inside yourself and question what you would do in the situations that the characters were placed in. Though it did start out a little slow it gradually hooked me.
LeftSideCut (3778 KP) rated Horror Noire: A History of Black Horror (2019) in Movies
Sep 21, 2020
I found Horror Noire, a documentary that focuses on the role and impact of black creators and actors within horror cinema, to be an incredibly insightful watch.
It's covers a wide range of media, from 40s originals like I Walked with a Zombie, all the way up to present day entries like Us, and everything in between. My only criticism stems from this actually - with so many movies to cover, the pacing moves quite quickly, and results in a fairly short feature - I could have happily watched a few more hours!
The documentary features interviews with some genre icons such as Tony Todd, Keith David, Ernest R. Dickerson, Jordan Peele, Rachel True, Tananarive Due, just to name a few!
Listening to them talk about this subject which such fondness is wholesome, but not always comfortable - whereas Horror Noire is of course a celebration of black horror, none of the cast shy away from talking about the difficulties faced by the black community in film, including how they are portrayed, especially in earlier decades.
In 2020, these issues ring truer than ever.
As a white male, the biggest thing I've learned through recent events is that it's not enough to be not racist, - it's important and essential to be actively anti-racist. As a fan of horror for a lot of my life, I, perhaps ignorantly, haven't really attributed these issues to the genre before, so it's refreshing for me to learn about these kind of things and take them on board.
Horror Noire is a truly interesting watch, and has given me some films to add to my watchlist (Ganja & Hess is one I'll be checking out pretty soon). It's eye opening, and certainly deserves attention.
It's covers a wide range of media, from 40s originals like I Walked with a Zombie, all the way up to present day entries like Us, and everything in between. My only criticism stems from this actually - with so many movies to cover, the pacing moves quite quickly, and results in a fairly short feature - I could have happily watched a few more hours!
The documentary features interviews with some genre icons such as Tony Todd, Keith David, Ernest R. Dickerson, Jordan Peele, Rachel True, Tananarive Due, just to name a few!
Listening to them talk about this subject which such fondness is wholesome, but not always comfortable - whereas Horror Noire is of course a celebration of black horror, none of the cast shy away from talking about the difficulties faced by the black community in film, including how they are portrayed, especially in earlier decades.
In 2020, these issues ring truer than ever.
As a white male, the biggest thing I've learned through recent events is that it's not enough to be not racist, - it's important and essential to be actively anti-racist. As a fan of horror for a lot of my life, I, perhaps ignorantly, haven't really attributed these issues to the genre before, so it's refreshing for me to learn about these kind of things and take them on board.
Horror Noire is a truly interesting watch, and has given me some films to add to my watchlist (Ganja & Hess is one I'll be checking out pretty soon). It's eye opening, and certainly deserves attention.
