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Bob Mann (459 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Sep 8, 2019
The look and style is exquisite. (1 more)
DiCaprio and Pitt together on the screen, oozing style and confidence.
Glorious to look at, Tarantino’s love letter to 60’s Hollywood.
Saggy and overlong in places, this feels like Tarantino needed reining in at times. As such this feels like a slightly flawed masterpiece.... Tarantino’s Mona Lisa with a few accidental smudges. But its a movie that oozes style in recreating Hollywood in the late 60's.
Read my full review at One Mann's Movies here - https://bob-the-movie-man.com/2019/08/21/one-manns-movies-film-review-once-upon-a-time-in-hollywood-2019/
Read my full review at One Mann's Movies here - https://bob-the-movie-man.com/2019/08/21/one-manns-movies-film-review-once-upon-a-time-in-hollywood-2019/
LeftSideCut (3778 KP) rated From Dusk Till Dawn (1996) in Movies
Jan 23, 2021
From Dusk Till Dawn is a good enough Tarantino/Rodriguez style crime caper for the first hour, carried by its cast and polar opposite characters. On one side of the coin, there's the wholesome Fuller family, played by Harvey Keitel, Juliette Lewis, and Ernest Liu. These characters are the good guys if you will, with just enough development given to be on their team. The other side of the coin serves us the Gecko brothers, played by George Clooney and Quentin Tarantino, two criminals who take the Fullers hostage on their way to Mexico. These two are fucking deplorable, Richie (Tarantino) being a dangerous psychopath with no regard for human life, and Seth (Clooney) just being an arrogant asshat who flits between condemning his brothers behaviour and encouraging it. They're so damn unlikable, but when the five characters are together, it provides us with an electric dynamic, one where they end up depending on eachother to survive.
Other than that, it's good enough. Sure it's stylish, but it's not a scratch on Pulp Fiction or Desperado in what's it's trying to be.
But then the twist kicks in, and Christ does this movie ascend to near greatness. When the Fullers and Geckos arrive in Mexico and head to The Titty Twister bar, shit hits the fan pretty quick, and it goes from good enough crime movie, to all out sticky gross gore filled vampire horror show in seconds. The mix of practical effects and CG is wonderfully balanced, and the aesthetic is hugely reminiscent of Evil Dead II. It's no surprise to see Greg Nicotero among the credits.
This second half is just a whole boat of fun, and is the reason why FDTD is rightly considered a cult classic. Tarantinos screenplay is great (casually ignoring the fact he wrote himself into a scene where he could have Salma Hayeks toes in his mouth) and the addition of actors such as Hayek, Danny Trejo, Cheech Marin, Tom Savini, and Fred Williamson for this tongue-in-cheek, splatter fest of a third act is the cherry on top.
From Dusk Till Dawn is a blast for sure. Its stumbles here and there, but is another fine entry in the Robert Rodriguez catalogue.
Other than that, it's good enough. Sure it's stylish, but it's not a scratch on Pulp Fiction or Desperado in what's it's trying to be.
But then the twist kicks in, and Christ does this movie ascend to near greatness. When the Fullers and Geckos arrive in Mexico and head to The Titty Twister bar, shit hits the fan pretty quick, and it goes from good enough crime movie, to all out sticky gross gore filled vampire horror show in seconds. The mix of practical effects and CG is wonderfully balanced, and the aesthetic is hugely reminiscent of Evil Dead II. It's no surprise to see Greg Nicotero among the credits.
This second half is just a whole boat of fun, and is the reason why FDTD is rightly considered a cult classic. Tarantinos screenplay is great (casually ignoring the fact he wrote himself into a scene where he could have Salma Hayeks toes in his mouth) and the addition of actors such as Hayek, Danny Trejo, Cheech Marin, Tom Savini, and Fred Williamson for this tongue-in-cheek, splatter fest of a third act is the cherry on top.
From Dusk Till Dawn is a blast for sure. Its stumbles here and there, but is another fine entry in the Robert Rodriguez catalogue.
Sarah (7798 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Aug 20, 2019
All style, too much substance
I'm a big Tarantino fan and I really wanted to like this film, but I'm afraid like The Hateful Eight before it, I just found it far too rambling and long winded.
Don't get me wrong, I get what he was trying to do here with the classic Hollywood era, I just think it has been poorly executed. Instead of going for 'all style, no substance', Tarantino appears to have gone for all style and too much substance. Visually this film looks stunning, the set design and the costumes look amazing. The cast are brilliant, there's some great supporting faces in this and truly marvellous turns from Brad Pitt and Leonardo DiCaprio. Honestly it's these two that kept my attention for the nearly 3 hour run time. The ideas are good and the dialogue is good, the problem is that there's just way too much of it. Every scene has been dragged out way past the point of enjoyment, and there are so many pointless scenes in this that could easily have been cut out without affecting the barely there plot. He could've at least replaced some of these dragged out scenes with more of a main plot, especially as the only thing interesting about this film was the small bits with the Mansons in it.
I'm starting to wonder if Tarantino is becoming a bit complacent. He's known for his dialogue, but this is just too much. Its worrying when a 3 hour film gets interesting 15 minutes towards the end, which is the only time we see any in depth violence. Had this film been cut by at least an hour, it would've actually been very good. It's just a shame it had to ramble on for so long.
I've marked this higher than I probably should, but only because there is a lot to appreciate in this film and some wonderful performances, it just should've been in a much shorter runtime. I havent seen The Hateful Eight since it was on at the cinema as I can't bear to put myself through it again, and I'm afraid to say it's the same for this.
Don't get me wrong, I get what he was trying to do here with the classic Hollywood era, I just think it has been poorly executed. Instead of going for 'all style, no substance', Tarantino appears to have gone for all style and too much substance. Visually this film looks stunning, the set design and the costumes look amazing. The cast are brilliant, there's some great supporting faces in this and truly marvellous turns from Brad Pitt and Leonardo DiCaprio. Honestly it's these two that kept my attention for the nearly 3 hour run time. The ideas are good and the dialogue is good, the problem is that there's just way too much of it. Every scene has been dragged out way past the point of enjoyment, and there are so many pointless scenes in this that could easily have been cut out without affecting the barely there plot. He could've at least replaced some of these dragged out scenes with more of a main plot, especially as the only thing interesting about this film was the small bits with the Mansons in it.
I'm starting to wonder if Tarantino is becoming a bit complacent. He's known for his dialogue, but this is just too much. Its worrying when a 3 hour film gets interesting 15 minutes towards the end, which is the only time we see any in depth violence. Had this film been cut by at least an hour, it would've actually been very good. It's just a shame it had to ramble on for so long.
I've marked this higher than I probably should, but only because there is a lot to appreciate in this film and some wonderful performances, it just should've been in a much shorter runtime. I havent seen The Hateful Eight since it was on at the cinema as I can't bear to put myself through it again, and I'm afraid to say it's the same for this.
Kevin Phillipson (9970 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Aug 15, 2019
Leonardo DiCaprio (3 more)
Brad Pitt
Margot Robbie
Al Pacino
Just finished watching brilliant movie great performance's from the cast overall as I already knew alot about the history of the Manson family and Sharon Tate murders that shook America in 69. Loved the music score. Both leoando DiCaprio and brad Pitt are excellent as the washed up actor and his stunt double who are the heart and soul of the movie. Margot Robbie plays Sharon Tate the actress who would become victim to the family. the film is good but not my favourite Tarantino film that's still pulp fiction but it's good film the only thing too long but that's okay.
Dean (6925 KP) rated Cold Pursuit (2019) in Movies
Dec 21, 2019 (Updated Dec 22, 2019)
Luke warm pursuit
This looked OK from the trailer, didn't realise it was a remake of a Norwegian film. It looked like it would have a decent amount of action with some humour.
In reality there is a bit of action, nothing amazing, mainly some shoot outs. The humour though just didn't hit the mark for me. I'm not sure if there were trying for a Tarantino type of angle or more comic book but it just falls flat largely. Another role for Liam Neeson like his last several roles of everyday guy turned badass all of a sudden.
So just average overall, check out @6 Underground (2019) instead for tons of action and laughs.
In reality there is a bit of action, nothing amazing, mainly some shoot outs. The humour though just didn't hit the mark for me. I'm not sure if there were trying for a Tarantino type of angle or more comic book but it just falls flat largely. Another role for Liam Neeson like his last several roles of everyday guy turned badass all of a sudden.
So just average overall, check out @6 Underground (2019) instead for tons of action and laughs.
Jonah Hill recommended American Boy: A Profile of Steven Prince (1978) in Movies (curated)
Phillip McSween (751 KP) rated Kill Bill: Volume 1 (2003) in Movies
Nov 12, 2020
Bloody Brilliant
A woman seeks revenge on the man that tried to kill her along with his gang of deadly assassins. Director Quentin Tarantino is known for producing masterpieces and this is definitely one of his finest.
Acting: 10
Beginning: 10
Talk about a movie that sucks you in right from the very beginning. The opening scene is jarring and so amazing. I was anxious and excited to see what would happen next.
Characters: 10
Cinematography/Visuals: 10
The cinematic appeal of Kill Bill Volume 1 is out of this world. The fight scenes are shot with flare and an intensity that ramps as each battle works towards the climax. I love how daring Tarantino is, even incorporating animated scenes to flesh out the story. One of my favorite moments is the main character’s final showdown against an assassin shot against the backdrop of a snowy landscape in Japan. It’s so incredibly beautiful, even as droplets of blood spatter against the snow.
Conflict: 10
Entertainment Value: 10
Captivating from beginning to end. This is why we watch movies. There was never a dull moment as intensity lingers around every corner. The entertainment comes from a combination of conflict and sheer originality. As you sit there, you realize you are seeing something you have never seen before. I loved every minute of it.
Memorability: 10
Tarantino operates with the flare of a man who has been there and done that. I appreciate the fact that he’s not afraid to try new things. As a result, we get something new in every single scene. It’s brilliant how all the puzzle pieces come together. We think we are watching something simple and straightforward, but it ends up being amazingly intricate.
Pace: 10
Plot: 10
Resolution: 10
You already know going in there’s going to be a sequel as the title indicates. But this movie wraps up quite nicely with a beautiful cliffhanger that gets you stoked for the sequel. No matter how many times I’ve watched this movie, the ending always pushes me into watching the sequel right after. Not many movies can say that.
Overall: 100
I’m not saying this lightly: Kill Bill Volume 1 is one of the greatest movies ever made. See it. I’ll end it there.
Acting: 10
Beginning: 10
Talk about a movie that sucks you in right from the very beginning. The opening scene is jarring and so amazing. I was anxious and excited to see what would happen next.
Characters: 10
Cinematography/Visuals: 10
The cinematic appeal of Kill Bill Volume 1 is out of this world. The fight scenes are shot with flare and an intensity that ramps as each battle works towards the climax. I love how daring Tarantino is, even incorporating animated scenes to flesh out the story. One of my favorite moments is the main character’s final showdown against an assassin shot against the backdrop of a snowy landscape in Japan. It’s so incredibly beautiful, even as droplets of blood spatter against the snow.
Conflict: 10
Entertainment Value: 10
Captivating from beginning to end. This is why we watch movies. There was never a dull moment as intensity lingers around every corner. The entertainment comes from a combination of conflict and sheer originality. As you sit there, you realize you are seeing something you have never seen before. I loved every minute of it.
Memorability: 10
Tarantino operates with the flare of a man who has been there and done that. I appreciate the fact that he’s not afraid to try new things. As a result, we get something new in every single scene. It’s brilliant how all the puzzle pieces come together. We think we are watching something simple and straightforward, but it ends up being amazingly intricate.
Pace: 10
Plot: 10
Resolution: 10
You already know going in there’s going to be a sequel as the title indicates. But this movie wraps up quite nicely with a beautiful cliffhanger that gets you stoked for the sequel. No matter how many times I’ve watched this movie, the ending always pushes me into watching the sequel right after. Not many movies can say that.
Overall: 100
I’m not saying this lightly: Kill Bill Volume 1 is one of the greatest movies ever made. See it. I’ll end it there.
Andy K (10821 KP) rated Jackie Brown (1997) in Movies
Aug 8, 2018
A little forgotten...
It's hard to say a Tarantino film is forgotten; however, not nearly as many people still talk about Jackie Brown as most of his other work which is a shame since it still holds up as another brilliant character study of a caper gone wrong and lots of double-crossing.
Robert De Niro is funny in the film mostly because he doesn't say or do much and is pretty subdued most of the time. The standouts are Pam Grier and Robert Forster with other nods to Michael Keaton, Bridget Fonda and her feet and the always amazing Samuel L. Jackson.
If you haven't seen in a while or have never seen, please give it another look.
Robert De Niro is funny in the film mostly because he doesn't say or do much and is pretty subdued most of the time. The standouts are Pam Grier and Robert Forster with other nods to Michael Keaton, Bridget Fonda and her feet and the always amazing Samuel L. Jackson.
If you haven't seen in a while or have never seen, please give it another look.
Trackie (153 KP) rated Polar (2019) in Movies
Jan 27, 2019
Lots of excitement (1 more)
A good action adult film
Polar
This is definitely not for the faint of heart. This is a brutal but fantastic film. You just can’t turn away.
If you're not a fan of gratuitous, over-the-top violence, lengthy sex scenes, and gory detail, stay away from this movie.
If such things don't bother you, or you see such things as essential in a good action movie, Polar is the film for you! Evocative of Tarantino, Charlie's Angel's, and any number of violent, Hitman-style films, Polar earns its place among the classics, with gusto.
An aging hitman on the verge of retirement, our protagonist finds himself hunted by his former employers, they get more than they bargain for.
If you're not a fan of gratuitous, over-the-top violence, lengthy sex scenes, and gory detail, stay away from this movie.
If such things don't bother you, or you see such things as essential in a good action movie, Polar is the film for you! Evocative of Tarantino, Charlie's Angel's, and any number of violent, Hitman-style films, Polar earns its place among the classics, with gusto.
An aging hitman on the verge of retirement, our protagonist finds himself hunted by his former employers, they get more than they bargain for.