Search
Search results
The Jazzy Vegetarian
Podcast
It's time to jazz up your weekly menu with award-winning television and radio host, Laura Theodore,...
Matthew Krueger (10051 KP) rated Scars of Dracula (1970) in Movies
Nov 17, 2020
Start From Scratch
Scars of Dracula- is the sixth Dracula film from Hammer and fifth starring Christopher Lee. Its a re-introducting to Dracula, even though its the six one in the Hammer franchise. Its also takes place after Taste, so im not sure why their did do a re-introducting. Anyways
The plot: Bat's blood hits Dracula's (Christopher Lee) ashes, and he rises again to fight a couple (Dennis Waterman, Jenny Hanley) looking for trouble.
It also gives Lee more to do and say than any other Hammer Dracula film except its first, 1958's Dracula.
This film breaks the continuity maintained through the previous entries in the Hammer Dracula series: whereas at the end of the preceding film, Taste the Blood of Dracula, the Count met his end in a disused church near London, this film opens with a resurrection scene set in Dracula's castle in Transylvania, with no explanation of how his ashes got there (although, they might have been returned from England, as a contingency, by the young acolyte from the prologue of Dracula A.D. 1972). Furthermore; in Scars of Dracula, the Count has a servant named Klove, played by Patrick Troughton; in the third film of the series, Dracula: Prince of Darkness, Dracula has a servant named Klove (played by Philip Latham) who appears to be a different character, though identically named. The disruption of continuity caused by Scars of Dracula reflects the fact the film was originally tooled as a possible reboot of the series in the event Christopher Lee elected not to reprise the role of Dracula.
The British Film group EMI took over distribution of the film after Warner Bros., Universal Pictures and other American studios refused to distribute it in the U.S. It was also the first of several Hammer films to get an 'R' rating.
Its a good film.
The plot: Bat's blood hits Dracula's (Christopher Lee) ashes, and he rises again to fight a couple (Dennis Waterman, Jenny Hanley) looking for trouble.
It also gives Lee more to do and say than any other Hammer Dracula film except its first, 1958's Dracula.
This film breaks the continuity maintained through the previous entries in the Hammer Dracula series: whereas at the end of the preceding film, Taste the Blood of Dracula, the Count met his end in a disused church near London, this film opens with a resurrection scene set in Dracula's castle in Transylvania, with no explanation of how his ashes got there (although, they might have been returned from England, as a contingency, by the young acolyte from the prologue of Dracula A.D. 1972). Furthermore; in Scars of Dracula, the Count has a servant named Klove, played by Patrick Troughton; in the third film of the series, Dracula: Prince of Darkness, Dracula has a servant named Klove (played by Philip Latham) who appears to be a different character, though identically named. The disruption of continuity caused by Scars of Dracula reflects the fact the film was originally tooled as a possible reboot of the series in the event Christopher Lee elected not to reprise the role of Dracula.
The British Film group EMI took over distribution of the film after Warner Bros., Universal Pictures and other American studios refused to distribute it in the U.S. It was also the first of several Hammer films to get an 'R' rating.
Its a good film.
Farali vangi, recipes of delicius for upvas and vrat (Fasting)
Food & Drink and Book
6.0
Rate It
App
Indian families practice the traditional form of fasting where they consume only some of food items...
Awix (3310 KP) rated If Beale Street Could Talk (2018) in Movies
Feb 23, 2019 (Updated Feb 24, 2019)
Barry Jenkins' follow-up to Moonlight manages to be utterly gorgeous and profoundly moving while also being serious and thoughtful. A young black man is arrested for a crime he couldn't have committed (but you try telling the authorities that); the film backtracks to show his relationship with his girlfriend and details her life after his imprisonment, when she learns she is pregnant with his child.
A film of extraordinarily restrained anger and tremendous tenderness and delicacy; the non-linear storytelling structure and emphasis on character and atmosphere over plot may not be to everyone's taste, but every frame of this movie has clearly had serious thought devoted to it, and the performances are uniformly excellent. Would have been a vastly more worthy Oscar nominee than most of the films on the 2019 Best Picture shortlist.
A film of extraordinarily restrained anger and tremendous tenderness and delicacy; the non-linear storytelling structure and emphasis on character and atmosphere over plot may not be to everyone's taste, but every frame of this movie has clearly had serious thought devoted to it, and the performances are uniformly excellent. Would have been a vastly more worthy Oscar nominee than most of the films on the 2019 Best Picture shortlist.
Awix (3310 KP) rated Hellboy (2019) in Movies
Apr 11, 2019 (Updated Apr 11, 2019)
Headbanging new take on Mike Mignola's demonic superhero. Hellboy, summoned to end the world but raised to protect it, has to do battle with vampires, man-eating giants, murderous occultists, pig-headed fairies and an evil sorceress from Arthurian legend. Scores highly on the 'ugh' front with a lot of gore.
Directed by Neil Marshall, so taste and restraint are not much in evidence, while the script is extremely variable and most of the performances not much cop either. Were-beasts fight fairies, demons fight vampires, none of it makes a great deal of sense, and there's little sign of the wit and style of Guillermo del Toro's films about these characters. In the end the film has plenty of energy and a sense of humour about itself which keep it just about watchable, but it's still a bit of a disappointment.
Directed by Neil Marshall, so taste and restraint are not much in evidence, while the script is extremely variable and most of the performances not much cop either. Were-beasts fight fairies, demons fight vampires, none of it makes a great deal of sense, and there's little sign of the wit and style of Guillermo del Toro's films about these characters. In the end the film has plenty of energy and a sense of humour about itself which keep it just about watchable, but it's still a bit of a disappointment.
Aasiyah Sidat (34 KP) rated Counting on You in Books
Oct 2, 2018
Counting on You
“She wasn’t the most boring person in the world, but she wasn’t exactly ready to start booking stand up routines at the comedy club either.”
Counting on You begins with our female lead, Hayleigh who is a successful maths teacher in her late twenties but has had some difficulty dating. Scratch that, she hasn’t dated since her high school boyfriend left her with a sour taste in her mouth. After an awkward first date at a dive bar, Amarillo Sour, she meets our male lead Ian; an app developer at Link digital who is Conveniently working on a dating app that is at the pinnacle of his career. This book follows Ian as he helps Hayleigh navigate the murky waters of the online dating world.
Continue reading my review at: https://www.readsandrecipes.co.uk/2018/08/counting-on-you-by-laura-chapman.html
Counting on You begins with our female lead, Hayleigh who is a successful maths teacher in her late twenties but has had some difficulty dating. Scratch that, she hasn’t dated since her high school boyfriend left her with a sour taste in her mouth. After an awkward first date at a dive bar, Amarillo Sour, she meets our male lead Ian; an app developer at Link digital who is Conveniently working on a dating app that is at the pinnacle of his career. This book follows Ian as he helps Hayleigh navigate the murky waters of the online dating world.
Continue reading my review at: https://www.readsandrecipes.co.uk/2018/08/counting-on-you-by-laura-chapman.html
365Flicks (235 KP) rated Godzilla: King of the Monsters (2019) in Movies
Nov 7, 2019
Monsters vs Monsters... Epic
After the sour taste the last big screen adaptation left in my mouth I wasn’t overly enthusiastic for this one. I mean hyping your entire movie around Bryan Cranston to just kill him in the first 20 minutes leaving second best Quicksilver to hold the movie up was just Mental.
BUT this movie did promise one thing, more Kaiju more Godzilla instead of the pitiful 10 minutes screen time on our last outing. boy did it deliver of the Kaiju battles in spades.
That’s all I wanted was to see Godzilla battle it out with Mothra, Ghiadora and whoever else, just take me back to my childhood and give me epic scale monster fights. I felt this movie delivered that unapologetically so it’s a win.
Also I kinda love seeing Kyle Chandler in things.
BUT this movie did promise one thing, more Kaiju more Godzilla instead of the pitiful 10 minutes screen time on our last outing. boy did it deliver of the Kaiju battles in spades.
That’s all I wanted was to see Godzilla battle it out with Mothra, Ghiadora and whoever else, just take me back to my childhood and give me epic scale monster fights. I felt this movie delivered that unapologetically so it’s a win.
Also I kinda love seeing Kyle Chandler in things.
Awix (3310 KP) rated Interlude (1968) in Movies
Apr 22, 2020 (Updated Apr 22, 2020)
Low-octane drama set in (barely) swinging London. A young reporter becomes the mistress of a temperamental conductor (orchestra, not bus) - she knows it's a bad idea, he knows it's a bad idea, but hey, hormones, I guess. Sure enough, everyone ends up unhappy.
Good-looking but vacuous, a sort of Hampstead novel of a movie, with the personal issues of affluent Londoners raised to a level of towering significance. The whole thing is in such lethal good taste it sucks any potential life out of the story (on the other hand you can have fun playing guess-the-body-part during the slightly baffling sex scenes). Passes the time but very predictable; very early appearances by John Cleese and Derek Jacobi pique the interest. The music and theme song are considerably better than the rest of the film deserves.
Good-looking but vacuous, a sort of Hampstead novel of a movie, with the personal issues of affluent Londoners raised to a level of towering significance. The whole thing is in such lethal good taste it sucks any potential life out of the story (on the other hand you can have fun playing guess-the-body-part during the slightly baffling sex scenes). Passes the time but very predictable; very early appearances by John Cleese and Derek Jacobi pique the interest. The music and theme song are considerably better than the rest of the film deserves.
Acu Pro - Acupuncture Bible
Medical and Education
App
The Acupuncture Bible App for Practitioners & Students FEATURES • Stunning double-lined main menu...
Edward IV: From Contemporary Chronicles, Letters and Records
Book
Edward IV (king from 1461-83), so often overshadowed by his younger brother and eventual successor...