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Awix (3310 KP) rated If Beale Street Could Talk (2018) in Movies
Feb 23, 2019 (Updated Feb 24, 2019)
Barry Jenkins' follow-up to Moonlight manages to be utterly gorgeous and profoundly moving while also being serious and thoughtful. A young black man is arrested for a crime he couldn't have committed (but you try telling the authorities that); the film backtracks to show his relationship with his girlfriend and details her life after his imprisonment, when she learns she is pregnant with his child.
A film of extraordinarily restrained anger and tremendous tenderness and delicacy; the non-linear storytelling structure and emphasis on character and atmosphere over plot may not be to everyone's taste, but every frame of this movie has clearly had serious thought devoted to it, and the performances are uniformly excellent. Would have been a vastly more worthy Oscar nominee than most of the films on the 2019 Best Picture shortlist.
A film of extraordinarily restrained anger and tremendous tenderness and delicacy; the non-linear storytelling structure and emphasis on character and atmosphere over plot may not be to everyone's taste, but every frame of this movie has clearly had serious thought devoted to it, and the performances are uniformly excellent. Would have been a vastly more worthy Oscar nominee than most of the films on the 2019 Best Picture shortlist.
Awix (3310 KP) rated Hellboy (2019) in Movies
Apr 11, 2019 (Updated Apr 11, 2019)
Headbanging new take on Mike Mignola's demonic superhero. Hellboy, summoned to end the world but raised to protect it, has to do battle with vampires, man-eating giants, murderous occultists, pig-headed fairies and an evil sorceress from Arthurian legend. Scores highly on the 'ugh' front with a lot of gore.
Directed by Neil Marshall, so taste and restraint are not much in evidence, while the script is extremely variable and most of the performances not much cop either. Were-beasts fight fairies, demons fight vampires, none of it makes a great deal of sense, and there's little sign of the wit and style of Guillermo del Toro's films about these characters. In the end the film has plenty of energy and a sense of humour about itself which keep it just about watchable, but it's still a bit of a disappointment.
Directed by Neil Marshall, so taste and restraint are not much in evidence, while the script is extremely variable and most of the performances not much cop either. Were-beasts fight fairies, demons fight vampires, none of it makes a great deal of sense, and there's little sign of the wit and style of Guillermo del Toro's films about these characters. In the end the film has plenty of energy and a sense of humour about itself which keep it just about watchable, but it's still a bit of a disappointment.
Aasiyah Sidat (34 KP) rated Counting on You in Books
Oct 2, 2018
Counting on You
“She wasn’t the most boring person in the world, but she wasn’t exactly ready to start booking stand up routines at the comedy club either.”
Counting on You begins with our female lead, Hayleigh who is a successful maths teacher in her late twenties but has had some difficulty dating. Scratch that, she hasn’t dated since her high school boyfriend left her with a sour taste in her mouth. After an awkward first date at a dive bar, Amarillo Sour, she meets our male lead Ian; an app developer at Link digital who is Conveniently working on a dating app that is at the pinnacle of his career. This book follows Ian as he helps Hayleigh navigate the murky waters of the online dating world.
Continue reading my review at: https://www.readsandrecipes.co.uk/2018/08/counting-on-you-by-laura-chapman.html
Counting on You begins with our female lead, Hayleigh who is a successful maths teacher in her late twenties but has had some difficulty dating. Scratch that, she hasn’t dated since her high school boyfriend left her with a sour taste in her mouth. After an awkward first date at a dive bar, Amarillo Sour, she meets our male lead Ian; an app developer at Link digital who is Conveniently working on a dating app that is at the pinnacle of his career. This book follows Ian as he helps Hayleigh navigate the murky waters of the online dating world.
Continue reading my review at: https://www.readsandrecipes.co.uk/2018/08/counting-on-you-by-laura-chapman.html
365Flicks (235 KP) rated Godzilla: King of the Monsters (2019) in Movies
Nov 7, 2019
Monsters vs Monsters... Epic
After the sour taste the last big screen adaptation left in my mouth I wasn’t overly enthusiastic for this one. I mean hyping your entire movie around Bryan Cranston to just kill him in the first 20 minutes leaving second best Quicksilver to hold the movie up was just Mental.
BUT this movie did promise one thing, more Kaiju more Godzilla instead of the pitiful 10 minutes screen time on our last outing. boy did it deliver of the Kaiju battles in spades.
That’s all I wanted was to see Godzilla battle it out with Mothra, Ghiadora and whoever else, just take me back to my childhood and give me epic scale monster fights. I felt this movie delivered that unapologetically so it’s a win.
Also I kinda love seeing Kyle Chandler in things.
BUT this movie did promise one thing, more Kaiju more Godzilla instead of the pitiful 10 minutes screen time on our last outing. boy did it deliver of the Kaiju battles in spades.
That’s all I wanted was to see Godzilla battle it out with Mothra, Ghiadora and whoever else, just take me back to my childhood and give me epic scale monster fights. I felt this movie delivered that unapologetically so it’s a win.
Also I kinda love seeing Kyle Chandler in things.
Awix (3310 KP) rated Interlude (1968) in Movies
Apr 22, 2020 (Updated Apr 22, 2020)
Low-octane drama set in (barely) swinging London. A young reporter becomes the mistress of a temperamental conductor (orchestra, not bus) - she knows it's a bad idea, he knows it's a bad idea, but hey, hormones, I guess. Sure enough, everyone ends up unhappy.
Good-looking but vacuous, a sort of Hampstead novel of a movie, with the personal issues of affluent Londoners raised to a level of towering significance. The whole thing is in such lethal good taste it sucks any potential life out of the story (on the other hand you can have fun playing guess-the-body-part during the slightly baffling sex scenes). Passes the time but very predictable; very early appearances by John Cleese and Derek Jacobi pique the interest. The music and theme song are considerably better than the rest of the film deserves.
Good-looking but vacuous, a sort of Hampstead novel of a movie, with the personal issues of affluent Londoners raised to a level of towering significance. The whole thing is in such lethal good taste it sucks any potential life out of the story (on the other hand you can have fun playing guess-the-body-part during the slightly baffling sex scenes). Passes the time but very predictable; very early appearances by John Cleese and Derek Jacobi pique the interest. The music and theme song are considerably better than the rest of the film deserves.
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