"This is a deeply soulful novel that comprehends love and cruelty, and separates the big people from the small of heart, without ever losing sympathy for those unfortunates who don’t know how to live properly. Hurston is a lyrical writer, and lyricism is not usually my cup of tea, but there are talents that go beyond genre and taste. Her greatest claim over me is that she never was ashamed of the novel as a form—she believed in the transformative power of storytelling, and she took risks with sentiment that few contemporary writers are prepared to make. This book is a part of my character now—that’s how many times I’ve read it. I don’t look to fiction to find heroes, but I have to admit that Janie has meant more to me than any other character. She’s singing my song, somehow. And you realize the breadth of Hurston’s talent when you find out how many other people feel exactly the same way."

"Terry Gilliam is a living treasure, and we are squandering him foolishly with every film of his that remains unmade. Proof that our world is the poorer for this can be found in two of his masterpieces. Gilliam is a fabulist pregnant with images—exploding with them, actually—and fierce, untamed imagination. He understands that “bad taste” is the ultimate declaration of independence from the discreet charm of the bourgeoisie. He jumps with no safety net and drags us with him into a world made coherent only by his undying faith in the tale he is telling. Brazil remains one of the most important films of my life, and Time Bandits is a Roald Dahl–ian landmark to all fantasy films. Seeing Time Bandits with my youngest daughter just two weeks ago, I was delighted when she laughed and rejoiced at the moment when Kevin’s parents explode into a cloud of smoke."