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Sarah (7798 KP) rated Borat: Subsequent Moviefilm (2020) in Movies
Oct 24, 2020
As good as the first - just not my thing
Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan sees Borat return to the USA after the humiliation he caused his country in the first movie.
This time Borat is returning to America to get “Mac”Donald Trump to acknowledge the Premier of Kazakhstan as his friend and ally, and it couldn’t be more different than the first film. Borat is now a recognisable face across the globe so Sacha Baron Cohen can no longer parade around the streets and dupe unsuspecting members of the public. Instead he has to don ridiculously terrible disguises that surprisingly still fool people, and also put Maria Bakalova as his daughter Tutar front and centre with a large portion of the scenes.
For the most part, this works as Bakalova is a fantastic actress and she’s a delight to watch. Alongside Cohen who works his magic yet again, you can’t help but marvel at their guts and acting prowess at pulling off these stunts with a straight face. And not only this, but they excel just as well at the sweet and heartwarming side of this film that focuses on the father daughter relationship and female empowerment.
My biggest issues with this film (and it’s predecessor) probably come down to personal taste. I laughed a fair amount watching this and there are some crazy scenes that you can’t help but chuckle at – the synagogue and cosmetic surgery clinic to name a couple. I also thought the twist ending was absolute genius. However I’m not a huge fan of hidden camera type comedy that goes beyond humour and into cringeworthy and embarrassing, and sadly Borat does this a lot, even to the point where it’s crude and disgusting. This is just my personal view, as I just don’t find comedy funny if it’s making me cringe. There’s bad taste that’s funny and bad taste that goes too far, and for me Borat features both of these. Fortunately the former just about prevails and doesn’t make the film too uncomfortable. What helps is the political themes and motivations that are so ably managed and highlighted, and the fact that they’ve managed to seamlessly integrate the COVID-19 pandemic into the filming which is pretty impressive.
Cohen has been very smart when it comes to releasing this film, in the hope that it may have some impact on the upcoming election. Frankly after watching this, I’d be surprised if it didn’t. The scene featuring Rudy Giuliani, which has been very well publicised over the past few weeks, is both fascinating and creepily disturbing in equal parts and if this doesn’t hamper the public’s opinion of him, I don’t know what will.
Overall this is a very smart and daring film with two fantastic actors. There has been a lot of debate over whether this is better or worse than the original, but for me it’s just more of the same. But if you loved the first one, you’ll love this.
This time Borat is returning to America to get “Mac”Donald Trump to acknowledge the Premier of Kazakhstan as his friend and ally, and it couldn’t be more different than the first film. Borat is now a recognisable face across the globe so Sacha Baron Cohen can no longer parade around the streets and dupe unsuspecting members of the public. Instead he has to don ridiculously terrible disguises that surprisingly still fool people, and also put Maria Bakalova as his daughter Tutar front and centre with a large portion of the scenes.
For the most part, this works as Bakalova is a fantastic actress and she’s a delight to watch. Alongside Cohen who works his magic yet again, you can’t help but marvel at their guts and acting prowess at pulling off these stunts with a straight face. And not only this, but they excel just as well at the sweet and heartwarming side of this film that focuses on the father daughter relationship and female empowerment.
My biggest issues with this film (and it’s predecessor) probably come down to personal taste. I laughed a fair amount watching this and there are some crazy scenes that you can’t help but chuckle at – the synagogue and cosmetic surgery clinic to name a couple. I also thought the twist ending was absolute genius. However I’m not a huge fan of hidden camera type comedy that goes beyond humour and into cringeworthy and embarrassing, and sadly Borat does this a lot, even to the point where it’s crude and disgusting. This is just my personal view, as I just don’t find comedy funny if it’s making me cringe. There’s bad taste that’s funny and bad taste that goes too far, and for me Borat features both of these. Fortunately the former just about prevails and doesn’t make the film too uncomfortable. What helps is the political themes and motivations that are so ably managed and highlighted, and the fact that they’ve managed to seamlessly integrate the COVID-19 pandemic into the filming which is pretty impressive.
Cohen has been very smart when it comes to releasing this film, in the hope that it may have some impact on the upcoming election. Frankly after watching this, I’d be surprised if it didn’t. The scene featuring Rudy Giuliani, which has been very well publicised over the past few weeks, is both fascinating and creepily disturbing in equal parts and if this doesn’t hamper the public’s opinion of him, I don’t know what will.
Overall this is a very smart and daring film with two fantastic actors. There has been a lot of debate over whether this is better or worse than the original, but for me it’s just more of the same. But if you loved the first one, you’ll love this.
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tonidavis (353 KP) rated Buffy the Vampire Slayer - Season 3 in TV
Jul 8, 2017
Faith (5 more)
Doppelgangland
Wish
Umbrella scene
Band Candy
Mr Trick
The Zeppo (1 more)
Dead man party
Another amazing season to an amazing show
Some amazing episode in this series also the introduction to Faith and Anya can't be over looked they were both amazing editions to the show." As usal the quotes where outstanding.
"You know what? I was wrong. You are an idiot. My life happens to, on occasion, suck beyond the telling of it. Sometimes more than I can handle. And it's not just mine. Every single person down there is ignoring your pain because they're too busy with their own"
I loved Band Candy and a great introduction to Jane Epson on the buffy writing team.
I think everyone got a little misty eyes watching Buffy get her umberlla award at prom.
Only reason this didnt get a 10 from me is because my most hated buffy episode is the Zeppo athough Xander is one of my favorite charcter that epsidose reallt bored me and im not a zombie fan so dead man party was also not to my taste
"You know what? I was wrong. You are an idiot. My life happens to, on occasion, suck beyond the telling of it. Sometimes more than I can handle. And it's not just mine. Every single person down there is ignoring your pain because they're too busy with their own"
I loved Band Candy and a great introduction to Jane Epson on the buffy writing team.
I think everyone got a little misty eyes watching Buffy get her umberlla award at prom.
Only reason this didnt get a 10 from me is because my most hated buffy episode is the Zeppo athough Xander is one of my favorite charcter that epsidose reallt bored me and im not a zombie fan so dead man party was also not to my taste
Mark @ Carstairs Considers (2171 KP) rated Chesapeake Crimes: Fur, Feathers, and Felonies in Books
Apr 25, 2018
Criminally Fun Animal Inspired Short Stories
This latest collection of short stories from the members of Sisters in Crime Chesapeake Chapter features 13 tales, or is it tails, involving animals. Yes, there are lots of dogs and cats featured, including a murdered crazy cat lady, a story about a dog getting into trouble with his human, and a movie stars famous dog. But we get some unusual animals, too, including an octopus and exploding cows.
As with any collection, there were a couple of stories that weren’t to my taste. But I would then find I loved the next one. And when each story takes less than 30 minutes to read, you aren’t committed to something you don’t like for very long. For short stories, the characters were well drawn, and each story featured at least one twist with longer ones features a few more surprises. While a couple stories trend a little darker, there are some light, very fun stories in the collection as well. Truly, there is something here everyone will enjoy.
As with any collection, there were a couple of stories that weren’t to my taste. But I would then find I loved the next one. And when each story takes less than 30 minutes to read, you aren’t committed to something you don’t like for very long. For short stories, the characters were well drawn, and each story featured at least one twist with longer ones features a few more surprises. While a couple stories trend a little darker, there are some light, very fun stories in the collection as well. Truly, there is something here everyone will enjoy.
Awix (3310 KP) rated The Good, the Bad and the Ugly (1966) in Movies
Mar 1, 2019 (Updated Mar 1, 2019)
Whether or not you consider this to be one of the greatest westerns ever made or just an empty, cynical joke is probably a matter of personal taste; coherent arguments can be made both ways. Against the backdrop of the American Civil War, three gunmen search for a coffin full of dollars: Eastwood isn't especially good, but Van Cleef is certainly bad, and as for Wallach... The first of the film's many careful ironies is that there really isn't very much to choose between them in moral terms - those who view the western as a venue for articulating moral principles may not be impressed.
However, maybe they are missing the point, for while this may be a cynical movie, it is by no means wholly amoral, and there is compassion on display as well. What you would have to be utterly contrary to argue against are the brilliant set-pieces orchestrated by Leone, invariably accompanied by Ennio Morricone's stunning score. Eccentric and impressionistic in places, but still an extraordinary piece of cinema what ever you think of its place within the western genre.
However, maybe they are missing the point, for while this may be a cynical movie, it is by no means wholly amoral, and there is compassion on display as well. What you would have to be utterly contrary to argue against are the brilliant set-pieces orchestrated by Leone, invariably accompanied by Ennio Morricone's stunning score. Eccentric and impressionistic in places, but still an extraordinary piece of cinema what ever you think of its place within the western genre.
Awix (3310 KP) rated Entry Island in Books
Mar 27, 2019
Not my usual sort of thing, but recommended to (more like thrust upon) me by someone whose taste in books is usually interesting. Not necessarily in this case, though: a competent mash-up of a contemporary police procedural thriller with a windblown historical romance set during the Highland clearances (younger readers, ask your dad): a Canadian cop starts having flashbacks (kind of) to his ancestor's life while investigating a murder on a remote island; he feels certain he knows the prime suspect, although she and he have never met before...
The structure of the book certainly works in its favour: whenever you get bored of the whodunnit, the switch to goings-on in the 19th century Hebrides is welcome, and vice versa. And, fair's fair, the story does pick up pace and interest in the final third after a slightly stodgy opening. However, neither the plotting nor the writing are what I'd call inspired; workmanlike is the word that springs to mind. Passes the time inoffensively but unlikely to linger in the memory.
The structure of the book certainly works in its favour: whenever you get bored of the whodunnit, the switch to goings-on in the 19th century Hebrides is welcome, and vice versa. And, fair's fair, the story does pick up pace and interest in the final third after a slightly stodgy opening. However, neither the plotting nor the writing are what I'd call inspired; workmanlike is the word that springs to mind. Passes the time inoffensively but unlikely to linger in the memory.