Caffeinated Fae (464 KP) rated Music of the Heart (Runaway Train, #1) in Books
Jul 12, 2018
ۏAnd just what do you plan to do? Rape me? ۏNo, I intend on making love with you ے Seriously?!? Agh!
It also seemed that Abby and Jake۪s romance was a little forced. I couldn۪t help but roll my eyes at the plot line and the actions of the characters. This girl is supposed to be angelic yet she gives lap dances to prove someone wrong۟ correct me if I۪m wrong, but that isn۪t very angelic.
While on the subject of angelicness I would like to point out that the religious part of the book also felt forced. The only time her religion came into play was when she was lecturing individuals on being too judgmental.
I liked the concept of the book but for me it felt like a cup of decaf coffee, has a similar taste to coffee but didn۪t give me anything to look forward to.
Awix (3310 KP) rated First Man (2018) in Movies
Oct 26, 2018 (Updated Oct 26, 2018)
Neil Armstrong/Apollo 11 movie eschews flag-waving bombast and conventional spectacle by focusing much more on what was going on inside Armstrong's head during the moon mission and its build-up (by the way, I have a horrible suspicion that the moon-landing sequence in this movie was faked in a studio). Given that Armstrong himself was such a notably quiet and undemonstrative man, this seems like a good choice, although whether it excuses Damien Chazelle's choice to depict Armstrong's whole career in space as some kind of coping mechanism for dealing with a family tragedy is probably a matter of personal taste.
Like its subject, this is a notably low-key and unflashy film, and many may find it slow-going; space fans will probably have a lot to enjoy, though. The actual moon-landing sequence is superb, flag or no flag. In the end this is (perhaps inevitably) less of a guaranteed crowd-pleaser than La La Land (Chazelle and Gosling's last film together) but still a substantial and impressive movie.
Roxanne (13 KP) rated The Daughter's Secret in Books
Nov 14, 2018
After reading some really positive reviews I must admit that I'm disappointed that I didn't enjoy this book more. The blurb sounded interesting and different to what I would usually go for but I'm very open minded when it comes to books.
What got to me the most about this book was that it was so very slow, my eyes would start to glaze over after every couple of pages, it would repeat itself and the jumping forwards and backwards in time got a bit confusing. The main characters were unique but others got swept under the rug and many questions were left unanswered. I would of liked to know more about Stephie's dad and why he was...well...the way he was.
If the mother wasn't so anxious and didn't question everything in life then I feel that we may not have had much of a story.
The prejudice towards tattooed people and the gothic subculture left a bit of a sour taste in my mouth...because they're just as bad as paedophiles right? <I>*Grumble*</I>
I didn't hate it but I didn't love it.
Billie Wichkan (118 KP) rated WENDIGO in Books
Dec 5, 2018
In this fictional world that we enter with Erik,
the curse is triggered by the same crime, but there are genetic requirements and the cursed can transform into powerful werebeasts. At one time, these creatures were treated as gods and fed by their neighbors, but the native peoples abandoned this practice and the creatures, who had human intelligence, shape shifting powers and massive strength and could not be killed, turned in anger to preying extensively on humans.
This book is well worth the read as a standalone novella if you prefer but if like me it snags from the beginning and you to continue following the journey so remember to check out the Blood of the Ysir saga to continue on the path. Highly anxious for the third in series now!!
Awix (3310 KP) rated Brightburn (2019) in Movies
Jun 20, 2019 (Updated Jun 20, 2019)
The film doesn't try anything too clever and sticks to its core idea with admirable focus and restraint; good performances from Elizabeth Banks and David Denman in particular as the not-Kents. The set piece sequences are perhaps a tiny bit repetitive, but the film has energy and isn't afraid to go into some dark places. Whether the sheer audacity of the film's raid on the story of you-know-who is commendable or shocking is probably a question of personal taste, but in an admittedly perverse way the film honours that story better than some authorised adaptations.
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