"I must have played this album a billion times. They're like a combination of some 70s cop movies from America with Animal from The Muppets playing drums. The drums on it are insane. It's just so distorted. I'd never heard drums like that on a record before. It's just that combination of things which should not work and things which not be regarded as being in good taste. The brass section is almost marching music and it's almost an anti-rock record, but you can't help but love it. Our friend Sam Dook plays guitar in the live band and we went to see them last time they played, at the Concorde in Brighton, and we got to meet yer man who was very gracious and really nice. I felt almost apologetic telling him how much I liked their debut album because I get so fed up with people telling me that they think Pink Flag is the best thing since sliced bread. I apologised to him as I said it, you know. Sometimes if you're a known person and you turn up to see someone live it can seem like you're just going along because we're all pals in show business and all that crap. I wanted to show him that I knew the music and I was really a fan. I played that record to death."

"I’m thinking a lot about both of my parents during this. They were both very ill with Coronavirus, and my dad recently passed away. My parents weren’t really into music, except that everyone bought LPs then because, well, you just did. There was nothing unusual about their taste; The Beatles, Sky and Elkie Brooks for my Dad; Cliff for my mum. A few years back, they wanted to be rid of their records; they had no use for them. “Don't you want them replaced? Get them on CD?” “No, we don't need them.” So now I’m the custodian of all these records. There is nothing wrong with Cliff Richard. Well, he’s a Tory, but apart from that, I will fight you. I’m Nearly Famous kicks off what I like to call ‘The Magnificent Seven’ series of albums that ends with Now You See Me, Now You Don’t. Together these behemoths of art redefine the parameters of music and leave a wake of destruction in their path. He can sing in tune AND in time. He is brilliant. There is something so welcoming about the sound of these records. It’s a period of high-end ‘fabuloso’ production, where everything is exquisite and perfectly placed. These albums sound like Patrick Bateman’s apartment in American Psycho. This album includes ‘Miss You Nights’. There are better songs, but humans haven't heard them."