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Kristy H (1252 KP) rated The Dark Lake in Books
Dec 24, 2017 (Updated Dec 24, 2017)
intriguing (2 more)
compelling
surprising
Rosalind Ryan, a popular yet mysterious teacher, is found dead by the local lake. She's been murdered, her body left floating with red roses surrounding her. Detective Sergeant Gemma Woodstock and her partner, Felix, are called in to investigate Rosalind's case. Nothing about Rosalind adds up--everyone seemed to like her, but no one really knew her. She lived in a cheap apartment, but clearly had expensive taste in wine and makeup. She was the youngest of four, with three brothers, one of with whom she'd quarreled recently. Her father, George, is ill and runs a large business conglomerate in Australia, yet seemed to adore his inscrutable daughter. As for Gemma, she has memories of Rosalind from their time together in high school, when the beautiful Rose seemed enigmatic even then. Gemma and Felix have their hands full, focusing on Rosalind's co-workers, students, family, and more. Who is responsible for the death of this lovely teacher?
This is an intriguing and compelling two part mystery, with the present-day case focusing on Rosalind, combined with flashes to Gemma's past, focusing on her history with her former boyfriend Jacob, who died as a teen. The majority of our story is told from Gemma's present-day point of view, but we get a few key snippets from the townspeople and occasionally Gemma's point of view flashes to the past.
I really liked Gemma as a narrator. The intersection of the case with her past was extremely well-done. I read some reviews where the readers didn't care for Gemma, but that wasn't the case for me, though I could understand, as the story wore on, how they came to that point of view. She doesn't always make the right decisions, and I'm intrigued to see what she'll be like in the next novel (Goodreads tell me this is the first book in the series). But for me, I identified with her in many ways and, because she was so well-written, really enjoyed the story from her point of view, even if I didn't always agree with her actions. It was also great to get to see a character dealing with the challenges of being female and a mother in a small police force--in a small town no less--in what seemed to be, overall, a fairly realistic fashion.
The story itself is great. There are several twists that really got me, so major kudos to Bailey. I read a lot of thrillers, and it's not always easy to surprise me! For a huge portion of this book, I had *no idea* where this was going to go, or who killed Rosalind. Several times I found myself genuinely shocked by the happenings and was completely enthralled by the story and Bailey's characters. (I also can't believe this is a debut novel - wow.) She does an excellent job at creating tension in the story and the characters, slowing unfurling plot points and details as we go along. This novel is truly a puzzle, the pieces fitting into place as we go along, and putting them together is a joy. It is so well-done and Bailey's weaving together the past and the present is excellent. I wound up really liking Gemma, and her boss Jonesy, and I'm quite excited this is a series. I can't wait to see where Bailey takes us (and Gemma) next. 4.5 stars.
This is an intriguing and compelling two part mystery, with the present-day case focusing on Rosalind, combined with flashes to Gemma's past, focusing on her history with her former boyfriend Jacob, who died as a teen. The majority of our story is told from Gemma's present-day point of view, but we get a few key snippets from the townspeople and occasionally Gemma's point of view flashes to the past.
I really liked Gemma as a narrator. The intersection of the case with her past was extremely well-done. I read some reviews where the readers didn't care for Gemma, but that wasn't the case for me, though I could understand, as the story wore on, how they came to that point of view. She doesn't always make the right decisions, and I'm intrigued to see what she'll be like in the next novel (Goodreads tell me this is the first book in the series). But for me, I identified with her in many ways and, because she was so well-written, really enjoyed the story from her point of view, even if I didn't always agree with her actions. It was also great to get to see a character dealing with the challenges of being female and a mother in a small police force--in a small town no less--in what seemed to be, overall, a fairly realistic fashion.
The story itself is great. There are several twists that really got me, so major kudos to Bailey. I read a lot of thrillers, and it's not always easy to surprise me! For a huge portion of this book, I had *no idea* where this was going to go, or who killed Rosalind. Several times I found myself genuinely shocked by the happenings and was completely enthralled by the story and Bailey's characters. (I also can't believe this is a debut novel - wow.) She does an excellent job at creating tension in the story and the characters, slowing unfurling plot points and details as we go along. This novel is truly a puzzle, the pieces fitting into place as we go along, and putting them together is a joy. It is so well-done and Bailey's weaving together the past and the present is excellent. I wound up really liking Gemma, and her boss Jonesy, and I'm quite excited this is a series. I can't wait to see where Bailey takes us (and Gemma) next. 4.5 stars.
Debbiereadsbook (1647 KP) rated The Victorian (Lavender Shores #9) in Books
Feb 4, 2019
totally surprised by this one! Loved it!
This is book 9 in the Lavender Shores series and I *think* Seth pops up in every one! You don't need to have read the other books, before this one, but I think you should. They are all 4 and 5 star reads from me, bar one.
We met Seth right at the beginning of book one, The Palisade. I thought it was chapter one, but it is in chapter two he makes his first appearance. I am SOOOOOOOOOOOOO glad he got his own story, he deserved it!
Seth runs the B and B and Charley has a restaurant in town. They have history, a deep sated hatred of each other that Seth knows not from whence it came. Charley does though. When they are thrown together for a food and drink festival, sparks fly. But sparks is far too tame a word for what Seth and Charley begin to feel for each other. Each man has his demons, and those demons need banishing before they can admit who they really want.
There is an . . . incident . . . at the beginning, though, before all of this and I'm not saying what. It's kinda thrown at them by someone else and I think it was a bit unfair. It does, however, give Seth and Charley a taste of what could be between them, should they want. And they DO want, that much is obvious, even with the tempers between them!
So much passion between these two, it jumps off the page right from that incident (but again, far too tame a word for what happens!) Not just the anger between, or rather from Charley, but the connection that keeps pulling them together. And when Seth sees Charley, I mean really SEES why Charley is so angry all the time? Oh! Seth is just . . ..oh!
I cried a lot for these two. I wasn't expecting any of this, because there was no indication that this was coming! Or at least, I never picked up on it! There was not a single point along the way, in any of the other 8 books, that I can pick up and say ""oh yeah, that story is gonna be good!" And I was going to comment that this was a negative, but actually, I'm GLAD I did not see this one coming, I really am. I'm GLAD I did not see Seth's story unfolding because it might have taken away the surprise out of this story and it's the SURPRISE part that MAKES this book!
So many surprises, and I'm not pointing them out cos of spoilers, but I did NOT see any of them coming at me, and I am so freaking glad I didn't!
There is another story planned, I believe, about the instigator of that *Incident * I don't want to be too hard on him, because he really did think he was helping, but I truly hope he is sorry for the way he went about it, rather than what he did.
This book carries some darker moments, both for Seth and Charley and some readers may find it difficult. I did, because they both have difficult pasts.
But so bloody good! I read it in one sitting, after 6 days straight at work, two back to back 14 hour shifts, starting it at 10pm and did not stop til I ran out of book! And it ain't a short one either, some 330 pages!
So, 5 bloody amazing stars!
**same worded review will appear elsewhere**
We met Seth right at the beginning of book one, The Palisade. I thought it was chapter one, but it is in chapter two he makes his first appearance. I am SOOOOOOOOOOOOO glad he got his own story, he deserved it!
Seth runs the B and B and Charley has a restaurant in town. They have history, a deep sated hatred of each other that Seth knows not from whence it came. Charley does though. When they are thrown together for a food and drink festival, sparks fly. But sparks is far too tame a word for what Seth and Charley begin to feel for each other. Each man has his demons, and those demons need banishing before they can admit who they really want.
There is an . . . incident . . . at the beginning, though, before all of this and I'm not saying what. It's kinda thrown at them by someone else and I think it was a bit unfair. It does, however, give Seth and Charley a taste of what could be between them, should they want. And they DO want, that much is obvious, even with the tempers between them!
So much passion between these two, it jumps off the page right from that incident (but again, far too tame a word for what happens!) Not just the anger between, or rather from Charley, but the connection that keeps pulling them together. And when Seth sees Charley, I mean really SEES why Charley is so angry all the time? Oh! Seth is just . . ..oh!
I cried a lot for these two. I wasn't expecting any of this, because there was no indication that this was coming! Or at least, I never picked up on it! There was not a single point along the way, in any of the other 8 books, that I can pick up and say ""oh yeah, that story is gonna be good!" And I was going to comment that this was a negative, but actually, I'm GLAD I did not see this one coming, I really am. I'm GLAD I did not see Seth's story unfolding because it might have taken away the surprise out of this story and it's the SURPRISE part that MAKES this book!
So many surprises, and I'm not pointing them out cos of spoilers, but I did NOT see any of them coming at me, and I am so freaking glad I didn't!
There is another story planned, I believe, about the instigator of that *Incident * I don't want to be too hard on him, because he really did think he was helping, but I truly hope he is sorry for the way he went about it, rather than what he did.
This book carries some darker moments, both for Seth and Charley and some readers may find it difficult. I did, because they both have difficult pasts.
But so bloody good! I read it in one sitting, after 6 days straight at work, two back to back 14 hour shifts, starting it at 10pm and did not stop til I ran out of book! And it ain't a short one either, some 330 pages!
So, 5 bloody amazing stars!
**same worded review will appear elsewhere**
Movie Metropolis (309 KP) rated Kong: Skull Island (2017) in Movies
Jun 10, 2019
Beauty and the Beast
The fact that Legendary Pictures are busying themselves with an epic Godzilla vs King Kong showdown is one of the worst kept secrets in Hollywood. Naturally, this presented a problem for Peter Jackson’s Kong who simply doesn’t measure up against the giant lizard in 2013’s Godzilla.
And in Hollywood, size really does matter; therefore the monstrous ape has been given a monumental upgrade featuring an all-star cast and some serious talent behind the camera. But is Kong: Skull Island as bananas as its trailers would suggest? Or are we looking at something a little more mainstream?
At the climax of the Vietnam War, a team of explorers and mercenaries head to an unchartered island in the South Pacific in an effort to document its inhabitants. Little do they know they are crossing into the domain of vicious man-eating monsters and the legendary Kong.
With a cast that includes Tom Hiddleston, Brie Larson, John Goodman, Samuel L Jackson and John C Reilly, you’d be forgiven for thinking everything is hunky dory over on Skull Island, but this spectacular film isn’t without its flaws. A lack of character development and a severe tonal imbalance mean it’s a beautiful near miss that thankfully manages to pull itself up from a crash landing.
Jordan Vogt-Roberts in his first big budget feature directs a film that is absolutely staggering to watch, with stunning cinematography and exceptionally well-choreographed battles between the gigantic ape and his many adversaries. Giving indie directors the chance to work with big studios to produce blockbusters is something that seems incredibly popular at the moment.
After all, Gareth Edwards took up the challenge of rebooting Godzilla in 2013 with stunning results and Colin Trevorrow was entrusted by Steven Spielberg to rekindle the public’s love affair with Jurassic Park back in 2015 and that worked a treat too.
Here, Vogt-Roberts utilises both of those franchises to great effect, even managing to shoehorn a tasteful reference to Samuel L Jackson’s Jurassic Park character, Ray Arnold. Elsewhere, though, the film falls a little flat. The constant switch in tone from comedy to action leaves a sour taste in the mouth, though John C Reilly’s stranded pilot is a pleasure to watch and lightens up proceedings.
Tom Hiddleston does well in the leading role, though as an SAS operative, he feels a little miscast and Samuel L Jackson’s Preston Packard is immensely dislikeable and his gripe with Kong is forced. It creates a subplot that doesn’t really need to be there.
The special effects, however, are top notch, helped by the splendid cinematography. The gorgeous sunsets and sweeping tropical landscapes have a whiff of Apocalypse Now and the misty terrain brings back memories of Jurassic Park’s first sequel, The Lost World.
Overall, Kong: Skull Island is a stunning film filled to the brim with colour, charming effects and great performances. However, it is a little light on character development and that tone issue is frustrating at times, but as a precursor to a mighty monster battle, it does a fine job in continuing the franchise and setting its future.
Leaving the cinema, though, I was left with a concern for when the two behemoths, Godzilla and Kong, finally meet. Each film has given their respective creature a ‘personality’, and if one of them must inevitably die, who on earth do you choose to perish?
https://moviemetropolis.net/2017/03/10/beauty-and-the-beast-kong-skull-island-review/
And in Hollywood, size really does matter; therefore the monstrous ape has been given a monumental upgrade featuring an all-star cast and some serious talent behind the camera. But is Kong: Skull Island as bananas as its trailers would suggest? Or are we looking at something a little more mainstream?
At the climax of the Vietnam War, a team of explorers and mercenaries head to an unchartered island in the South Pacific in an effort to document its inhabitants. Little do they know they are crossing into the domain of vicious man-eating monsters and the legendary Kong.
With a cast that includes Tom Hiddleston, Brie Larson, John Goodman, Samuel L Jackson and John C Reilly, you’d be forgiven for thinking everything is hunky dory over on Skull Island, but this spectacular film isn’t without its flaws. A lack of character development and a severe tonal imbalance mean it’s a beautiful near miss that thankfully manages to pull itself up from a crash landing.
Jordan Vogt-Roberts in his first big budget feature directs a film that is absolutely staggering to watch, with stunning cinematography and exceptionally well-choreographed battles between the gigantic ape and his many adversaries. Giving indie directors the chance to work with big studios to produce blockbusters is something that seems incredibly popular at the moment.
After all, Gareth Edwards took up the challenge of rebooting Godzilla in 2013 with stunning results and Colin Trevorrow was entrusted by Steven Spielberg to rekindle the public’s love affair with Jurassic Park back in 2015 and that worked a treat too.
Here, Vogt-Roberts utilises both of those franchises to great effect, even managing to shoehorn a tasteful reference to Samuel L Jackson’s Jurassic Park character, Ray Arnold. Elsewhere, though, the film falls a little flat. The constant switch in tone from comedy to action leaves a sour taste in the mouth, though John C Reilly’s stranded pilot is a pleasure to watch and lightens up proceedings.
Tom Hiddleston does well in the leading role, though as an SAS operative, he feels a little miscast and Samuel L Jackson’s Preston Packard is immensely dislikeable and his gripe with Kong is forced. It creates a subplot that doesn’t really need to be there.
The special effects, however, are top notch, helped by the splendid cinematography. The gorgeous sunsets and sweeping tropical landscapes have a whiff of Apocalypse Now and the misty terrain brings back memories of Jurassic Park’s first sequel, The Lost World.
Overall, Kong: Skull Island is a stunning film filled to the brim with colour, charming effects and great performances. However, it is a little light on character development and that tone issue is frustrating at times, but as a precursor to a mighty monster battle, it does a fine job in continuing the franchise and setting its future.
Leaving the cinema, though, I was left with a concern for when the two behemoths, Godzilla and Kong, finally meet. Each film has given their respective creature a ‘personality’, and if one of them must inevitably die, who on earth do you choose to perish?
https://moviemetropolis.net/2017/03/10/beauty-and-the-beast-kong-skull-island-review/
Movie Metropolis (309 KP) rated Passengers (2016) in Movies
Jun 11, 2019
Titanic in the Sky
Chris Pratt and Jennifer Lawrence are two of the world’s most bankable stars. What with Pratt helping to resurrect prehistoric franchises like Jurassic Park and Lawrence turning The Hunger Games series into one of the biggest ever, it seems they are the people Hollywood wants to work with, right here, right now.
It was inevitable they’d team up together at some point, though director Mortem Tyldum’s (The Imitation Game) sci-fi flick Passengers perhaps isn’t what their fan-bases had in mind. But do the pair sizzle together as much as they do apart?
On a routine journey through space to a new home, two passengers, sleeping in suspended animation, are awakened 90 years too early when their ship malfunctions. As Jim (Pratt) and Aurora (Lawrence) face living the rest of their lives on board, with every luxury they could ever ask for, they begin to fall for each other, unable to deny their intense attraction until they discover the ship is in grave danger. With the lives of 5,000 sleeping passengers at stake, only Jim and Aurora can save them all.
Adding to the ever expanding sci-fi universe, Passengers is a slickly directed and engrossing film with a coat of varnish like no other movie this year. It certainly looks the part, though it’s probably best not to scratch beneath the surface of this Titanic in the sky, as much like the Starship Avalon on which our unlucky duo are stranded on, there’s not much going on underneath.
Pratt and Lawrence thankfully have an intense chemistry together, and that’s a good thing considering they are, by and large, the only two characters throughout. Propping up a 2 hour film is no easy feat and its testament to their talents that they are able to do so. Sure, their dialogue is a little cheesy, but they’re likeable enough to warrant a pardon this time around.
Elsewhere, Michael Sheen comes close to stealing the show as an enthusiastic android bartender, providing yet another great droid to add to the genre’s roster. Alan Tudyk from last week’s Rogue One also showed how deep these mechanical characters can be.
The special effects are on the whole very good, though there are a few instances of CGI that don’t quite hit the spot. The Avalon itself however is fantastically realised and scenes like the much-marketed swimming pool gravity loss are stunning to watch, all the while helped by Pratt and Lawrence’s brilliant acting skills.
There is one big problem however. The story. There are numerous elements to the plot that aren’t mentioned in the trailer, so I won’t spoil them for you here, but Passengers has seriously miscalculated a couple of elements to Pratt and Lawrence’s relationship – with a sudden third act tonal shift leaving a sour taste in the mouth.
Luckily, these flaws don’t detract from what is a thrilling rollercoaster from start to finish. Whilst it may not be as deep and meaningful as Ridley Scott’s The Martian, Passengers has an immersive quality – it’s like being on-board the Avalon, and with Chris Pratt and Jennifer Lawrence keeping us company, who can blame us for going along for the ride.
https://moviemetropolis.net/2016/12/22/titanic-in-the-sky-passengers-review/
It was inevitable they’d team up together at some point, though director Mortem Tyldum’s (The Imitation Game) sci-fi flick Passengers perhaps isn’t what their fan-bases had in mind. But do the pair sizzle together as much as they do apart?
On a routine journey through space to a new home, two passengers, sleeping in suspended animation, are awakened 90 years too early when their ship malfunctions. As Jim (Pratt) and Aurora (Lawrence) face living the rest of their lives on board, with every luxury they could ever ask for, they begin to fall for each other, unable to deny their intense attraction until they discover the ship is in grave danger. With the lives of 5,000 sleeping passengers at stake, only Jim and Aurora can save them all.
Adding to the ever expanding sci-fi universe, Passengers is a slickly directed and engrossing film with a coat of varnish like no other movie this year. It certainly looks the part, though it’s probably best not to scratch beneath the surface of this Titanic in the sky, as much like the Starship Avalon on which our unlucky duo are stranded on, there’s not much going on underneath.
Pratt and Lawrence thankfully have an intense chemistry together, and that’s a good thing considering they are, by and large, the only two characters throughout. Propping up a 2 hour film is no easy feat and its testament to their talents that they are able to do so. Sure, their dialogue is a little cheesy, but they’re likeable enough to warrant a pardon this time around.
Elsewhere, Michael Sheen comes close to stealing the show as an enthusiastic android bartender, providing yet another great droid to add to the genre’s roster. Alan Tudyk from last week’s Rogue One also showed how deep these mechanical characters can be.
The special effects are on the whole very good, though there are a few instances of CGI that don’t quite hit the spot. The Avalon itself however is fantastically realised and scenes like the much-marketed swimming pool gravity loss are stunning to watch, all the while helped by Pratt and Lawrence’s brilliant acting skills.
There is one big problem however. The story. There are numerous elements to the plot that aren’t mentioned in the trailer, so I won’t spoil them for you here, but Passengers has seriously miscalculated a couple of elements to Pratt and Lawrence’s relationship – with a sudden third act tonal shift leaving a sour taste in the mouth.
Luckily, these flaws don’t detract from what is a thrilling rollercoaster from start to finish. Whilst it may not be as deep and meaningful as Ridley Scott’s The Martian, Passengers has an immersive quality – it’s like being on-board the Avalon, and with Chris Pratt and Jennifer Lawrence keeping us company, who can blame us for going along for the ride.
https://moviemetropolis.net/2016/12/22/titanic-in-the-sky-passengers-review/
Zuky the BookBum (15 KP) rated Behind Closed Doors in Books
Mar 15, 2018
Also find my review here: http://bit.ly/28KzCFf
<b><i>Fear," he whispered. "There is nothing quite like it. I love how it looks, I love how it feels, I love how it smells. And I especially love the sound of it." I felt his tongue on my cheek. "I even love the taste of it.</i></b>
Welcome to Jack and Grace's perfect life and perfect marriage. Jack's an amazing, handsome and successful lawyer for battered woman and Grace is the gorgeous put-together house wife... or so it seems. But what if Grace were to tell she wasn't a house wife, she was in fact a prisoner locked up by her own husband who craves nothing more than seeing and feeling another person's fear? Would you believe her?
I loved all the twists and turns and edge of the seat moments within this novel. It was an excellent thriller that Im sure thousands have and will continue to enjoy. Im definitely going to keep my eyes peeled for any more novels from Paris as I loved her style of writing and felt her story telling flowed perfectly.
The characters were very well developed and you really got a good insight into their lives, thoughts and feelings. Paris did an excellent job at making two very unique characters. Without trying to give too much away, Jack is a very different kind of sadistic captor. Hes so terrifying because he could definitely be real. He could be your neighbour, your boss, your friend even. Hes just a seemingly normal guy but what lies underneath is far from normal.
Grace can be a little stupid and doesnt often act quick enough, its no use for her to try anyway as Jack is always one step ahead. Shes trapped and she knows it, therefore shes an interesting character to see progress through the novel as we see her seemingly give up against her captor, but really, underneath, shes cunning and planning the whole time.
If it wasnt for the fact that you could easily guess how this was going to end once the idea was placed in front of you, it might have even got a 5 star rating. Though the end was predictable there was still some element of shock to it, especially the last heart breaking / lifting scene. <spoiler>The final scene shared between Grace and Esther was such a wonderful way to end this book, it rounded this book off so well. The perfect ending!</spoiler>
The weird thing is, the whole time I read this I thought how far fetched and silly it was, though I was enjoying it, but when you think about it, its not <i>that</i> far fetched. You hear all these terrible stories about women kidnapped and held against their will who are given the freedom to go outside but theyre so paralysed by fear of what could happen, they never say a thing to anyone. Jaycee Lee Dugard, for example, was kidnapped and kept hidden for 18 years! Keeping someone captive isnt that uncommon and Im sure there are actually some terrified women out there that are living a life something very similar to this. So when you put it into that perspective this becomes a very chilling horror story rather than just a fast paced thriller.
<b><i>Fear," he whispered. "There is nothing quite like it. I love how it looks, I love how it feels, I love how it smells. And I especially love the sound of it." I felt his tongue on my cheek. "I even love the taste of it.</i></b>
Welcome to Jack and Grace's perfect life and perfect marriage. Jack's an amazing, handsome and successful lawyer for battered woman and Grace is the gorgeous put-together house wife... or so it seems. But what if Grace were to tell she wasn't a house wife, she was in fact a prisoner locked up by her own husband who craves nothing more than seeing and feeling another person's fear? Would you believe her?
I loved all the twists and turns and edge of the seat moments within this novel. It was an excellent thriller that Im sure thousands have and will continue to enjoy. Im definitely going to keep my eyes peeled for any more novels from Paris as I loved her style of writing and felt her story telling flowed perfectly.
The characters were very well developed and you really got a good insight into their lives, thoughts and feelings. Paris did an excellent job at making two very unique characters. Without trying to give too much away, Jack is a very different kind of sadistic captor. Hes so terrifying because he could definitely be real. He could be your neighbour, your boss, your friend even. Hes just a seemingly normal guy but what lies underneath is far from normal.
Grace can be a little stupid and doesnt often act quick enough, its no use for her to try anyway as Jack is always one step ahead. Shes trapped and she knows it, therefore shes an interesting character to see progress through the novel as we see her seemingly give up against her captor, but really, underneath, shes cunning and planning the whole time.
If it wasnt for the fact that you could easily guess how this was going to end once the idea was placed in front of you, it might have even got a 5 star rating. Though the end was predictable there was still some element of shock to it, especially the last heart breaking / lifting scene. <spoiler>The final scene shared between Grace and Esther was such a wonderful way to end this book, it rounded this book off so well. The perfect ending!</spoiler>
The weird thing is, the whole time I read this I thought how far fetched and silly it was, though I was enjoying it, but when you think about it, its not <i>that</i> far fetched. You hear all these terrible stories about women kidnapped and held against their will who are given the freedom to go outside but theyre so paralysed by fear of what could happen, they never say a thing to anyone. Jaycee Lee Dugard, for example, was kidnapped and kept hidden for 18 years! Keeping someone captive isnt that uncommon and Im sure there are actually some terrified women out there that are living a life something very similar to this. So when you put it into that perspective this becomes a very chilling horror story rather than just a fast paced thriller.
Heather Cranmer (2721 KP) rated As Dead As It Gets (Bad Girls Don't Die, #3) in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
If you've read my reviews on the first two books in this series, you will know my love affair with the Bad Girls Don't Die series. Katie Alender has fast become one of my top three favourite authors. I loved As Dead As It Gets as much as the first two which is saying something as usually most sequels fail to get my love.
Alexis is back in the next installment of Bad Girls Don't Die. This time girls start going missing and Alexis is also being attacked. Alexis discovers that something supernatural is going on. Will Alexis be able to find the missing girls or will Alexis become a ghost herself?
I think the title of this book suits more of the series than the actual book itself. I mean, yes it also suits the book, but it suits the series better. I like how Katie Alender has stuck with titles that seem to blend into one another.
If you've read my reviews of the other two books in the series, you will see how I feel about the covers. I think the cover is gorgeous, but I just wish there was something more to the cover. I think the girl in the cover is either supposed to be Alexis or a ghost featured in this book.
Katie Alender does a fantastic job in the world building and setting in each of her books, and this book is no different. Alender made Alexis' surroundings come to life in great detail. It's quite easy to actual feel as if you are part of Alexis' world.
As always, the pacing of this Katie Alender title is perfect. It's not too slow nor is it too fast. The story flows very well. I ended up devouring all three books in this series, not literally though as paper doesn't taste too good, lol. As Dead As It Gets is such an easy read to immerse yourself in.
The dialogue and wording are easy to understand. All the teenage characters actually sound like teens. The words seem to just flow into one another. I didn't come across any swearing either.
The characters are all well developed as with the other two titles in the series. Alexis is a bit more paranoid in this book, and I also found that she's a bit of a pushover when it comes to Jared. I constantly wanted to yell at her to just leave Jared!! Jared comes across as being the controlling boyfriend type. I really couldn't stand him because of the way he was treating Alexis. My favourite character in this book was Lydia. I loved her sarcasm and humour. We really get to see a lot more of Lydia in this novel, and her personality shines through.
I can't tell you how much I enjoyed this book. It is so good!! I'm hoping this isn't the end of the Bad Girls Don't Die series. If it is, I might have to beg Katie Alender to keep writing more of this series as it is so good!
I'd recommend this book to everyone aged 13+.
If you've read my reviews on the first two books in this series, you will know my love affair with the Bad Girls Don't Die series. Katie Alender has fast become one of my top three favourite authors. I loved As Dead As It Gets as much as the first two which is saying something as usually most sequels fail to get my love.
Alexis is back in the next installment of Bad Girls Don't Die. This time girls start going missing and Alexis is also being attacked. Alexis discovers that something supernatural is going on. Will Alexis be able to find the missing girls or will Alexis become a ghost herself?
I think the title of this book suits more of the series than the actual book itself. I mean, yes it also suits the book, but it suits the series better. I like how Katie Alender has stuck with titles that seem to blend into one another.
If you've read my reviews of the other two books in the series, you will see how I feel about the covers. I think the cover is gorgeous, but I just wish there was something more to the cover. I think the girl in the cover is either supposed to be Alexis or a ghost featured in this book.
Katie Alender does a fantastic job in the world building and setting in each of her books, and this book is no different. Alender made Alexis' surroundings come to life in great detail. It's quite easy to actual feel as if you are part of Alexis' world.
As always, the pacing of this Katie Alender title is perfect. It's not too slow nor is it too fast. The story flows very well. I ended up devouring all three books in this series, not literally though as paper doesn't taste too good, lol. As Dead As It Gets is such an easy read to immerse yourself in.
The dialogue and wording are easy to understand. All the teenage characters actually sound like teens. The words seem to just flow into one another. I didn't come across any swearing either.
The characters are all well developed as with the other two titles in the series. Alexis is a bit more paranoid in this book, and I also found that she's a bit of a pushover when it comes to Jared. I constantly wanted to yell at her to just leave Jared!! Jared comes across as being the controlling boyfriend type. I really couldn't stand him because of the way he was treating Alexis. My favourite character in this book was Lydia. I loved her sarcasm and humour. We really get to see a lot more of Lydia in this novel, and her personality shines through.
I can't tell you how much I enjoyed this book. It is so good!! I'm hoping this isn't the end of the Bad Girls Don't Die series. If it is, I might have to beg Katie Alender to keep writing more of this series as it is so good!
I'd recommend this book to everyone aged 13+.
Hazel (1853 KP) rated One of us is Lying in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Inspired by <i>The Breakfast Club</i>, Karen M. McManus has set the stakes high with her debut novel <i>One of Us is Lying</i>. Taking typical young adult themes and adding a mix of mystery has resulted in a gripping book that intrigues as well as entertains the reader.
Five high school students find themselves in afterschool detention, but only four of them leave alive. Simon Kelleher suffers a fatal allergic reaction after drinking from a cup laced with peanut oil. It is clear that someone intentionally caused Simon’s death, but who, and why? The remaining four students are the immediate suspects, but they all claim to have nothing to do with it.
The main characters are all walking teen movie stereotypes. Bronwyn is a typical geek, getting high marks in all her exams. Cooper, the jock, is destined to become an exceptional baseball player. “Princess” Addy is perfect and popular, looking down on anyone who does not fit in with her social group. And then there is Nate, the drug dealer who is currently on probation for his reckless and capricious behaviour. Naturally, it is Nate that is the most suspect, but as certain secrets come to light, the others begin to look just as guilty.
Simon was known for his gossip app that revealed shaming secrets of students at Bayview High. As the police investigation begins, it is discovered that the four suspects were due to have their failings exposed in the next app update, thus giving them each a motive. However, the four are adamant that they were not involved and are desperate to clear their name. So, simultaneously with the police inquiry, the Bayview Four dedicate their time to unearthing the real culprit.
As the four unlikely friends become closer, romance blossoms and personalities alter, leaving no one unchanged. Gone are the original stereotypes. Despite upsetting circumstances, Bronwyn, Cooper, Addy and Nate are given the chance to discover who they truly are, and not just what society labels them. Putting aside the potential ruination of their futures, Simon’s death has serendipitous results for the suspects, or rather, the victims.
Nothing is given away during the narrative until the closing paragraphs, leaving readers guessing all the way through. Admittedly, I did entertain the thought of true culprit toward the beginning of the story, but McManus throws in so many red herrings and possible motives that the main suspect is constantly changing.
Dealing with themes of drugs, alcoholism, suicide and homosexuality,<i> One of Us is Lying</i> covers far more than a general murder mystery story. Some authors forget about the characters’ lives, only focusing on the plot at hand, however, McManus was far more detailed in the backgrounds of the four students, making it possible to understand and sympathise with each character.
<i>One of Us is Lying</i> shows how unfair the justice system can be, and although the saying is “innocent until proven guilty”, it is not often easy when every little move is judged and analysed by the police.
With a satisfying ending, Karen M. McManus’ introduction to the literary world is a significant taste of potential works to come. With a deep insight into young adult minds, McManus successfully connects with the reader, drawing them into a world that is hard to shake off. <i>One of Us is Lying</i> is definitely a book to look out for.
Inspired by <i>The Breakfast Club</i>, Karen M. McManus has set the stakes high with her debut novel <i>One of Us is Lying</i>. Taking typical young adult themes and adding a mix of mystery has resulted in a gripping book that intrigues as well as entertains the reader.
Five high school students find themselves in afterschool detention, but only four of them leave alive. Simon Kelleher suffers a fatal allergic reaction after drinking from a cup laced with peanut oil. It is clear that someone intentionally caused Simon’s death, but who, and why? The remaining four students are the immediate suspects, but they all claim to have nothing to do with it.
The main characters are all walking teen movie stereotypes. Bronwyn is a typical geek, getting high marks in all her exams. Cooper, the jock, is destined to become an exceptional baseball player. “Princess” Addy is perfect and popular, looking down on anyone who does not fit in with her social group. And then there is Nate, the drug dealer who is currently on probation for his reckless and capricious behaviour. Naturally, it is Nate that is the most suspect, but as certain secrets come to light, the others begin to look just as guilty.
Simon was known for his gossip app that revealed shaming secrets of students at Bayview High. As the police investigation begins, it is discovered that the four suspects were due to have their failings exposed in the next app update, thus giving them each a motive. However, the four are adamant that they were not involved and are desperate to clear their name. So, simultaneously with the police inquiry, the Bayview Four dedicate their time to unearthing the real culprit.
As the four unlikely friends become closer, romance blossoms and personalities alter, leaving no one unchanged. Gone are the original stereotypes. Despite upsetting circumstances, Bronwyn, Cooper, Addy and Nate are given the chance to discover who they truly are, and not just what society labels them. Putting aside the potential ruination of their futures, Simon’s death has serendipitous results for the suspects, or rather, the victims.
Nothing is given away during the narrative until the closing paragraphs, leaving readers guessing all the way through. Admittedly, I did entertain the thought of true culprit toward the beginning of the story, but McManus throws in so many red herrings and possible motives that the main suspect is constantly changing.
Dealing with themes of drugs, alcoholism, suicide and homosexuality,<i> One of Us is Lying</i> covers far more than a general murder mystery story. Some authors forget about the characters’ lives, only focusing on the plot at hand, however, McManus was far more detailed in the backgrounds of the four students, making it possible to understand and sympathise with each character.
<i>One of Us is Lying</i> shows how unfair the justice system can be, and although the saying is “innocent until proven guilty”, it is not often easy when every little move is judged and analysed by the police.
With a satisfying ending, Karen M. McManus’ introduction to the literary world is a significant taste of potential works to come. With a deep insight into young adult minds, McManus successfully connects with the reader, drawing them into a world that is hard to shake off. <i>One of Us is Lying</i> is definitely a book to look out for.
My rating 3.5
<i>I received this book for free through Goodreads First Reads.</i>
Written by the English Pen Award winner Laia Jufresa (and excellently translated by Sophie Hughes) <i>Umami</i> is a story of the troubled lives of a small community in Mexico as they go through various stages of grief. What this story reveals is that everyone deals with heartache in his or her own personal way, however the things they do can affect everyone around them.
Set in Belldrop Mews, Mexico City, five characters give an account of their own experiences over a five-year period, which when combined together produce an overview of life within the mews. Firstly there is Ana (2004), a preteen determined to plant her own garden in the depressing back yard of her family home. Despite her steps to do something positive, she and her family are still mourning the death of her little sister Luz who drowned a few years ago. The second perspective comes from Marina Mendoza (2003), a young adult artist suffering from an eating disorder whilst dealing with memories of her childhood.
Alfonso, the aging owner of the mews, begins his story in 2002 a couple of years after the death of his wife. Previously he was an anthropologist obsessed with the concept of <i>umami</i>, a Japanese word meaning <i>“a savory taste; one of the five basic tastes.”</i> He is an old soul that has fallen into depression, feeling, like Ana, a misfit. The final two narrators are young girls: Pina (2001) who is Ana’s best friend, and Luz (2000), Ana’s five year old sister shortly before she died. Both speak of loneliness as they look at the world through childishly naïve eyes. Pina is suffering the effects of her parents’ constant fighting, whereas Luz is crying out for attention from her family who will not let her join in the “big girl” activities.
<i>Umami</i> may not be a happy book but it has a very powerful voice. None of the characters have yet completely recovered from their experiences however they are all (barring Luz) making positive progress. Without knowing it, each member of the Belldrop Mews community is encouraging the rest as they drag themselves out from the depths of their despair – some by aspiring to be like another, and others listening to what their neighbours are telling them.
The message of this story is about the benefits of a community. Whether big or small, being within a group of people can prevent you from wallowing in your dark feelings and begin to continue with your life instead. This is something that the world at large would profit from.
The unconventional style of <i>Umami</i> may not be agreeable with some readers due to its lack of a clear beginning, middle and end. In fact it does not have a conclusion at all, leaving nothing fully resolved. Yet Jufresa did not intend it to end “happily ever after,” real life is not like that; but what is true is that with time and exposure to positive relationships things can get better.
The aspect preventing a higher rating is the occasional allusion to sexual content, especially from the mouths of girls too young to fully understand the concept. This was uncomfortable to read, however thankfully the majority of the novel was free of unpleasant imagery. <i>Umami</i> is down to earth, relatable and moving; Laia Jufresa is definitely an author to watch.
<i>I received this book for free through Goodreads First Reads.</i>
Written by the English Pen Award winner Laia Jufresa (and excellently translated by Sophie Hughes) <i>Umami</i> is a story of the troubled lives of a small community in Mexico as they go through various stages of grief. What this story reveals is that everyone deals with heartache in his or her own personal way, however the things they do can affect everyone around them.
Set in Belldrop Mews, Mexico City, five characters give an account of their own experiences over a five-year period, which when combined together produce an overview of life within the mews. Firstly there is Ana (2004), a preteen determined to plant her own garden in the depressing back yard of her family home. Despite her steps to do something positive, she and her family are still mourning the death of her little sister Luz who drowned a few years ago. The second perspective comes from Marina Mendoza (2003), a young adult artist suffering from an eating disorder whilst dealing with memories of her childhood.
Alfonso, the aging owner of the mews, begins his story in 2002 a couple of years after the death of his wife. Previously he was an anthropologist obsessed with the concept of <i>umami</i>, a Japanese word meaning <i>“a savory taste; one of the five basic tastes.”</i> He is an old soul that has fallen into depression, feeling, like Ana, a misfit. The final two narrators are young girls: Pina (2001) who is Ana’s best friend, and Luz (2000), Ana’s five year old sister shortly before she died. Both speak of loneliness as they look at the world through childishly naïve eyes. Pina is suffering the effects of her parents’ constant fighting, whereas Luz is crying out for attention from her family who will not let her join in the “big girl” activities.
<i>Umami</i> may not be a happy book but it has a very powerful voice. None of the characters have yet completely recovered from their experiences however they are all (barring Luz) making positive progress. Without knowing it, each member of the Belldrop Mews community is encouraging the rest as they drag themselves out from the depths of their despair – some by aspiring to be like another, and others listening to what their neighbours are telling them.
The message of this story is about the benefits of a community. Whether big or small, being within a group of people can prevent you from wallowing in your dark feelings and begin to continue with your life instead. This is something that the world at large would profit from.
The unconventional style of <i>Umami</i> may not be agreeable with some readers due to its lack of a clear beginning, middle and end. In fact it does not have a conclusion at all, leaving nothing fully resolved. Yet Jufresa did not intend it to end “happily ever after,” real life is not like that; but what is true is that with time and exposure to positive relationships things can get better.
The aspect preventing a higher rating is the occasional allusion to sexual content, especially from the mouths of girls too young to fully understand the concept. This was uncomfortable to read, however thankfully the majority of the novel was free of unpleasant imagery. <i>Umami</i> is down to earth, relatable and moving; Laia Jufresa is definitely an author to watch.
Acanthea Grimscythe (300 KP) rated The Toy Thief in Books
Jan 31, 2019
There are few bonds closer than brother and sister, and we learn that first hand in D. W. Gillespie’s The Toy Thief. Best described by author Michael Patrick Hicks as a “coming-of-age story,” The Toy Thief encompasses the childhood of strong-headed, tomboyish Jack and her brother Andy. Together, the two must thwart a darkness that threatens their livelihood and that of other children around them.
In this creative piece, Gillespie takes a different approach to the ‘why’ behind things that go missing from our homes. We’ve all lost socks, batteries, Tupperware, toys, etc., only to have these items turn up later somewhere else or, in some cases, never to be seen again. But what if all those things were actually going somewhere, rather than simply being lost as a byproduct of human irresponsibility? In The Toy Thief, a dark entity swipes toys from children in order to feed off the happiness and positive energy that thrives within those items. Using these items as a way to sustain its own life force, the Toy Thief soon finds itself running out of options for staying alive, and that’s where things truly take a dark turn in this story.
I found the characters in The Toy Thief to be lacking, honestly. Though I am a fan of the non-traditional use of the name Jack for a female character, the characters in this story are a bit too flat for my taste–and this is perhaps where I made the decision to give this book three stars, rather than four. Jack, for all her tomboyish quirks and fiery attitude (at least in her older years), shows little of that in her child years. Andy, on the other hand, seems to lack personality altogether. The father, despite being the only parent in their lives, plays less of a role in the book than the cat, Memphis. Actually, Memphis seems to be the most fleshed out of all the characters, with what felt like the most genuine reactions to many of the ongoing events in the story.
On the other hand, Gillespie’s ability to generate sympathy for a villain–in this case, the Toy Thief itself–is phenomenal. I would be a liar if I said I didn’t feel so badly for the Toy Thief that I nearly cried on several occasions and, if you’re a sucker for bad guys like I am, that alone is a good reason to delve into this book. The emotional connection that Gillespie creates between the reader and the Toy Thief is heartrending and brilliant.
Gillespie’s novel does a wonderful job when it comes to the creep factor. There are times I felt my skin crawl while reading this book, if only because his ability to write of dread is on point. However, when it comes to descriptions of the Toy Thief, I felt like his arsenal ran a little dry. More often than not, the creature was described the same way, using the same words and to me, this was a bit of a put-off.
Overall, The Toy Thief is not a bad book. It’s not the best that I’ve read, but it was enjoyable and I was able to suck it down fairly quickly. I didn’t feel like I was force-feeding it to myself, either and for those that know me, that’s a good thing. I definitely look forward to more of Gillespie’s work in the future.
I received this book from the publisher in exchange for an honest review.
In this creative piece, Gillespie takes a different approach to the ‘why’ behind things that go missing from our homes. We’ve all lost socks, batteries, Tupperware, toys, etc., only to have these items turn up later somewhere else or, in some cases, never to be seen again. But what if all those things were actually going somewhere, rather than simply being lost as a byproduct of human irresponsibility? In The Toy Thief, a dark entity swipes toys from children in order to feed off the happiness and positive energy that thrives within those items. Using these items as a way to sustain its own life force, the Toy Thief soon finds itself running out of options for staying alive, and that’s where things truly take a dark turn in this story.
I found the characters in The Toy Thief to be lacking, honestly. Though I am a fan of the non-traditional use of the name Jack for a female character, the characters in this story are a bit too flat for my taste–and this is perhaps where I made the decision to give this book three stars, rather than four. Jack, for all her tomboyish quirks and fiery attitude (at least in her older years), shows little of that in her child years. Andy, on the other hand, seems to lack personality altogether. The father, despite being the only parent in their lives, plays less of a role in the book than the cat, Memphis. Actually, Memphis seems to be the most fleshed out of all the characters, with what felt like the most genuine reactions to many of the ongoing events in the story.
On the other hand, Gillespie’s ability to generate sympathy for a villain–in this case, the Toy Thief itself–is phenomenal. I would be a liar if I said I didn’t feel so badly for the Toy Thief that I nearly cried on several occasions and, if you’re a sucker for bad guys like I am, that alone is a good reason to delve into this book. The emotional connection that Gillespie creates between the reader and the Toy Thief is heartrending and brilliant.
Gillespie’s novel does a wonderful job when it comes to the creep factor. There are times I felt my skin crawl while reading this book, if only because his ability to write of dread is on point. However, when it comes to descriptions of the Toy Thief, I felt like his arsenal ran a little dry. More often than not, the creature was described the same way, using the same words and to me, this was a bit of a put-off.
Overall, The Toy Thief is not a bad book. It’s not the best that I’ve read, but it was enjoyable and I was able to suck it down fairly quickly. I didn’t feel like I was force-feeding it to myself, either and for those that know me, that’s a good thing. I definitely look forward to more of Gillespie’s work in the future.
I received this book from the publisher in exchange for an honest review.