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Emma @ The Movies (1786 KP) rated Parasite (2019) in Movies
Jan 23, 2020
All I'd been hearing about Parasite was that it was a masterpiece and amazing, so many people were getting to see previews but of course they were all in London. Then Odeon came to the rescue with their Screen Unseen program so I defected from Cineworld for an evening.
The Kim family are desperately trying to make ends meet, their cramped home is uncomfortable and located in one of the shabbiest districts of Seoul. Things take a turn when the son's friend suggests that he takes over his tutoring job for the daughter of a well off family. Ki-woo doesn't have the qualifications but all he needs is to show confidence, he decides to take the job.
Once he gets to the upscale house opportunities start to present themselves and he sees a chance to set his family up with jobs too. Bringing their mother onboard sets in motion something that no one could have seen coming.
I seriously considered not writing a review for this, please excuse me if it seems a little disjointed but I'm still not entirely convinced that I have a proper conclusion.
Coming out of the film I was a little confused, mainly because apart from hearing about it being a masterpiece I had seen people saying it was a horror... IMDb lists it as "comedy, crime, drama", at least I agree with one of those.
The contrast between rich and poor is shown perfectly throughout, from their homes to the human senses expressed, the way it's all represented on screen solidifies the differences between the two families.
In each home environment we also see it, the sleek versus the chaotic, the clean versus the dirty. The Park's designer home is white, open and ordered, the Kim's is claustrophobic, cluttered and busy. The two are illustrated perfectly on each end of the spectrum and the two overlap briefly when the Kim's briefly take over the Park's home.
I thought the acting was good but I wasn't blown away by anything, potentially more of an issue with the script for me as I wasn't keen on some of the character traits that came out. The divide between the two families is obviously something that carries through to their members, but whereas we might expect the rich to be the villains in a story (and yes, they aren't necessarily the best people in the world) it is in fact the poor that are verging on the bad side of things. It does appear that in this instance money is the corrupting influence on the Kims and they get the taste for the high life. All the actors involved are very strong in helping this come across to the audience.
Beyond this set up I wasn't left with the gushing feeling that many, MANY others were. Maybe this just went over my head, I'm the first to admit that when I go to a movie I turn my brain down. Maybe it was more thinking than I'm willing to put into a film. When films touch a lot of different genres I feel like I have some trouble with then so this could also contribute to my underwhelmed feeling. My instinct coming out was that I wanted it to be a little darker and closer to a thriller than just drama.
After one viewing I would say I wouldn't have chosen to see it again but there's an Unlimited Screening coming I feel like it's worth giving it a second viewing in case I see something I didn't see before, but I'm not sure how much it will change things.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/parasite-movie-review.html
The Kim family are desperately trying to make ends meet, their cramped home is uncomfortable and located in one of the shabbiest districts of Seoul. Things take a turn when the son's friend suggests that he takes over his tutoring job for the daughter of a well off family. Ki-woo doesn't have the qualifications but all he needs is to show confidence, he decides to take the job.
Once he gets to the upscale house opportunities start to present themselves and he sees a chance to set his family up with jobs too. Bringing their mother onboard sets in motion something that no one could have seen coming.
I seriously considered not writing a review for this, please excuse me if it seems a little disjointed but I'm still not entirely convinced that I have a proper conclusion.
Coming out of the film I was a little confused, mainly because apart from hearing about it being a masterpiece I had seen people saying it was a horror... IMDb lists it as "comedy, crime, drama", at least I agree with one of those.
The contrast between rich and poor is shown perfectly throughout, from their homes to the human senses expressed, the way it's all represented on screen solidifies the differences between the two families.
In each home environment we also see it, the sleek versus the chaotic, the clean versus the dirty. The Park's designer home is white, open and ordered, the Kim's is claustrophobic, cluttered and busy. The two are illustrated perfectly on each end of the spectrum and the two overlap briefly when the Kim's briefly take over the Park's home.
I thought the acting was good but I wasn't blown away by anything, potentially more of an issue with the script for me as I wasn't keen on some of the character traits that came out. The divide between the two families is obviously something that carries through to their members, but whereas we might expect the rich to be the villains in a story (and yes, they aren't necessarily the best people in the world) it is in fact the poor that are verging on the bad side of things. It does appear that in this instance money is the corrupting influence on the Kims and they get the taste for the high life. All the actors involved are very strong in helping this come across to the audience.
Beyond this set up I wasn't left with the gushing feeling that many, MANY others were. Maybe this just went over my head, I'm the first to admit that when I go to a movie I turn my brain down. Maybe it was more thinking than I'm willing to put into a film. When films touch a lot of different genres I feel like I have some trouble with then so this could also contribute to my underwhelmed feeling. My instinct coming out was that I wanted it to be a little darker and closer to a thriller than just drama.
After one viewing I would say I wouldn't have chosen to see it again but there's an Unlimited Screening coming I feel like it's worth giving it a second viewing in case I see something I didn't see before, but I'm not sure how much it will change things.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/parasite-movie-review.html
Kirk Bage (1775 KP) rated Call Me by Your Name (2017) in Movies
Mar 3, 2020
There are a swathe of European film-makers like Luca Guadagnino and Paolo Sorrentino that have the skill to make every image they print to film look like a work of art, giving you the feeling you are on the most idyllic holiday you ever had. Watching a largely silent image of a beautiful lake or a tree in the breeze, or an al fresco dinner where family and friends talk freely whilst the wine and olive oil flow is a treat I am not immune to.
Continuing to catch up on Oscar nominated films of recent years I have missed, I went on holiday in 1982 Italy for 2 hours last night. There was culture, architecture, piano music, food, nature, and a big peachy dollop of sensuality – thinly veiled as dramatic cinema. It washed over me like a daydream! And if I say nothing really happens, I wouldn’t necessarily call it a criticism. It ambles along at such a languid pace at times, with such little conflict or incident, but to call it insignificant would be a disservice to the power of love at its palpable heart.
Essentially, it is a right of passage movie, that defies gloriously every hollywood habit of over egging the souffle. For minutes on end we watch Elio, the formidable natural talent of Timothée Chalamet, read a book, go for a swim, ride a bike, play the piano, or fuck some fruit, as he gradually descends into obsession, and ultimately love, for the older Armie Hammer as the aloof and seemingly worldly Oliver, his father’s research assistant for the Summer.
It feels for a long, long time like you might not care, such a tale of rich privilege as it is; but, by the final moments you do realise you have been drawn into the depth of feeling that is often hidden in plain sight, and that you may after all relate to the heartbreak contained in loving an idea of love and passion that is never attainable in reality. The self discovery of a passion within you as a life force is a melancholy reward in and of itself.
I know already that I must return to this film from time to time in a variety of moods, because it has a depth of subtlety that may catch me differently every time; and that is its main power. The key to which is Chalamet. His eyes and body language are so filled with hidden wonders that his words don’t always convey, that his work seems more like a strange dance than your average screen performance, that often simply takes the script and merely reads it aloud.
The remarkable career of Michael Stuhlbarg, as Elio’s father, is also noteworthy here. Take a look at how many great films he has now been a part of and gasp to think, oh wow, that is the same guy! His paternal speech to Elio at the end of this film was a highlight for me. Such gorgeous writing, that combines character with wisdom and weakness in a tapestry of care and regret. Just wonderful.
You know, I came into writing this review feeling that I had found the experience quite disposable and slight. That clearly isn’t the case. This is obviously a film you must watch again, meeting it where it wants to meet you. Not to mention I have always been a Sufjan Stevens fan, and found his contribution to the musical landscape near perfect. In conclusion, there is a banquet here masquerading as a taste of something sweet brushing the lips. I will be back for a second bite in time.
Continuing to catch up on Oscar nominated films of recent years I have missed, I went on holiday in 1982 Italy for 2 hours last night. There was culture, architecture, piano music, food, nature, and a big peachy dollop of sensuality – thinly veiled as dramatic cinema. It washed over me like a daydream! And if I say nothing really happens, I wouldn’t necessarily call it a criticism. It ambles along at such a languid pace at times, with such little conflict or incident, but to call it insignificant would be a disservice to the power of love at its palpable heart.
Essentially, it is a right of passage movie, that defies gloriously every hollywood habit of over egging the souffle. For minutes on end we watch Elio, the formidable natural talent of Timothée Chalamet, read a book, go for a swim, ride a bike, play the piano, or fuck some fruit, as he gradually descends into obsession, and ultimately love, for the older Armie Hammer as the aloof and seemingly worldly Oliver, his father’s research assistant for the Summer.
It feels for a long, long time like you might not care, such a tale of rich privilege as it is; but, by the final moments you do realise you have been drawn into the depth of feeling that is often hidden in plain sight, and that you may after all relate to the heartbreak contained in loving an idea of love and passion that is never attainable in reality. The self discovery of a passion within you as a life force is a melancholy reward in and of itself.
I know already that I must return to this film from time to time in a variety of moods, because it has a depth of subtlety that may catch me differently every time; and that is its main power. The key to which is Chalamet. His eyes and body language are so filled with hidden wonders that his words don’t always convey, that his work seems more like a strange dance than your average screen performance, that often simply takes the script and merely reads it aloud.
The remarkable career of Michael Stuhlbarg, as Elio’s father, is also noteworthy here. Take a look at how many great films he has now been a part of and gasp to think, oh wow, that is the same guy! His paternal speech to Elio at the end of this film was a highlight for me. Such gorgeous writing, that combines character with wisdom and weakness in a tapestry of care and regret. Just wonderful.
You know, I came into writing this review feeling that I had found the experience quite disposable and slight. That clearly isn’t the case. This is obviously a film you must watch again, meeting it where it wants to meet you. Not to mention I have always been a Sufjan Stevens fan, and found his contribution to the musical landscape near perfect. In conclusion, there is a banquet here masquerading as a taste of something sweet brushing the lips. I will be back for a second bite in time.
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Purple Phoenix Games (2266 KP) rated GPS in Tabletop Games
Mar 23, 2021
One thing that I’m always on the hunt for is a good quality filler game. Something that is fun, light, fast, and entertaining for when you need a break between bigger games. So when I saw this Kickstarter for 3 small 10-minute games, I knew I was in luck! This review is for one of those games, GPS. Did it hold up to my expectations? Keep reading to find out!
GPS is a racing game in which players are launching satellites into orbit, and attempting to be the first to organize their satellite chain in numerical order. To setup the game, assemble the planet pieces and spinner, and give each player their 12 numbered satellites. Players shuffle their satellites face-down, and then flip 3 of them face-up. The game is now ready to begin!
Each turn, a player will spin the spinner. Once the spinner has stopped, every player will place one of their 3 face-up satellites in the pointed space. Players then each reveal a new face-down satellite, and turns continue in this fashion. After 12 turns, all players will have all of their satellites in play around the board. Now, instead of placing a new satellite when the spinner stops, players will move an already placed satellite to the pointed space. If the spinner ever stops on a space where you already have a satellite, you just move one of your satellites to the nearest space in either direction that doesn’t already have one of your satellites. The goal of the game is to arrange your satellites in ascending numerical order, starting from the start line on the board. At the start of a turn, if a player has completed that goal, then they win!
Seems simple enough, right? That’s the point! GPS is supposed to be a game that is easy to teach and fast to play. There is a small amount of strategy involved in decided which satellites to place where, to help set yourself up to be the fastest to organize them numerically. More often than not, though, the ‘right’ move is the obvious one to take, so don’t be expecting a brain burner with this one. All in all, simple gameplay and mechanics that are easy for pretty much any age to grasp.
The biggest issues I have with GPS actually are the components. Don’t get me wrong – the quality of the components is great! It’s just how they affect the gameplay that is disappointing. For starters, the satellites for each player are nice and sturdy cardboard. But the size of the spaces around the game board are a little smaller than the satellites, making it difficult to fit them properly and clearly in a specific space. The next issue is with the spinner/game board itself. The spinner has a small rubber bottom to help avoid unwanted movement, but unfortunately it does little to stop that problem. Almost every time the spinner is spun, the game board moves on the table. The movement of the board knocks any satellites that are in play out of alignment. With the oversized satellites and the small board spaces, it’s sometimes hard to tell in which space a satellite was originally placed. These issues just take a fast, light-hearted game and turn it into a frustrating filler for me.
Overall, I would say that GPS is a good game in theory, but it was just not necessarily executed well. Perhaps if the components were more conducive to the gameplay, I would have different thoughts, but those problems just leave a sour taste that makes me want to skip over it when looking for a filler. This is a game I might pull out for younger gamers, but not one that I see getting a lot of table time with my regular group. Purple Phoenix Games gives this one a sputtering 6 / 12.
GPS is a racing game in which players are launching satellites into orbit, and attempting to be the first to organize their satellite chain in numerical order. To setup the game, assemble the planet pieces and spinner, and give each player their 12 numbered satellites. Players shuffle their satellites face-down, and then flip 3 of them face-up. The game is now ready to begin!
Each turn, a player will spin the spinner. Once the spinner has stopped, every player will place one of their 3 face-up satellites in the pointed space. Players then each reveal a new face-down satellite, and turns continue in this fashion. After 12 turns, all players will have all of their satellites in play around the board. Now, instead of placing a new satellite when the spinner stops, players will move an already placed satellite to the pointed space. If the spinner ever stops on a space where you already have a satellite, you just move one of your satellites to the nearest space in either direction that doesn’t already have one of your satellites. The goal of the game is to arrange your satellites in ascending numerical order, starting from the start line on the board. At the start of a turn, if a player has completed that goal, then they win!
Seems simple enough, right? That’s the point! GPS is supposed to be a game that is easy to teach and fast to play. There is a small amount of strategy involved in decided which satellites to place where, to help set yourself up to be the fastest to organize them numerically. More often than not, though, the ‘right’ move is the obvious one to take, so don’t be expecting a brain burner with this one. All in all, simple gameplay and mechanics that are easy for pretty much any age to grasp.
The biggest issues I have with GPS actually are the components. Don’t get me wrong – the quality of the components is great! It’s just how they affect the gameplay that is disappointing. For starters, the satellites for each player are nice and sturdy cardboard. But the size of the spaces around the game board are a little smaller than the satellites, making it difficult to fit them properly and clearly in a specific space. The next issue is with the spinner/game board itself. The spinner has a small rubber bottom to help avoid unwanted movement, but unfortunately it does little to stop that problem. Almost every time the spinner is spun, the game board moves on the table. The movement of the board knocks any satellites that are in play out of alignment. With the oversized satellites and the small board spaces, it’s sometimes hard to tell in which space a satellite was originally placed. These issues just take a fast, light-hearted game and turn it into a frustrating filler for me.
Overall, I would say that GPS is a good game in theory, but it was just not necessarily executed well. Perhaps if the components were more conducive to the gameplay, I would have different thoughts, but those problems just leave a sour taste that makes me want to skip over it when looking for a filler. This is a game I might pull out for younger gamers, but not one that I see getting a lot of table time with my regular group. Purple Phoenix Games gives this one a sputtering 6 / 12.
Emma @ The Movies (1786 KP) rated Promising Young Woman (2020) in Movies
Apr 18, 2021
The wait for this film was agonising, and I honestly don't know how I managed to avoid spoilers when some people on the internet were incapable of using hashtags.
Cassie can't forget the past, and the event that she's living with leaves her holding onto a taste for revenge. She doles out life lessons to those who deserve it as she looks for the way to get the ultimate revenge.
Promising Young Woman is a film I would have loved to have gone into blind. The opening sets up the rest of the film so well, but all I've been able to think is what my reaction would have been without having seen a trailer and knowing what was going to happen... it would have been horrific with a side of evil satisfaction.
Though Carey Mulligan has been in a lot of things, the only thing I can actually say I've seen her in is the Doctor Who episode, Blink... which freaks me out for obvious reasons. Her back catalogue is looking a lot more enticing after seeing her performance here. Cassandra is a thinker and a planner, and while others think she's not achieving her potential, but where she is in life gives her exactly what she needs. Mulligan snaps instantly between the two sides of Cassie's persona with such finesse that when you combine it with the production's editing and cinematography and those moments hold you in suspense for the next.
If you asked me my thoughts on Bo Burnham then I probably would have said I wasn't a fan. But actually, I only remember seeing his stand up, and I was surprised I'd seen films he's been in. Ryan was a great character, he's got that natural charm to him that made a great contrast to the other men we see throughout the film. The development in their relationship is great and follows that sort of "wholesome" and goof expectation of a "successful" dating life... admittedly, not for everyone though.
There was a large recognisable cast, but of the other actors, my main call out would be Alfred Molina. His scene with Carey Mulligan was easily one of my favourites, not just for his performance but the way his character impacts Cassie. In the rest of the cast there were some solid performances, Jennifer Coolidge definitely surprised me as I A) didn't know she was in this and B) have never seen her in a role like this before. But beyond them there were some actor/role combinations that didn't feel right to me.
Something that continually jumped out at me was the score. Great selection of songs, perfectly aligned, nice mix of styles... and that version of Toxic? Masterpiece. I adored every moment of it and I'm listening to the album right now on Spotify.
The feel of the film was a very interesting experience. The divide in Cassie's life is so clear, and I loved Madison's reaction to seeing it. The whole look shows you the drama and thriller side incredibly well and somehow managed to blend them together seamlessly. (Though as an inserted afterthought, I would have liked to have seen this in a murdery version.)
I would really like to talk about the end of the film, but won't for obvious reasons. There's a behind the scenes feature that goes into a specific point, and that attention to detail makes that scene. But in that same instance I knew what was going to happen, and I curse my brain for making it pop into my thoughts.
Promising Young Woman is a very good film, and yet again Emerald Fennell has created something darkly delightful. It embodies something that a lot of people can identify with, not just women, and I have to hope it might enlighten some people as well as entertain.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/promising-young-woman-movie-review.html
Cassie can't forget the past, and the event that she's living with leaves her holding onto a taste for revenge. She doles out life lessons to those who deserve it as she looks for the way to get the ultimate revenge.
Promising Young Woman is a film I would have loved to have gone into blind. The opening sets up the rest of the film so well, but all I've been able to think is what my reaction would have been without having seen a trailer and knowing what was going to happen... it would have been horrific with a side of evil satisfaction.
Though Carey Mulligan has been in a lot of things, the only thing I can actually say I've seen her in is the Doctor Who episode, Blink... which freaks me out for obvious reasons. Her back catalogue is looking a lot more enticing after seeing her performance here. Cassandra is a thinker and a planner, and while others think she's not achieving her potential, but where she is in life gives her exactly what she needs. Mulligan snaps instantly between the two sides of Cassie's persona with such finesse that when you combine it with the production's editing and cinematography and those moments hold you in suspense for the next.
If you asked me my thoughts on Bo Burnham then I probably would have said I wasn't a fan. But actually, I only remember seeing his stand up, and I was surprised I'd seen films he's been in. Ryan was a great character, he's got that natural charm to him that made a great contrast to the other men we see throughout the film. The development in their relationship is great and follows that sort of "wholesome" and goof expectation of a "successful" dating life... admittedly, not for everyone though.
There was a large recognisable cast, but of the other actors, my main call out would be Alfred Molina. His scene with Carey Mulligan was easily one of my favourites, not just for his performance but the way his character impacts Cassie. In the rest of the cast there were some solid performances, Jennifer Coolidge definitely surprised me as I A) didn't know she was in this and B) have never seen her in a role like this before. But beyond them there were some actor/role combinations that didn't feel right to me.
Something that continually jumped out at me was the score. Great selection of songs, perfectly aligned, nice mix of styles... and that version of Toxic? Masterpiece. I adored every moment of it and I'm listening to the album right now on Spotify.
The feel of the film was a very interesting experience. The divide in Cassie's life is so clear, and I loved Madison's reaction to seeing it. The whole look shows you the drama and thriller side incredibly well and somehow managed to blend them together seamlessly. (Though as an inserted afterthought, I would have liked to have seen this in a murdery version.)
I would really like to talk about the end of the film, but won't for obvious reasons. There's a behind the scenes feature that goes into a specific point, and that attention to detail makes that scene. But in that same instance I knew what was going to happen, and I curse my brain for making it pop into my thoughts.
Promising Young Woman is a very good film, and yet again Emerald Fennell has created something darkly delightful. It embodies something that a lot of people can identify with, not just women, and I have to hope it might enlighten some people as well as entertain.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/promising-young-woman-movie-review.html
Lee (2222 KP) rated Ready or Not (2019) in Movies
Sep 27, 2019
Ready or Not opens with a gleefully intense and shocking scene. It serves to give us a taste of the kind of twisted games that usually play out within the confines of huge gothic mansion owned by the eccentric Le Domas family, who made their fortune in the board game business. If you've seen the trailer, then you'll know that Ready or Not is basically just Hide and Seek, but with deathly consequences. However, this short, sharp introduction leaves you in no doubt as to just how far the Le Domas family will go in order to win the game.
Cut to a more happier time as Grace (Samara Weaving, niece of Hugo Weaving) is preparing to marry into the Le Domas dynasty. Her husband to be is Alex (Mark O'Brien), estranged son who has now returned to the family home where the ceremony will be taking place. As a foster child, Grace yearns to become part of a more permanent family and is concerned that she won't be accepted by the Le Domas clan, not helped by the cold scowl she gets from a seriously creepy looking Aunt Helene.
We rejoin Grace and Alex later that evening, now married. But Grace discovers that rather than retire to bed with her new husband, they must join the family downstairs and partake in a wedding night tradition which will see her officially becoming a Le Domas - she has to play a game. Wanting nothing more than to fit in with her new in-laws, Grace goes along with it all as patriarch Tony (Henry Czerny) explains how the tradition will play out. The game they must play is selected at random from a box that has been passed down through the generations after it was originally given to the family by mysterious benefactor, Mr. Le Bail. The wife of eldest son Daniel got Chess, the husband of daughter Emilie got Old Maid, so it really is anyone's guess what the mystery game will be! All of the siblings and their spouse's are in attendance for the game and watch on as Grace draws... Hide and Seek, the one game which results in death!
Not realising the seriousness of her choice, Tony explains to Grace that in order to win the game she must remain hidden until dawn, and she laughs it off. An old vinyl hide and seek record begins playing, giving Grace the time to go find a suitable hiding place, and she winds up climbing into a dumb waiter to hide. But, she soon gets bored and decides to go wandering around the huge house. It's not long though until she discovers that the family members have equipped themselves with shotguns, axes and crossbows... and they're not afraid to use them! Turns out, the family believe that if they don’t kill Grace by dawn, a terrible fate will befall them all.
What follows is an intense game of cat and mouse, with a good dose of gore and dark humour thrown in. One minute we're holding our breath as Grace tries to quietly avoid a member of the family, the next we're cutting to the other family members, who are mostly completely incompetent - bickering between themselves or watching a YouTube crash course on how to use a crossbow! Ready or Not manages to juggle the different tones effortlessly, and brilliantly, as Grace goes from terrified scream queen in a pristine white wedding dress, to blood-soaked badass wearing a pair of old converse and brandishing a shotgun. She's the latest in a long line of great female survivors, played to perfection by Samara Weaving. If you liked 2011 movie 'You're Next', then Ready or Not reminded me of that in many ways.
The gothic setting and the suitably wonderful score by Brian Tyler (usually found providing music for MCU movies) all adds to what is a wonderfully short (95 minute), but perfectly paced, completely bonkers thrill ride.
Cut to a more happier time as Grace (Samara Weaving, niece of Hugo Weaving) is preparing to marry into the Le Domas dynasty. Her husband to be is Alex (Mark O'Brien), estranged son who has now returned to the family home where the ceremony will be taking place. As a foster child, Grace yearns to become part of a more permanent family and is concerned that she won't be accepted by the Le Domas clan, not helped by the cold scowl she gets from a seriously creepy looking Aunt Helene.
We rejoin Grace and Alex later that evening, now married. But Grace discovers that rather than retire to bed with her new husband, they must join the family downstairs and partake in a wedding night tradition which will see her officially becoming a Le Domas - she has to play a game. Wanting nothing more than to fit in with her new in-laws, Grace goes along with it all as patriarch Tony (Henry Czerny) explains how the tradition will play out. The game they must play is selected at random from a box that has been passed down through the generations after it was originally given to the family by mysterious benefactor, Mr. Le Bail. The wife of eldest son Daniel got Chess, the husband of daughter Emilie got Old Maid, so it really is anyone's guess what the mystery game will be! All of the siblings and their spouse's are in attendance for the game and watch on as Grace draws... Hide and Seek, the one game which results in death!
Not realising the seriousness of her choice, Tony explains to Grace that in order to win the game she must remain hidden until dawn, and she laughs it off. An old vinyl hide and seek record begins playing, giving Grace the time to go find a suitable hiding place, and she winds up climbing into a dumb waiter to hide. But, she soon gets bored and decides to go wandering around the huge house. It's not long though until she discovers that the family members have equipped themselves with shotguns, axes and crossbows... and they're not afraid to use them! Turns out, the family believe that if they don’t kill Grace by dawn, a terrible fate will befall them all.
What follows is an intense game of cat and mouse, with a good dose of gore and dark humour thrown in. One minute we're holding our breath as Grace tries to quietly avoid a member of the family, the next we're cutting to the other family members, who are mostly completely incompetent - bickering between themselves or watching a YouTube crash course on how to use a crossbow! Ready or Not manages to juggle the different tones effortlessly, and brilliantly, as Grace goes from terrified scream queen in a pristine white wedding dress, to blood-soaked badass wearing a pair of old converse and brandishing a shotgun. She's the latest in a long line of great female survivors, played to perfection by Samara Weaving. If you liked 2011 movie 'You're Next', then Ready or Not reminded me of that in many ways.
The gothic setting and the suitably wonderful score by Brian Tyler (usually found providing music for MCU movies) all adds to what is a wonderfully short (95 minute), but perfectly paced, completely bonkers thrill ride.
Kara Skinner (332 KP) rated By Magic Beguiled in Books
Sep 10, 2019
Many a man has died of longing for one such as her. For her skin has the flavor of honey which contains a magic all its own. Once a man’s lips taste her nectar, he is bound to her for all his days. Be forewarned, then, for her spell cannot be broken. Look for the sign of the cradle moon above the mound of Venus. Be it pale, you might yet escape with our heart and mind intact. But be it crimson, she is of royal blood, and too strong for a mortal man’s resistance.
Brigit Malone can paint anything she sees, and uses that skill to get herself and her best friend, Razor Face Malone, off the streets. Living the straight life is good until an old enemy kidnaps Raze and demands Brigit forge a privately owned painting, switch the fake for the original, and deliver it. But that painting is the prize possession of Adam Reid, a good man betrayed one too many times. Not only that, but Brigit has seen him before in her dreams. Hurting him is unbearable, but so is leaving Raze in danger.
Neither of them realize the images in the painting are actually a message from the twin sister Brigit doesn’t know she has, a message calling her back to the enchanted kingdom of Rush, where the two half fay twins are destined to put down the usurping Dark Prince Tristan and restore peace to their home, the distant land of Rush.
This book was just what I needed. It’s an epic adventure with romance, deception, and magic. Adam Reid is breath-takingly sexy, and Brigit is wonderfully strong and graceful, like a fairy should be.
However, Adam isn’t inclined to believe in love, let alone fairies. After his terrible childhood with an abusive father, his money was stolen by his ex wife, leaving him a jaded and cynical man about the world and very distrustful of humans. His sadness translates really well on the page and it’s really easy to feel for him, even when he’s complaining about only being able to afford a once-a-week cleaning service instead of a live-in maid. Despite his crankiness and need to be a cynic, you can’t help but want him to find true love and happiness.
Brigit is similarly disillusioned about life. After living homeless on the streets for several years, she succumbed to be an art forger to care for Raze, an old man who had saved her from a fire, and acted like a father to her. Now she was struggling to put the past behind her by running a florist shop. Unfortunately she will have no choice but to go back.to being an art forger to save Raze from one of her old enemies. And this means she needs to rob Adam Reid of the painting.
Adam’s first impression of Brigit is well illustrated and on point with the magic ability of fairies, especially those of royal blood.
She was incredible, and because her eyes sucked him in like quicksand, and because he had the oddest feeling that he knew her. Or should know her.
I love that this story isn’t insta-love, despite the Lure that Brigit gives off, magic that makes men fall in love with her. Yes, Adam does obsess with her a bit at first, but there is so much distrust in him that he doesn’t fall to her charms too quickly. And the plot is fantastic, right up to the heart-wrenching climax. Even though there’s very little magic and supernatural elements in the first book of this duo, it’s still there. Adult fantasy and fairytale lovers will enjoy this book as much as I did.
Brigit Malone can paint anything she sees, and uses that skill to get herself and her best friend, Razor Face Malone, off the streets. Living the straight life is good until an old enemy kidnaps Raze and demands Brigit forge a privately owned painting, switch the fake for the original, and deliver it. But that painting is the prize possession of Adam Reid, a good man betrayed one too many times. Not only that, but Brigit has seen him before in her dreams. Hurting him is unbearable, but so is leaving Raze in danger.
Neither of them realize the images in the painting are actually a message from the twin sister Brigit doesn’t know she has, a message calling her back to the enchanted kingdom of Rush, where the two half fay twins are destined to put down the usurping Dark Prince Tristan and restore peace to their home, the distant land of Rush.
This book was just what I needed. It’s an epic adventure with romance, deception, and magic. Adam Reid is breath-takingly sexy, and Brigit is wonderfully strong and graceful, like a fairy should be.
However, Adam isn’t inclined to believe in love, let alone fairies. After his terrible childhood with an abusive father, his money was stolen by his ex wife, leaving him a jaded and cynical man about the world and very distrustful of humans. His sadness translates really well on the page and it’s really easy to feel for him, even when he’s complaining about only being able to afford a once-a-week cleaning service instead of a live-in maid. Despite his crankiness and need to be a cynic, you can’t help but want him to find true love and happiness.
Brigit is similarly disillusioned about life. After living homeless on the streets for several years, she succumbed to be an art forger to care for Raze, an old man who had saved her from a fire, and acted like a father to her. Now she was struggling to put the past behind her by running a florist shop. Unfortunately she will have no choice but to go back.to being an art forger to save Raze from one of her old enemies. And this means she needs to rob Adam Reid of the painting.
Adam’s first impression of Brigit is well illustrated and on point with the magic ability of fairies, especially those of royal blood.
She was incredible, and because her eyes sucked him in like quicksand, and because he had the oddest feeling that he knew her. Or should know her.
I love that this story isn’t insta-love, despite the Lure that Brigit gives off, magic that makes men fall in love with her. Yes, Adam does obsess with her a bit at first, but there is so much distrust in him that he doesn’t fall to her charms too quickly. And the plot is fantastic, right up to the heart-wrenching climax. Even though there’s very little magic and supernatural elements in the first book of this duo, it’s still there. Adult fantasy and fairytale lovers will enjoy this book as much as I did.
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