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The War of the Worlds by H. G. Wells
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Extraterrestrial invasion, the earth taken over by omniscient intelligences from Mars, the whole of...
The Legacy of R. D. Laing: An Appraisal of His Contemporary Relevance
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The name R. D. Laing continues to be widely recognized by those in the psychotherapy community in...
Rhythm Alchemy: In Search of the Philospher's Stone
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According to Socrates, humans have nothing more to learn because we already know everything we need...
Stig of the Dump
Clive King and Edward Ardizzone
7.3
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A Puffin Book - stories that last a lifetime. Puffin Modern Classics are relaunched under a new...
The Cleaner of Chartres
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'A lovely book ...wise at heart and filled with colourful characters' Joanne Harris, author of...
Healing Sexually Betrayed Men and Boys: Treatment for Sexual Abuse, Assault, and Trauma
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Healing Sexually Betrayed Men and Boys is the new authoritative source for treatment of men and boys...
BankofMarquis (1832 KP) rated Soul (2020) in Movies
Feb 5, 2021
Good...but wished it touched my Soul more
The creators at PIXAR have done it again. They have crafted a beautifully drawn, incredibly imaginative, wonderfully performed, heartwarming story for young and old alike to enjoy.
I just wished it touched my Soul more.
Written and Directed by Pete Docter (UP!, INSIDE OUT) - who I would argue is the…ahem…soul of Pixar - SOUL tells the story of Joe, a middle school band teacher who aspires to be a jazz musician. On the cusp of realzing his dream, Joe (or, rather, Joe’s soul) finds himself in the afterlife desperately trying to return to his life to fulfill his dream.
Strongly voiced by Jamie Foxx, Joe is singularly focused on his goal and he won’t let anything get in his way, not even a “lost soul” (voiced by Tina Fey).
Now, I am a big fan of Tina Fey’s and she does just as good a job in her voice acting as Foxx, but for me, I just didn’t sense a gel of characters between these two. Part of that issue just might be in the storytelling - as Joe’s character is constantly pushing Fey’s character away and, so, was pushing me away as well.
And that is too bad as this relationship is at the…well…soul of this film and I really wanted this to work better because the rest of the film is WONDERFUL.
Docter’s depiction of the afterlife is sublimely abstract and I really felt that this worked well and was a smart way to deal with that portion of the film. The script moves along and the assorted situations and characters that Joe and “22” (Fey’s character) encounter are fun.
And that’s because Pixar, once again, populates the film with a strong array of voice talent that brings “something more” to their characters - Graham Norton, Phylicia Rashad, Wes Studi and Daveed Diggs all shine in what are, essentially, extended cameo roles.
Which brings me back to my central issue - Foxx and Fey are on screen together for most of this film and I just wanted to connect with them more. Perhaps I was just not in the mood for this film at the time I viewed it. I will definitely give this movie another look (because there are so many good things going on).
Perhaps, I just need to open my soul more.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
I just wished it touched my Soul more.
Written and Directed by Pete Docter (UP!, INSIDE OUT) - who I would argue is the…ahem…soul of Pixar - SOUL tells the story of Joe, a middle school band teacher who aspires to be a jazz musician. On the cusp of realzing his dream, Joe (or, rather, Joe’s soul) finds himself in the afterlife desperately trying to return to his life to fulfill his dream.
Strongly voiced by Jamie Foxx, Joe is singularly focused on his goal and he won’t let anything get in his way, not even a “lost soul” (voiced by Tina Fey).
Now, I am a big fan of Tina Fey’s and she does just as good a job in her voice acting as Foxx, but for me, I just didn’t sense a gel of characters between these two. Part of that issue just might be in the storytelling - as Joe’s character is constantly pushing Fey’s character away and, so, was pushing me away as well.
And that is too bad as this relationship is at the…well…soul of this film and I really wanted this to work better because the rest of the film is WONDERFUL.
Docter’s depiction of the afterlife is sublimely abstract and I really felt that this worked well and was a smart way to deal with that portion of the film. The script moves along and the assorted situations and characters that Joe and “22” (Fey’s character) encounter are fun.
And that’s because Pixar, once again, populates the film with a strong array of voice talent that brings “something more” to their characters - Graham Norton, Phylicia Rashad, Wes Studi and Daveed Diggs all shine in what are, essentially, extended cameo roles.
Which brings me back to my central issue - Foxx and Fey are on screen together for most of this film and I just wanted to connect with them more. Perhaps I was just not in the mood for this film at the time I viewed it. I will definitely give this movie another look (because there are so many good things going on).
Perhaps, I just need to open my soul more.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Debbiereadsbook (1087 KP) rated C is for Comfort (The Alphabet of Desire #3) in Books
Jul 28, 2021
the most emotional of the three.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3 in the Alphabet of Desire series. Its not necessary to read book 1, A is for Aftercare, or book 2, B is for Beg, before this one. All three books run concurrently, so you get these guys falling fast and falling HARD, in all three books, and I really loved that! It was great watching Archie, Blake and Corey falling in love from each of the other brother's perspective, it really was.
Corey is the last to fall, and he does so beautifully! And I think, he's the most emotional of the three brothers, but doesn't always show it. Spence, though, he can read Corey like a book, or a painting, very quickly and Spence calls Corey out a time or two.
Corey wants what's best for his daughter, Lexi, and his brothers have been a godsend in helping him do that, but now Archie and Blake are leaving, he's not sure he can cope; at home or at work. But Spence? Spence helps him get clarity. He helps him see that just because the brothers won't be living together, they are still close, and they will always be. Spence helps Corey to relax about work, teaching is a stressful enough job, so adding your own pressure on yourself? Recipe for disaster, especially for a first year teacher.
Spence's job is stressful too, he's an A&E doctor, so he knows all about pressure. But Corey helps HIM see that he needs something more than a hook up every now and then. Corey helps Spence see he needs a family, even if he didn't know he did. He has his sister and her kids, but with Corey and Lexi, Spence sees he needs more; wants more.
It's not heavy on the BDSM, more the care a Daddy gives. It's smexy and sweet, and emotional. I cried a bit, at Corey, and I don't quite know why!
It's been fun watching these guys, all seven of them, fall hard and fall fast. In ways they did not see coming, at all! That they run concurrently was different, but I liked it once I realised that's how they were written. It's different, I do enjoy different.
All three books are wonderful reads with book 2, Beg, being my favourite. If you enjoy low angst books, I would HIGHLY recommend these!
4 paint splattered stars
**same worded review will appear elsewhere**
This is book 3 in the Alphabet of Desire series. Its not necessary to read book 1, A is for Aftercare, or book 2, B is for Beg, before this one. All three books run concurrently, so you get these guys falling fast and falling HARD, in all three books, and I really loved that! It was great watching Archie, Blake and Corey falling in love from each of the other brother's perspective, it really was.
Corey is the last to fall, and he does so beautifully! And I think, he's the most emotional of the three brothers, but doesn't always show it. Spence, though, he can read Corey like a book, or a painting, very quickly and Spence calls Corey out a time or two.
Corey wants what's best for his daughter, Lexi, and his brothers have been a godsend in helping him do that, but now Archie and Blake are leaving, he's not sure he can cope; at home or at work. But Spence? Spence helps him get clarity. He helps him see that just because the brothers won't be living together, they are still close, and they will always be. Spence helps Corey to relax about work, teaching is a stressful enough job, so adding your own pressure on yourself? Recipe for disaster, especially for a first year teacher.
Spence's job is stressful too, he's an A&E doctor, so he knows all about pressure. But Corey helps HIM see that he needs something more than a hook up every now and then. Corey helps Spence see he needs a family, even if he didn't know he did. He has his sister and her kids, but with Corey and Lexi, Spence sees he needs more; wants more.
It's not heavy on the BDSM, more the care a Daddy gives. It's smexy and sweet, and emotional. I cried a bit, at Corey, and I don't quite know why!
It's been fun watching these guys, all seven of them, fall hard and fall fast. In ways they did not see coming, at all! That they run concurrently was different, but I liked it once I realised that's how they were written. It's different, I do enjoy different.
All three books are wonderful reads with book 2, Beg, being my favourite. If you enjoy low angst books, I would HIGHLY recommend these!
4 paint splattered stars
**same worded review will appear elsewhere**
Hazel (1853 KP) rated In Picardy's Fields in Books
Nov 27, 2020
Told from two perspectives, In Picardy's Fields is the story of two brave young women during the First World War. Set mostly in France, the two women put gender stereotypes to one side to help the allied soldiers. Baroness Agnès de Saint-Aubin, a young surgeon from Paris, follows her teacher, Dr Alan Bell, to the Château de Dragoncourt on the front lines in Picardy to help her friends, Jacques and Elle de Dragoncourt care for the injured soldiers. Meanwhile, the youngest Dragoncourt child, Madeleine, is determined to escape from her finishing school in Switzerland to play her part in the war effort.
The author, Hannah Byron, accurately describes the devastation and dangers the characters faced both in Paris and at the front. Flowing seamlessly from scene to scene, Byron paints a dark picture of life in wartorn France at the same time as weaving a captivating story. Agnès is a reticent but strong woman, a stark contrast from the stuck-up Madeleine, used to getting her way. Yet both characters develop, forced to face horrifying circumstances. While Agnès becomes more confident, Madeleine uses her head-strong determination to secretly help the allied soldiers, even if it means putting herself in danger.
Whilst the war is the main feature of the novel, the author weaves themes of friendship and romance into the narrative. Although only two people narrate the story, In Picardy's Fields shows the importance of working together and putting aside prejudices. The undercurrent of a developing romance brings a sense of hope that everything will end happily, yet the reader also knows nothing is safe during wartime. With each turn of the page, disaster could befall the characters, which makes for a gripping read.
Hannah Byron admits she is not a medic or war expert, yet she undertook extensive research to make In Picardy's Fields as accurate as possible. She also confesses it is unlikely a female doctor went to the front lines, yet as a work of fiction, this does not matter, especially as Agnès's profession is key to the story.
Authors have written novels about the World Wars ad nauseum to the point that writing an original story seems impossible, but Hannah Byron proves this assumption wrong. In Picardy's Fields feels almost modern in some respects, despite being set in the 1910s, which adds a freshness to the story. These women, these characters are just like you and me, living in a time we could not possibly understand.
In Picardy's Fields is a fantastic debut novel and Hannah Byron is a writer to keep an eye on.
The author, Hannah Byron, accurately describes the devastation and dangers the characters faced both in Paris and at the front. Flowing seamlessly from scene to scene, Byron paints a dark picture of life in wartorn France at the same time as weaving a captivating story. Agnès is a reticent but strong woman, a stark contrast from the stuck-up Madeleine, used to getting her way. Yet both characters develop, forced to face horrifying circumstances. While Agnès becomes more confident, Madeleine uses her head-strong determination to secretly help the allied soldiers, even if it means putting herself in danger.
Whilst the war is the main feature of the novel, the author weaves themes of friendship and romance into the narrative. Although only two people narrate the story, In Picardy's Fields shows the importance of working together and putting aside prejudices. The undercurrent of a developing romance brings a sense of hope that everything will end happily, yet the reader also knows nothing is safe during wartime. With each turn of the page, disaster could befall the characters, which makes for a gripping read.
Hannah Byron admits she is not a medic or war expert, yet she undertook extensive research to make In Picardy's Fields as accurate as possible. She also confesses it is unlikely a female doctor went to the front lines, yet as a work of fiction, this does not matter, especially as Agnès's profession is key to the story.
Authors have written novels about the World Wars ad nauseum to the point that writing an original story seems impossible, but Hannah Byron proves this assumption wrong. In Picardy's Fields feels almost modern in some respects, despite being set in the 1910s, which adds a freshness to the story. These women, these characters are just like you and me, living in a time we could not possibly understand.
In Picardy's Fields is a fantastic debut novel and Hannah Byron is a writer to keep an eye on.