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Bookapotamus (289 KP) rated The Glitch in Books
May 31, 2018
Not worth the hype
So, when I first heard about The Glitch, I was all like - Wow. What cool idea for a story! This is going to be awesome. I need to get my hands on this one! And then I read it, and I was all like - WTF did I just read? Did someone slip me drugs? Did I miss something?
Shelley is like one of those Steve Jobs-esque corporate tech CEO robots who is basically all work and zero play. Her company is called Conch, and is sort of like a Siri for everyday life that clips onto your ear. Even Steve jobs seems like a wuss compared to Shelley. She's stiff, and brusque and her marriage and friendships are more of business arrangements it seems, as well as having children (Nova and Blazer?!? ummm what?), she has ZERO social life - and she likes it all this way. In fact she thrives on it.
The story starts out with Nova going missing on the beach and her and her husband CASUALLY STROLL around on the beach looking for her while they are both ON THE PHONE taking conference calls. I cannot even believe people like this might exist. Then a "glitch" happens with the Conch product and weirdness ensues. I'm all for weird books. I don't base a books review on unlikeable characters. In fact Shelley is written PERFECTLY. Elisabeth Cohen is apparently a technical writer by trade and she shines at developing Shelley as a character. Her writing is SO smart, and sharp and I LOVE the way she writes. I'm giving a slight pass since it's her first novel because the words are there - and they are exquisite! They just need some finesse in arranging the story better. But the themes here all ALL over the place. Kidnapping? Corporate espionage? Time travel? Lightning? Weird romantic feeling for coworkers and nannies? Women's empowerment? Technology? Work/Life/Mom balance? I had enough trouble with being in Shelley's head with her ramblings and descriptions - thoroughly written, and passionately descriptive - but the story itself just fell flat.
And the ending, just really unsatisfying. And a bit unbelievable knowing how hardcore Shelley was about most things - It was like she just conceded and gave up? Which seemed so out of character.. There were several times I was like "No WAY this type A personality would let this chick in her house!" and "Why isn't she calling the cops!" It was like you knew so precisely who Shelley was by the incredible character development of how robotic and precise her actions would be and then - what? Huh? What just happened? I'm still just really confused.
I hate when this happens. I find out about a book that sounds so ridiculously awesome that i rush out to find it wherever I can immediately. The description when I first heard of the book had a question in it like "What would you do if you met your younger self?" I want to read THAT book. That's what I thought I was reading and where it was going, but it turned into this whole other story that went somewhere else entirely. There was so much promise and potential and I'm pretty bummed. It wasn't worth all the hype I've been hearing.
Shelley is like one of those Steve Jobs-esque corporate tech CEO robots who is basically all work and zero play. Her company is called Conch, and is sort of like a Siri for everyday life that clips onto your ear. Even Steve jobs seems like a wuss compared to Shelley. She's stiff, and brusque and her marriage and friendships are more of business arrangements it seems, as well as having children (Nova and Blazer?!? ummm what?), she has ZERO social life - and she likes it all this way. In fact she thrives on it.
The story starts out with Nova going missing on the beach and her and her husband CASUALLY STROLL around on the beach looking for her while they are both ON THE PHONE taking conference calls. I cannot even believe people like this might exist. Then a "glitch" happens with the Conch product and weirdness ensues. I'm all for weird books. I don't base a books review on unlikeable characters. In fact Shelley is written PERFECTLY. Elisabeth Cohen is apparently a technical writer by trade and she shines at developing Shelley as a character. Her writing is SO smart, and sharp and I LOVE the way she writes. I'm giving a slight pass since it's her first novel because the words are there - and they are exquisite! They just need some finesse in arranging the story better. But the themes here all ALL over the place. Kidnapping? Corporate espionage? Time travel? Lightning? Weird romantic feeling for coworkers and nannies? Women's empowerment? Technology? Work/Life/Mom balance? I had enough trouble with being in Shelley's head with her ramblings and descriptions - thoroughly written, and passionately descriptive - but the story itself just fell flat.
And the ending, just really unsatisfying. And a bit unbelievable knowing how hardcore Shelley was about most things - It was like she just conceded and gave up? Which seemed so out of character.. There were several times I was like "No WAY this type A personality would let this chick in her house!" and "Why isn't she calling the cops!" It was like you knew so precisely who Shelley was by the incredible character development of how robotic and precise her actions would be and then - what? Huh? What just happened? I'm still just really confused.
I hate when this happens. I find out about a book that sounds so ridiculously awesome that i rush out to find it wherever I can immediately. The description when I first heard of the book had a question in it like "What would you do if you met your younger self?" I want to read THAT book. That's what I thought I was reading and where it was going, but it turned into this whole other story that went somewhere else entirely. There was so much promise and potential and I'm pretty bummed. It wasn't worth all the hype I've been hearing.
Gareth von Kallenbach (980 KP) rated The Predator (2018) in Movies
Jun 19, 2019
Writer/Director Shane Black returns to the Predator franchise and looks to jumpstart the franchise in “The Predator”. Black played Hawkins in the classic original film and has since gone on to find success on the other side of the camera with hits like “Iron Man 3”, “The Nice Guys” and Kiss Kiss Bang Bang”. Black has also written many genre action films so his take on the iconic Predator has been eagerly awaited by fans who are eager to see the series get back on track.
The film centers on a crashed Predator ship which is witnessed by an American Sniper on assignment named “McKenna” (Boyd Holbrook). While able to recover artifacts from the crashed ships escape pod, McKenna also sees his team brutally taken out by the pilot and soon finds himself targeted by a secret organization due to his knowledge of the otherworldly guest.
At the same time, a Biologist named Casey (Olivia Munn), is brought to a secret locale where she gets an up close encounter with the ship’s pilot in captivity and learns that a government organization has been tracking the visitors and that their visits have increased in recent years.
At the same time McKenna is ushered off to a bus full of unhinged soldiers who are to be locked away due to their numerous issues. Unbeknownst to his superiors; McKenna has mailed the recovered technology to his son who thanks to being on the Autism Spectrum, is able to figure out aspects of the tech which he believes to be a game.
This all leads to a series of brutal encounters as an enhanced Predator arrives and with two of the deadly creatures on the loose, the unhinged soldiers are largely the best hope humanity has of surviving what is to come.
While aspects of the plot seem a bit muddled and at times a bit to linear; the film for the most part works for what fans want and in many places gives them the sequel they have waited for. There is a lot of humor in the film which reportedly divided early test audiences but the action is as brutal and graphic as one would want and expect from the series.
The film does have some big gaps in logic such as how a Biologist can be so comfy and skilled with Assault Weapons and seems to have no issues throwing herself into combat situations and the larger plot points of the Predator objective is intriguing and will open up much debate amongst fans.
The last third of the film was reshot and you can tell at times how parts seem a bit out of synch from early parts of the film especially in the appearance of some characters whose look changes during the film which clearly indicates when segments of the film were shot.
I know the film will likely divide some fans who do not like the humor and wanted a more evade and survive style plot but Black has crafted an interesting opening chapter which is said to be the first of a planned trilogy.
While far from perfect, “The Predator” does give fans some interesting characters and plenty of laughs to go with the action and is a worthy entry into the series as long as you are willing to overlook the issues and enjoy the ride.
http://sknr.net/2018/09/11/the-predator/
The film centers on a crashed Predator ship which is witnessed by an American Sniper on assignment named “McKenna” (Boyd Holbrook). While able to recover artifacts from the crashed ships escape pod, McKenna also sees his team brutally taken out by the pilot and soon finds himself targeted by a secret organization due to his knowledge of the otherworldly guest.
At the same time, a Biologist named Casey (Olivia Munn), is brought to a secret locale where she gets an up close encounter with the ship’s pilot in captivity and learns that a government organization has been tracking the visitors and that their visits have increased in recent years.
At the same time McKenna is ushered off to a bus full of unhinged soldiers who are to be locked away due to their numerous issues. Unbeknownst to his superiors; McKenna has mailed the recovered technology to his son who thanks to being on the Autism Spectrum, is able to figure out aspects of the tech which he believes to be a game.
This all leads to a series of brutal encounters as an enhanced Predator arrives and with two of the deadly creatures on the loose, the unhinged soldiers are largely the best hope humanity has of surviving what is to come.
While aspects of the plot seem a bit muddled and at times a bit to linear; the film for the most part works for what fans want and in many places gives them the sequel they have waited for. There is a lot of humor in the film which reportedly divided early test audiences but the action is as brutal and graphic as one would want and expect from the series.
The film does have some big gaps in logic such as how a Biologist can be so comfy and skilled with Assault Weapons and seems to have no issues throwing herself into combat situations and the larger plot points of the Predator objective is intriguing and will open up much debate amongst fans.
The last third of the film was reshot and you can tell at times how parts seem a bit out of synch from early parts of the film especially in the appearance of some characters whose look changes during the film which clearly indicates when segments of the film were shot.
I know the film will likely divide some fans who do not like the humor and wanted a more evade and survive style plot but Black has crafted an interesting opening chapter which is said to be the first of a planned trilogy.
While far from perfect, “The Predator” does give fans some interesting characters and plenty of laughs to go with the action and is a worthy entry into the series as long as you are willing to overlook the issues and enjoy the ride.
http://sknr.net/2018/09/11/the-predator/
Gareth von Kallenbach (980 KP) rated Ant-Man and the Wasp (2018) in Movies
Jun 19, 2019
Following the unexpected and shocking moments from “Avengers: Infinity War”, fans eagerly awaited the next Marvel Studios film for any type of clues as to what will happen next when the next Avengers film arrives next summer. “Ant-Man and the Wasp”, is set before the events of “Avengers: Infinity War”, and finds Scott Lang (Paul Rudd) under home confinement thanks to a plea deal he took for siding with Captain America in “Captain America: Civil War”.
The years of being at home have driven Scott to find creative ways to entertain himself when his friend Luis (Michael Pena) and his daughter Cassie are not around. Scott is nearing the end of his isolation but knows F.B.I. Agent Woo (Randall Park), is waiting for him to slip up and with a possible twenty year prison term in the balance, he is not eager to make any mistakes.
Scott is also on the outs with Hope (Evangeline Lilly) and her father Hank (Michael Douglas) as it is revealed he took the Ant-Man suit and took part in the Civil War without their permission.
Fate intervenes when a strange dream causes Scott to contact Hope who in turn takes a reluctant Scott along with her to get to the bottom of the dream. Scott is naturally reluctant as he is days away from freedom and being discovered out and about and consorting with his wanted former associates would not be good for his eventual freedom.
A shady tech dealer named Sonny Burch (Walton Goggins) and a dangerous new adversary named “Ghost” (Hannah John-Kamen) also complicate matters and force Scott, Hope, and Hank to contend with issues all around them as the race against time on an urgent mission while trying to stay away from Woo and his team.
The film is a bit slow getting started but it does have some great character moments as well as humor around the build-up to the action sequences. The action when it comes mixes some great visual FX with some humor as Hope and Scott jump between everyday items at various sizes to face the threats presented to them. The cast works very well with one another and there are some great moments that will likely become favorites for fans of the characters and Marvel.
The Ghost is a rather interesting choice as an adversary as we do not have an individual bent on conquest, revenge, mass destruction, or accumulating power and wealth. While it may seem odd to have a more down to earth and relatable villain in a Marvel film, it does continue a recent trend of showing of adversaries who are complex, harder to define, and sympathetic much like The Winter Soldier.
There are two scenes in the credits which are very important to the continuity of the Marvel Universe and with “Captain Marvel” due in March 2019, it will likely get fans whipped into overdrive thinking about the possibilities they present.
“Ant-Man and the Wasp” is not as epic in scale as some of the past Marvel films, but thanks to a likeable cast and some timely humor, it should keep fans happy until the next chapter in the series.
http://sknr.net/2018/06/27/ant-man-and-the-wasp/
The years of being at home have driven Scott to find creative ways to entertain himself when his friend Luis (Michael Pena) and his daughter Cassie are not around. Scott is nearing the end of his isolation but knows F.B.I. Agent Woo (Randall Park), is waiting for him to slip up and with a possible twenty year prison term in the balance, he is not eager to make any mistakes.
Scott is also on the outs with Hope (Evangeline Lilly) and her father Hank (Michael Douglas) as it is revealed he took the Ant-Man suit and took part in the Civil War without their permission.
Fate intervenes when a strange dream causes Scott to contact Hope who in turn takes a reluctant Scott along with her to get to the bottom of the dream. Scott is naturally reluctant as he is days away from freedom and being discovered out and about and consorting with his wanted former associates would not be good for his eventual freedom.
A shady tech dealer named Sonny Burch (Walton Goggins) and a dangerous new adversary named “Ghost” (Hannah John-Kamen) also complicate matters and force Scott, Hope, and Hank to contend with issues all around them as the race against time on an urgent mission while trying to stay away from Woo and his team.
The film is a bit slow getting started but it does have some great character moments as well as humor around the build-up to the action sequences. The action when it comes mixes some great visual FX with some humor as Hope and Scott jump between everyday items at various sizes to face the threats presented to them. The cast works very well with one another and there are some great moments that will likely become favorites for fans of the characters and Marvel.
The Ghost is a rather interesting choice as an adversary as we do not have an individual bent on conquest, revenge, mass destruction, or accumulating power and wealth. While it may seem odd to have a more down to earth and relatable villain in a Marvel film, it does continue a recent trend of showing of adversaries who are complex, harder to define, and sympathetic much like The Winter Soldier.
There are two scenes in the credits which are very important to the continuity of the Marvel Universe and with “Captain Marvel” due in March 2019, it will likely get fans whipped into overdrive thinking about the possibilities they present.
“Ant-Man and the Wasp” is not as epic in scale as some of the past Marvel films, but thanks to a likeable cast and some timely humor, it should keep fans happy until the next chapter in the series.
http://sknr.net/2018/06/27/ant-man-and-the-wasp/
Gareth von Kallenbach (980 KP) rated The 40 Year Old Virgin (2005) in Movies
Aug 14, 2019
Andy Stitzer (Steve Carell) is a guy who has found his place in the world. Andy has a small but comfortable apartment that is stocked with all manner of high tech electronics, as well as an impressive collection of valuable collectables.
Andy has a comfortable if not dynamic job managing inventory for a local electronics store as well as a group of co-workers who include Andy in their conversations.
Andy’s life takes an unexpected turn when it is revealed at an after hours poker game that he has never been with a woman in a physical way, making him a 40 year old virgin.
Shocked and amused, Andy’s co-workers make it their personal quest to get Andy fixed up and on with his life. Andy for the most part is not overly enthused as his past failures in dating and heavy petting have all ended in disaster causing him to forgo pursuing sex.
Andy takes this all in stride even when it results in some hilarious and often painful experiences ranging from chest waxing, to drunken woman intent on making Andy their pleasure toy. As the experiences go from one bizarre encounter after another, Andy becomes even more confused, especially when his co-workers continue to offer advice that seems less than practical.
During this time, Andy meets Trish (Catherine Keener), who works at a business across from the shop. Andy is unsure how to handle her openness but when persuaded, he realizes that she may indeed like him, and now it is time to put what he has been told into effect.
Playing it cool, Andy does not call right away, but after even more outrageous situations arise, Andy eventually calls Trish and they go out. Things go very well, that is until Andy is faced with situations he has never encountered and all of his life experiences have prepared him for what is to come next.
Directed by Judd Apatow, The 40 Year Old Virgin, is a comic triumph that is consistently funny throughout. Carell is fantastic as he shows that he is a true comic talent that has arrived after his scene stealing performances in “Bruce Almighty”, and “Anchorman”.
The film is very crude and raunchy, but unlike the recent Deuce Bigalow film, there is a sincerity and charm about the films that puts the debauchery in context. This is not a film that throws gross situations at you for shock value, they are included as a natural part of the story and as part of the characters lives.
While some may balk at this, it is important to remember that in a film that deals with single men and sex, in many ways this film could actually be seen as restrained in how the characters discuss and deal with the topics and situations.
That being said, the film is a true work of genius and should launch Carell as the next great comic actor. His ability to blend physical and subtle comedy is amazing as his ability to portray Andy as a sympathetic and understandable character is truly amazing. Talent such as his only comes along once in a great while and thankfully the 42 year old Carell is finally getting a chance to shine. If you love to laugh and do not mind crude humor, do not miss this film.
Andy has a comfortable if not dynamic job managing inventory for a local electronics store as well as a group of co-workers who include Andy in their conversations.
Andy’s life takes an unexpected turn when it is revealed at an after hours poker game that he has never been with a woman in a physical way, making him a 40 year old virgin.
Shocked and amused, Andy’s co-workers make it their personal quest to get Andy fixed up and on with his life. Andy for the most part is not overly enthused as his past failures in dating and heavy petting have all ended in disaster causing him to forgo pursuing sex.
Andy takes this all in stride even when it results in some hilarious and often painful experiences ranging from chest waxing, to drunken woman intent on making Andy their pleasure toy. As the experiences go from one bizarre encounter after another, Andy becomes even more confused, especially when his co-workers continue to offer advice that seems less than practical.
During this time, Andy meets Trish (Catherine Keener), who works at a business across from the shop. Andy is unsure how to handle her openness but when persuaded, he realizes that she may indeed like him, and now it is time to put what he has been told into effect.
Playing it cool, Andy does not call right away, but after even more outrageous situations arise, Andy eventually calls Trish and they go out. Things go very well, that is until Andy is faced with situations he has never encountered and all of his life experiences have prepared him for what is to come next.
Directed by Judd Apatow, The 40 Year Old Virgin, is a comic triumph that is consistently funny throughout. Carell is fantastic as he shows that he is a true comic talent that has arrived after his scene stealing performances in “Bruce Almighty”, and “Anchorman”.
The film is very crude and raunchy, but unlike the recent Deuce Bigalow film, there is a sincerity and charm about the films that puts the debauchery in context. This is not a film that throws gross situations at you for shock value, they are included as a natural part of the story and as part of the characters lives.
While some may balk at this, it is important to remember that in a film that deals with single men and sex, in many ways this film could actually be seen as restrained in how the characters discuss and deal with the topics and situations.
That being said, the film is a true work of genius and should launch Carell as the next great comic actor. His ability to blend physical and subtle comedy is amazing as his ability to portray Andy as a sympathetic and understandable character is truly amazing. Talent such as his only comes along once in a great while and thankfully the 42 year old Carell is finally getting a chance to shine. If you love to laugh and do not mind crude humor, do not miss this film.
Andy K (10823 KP) rated What We Left Behind: Looking Back at Deep Space Nine (2018) in Movies
Jul 23, 2019
Where would we be without DS9?
Maybe the best Trek of all time?
Sisko, Odo, Kira, O'Brien, Dax, Quark, Bashir and the rest of the massive cast brought Star Trek to life as never before in this vastly different "station"ary style of Trek.
At the time, syndication was where it was at for reruns and additional revenue for a TV program. DS9 bucked the trend of wrapping up everything within one episode and began a TV serial which pretty much ran almost the entire run, much to the dismay of studio executives. Nowadays, shows like The Walking Dead, Lost, or Game of Thrones do this every week, but in the mid 90s this was not common.
Sandwiched in between The Next Generation and Voyager, DS9 did not get a lot of respect during its initial run at all. Also at that time, Trek TNG movies were in full swing so the show had to compete with that as well. Television stations would often preempt the show, skip a week or run the show in the early morning hours which made it even harder for its audience to keep track of the action.
DS9 certainly got a 2nd life with the current popularity of "binge watching" on your favorite streaming service. Having the ability to watch multi-part episodes or entire seasons within a few weeks brought back to life the en genius writing, acting and production quality of the series.
For this documentary, former showrunner Ira Steven Behr took several years worth of cast, crew and fan interviews, clips, behind the scenes footage and compiled a wonderful interesting film for any Trek fan. Many cast members major and minor as well as producers, writers and tech workers told tales of working on the show and how they very much enjoyed their time.
Throughout the many iterations of Trek, original creator Gene Roddenberry felt the show should entertain as well as provide social commentary on the issues of the time and DS9 was no exception. Throughout the show's 7 year run they dealt with issues such as racism, homelessness, same sex relationships and even genetic engineering.
One of the most fun subplots of the film was gathering the show's original writers in a room to formulate the first episode for the fictitious "Season 8" which will never actually happen (although I wish it would). The ideas, plot points and arcs they went through and came up with were extremely interesting, keep with the high level of writing the show originally produced, but also through us a few curveballs with some fun surprises.
Through the cast interviews we got to hear how the crew got along, some of their favorite and least favorite episodes and even the friendships they have maintained with one another.
The DVD set I received also had included a vast assortment of additional footage featuring even more nuggets and stories of what made the show great.
Overall, this film was one of the best documentaries I have ever seen about one of my favorite television programs in my lifetime. I might have to start binge watching the show again very soon.
Did I mention my name appears in the end credits?!? 😊
Sisko, Odo, Kira, O'Brien, Dax, Quark, Bashir and the rest of the massive cast brought Star Trek to life as never before in this vastly different "station"ary style of Trek.
At the time, syndication was where it was at for reruns and additional revenue for a TV program. DS9 bucked the trend of wrapping up everything within one episode and began a TV serial which pretty much ran almost the entire run, much to the dismay of studio executives. Nowadays, shows like The Walking Dead, Lost, or Game of Thrones do this every week, but in the mid 90s this was not common.
Sandwiched in between The Next Generation and Voyager, DS9 did not get a lot of respect during its initial run at all. Also at that time, Trek TNG movies were in full swing so the show had to compete with that as well. Television stations would often preempt the show, skip a week or run the show in the early morning hours which made it even harder for its audience to keep track of the action.
DS9 certainly got a 2nd life with the current popularity of "binge watching" on your favorite streaming service. Having the ability to watch multi-part episodes or entire seasons within a few weeks brought back to life the en genius writing, acting and production quality of the series.
For this documentary, former showrunner Ira Steven Behr took several years worth of cast, crew and fan interviews, clips, behind the scenes footage and compiled a wonderful interesting film for any Trek fan. Many cast members major and minor as well as producers, writers and tech workers told tales of working on the show and how they very much enjoyed their time.
Throughout the many iterations of Trek, original creator Gene Roddenberry felt the show should entertain as well as provide social commentary on the issues of the time and DS9 was no exception. Throughout the show's 7 year run they dealt with issues such as racism, homelessness, same sex relationships and even genetic engineering.
One of the most fun subplots of the film was gathering the show's original writers in a room to formulate the first episode for the fictitious "Season 8" which will never actually happen (although I wish it would). The ideas, plot points and arcs they went through and came up with were extremely interesting, keep with the high level of writing the show originally produced, but also through us a few curveballs with some fun surprises.
Through the cast interviews we got to hear how the crew got along, some of their favorite and least favorite episodes and even the friendships they have maintained with one another.
The DVD set I received also had included a vast assortment of additional footage featuring even more nuggets and stories of what made the show great.
Overall, this film was one of the best documentaries I have ever seen about one of my favorite television programs in my lifetime. I might have to start binge watching the show again very soon.
Did I mention my name appears in the end credits?!? 😊
Sarah (7799 KP) rated Amazon Echo Dot (3rd Generation) in Tech
Nov 4, 2019
Wonderfully useful and functional
I’m one of those people who often takes a while to get into and accept new technology. Not because I’m a technophobe, in fact I’m a massive techie and often the go to person for tech related issues within my family and friends. My issue is that I find a lot of technology is encouraging people to become lazier or become out of touch with basic home skills (like smart ovens or washers, I just don’t get it!). I’ve often lumped smart speakers like the Echo Dot in the same category in that I just didn’t see the point in them when most people still have functioning old school speaker systems. However I can honestly say my mind has definitely been changed for the better on the Echo.
Firstly it looks and feels great. I was expecting a rather flimsy feeling speaker but in fact it feels quite weighty and substantial, and the Sandstone version that I’ve bought looks rather sleek. It stands out and looks good but at the same time isn’t at any time the focal point in a room. The speaker aspect is rather good too and has a decent sound quality. I’ve placed this in my kitchen, as I have a fairly open downstairs and the sound easily reaches the entire floor - I can even speak to Alexa from my living room which is a good 7+ metres away with only a standard sized doorway for sound to reach through. Admittedly I had to mute the TV, but I’m still impressed she can hear me from there! The Echo Dot links up seamlessly with my Spotify account and I’m surprised it plays so well and doesn’t encourage you to try and sign up to Amazon Music instead.
The thing about the Echo Dot is that it isn’t just a glorified speaker and it’s only from owning one that I’ve truly appreciated this. As well as music, Alexa also helps out with so much more like reminders, timers and the weather as well as a whole host of fun features. There are so many fun things you can ask Alexa (google it if you haven’t already), too many to name although one of my favourites is “Alexa, find Chuck Norris”. There’s also the rather sad fact that as I live on my own, Alexa provides a rather welcome conversational partner and definitely less one sided than talking to the cat! I’m also a rather forgetful person, so having the ability to ask Alexa to set reminders when I can’t do something at the time (i.e. remembering to take the bins out when I’m in the middle of making dinner) is a god send. I’m surprised at how well the voice recognition works too. I’ve often experienced issues with voice recognition on mobile phones, because it doesn’t appear to like the northern accent, but Alexa so far has not had any issues. Maybe I need to speak “proper” Northern and see how she reacts...
I love this that much that I’m looking at buying a second Echo Dot for my upstairs so I have full coverage in my house, and can then take advantage of using Alexa as my morning wake up call amongst as well as being able to link both together to act as a multi room speaker system. Fingers crossed I’ll be able to get a bargain during Black Friday in a couple of weeks!
Firstly it looks and feels great. I was expecting a rather flimsy feeling speaker but in fact it feels quite weighty and substantial, and the Sandstone version that I’ve bought looks rather sleek. It stands out and looks good but at the same time isn’t at any time the focal point in a room. The speaker aspect is rather good too and has a decent sound quality. I’ve placed this in my kitchen, as I have a fairly open downstairs and the sound easily reaches the entire floor - I can even speak to Alexa from my living room which is a good 7+ metres away with only a standard sized doorway for sound to reach through. Admittedly I had to mute the TV, but I’m still impressed she can hear me from there! The Echo Dot links up seamlessly with my Spotify account and I’m surprised it plays so well and doesn’t encourage you to try and sign up to Amazon Music instead.
The thing about the Echo Dot is that it isn’t just a glorified speaker and it’s only from owning one that I’ve truly appreciated this. As well as music, Alexa also helps out with so much more like reminders, timers and the weather as well as a whole host of fun features. There are so many fun things you can ask Alexa (google it if you haven’t already), too many to name although one of my favourites is “Alexa, find Chuck Norris”. There’s also the rather sad fact that as I live on my own, Alexa provides a rather welcome conversational partner and definitely less one sided than talking to the cat! I’m also a rather forgetful person, so having the ability to ask Alexa to set reminders when I can’t do something at the time (i.e. remembering to take the bins out when I’m in the middle of making dinner) is a god send. I’m surprised at how well the voice recognition works too. I’ve often experienced issues with voice recognition on mobile phones, because it doesn’t appear to like the northern accent, but Alexa so far has not had any issues. Maybe I need to speak “proper” Northern and see how she reacts...
I love this that much that I’m looking at buying a second Echo Dot for my upstairs so I have full coverage in my house, and can then take advantage of using Alexa as my morning wake up call amongst as well as being able to link both together to act as a multi room speaker system. Fingers crossed I’ll be able to get a bargain during Black Friday in a couple of weeks!
Lee (2222 KP) rated The Invisible Man (2020) in Movies
Mar 2, 2020
Right off the bat, this latest remake of the classic H.G. Wells story shows us just how suspenseful it can be. It’s the middle of the night and a wide-awake Cecilia (Elizabeth Moss) quietly climbs out of bed so as not to disturb her sleeping partner Adrian (Oliver Jackson-Cohen). It quickly becomes apparent that she has been waiting and planning for this moment to leave him for some time now, and she is absolutely terrified of waking him up. She creeps through their spacious modern glass home, gathering some of her belongings and occasionally checking a mobile feed of the CCTV camera that she has re-positioned in order to see Adrian asleep in bed. Already the tension is unbearable, and we’re only a few minutes into the movie!
A few weeks after her dramatic escape from Adrian and Cecilia is now in the safety of a friends house, police detective James (Aldis Hodge) and his teenage daughter Sydney (Storm Reid). It’s clear that the years of living with an abusive and controlling partner have taken their toll on Cecilia and she can barely even bring herself to leave the house, fearful of every stranger that passes her by. We don’t get to see any of what went on in her relationship with Adrian, and we barely know anything of him either, other than he is a tech billionaire and an expert in the field of ‘optics’. So, when word reaches Cecilia that Adrian has committed suicide, we’re even more in the dark about him. He becomes more of an unknown to us, making him all the more mysterious, and the events that consequently unfold throughout the movie all the more terrifying.
As Cecilia begins to settle back into some kind of normality, she slowly lets her guard down, which as we all know is a big mistake! While Cecilia is alone, we start to get different points of view of her, as if someone is watching her. We focus on areas of the house where nobody is in shot, before panning around to reveal…. nothing. Cecilia is not aware of anything, and we haven’t seen anything either, but you’re left on the edge of your seat, straining your eyes to desperately try and pick out some kind of evidence that someone or something is there with her. And then we begin to get confirmation that an invisible something is actually there – a falling knife, a kitchen fire and things being tampered with all start to put Cecilia back on edge, leading her to suspect that Adrian has found some way to continue making her life a misery. These events start off very subtle, but soon become more horrific and intense, clearly intended to gaslight Cecilia and portray her as crazy to everyone around her.
The traditional route for a movie like this would be to focus on our title character – in this case the invisible man. We might see a brilliant or tortured scientist, succeeding or failing with whatever they’re experimenting with, before following them and the consequences of their actions. By giving us very little backstory to our title character, writer and director Leigh Whannell has chosen instead to focus primarily on Cecilia and the psychological horror she endures. Elizabeth Moss gives us the full range of emotions as she endures her terrible ordeal, and you really do share in her isolation and terror throughout. She completely and brilliantly carries the movie – progressing from the lowest of lows to finally, and brilliantly, deciding it’s time to fight back!
A few weeks after her dramatic escape from Adrian and Cecilia is now in the safety of a friends house, police detective James (Aldis Hodge) and his teenage daughter Sydney (Storm Reid). It’s clear that the years of living with an abusive and controlling partner have taken their toll on Cecilia and she can barely even bring herself to leave the house, fearful of every stranger that passes her by. We don’t get to see any of what went on in her relationship with Adrian, and we barely know anything of him either, other than he is a tech billionaire and an expert in the field of ‘optics’. So, when word reaches Cecilia that Adrian has committed suicide, we’re even more in the dark about him. He becomes more of an unknown to us, making him all the more mysterious, and the events that consequently unfold throughout the movie all the more terrifying.
As Cecilia begins to settle back into some kind of normality, she slowly lets her guard down, which as we all know is a big mistake! While Cecilia is alone, we start to get different points of view of her, as if someone is watching her. We focus on areas of the house where nobody is in shot, before panning around to reveal…. nothing. Cecilia is not aware of anything, and we haven’t seen anything either, but you’re left on the edge of your seat, straining your eyes to desperately try and pick out some kind of evidence that someone or something is there with her. And then we begin to get confirmation that an invisible something is actually there – a falling knife, a kitchen fire and things being tampered with all start to put Cecilia back on edge, leading her to suspect that Adrian has found some way to continue making her life a misery. These events start off very subtle, but soon become more horrific and intense, clearly intended to gaslight Cecilia and portray her as crazy to everyone around her.
The traditional route for a movie like this would be to focus on our title character – in this case the invisible man. We might see a brilliant or tortured scientist, succeeding or failing with whatever they’re experimenting with, before following them and the consequences of their actions. By giving us very little backstory to our title character, writer and director Leigh Whannell has chosen instead to focus primarily on Cecilia and the psychological horror she endures. Elizabeth Moss gives us the full range of emotions as she endures her terrible ordeal, and you really do share in her isolation and terror throughout. She completely and brilliantly carries the movie – progressing from the lowest of lows to finally, and brilliantly, deciding it’s time to fight back!
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