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JT (287 KP) rated Risky Business (1983) in Movies
Mar 10, 2020
That shot of Tom Cruise sliding across the hall in his trademark shades, pink shirt and the tightest pair of white briefs is synonymous with the spring board that launched his career.
A film that may have proved the inspiration for Ferris Bueller’s Day Off is one of Cruise’s most famous roles, and it has all the hall marks of a classic 80s comedy with an influx of drama that proved the catalyst for a great film.
Joel Goodsen (Cruise) is just your average American teen, when his parents go out of town for a few days he and fellow buddies look to have a little fun, in part by turning the homestead into a working brothel.
Of course there is a method behind the madness with Cruise hooking up with call girl Lana (De Mornay), they both have their problems and agree on a mutual business deal which also involves engaging in sex every now and again.
If you ever wonder what to do on the subway one night Cruise and De Mornay lead the lesson. That scene in itself is draped in 80s clichés, soft rock music and a strobe lighting effect from the train, it delivers on the steam factor.
The subject matter throughout is strong and covered across all angles. A highly sexed teenage boy, drug use, what not to do to your father’s Porche and being hunted down by a killer pimp, its all in there.
Cruise’s acting display is not the best, but he has the early raw talent to get him through, and of course as we know, the rest is history. What is always similar about teenage kids of this era getting into trouble is that they always seem to get away with it in the end, Ferris Bueller a prime example.
To think that anyone in this day and age would be as lucky is highly unlikely, and that goes for sliding around in tight white under garments.
A film that may have proved the inspiration for Ferris Bueller’s Day Off is one of Cruise’s most famous roles, and it has all the hall marks of a classic 80s comedy with an influx of drama that proved the catalyst for a great film.
Joel Goodsen (Cruise) is just your average American teen, when his parents go out of town for a few days he and fellow buddies look to have a little fun, in part by turning the homestead into a working brothel.
Of course there is a method behind the madness with Cruise hooking up with call girl Lana (De Mornay), they both have their problems and agree on a mutual business deal which also involves engaging in sex every now and again.
If you ever wonder what to do on the subway one night Cruise and De Mornay lead the lesson. That scene in itself is draped in 80s clichés, soft rock music and a strobe lighting effect from the train, it delivers on the steam factor.
The subject matter throughout is strong and covered across all angles. A highly sexed teenage boy, drug use, what not to do to your father’s Porche and being hunted down by a killer pimp, its all in there.
Cruise’s acting display is not the best, but he has the early raw talent to get him through, and of course as we know, the rest is history. What is always similar about teenage kids of this era getting into trouble is that they always seem to get away with it in the end, Ferris Bueller a prime example.
To think that anyone in this day and age would be as lucky is highly unlikely, and that goes for sliding around in tight white under garments.
Gareth von Kallenbach (971 KP) rated Beastly (2011) in Movies
Aug 7, 2019
The beauty and the beast story has officially entered the world of modern fashion in the new film Beastly. In this adaptation we meet Kyle (Alex Pettyfer) a rich kid who believes that a handsome exterior is all that counts in this world. That is until he slights emo student witch Kendra (Mary-Kate Olsen). Kyle soon finds himself with a beastly appearance, cursed until he can overcome his new fractured form and make someone fall in love with him. Adding to the cast is Kyle’s love interest and all around nice girl, Lindy (Vanessa Hudgens). Also notable is Kyle’s mentor/tutor Will played by Neil Patrick Harris.
Sticking closely to the predictable and extremely overdone plot, Beastly offers audiences very little they have not seen before. Kyle is overdramatic. Lindy is suspiciously like the character Vanessa Hudgens played in “High School Musical”. And we learn that Neil Patrick Harris, while always funny, does not play a convincing blind man.
The film does have good scenery and a soundtrack that is high school appropriate. Moreover, the wardrobe is strikingly impressive. But trite dialogue and poorly paced emotional cues give the film a juvenile comedic result. Beastly is amusing and a little funny, however it completely misses the emotional connection expected from a teen adaptation of a famous romantic tale.
Further distracting from the film’s romantic plot are the numerous hollow side stories and plethora of unnecessary character details. From the sudden trip to Kyle’s family cabin to the violent fight between Lindy’s father and a drug dealer, the movie includes numerous scenes that should have been cut.
But still, even with all the downsides, I had no interest in leaving the theater, because Beastly was a high budget train wreck. Not unlike a B-movie in quality and dialogue yet with an impressive budget, an Olsen sister, and some serious face tattoos, “Beastly” is simply cheesy.
Sticking closely to the predictable and extremely overdone plot, Beastly offers audiences very little they have not seen before. Kyle is overdramatic. Lindy is suspiciously like the character Vanessa Hudgens played in “High School Musical”. And we learn that Neil Patrick Harris, while always funny, does not play a convincing blind man.
The film does have good scenery and a soundtrack that is high school appropriate. Moreover, the wardrobe is strikingly impressive. But trite dialogue and poorly paced emotional cues give the film a juvenile comedic result. Beastly is amusing and a little funny, however it completely misses the emotional connection expected from a teen adaptation of a famous romantic tale.
Further distracting from the film’s romantic plot are the numerous hollow side stories and plethora of unnecessary character details. From the sudden trip to Kyle’s family cabin to the violent fight between Lindy’s father and a drug dealer, the movie includes numerous scenes that should have been cut.
But still, even with all the downsides, I had no interest in leaving the theater, because Beastly was a high budget train wreck. Not unlike a B-movie in quality and dialogue yet with an impressive budget, an Olsen sister, and some serious face tattoos, “Beastly” is simply cheesy.
Top of the Pops: 50th Anniversary
Patrick Humphries and Steve Blacknell
Book
'It's Number One - it's Top of the Pops'. It's not just the story of a long-running television...
LeftSideCut (3778 KP) rated Jennifer's Body (2009) in Movies
Nov 1, 2020
The best way to describe Jennifer's Body is that it's pretty middle of the road. Nothing spectacular, but still pretty entertaining, and a would-be standard demonic posession horror-comedy if it wasn't for some good turns from the cast.
The plot revolves around popular high school teen Jennifer (Megan Fox) becoming possessed after a satanic ritual goes awry. Her best friend Needy (Amanda Seyfried) is caught in the crossfire as she tries to find a way to stop Jennifer's murderous Succubus ways.
The movie misses a trick in its titular character. Megan Fox is good at the whole evil schtick, but Jennifer is possessed for about 95% of the runtime, and for that entire duration, she's an absolute douche. We don't see enough of Jennifer beforehand to feel much sympathy towards her. A flashback sequence dealing with how she ended up possessed starts to lean in that direction, but it's an opportunity that's not explored enough. It feels like there's a message in here about the pressures put on women in today's culture to always look the part. An important message indeed, but it's gets lost somewhat in this oversight.
Amanda Seyfried is the real lead here, and her character is wholly sympathetic, and a huge bonus for the overall film. The relationship between her and her boyfriend Chip (Johnny Simmons) is believable and often humourous, and together, they add so much to this movie.
It's also worth mentioning that Adam Brody and J.K. Simmons are both great, and definitely provide the best comedic moments.
The scares are spread pretty thin, but there are a few creepy moments here and there, and some decent gore for good measure. A lot of it seemed practical as well which is always a plus. The little CGI on display is a bit dodgy, but a minor gripe.
Overall then, Jennifer's Body is an imperfect, but solidly entertaining splatter film that tries to capture the struggles of being a teenager, and kind of succeeds, and is certainly worth a watch.
The plot revolves around popular high school teen Jennifer (Megan Fox) becoming possessed after a satanic ritual goes awry. Her best friend Needy (Amanda Seyfried) is caught in the crossfire as she tries to find a way to stop Jennifer's murderous Succubus ways.
The movie misses a trick in its titular character. Megan Fox is good at the whole evil schtick, but Jennifer is possessed for about 95% of the runtime, and for that entire duration, she's an absolute douche. We don't see enough of Jennifer beforehand to feel much sympathy towards her. A flashback sequence dealing with how she ended up possessed starts to lean in that direction, but it's an opportunity that's not explored enough. It feels like there's a message in here about the pressures put on women in today's culture to always look the part. An important message indeed, but it's gets lost somewhat in this oversight.
Amanda Seyfried is the real lead here, and her character is wholly sympathetic, and a huge bonus for the overall film. The relationship between her and her boyfriend Chip (Johnny Simmons) is believable and often humourous, and together, they add so much to this movie.
It's also worth mentioning that Adam Brody and J.K. Simmons are both great, and definitely provide the best comedic moments.
The scares are spread pretty thin, but there are a few creepy moments here and there, and some decent gore for good measure. A lot of it seemed practical as well which is always a plus. The little CGI on display is a bit dodgy, but a minor gripe.
Overall then, Jennifer's Body is an imperfect, but solidly entertaining splatter film that tries to capture the struggles of being a teenager, and kind of succeeds, and is certainly worth a watch.
Kristy H (1252 KP) rated Love, Hate, and Other Filters in Books
Apr 15, 2021
A lovely teen read that delves into deep topics
This is the twelfth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Maya Aziz feels like she lives two lives. In one, she's the dutiful daughter to her Indian Muslim parents: attending college near home, marrying a suitable Muslim boy, and becoming a lawyer. In the other, she goes to school in New York City to become a filmmaker and falls in love with whomever she wants--maybe even Phil, the boy she's loved forever. And in Maya's real world, horrible things happen, often hate crime motivated, that can turn her world upside down.
This is such a beautiful book, and I completely fell in love with Maya and her voice. As the child of the only Indian Muslim family in her small suburban Chicago town, she's always felt different. She dreams of making films, not conforming the way her parents desire. But she also wants to please them. And she's scared, as she deals with all the terrible bigotry and Islamophobia that her family faces.
Ahmed writes so lyrically, weaving her story about Maya finding her way in the world, while still painting a stark and timely picture of racism. It's a bit of a love story, yes, but also one of discovering yourself and finding strength in yourself and the people around you. Maya and Phil's relationship is sweet, and it's so easy to root for her on all levels.
I found this to be a profound read. In many ways, it's simply about a teenager trying to stand up for herself, but it also speaks deeply about Islamophobia. It's often sad, but it's quite hopeful too. I found myself tearing up a bit while reading. Definitely worth a read. 4.5 stars.
Maya Aziz feels like she lives two lives. In one, she's the dutiful daughter to her Indian Muslim parents: attending college near home, marrying a suitable Muslim boy, and becoming a lawyer. In the other, she goes to school in New York City to become a filmmaker and falls in love with whomever she wants--maybe even Phil, the boy she's loved forever. And in Maya's real world, horrible things happen, often hate crime motivated, that can turn her world upside down.
This is such a beautiful book, and I completely fell in love with Maya and her voice. As the child of the only Indian Muslim family in her small suburban Chicago town, she's always felt different. She dreams of making films, not conforming the way her parents desire. But she also wants to please them. And she's scared, as she deals with all the terrible bigotry and Islamophobia that her family faces.
Ahmed writes so lyrically, weaving her story about Maya finding her way in the world, while still painting a stark and timely picture of racism. It's a bit of a love story, yes, but also one of discovering yourself and finding strength in yourself and the people around you. Maya and Phil's relationship is sweet, and it's so easy to root for her on all levels.
I found this to be a profound read. In many ways, it's simply about a teenager trying to stand up for herself, but it also speaks deeply about Islamophobia. It's often sad, but it's quite hopeful too. I found myself tearing up a bit while reading. Definitely worth a read. 4.5 stars.
Kristy H (1252 KP) rated The Wife Who Knew Too Much in Books
Sep 17, 2020
Wild thriller that keeps you on your toes!
Tabby Girard hasn't seen Connor Ford for thirteen years, since he broke her heart as a teen. Back then he was the handsome rich kid whom she fell in love with while working at his country club. But she wasn't good enough for the Ford family, especially Connor's grandmother. Tabby quickly learns Connor is richer than ever now. He's married to Nina Levitt, a wealthy and famous woman twenty years his senior. He married for money, not love, he tells Tabby, and he's miserable. He portrays Nina as a controlling and jealous wife. But if he cheats on Nina and leaves her, their prenup dictates that Connor receives nothing. Then Nina is found dead in the pool at Windswept, her Southampton mansion, where she had just thrown her annual fourth of July party. It seems like Tabby and Connor can finally be together. But Tabby quickly grows suspicious. Was Nina's death really a suicide? And if not, does that mean she's in love with a murderer?
"I'm writing this to raise an alarm in the event of my untimely death. This is hard to admit, even to myself, let alone to the world. My husband is planning to kill me. For obvious reasons. He's in love with someone else. And he wants my money."
It's funny, the writing in this book felt simple and stilted at times. However, I cannot deny that this is a thrilling read. It's fast-paced, and I flew through the pages. Campbell kept me guessing--something that isn't always easy to do--and offered some excellent twists. Kudos to her there. Alternating perspectives between Connor and Tabby works well, as does throwing in some flashbacks from Nina. It all adds up to a very suspenseful, slightly crazy, and quite enjoyable thriller.
Best written book? No. Wild and crazy ride with lots of surprises? Yes. (And also, make better life choices, Tabby.) 3.75 stars.
"I'm writing this to raise an alarm in the event of my untimely death. This is hard to admit, even to myself, let alone to the world. My husband is planning to kill me. For obvious reasons. He's in love with someone else. And he wants my money."
It's funny, the writing in this book felt simple and stilted at times. However, I cannot deny that this is a thrilling read. It's fast-paced, and I flew through the pages. Campbell kept me guessing--something that isn't always easy to do--and offered some excellent twists. Kudos to her there. Alternating perspectives between Connor and Tabby works well, as does throwing in some flashbacks from Nina. It all adds up to a very suspenseful, slightly crazy, and quite enjoyable thriller.
Best written book? No. Wild and crazy ride with lots of surprises? Yes. (And also, make better life choices, Tabby.) 3.75 stars.
LeftSideCut (3778 KP) rated Aquaslash (2019) in Movies
Dec 2, 2020
The premise of Aquaslash is painfully simple, but immediately appeals to anyone that has even a passing interest in slasher flicks - A mystery assailant inserts giant blades into a water slide tunnel, at a busy water park. That's it. That's the film.
Well, unfortunately that's not all of it...
The film opens with a standard but interest-peaking POV scene from the killer, chopping up a couple of horny teenagers at the aformentioned water park, before we get a title card. And then (the unfortunate part) we get a whole hour of goofy teen drama - remember the tsunami of sex comedies that released in the wake of American Pie? Imagine one of the shittier ones, but with no funny bits, and that's the kind of stuff we're getting here.
The script is occasionally humourous, but mostly flat and the acting from everyone involved is a little wonky (except the token jaded old dude, that guy is great)
It's not the most boring thing I've ever sat through, but it's damn close, as countless red herrings are thrown at the audience. The eventual killer reveal by the way, manages to be predictable, and somehow make no sense whatsoever. It's weird.
Thank the lord then for the last 15 minutes, that is just ridiculous and gory enough to make it all worth the slog. When everything eventually kicks off, it's actually pretty entertaining. The gore is all practically done, looks half decent, and the execution is pretty fresh. It's just a shame that the set up is such a drag - If there was more of this then Aquaslash would be miles better.
Honestly, it might be worth just fast forwarding to the good bit with this one, but if you do insist on watching the whole thing, it's not the absolute worst thing ever, and it mercifully clocks in at 75 minutes, which makes the whole ordeal that little more bearable.
Well, unfortunately that's not all of it...
The film opens with a standard but interest-peaking POV scene from the killer, chopping up a couple of horny teenagers at the aformentioned water park, before we get a title card. And then (the unfortunate part) we get a whole hour of goofy teen drama - remember the tsunami of sex comedies that released in the wake of American Pie? Imagine one of the shittier ones, but with no funny bits, and that's the kind of stuff we're getting here.
The script is occasionally humourous, but mostly flat and the acting from everyone involved is a little wonky (except the token jaded old dude, that guy is great)
It's not the most boring thing I've ever sat through, but it's damn close, as countless red herrings are thrown at the audience. The eventual killer reveal by the way, manages to be predictable, and somehow make no sense whatsoever. It's weird.
Thank the lord then for the last 15 minutes, that is just ridiculous and gory enough to make it all worth the slog. When everything eventually kicks off, it's actually pretty entertaining. The gore is all practically done, looks half decent, and the execution is pretty fresh. It's just a shame that the set up is such a drag - If there was more of this then Aquaslash would be miles better.
Honestly, it might be worth just fast forwarding to the good bit with this one, but if you do insist on watching the whole thing, it's not the absolute worst thing ever, and it mercifully clocks in at 75 minutes, which makes the whole ordeal that little more bearable.
Kristy H (1252 KP) rated Concrete Rose in Books
Jan 28, 2021
A striking prequel to The Hate You Give
Maverick Carter feels the weight of the world on his shoulders. With his father in prison, he has to help his mother financially while still attending high school. To do so, he's secretly dealing drugs with some of his friends, and he's a member of the King Lords gang, same as his father, for protection. But when Mav finds out he's becoming a father too, everything changes. His son, Seven, alters his view on the world. He wants to stop dealing, to get a real job, maybe even leave the gang. And when a murder rocks his community, Maverick is forced to grow up quickly and figure out exactly what his future holds.
"When it comes to the streets, there’s rules. They ain’t written down, and you won’t find them in a book."
CONCRETE ROSE takes place around seventeen years before Thomas' hit THE HATE YOU GIVE, and it's absolutely riveting. Talk about the book you didn't know you needed, but once you read it, you'll never forget it. Thomas perfectly captures teen Maverick's voice and his early life, including all the pressures that come with being a young black man in his community.
Thomas deftly shows how institutionalized racism has affected Maverick's entire world--his father in prison, the gang life that surrounds him, the standards and judgements forced upon him. Maverick wants to go straight, but the pressures he faces--having to support his family as a kid, other family members who want him in a gang--are nearly overwhelming.
This book touches on friendship, family, belonging, and so much more. It's spellbinding and so well-done. The fact that it has ties to THUG is even better, giving insight into more of that world. Overall, it's incredibly engrossing and insightful. Honestly, I was sad it didn't cover more time up to THUG. 4.5 stars.
"When it comes to the streets, there’s rules. They ain’t written down, and you won’t find them in a book."
CONCRETE ROSE takes place around seventeen years before Thomas' hit THE HATE YOU GIVE, and it's absolutely riveting. Talk about the book you didn't know you needed, but once you read it, you'll never forget it. Thomas perfectly captures teen Maverick's voice and his early life, including all the pressures that come with being a young black man in his community.
Thomas deftly shows how institutionalized racism has affected Maverick's entire world--his father in prison, the gang life that surrounds him, the standards and judgements forced upon him. Maverick wants to go straight, but the pressures he faces--having to support his family as a kid, other family members who want him in a gang--are nearly overwhelming.
This book touches on friendship, family, belonging, and so much more. It's spellbinding and so well-done. The fact that it has ties to THUG is even better, giving insight into more of that world. Overall, it's incredibly engrossing and insightful. Honestly, I was sad it didn't cover more time up to THUG. 4.5 stars.
This is the eighth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Teenage Erin's family moves after a difficult time. Erin surprisingly feels solace in her new room--where she soon realizes she isn't alone. It's occupied by the spirit of Joe, the teenage boy who lived in the room before her. At the local school, Joe's brother Olly is struggling with being left behind. Until he meets a girl--different from anyone he's ever dated before. Now, Erin finds herself torn between two brothers. One living, one caught between two worlds. How can she choose?
It's probably my fault for choosing a book with such a plot, but this one is pretty silly. To say it's cheesy and schmaltzy is putting it mildly. I kept thinking about if you could read a book like this without having to abandon all realism... I'm not sure. But, Erin accepts the fact that there is a ghost in her room without any issue at all. Which, um, okay? Even better, she falls in insta-love with this ghost.
There's very little character development here. We get light background on Erin and what seems like even less on Joe (in fact, it seems like his personality switches halfway through). So we're supposed to believe they are two flawed teens, and Olly is a happy go-lucky guy, without much evidence at all. There's insta-love everywhere you look. A preposterous plot. And no one is willing to use Google, apparently.
Still, it's a teen read, so I can see how they might enjoy some of this craziness. It's a fast read, and I won't lie, I was caught up in the story at times. And the ending really was pretty perfect. Still, as much as I hate to do it, as I've read some of Kessler's other books and loved them, I think this was a 2.5-star read for me.
Teenage Erin's family moves after a difficult time. Erin surprisingly feels solace in her new room--where she soon realizes she isn't alone. It's occupied by the spirit of Joe, the teenage boy who lived in the room before her. At the local school, Joe's brother Olly is struggling with being left behind. Until he meets a girl--different from anyone he's ever dated before. Now, Erin finds herself torn between two brothers. One living, one caught between two worlds. How can she choose?
It's probably my fault for choosing a book with such a plot, but this one is pretty silly. To say it's cheesy and schmaltzy is putting it mildly. I kept thinking about if you could read a book like this without having to abandon all realism... I'm not sure. But, Erin accepts the fact that there is a ghost in her room without any issue at all. Which, um, okay? Even better, she falls in insta-love with this ghost.
There's very little character development here. We get light background on Erin and what seems like even less on Joe (in fact, it seems like his personality switches halfway through). So we're supposed to believe they are two flawed teens, and Olly is a happy go-lucky guy, without much evidence at all. There's insta-love everywhere you look. A preposterous plot. And no one is willing to use Google, apparently.
Still, it's a teen read, so I can see how they might enjoy some of this craziness. It's a fast read, and I won't lie, I was caught up in the story at times. And the ending really was pretty perfect. Still, as much as I hate to do it, as I've read some of Kessler's other books and loved them, I think this was a 2.5-star read for me.
James P. Sumner (65 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 10, 2019
The MCU delivers again!
Tom Holland reprises his role as the friendly neighbourhood Spiderman in this enjoyable final entry in the MCU's third phase.
Picking up where Avengers: Endgame left off, the world is slowly getting back on its feet after Thanos' handiwork was reversed. Peter Parker is on a school trip across Europe when huge Elemental enemies attack. He's unprepared, but the day is saved by Mysterio - a superhero from an alternate universe.
So far, so Marvel.
Twists and turns follow, with plenty of action throughout. The storyline reminded me of Iron Man 3 in some ways, in terms of it's structure and style. The visuals were impressive as always. The acting was spot-on, with Happy returning in a comic relief/mentor role that worked really well alongside the hero.
The great thing about all the Marvel movies is how they distinguish themselves from each other. Aside from being just comic book movies, each individual series has its own themes and genre. Guardians of the Galaxy is sci-fi/action/comedy, Captain America is more political/action, Thor is fantasy, etc... Spiderman fills the gap for a teen drama, appealing to the younger audience by giving them the angst and romance they crave and relate to. The relationship between Peter and MJ is explored in greater detail here, and their on-screen awkward is fun to watch, but also believable - largely, I suspect, due to the pair's off-screen friendship. Their chemistry is brilliant and really adds to the movie.
As with all Marvel movies, it ain't over 'til it's over. The mid-credits scene does a truly fantastic job of setting up the third movie in the series, while the post-credits scene teases at the future of the wider MCU.
Marvel has had numerous hits with only a small handful of near-misses. Spiderman: Far From Home is a resounding hit and not to be missed!
Picking up where Avengers: Endgame left off, the world is slowly getting back on its feet after Thanos' handiwork was reversed. Peter Parker is on a school trip across Europe when huge Elemental enemies attack. He's unprepared, but the day is saved by Mysterio - a superhero from an alternate universe.
So far, so Marvel.
Twists and turns follow, with plenty of action throughout. The storyline reminded me of Iron Man 3 in some ways, in terms of it's structure and style. The visuals were impressive as always. The acting was spot-on, with Happy returning in a comic relief/mentor role that worked really well alongside the hero.
The great thing about all the Marvel movies is how they distinguish themselves from each other. Aside from being just comic book movies, each individual series has its own themes and genre. Guardians of the Galaxy is sci-fi/action/comedy, Captain America is more political/action, Thor is fantasy, etc... Spiderman fills the gap for a teen drama, appealing to the younger audience by giving them the angst and romance they crave and relate to. The relationship between Peter and MJ is explored in greater detail here, and their on-screen awkward is fun to watch, but also believable - largely, I suspect, due to the pair's off-screen friendship. Their chemistry is brilliant and really adds to the movie.
As with all Marvel movies, it ain't over 'til it's over. The mid-credits scene does a truly fantastic job of setting up the third movie in the series, while the post-credits scene teases at the future of the wider MCU.
Marvel has had numerous hits with only a small handful of near-misses. Spiderman: Far From Home is a resounding hit and not to be missed!