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I enjoyed this fantasy book despite not particularly connecting with the main character. Katsa can be harsh and unrelatable, but the plot of the book is interesting. I listened to the book rather than reading it, so I think that I noticed the writing style/grammar problems less than those who were actually looking at the words.
The premise was fascinating - some people grow into special abilities called graces although each grace is different. Katsa has a fighting grace, which her King has her use to intimidate and harm people. Despite hating it, she never fights against it and accepts her position as a killer. I understand the fear of the King's anger, but cannot reconcile that with allowing oneself to be used and abused in such a manner. She is a fighter and strong enough that no one should be able to command her. Her freedom and her choices should be her own, but she allows herself to be manipulated for a long time.
Po, on the other hand, was very likable. He brings out a better side of Katsa and forces her to realize that she does not have to be the King's puppet. He is intelligent, a revered fighter and kind. I also liked another character, but as they do not have a role until the later half of the book - I'm afraid that talking about them might spoil details.
The world building was decent and I hope that it is expanded in future books, as this is not a standalone. The journey Katsa goes on is chronicled beautifully, but I don't feel like I know the world itself or its monarchies well. There are seven kingdoms and I would not be able to detail customs, names or climate of many of them.
Overall, the plot is relatively predictable although there were a few points that weren't expected. The pacing was steady throughout, but some scene changes and plot progressions seemed to jump forward when the plot would have been better served if they were expanded upon. For example, the conflict of the plot built and then the climax and "resolution" was mere moments so if you weren't paying close attention you may have missed it.
I would recommend this to young adult/teen readers who enjoy fantasy books - and I can't wait to read the next book in the series.
The premise was fascinating - some people grow into special abilities called graces although each grace is different. Katsa has a fighting grace, which her King has her use to intimidate and harm people. Despite hating it, she never fights against it and accepts her position as a killer. I understand the fear of the King's anger, but cannot reconcile that with allowing oneself to be used and abused in such a manner. She is a fighter and strong enough that no one should be able to command her. Her freedom and her choices should be her own, but she allows herself to be manipulated for a long time.
Po, on the other hand, was very likable. He brings out a better side of Katsa and forces her to realize that she does not have to be the King's puppet. He is intelligent, a revered fighter and kind. I also liked another character, but as they do not have a role until the later half of the book - I'm afraid that talking about them might spoil details.
The world building was decent and I hope that it is expanded in future books, as this is not a standalone. The journey Katsa goes on is chronicled beautifully, but I don't feel like I know the world itself or its monarchies well. There are seven kingdoms and I would not be able to detail customs, names or climate of many of them.
Overall, the plot is relatively predictable although there were a few points that weren't expected. The pacing was steady throughout, but some scene changes and plot progressions seemed to jump forward when the plot would have been better served if they were expanded upon. For example, the conflict of the plot built and then the climax and "resolution" was mere moments so if you weren't paying close attention you may have missed it.
I would recommend this to young adult/teen readers who enjoy fantasy books - and I can't wait to read the next book in the series.
ArecRain (8 KP) rated The Sight (Premonitions, #1-2) in Books
Jan 18, 2018
When I requested this novel from goodsreads bookwasp, I actually did not have high hopes for it. After reading the first page, I cringed at having picked up another angst filled young adult novel where the lead is so antisocial and broken that all they have is contempt for the world around them. That lasted about three pages before the writing was dominate by plot and character development. I was so surprised by the change, I almost had whiplash.
If I ever rate a young adult novel more than three stars, you know it is worth a look. I was so pleasantly surprised at the interesting plot, realistic characters, and intriguing writing that I could not put the book down. Instead of being confronted by an young teen bitter from not having a father and recently losing her mother in a car accident on top of having interrupting visions, I was dealt Gracie, a sixteen year old struggling with the changes in her life and confusing emotions. She is jealous of her aunt and cousin who have a close relationship she can longer have with her mother. She is constantly annoyed by Emily, a classmate who Gracie never wanted to be friends with but ends up risking her life to save. She is attracted to the aloof and old Zed who she cannot seem to act normal around.
Of course there were bitter and jaded comments about the world around her, but, more than anything, Gracie is determined to find a place she belongs, a home. Not surprising since Gracie was uprooted from the only home and family she has ever known and dropped onto an island with relatives she cannot seem to find common ground with a town that does not seem to accept her. That is the least of her worries because her ability to pick up visions is forcing her into action.
Two stories in one, both deal with Gracie trying to use her ability the best she can to save those around her. The only things I did not like about this book is that Blundell seemed to leave some loose ends such as the road Gracies father decides to take, which the reader can guess, and Gracie and Zeds relationship . I would have liked some closure on those subjects.
If I ever rate a young adult novel more than three stars, you know it is worth a look. I was so pleasantly surprised at the interesting plot, realistic characters, and intriguing writing that I could not put the book down. Instead of being confronted by an young teen bitter from not having a father and recently losing her mother in a car accident on top of having interrupting visions, I was dealt Gracie, a sixteen year old struggling with the changes in her life and confusing emotions. She is jealous of her aunt and cousin who have a close relationship she can longer have with her mother. She is constantly annoyed by Emily, a classmate who Gracie never wanted to be friends with but ends up risking her life to save. She is attracted to the aloof and old Zed who she cannot seem to act normal around.
Of course there were bitter and jaded comments about the world around her, but, more than anything, Gracie is determined to find a place she belongs, a home. Not surprising since Gracie was uprooted from the only home and family she has ever known and dropped onto an island with relatives she cannot seem to find common ground with a town that does not seem to accept her. That is the least of her worries because her ability to pick up visions is forcing her into action.
Two stories in one, both deal with Gracie trying to use her ability the best she can to save those around her. The only things I did not like about this book is that Blundell seemed to leave some loose ends such as the road Gracies father decides to take, which the reader can guess, and Gracie and Zeds relationship . I would have liked some closure on those subjects.
Kyera (8 KP) rated The Prisoner of Cell 25 (Michael Vey, #1) in Books
Feb 1, 2018
Michael is a 14-year-old who gets bullied in school, and just so happens to have electrical powers? The tale seems familiar until the exciting addition of having these special abilities is introduced. One of my favourite superpowers or forms of magic is one that is based on the elements, so I was very curious to see how electricity would be represented here. It was fascinating to see how it could manifest itself differently and be used in a variety of situations.
The overall idea of this story was very intriguing, although I found the writing to be lacking at times. One of the biggest elements that drew me out of the story was the author's inability to choose a word other than <i>said</i> to describe when a person was speaking. It became frustrating to listen to the characters talk when the entire page just repeated, "he said... she said... then they said... he said again." By that point, I was pretty over the word said. It definitely detracted from the story, which I found enjoyable overall.
It was definitely very trope-y, but that's not necessarily a bad thing - it completely depends upon your reading preference. I personally enjoy some tropes but when they're overused you tend to connect with the characters less because they're no longer unique. The biggest one for me in this book was the characterization of our three leads and how one dimensional it made them. I don't want to spoil the story, but once you read the book you will understand my issues with the characterization. I would love to see more character development over the next few novels.
As there are six other books in the series, I expect that the character development and world building will be improved upon. It wasn't until the end of the book that I started to feel more of a connection to the characters and curiosity about the world. The author definitely writes for a younger audience; the writing style was not as developed or mature as I would expect for a young adult reader.
I would recommend it to middle-grade readers, as well as young adult/teen readers who enjoy their fantasy books in a familiar setting. Don't expect flowery writing or deep characterization, just let the story take you on a fun, easy journey.
The overall idea of this story was very intriguing, although I found the writing to be lacking at times. One of the biggest elements that drew me out of the story was the author's inability to choose a word other than <i>said</i> to describe when a person was speaking. It became frustrating to listen to the characters talk when the entire page just repeated, "he said... she said... then they said... he said again." By that point, I was pretty over the word said. It definitely detracted from the story, which I found enjoyable overall.
It was definitely very trope-y, but that's not necessarily a bad thing - it completely depends upon your reading preference. I personally enjoy some tropes but when they're overused you tend to connect with the characters less because they're no longer unique. The biggest one for me in this book was the characterization of our three leads and how one dimensional it made them. I don't want to spoil the story, but once you read the book you will understand my issues with the characterization. I would love to see more character development over the next few novels.
As there are six other books in the series, I expect that the character development and world building will be improved upon. It wasn't until the end of the book that I started to feel more of a connection to the characters and curiosity about the world. The author definitely writes for a younger audience; the writing style was not as developed or mature as I would expect for a young adult reader.
I would recommend it to middle-grade readers, as well as young adult/teen readers who enjoy their fantasy books in a familiar setting. Don't expect flowery writing or deep characterization, just let the story take you on a fun, easy journey.
Hannah May (3 KP) rated Eleanor & Park in Books
Mar 8, 2018
Contains spoilers, click to show
It was a strange kind of wonderful, reading this book. It is a romance in its purest form and has been written with so much care and tenderness. Eleanor & Park is unlike any book I have ever read - so far at least. The romantic build is slow, dramatic and captiviting, and it defies the stereotypes of everyday life. Eleanor is not your average teenage girl. She's not popular. She's not blonde. She's not stick thin. Her family is not rich. She is different and Rainbow Rowell reaffirms that idea again and again. She has a big mess of red hair. She's a social outcast. She's bullied. She comes from a broken family. She's anxious and self-conscious. She is so different and so far off the spectrum, that it was a never ending thrill hearing her side of the story, hearing of her struggles and passions. Reading from Eleanor's point of view really brought the whole world into perspective, and made me think in ways I have never done so before. Now. What can I say about Park without repeating myself? What I like most about him is his characterisation. Why? Because it sets him apart from the typical male protagonist you find in most Teen Fiction novels. He's quirky. He's sarcastic. He's a closet romantic. He's Asian. He wears make up. He too is an outcast. This alone makes him different, but no less intriguing or entertaining to read. I truly admire his devotion to Eleanor. Even when she tries to push him away, he's always there for her and he always loves her, despite her taciturn moods and snappy comments. He loves her so deeply and without shame. Needless to say, I wish there were more boys like him. Now, the ending was ambiguous and rather bittersweet. I'd be lying if I said I wasn't disappointed, but somehow I found it quite fitting; considering what happened and how far both Eleanor and Park had come, since their first meeting on the school bus. It's not the perfect happily-ever-after, but it was full of potential and hope that it was, in its own little way. It left a smile on my face, at least. Needless to say, I would recommend Eleanor and Park to anyone. From the setting to the characters to the little hidden messages, it is a real story. It is a real romance and it will move you; body and soul.
Kristy H (1252 KP) rated Carefully Everywhere Descending in Books
Feb 13, 2018
Audrey Anderson is a bright student from a low income family. Audrey spends most of her time focused on school, with college as her ultimate goal. While she's close to her best friend, she isn't that involved with other kids at her school. However, when one of the most popular (and beautiful) girls in school, Scarlett, asks Audrey to tutor her in English, Audrey finds herself caught up in the typical drama of high school - friendship, prom, etc.
Okay, first of all, I probably bumped up this rating a bit because it was just so refreshing to read a YA LGBT novel with a nice, normal protagonist who seemed real. Most of Audrey's friends and family seem fine with her sexuality and other girls at her school go to prom together. It's wonderful to see a LGBT book where the character's sexuality is just part of her life, versus what drives the entire plot.
The book also does a good job of portraying Audrey and Scarlett's romance - Audrey's unrequited love for Scarlett seemed a bit much at first, but remembering back to the angst of teen love, it seemed right on point.
My problem with this book was some of its odd plot twists, which really didn't seem necessary. I won't spoil the book here, but I think Bedford could have stuck with Audrey and Scarlett's love story and been just fine. That being said, I didn't think they were that crazy or out of left field. I found Audrey to be a compelling and realistic character and it was great to see an author use a YA protagonist from a low income background, even if it did seem a bit overused at times. Too often these books focus on the popular kids, driving their parents' cars and living life without a care in the world. Audrey's life is probably far more realistic for many.
Frankly, the book had some holes and issues, but it was still worth the read for its portrayal of a real YA lesbian relationship and Audrey's overall situation. I enjoyed her character and read the entire book in one day - I'll certainly be recommending it to several of my friends.
(I received an ARC of this novel from Netgalley in return for an unbiased review.)
Okay, first of all, I probably bumped up this rating a bit because it was just so refreshing to read a YA LGBT novel with a nice, normal protagonist who seemed real. Most of Audrey's friends and family seem fine with her sexuality and other girls at her school go to prom together. It's wonderful to see a LGBT book where the character's sexuality is just part of her life, versus what drives the entire plot.
The book also does a good job of portraying Audrey and Scarlett's romance - Audrey's unrequited love for Scarlett seemed a bit much at first, but remembering back to the angst of teen love, it seemed right on point.
My problem with this book was some of its odd plot twists, which really didn't seem necessary. I won't spoil the book here, but I think Bedford could have stuck with Audrey and Scarlett's love story and been just fine. That being said, I didn't think they were that crazy or out of left field. I found Audrey to be a compelling and realistic character and it was great to see an author use a YA protagonist from a low income background, even if it did seem a bit overused at times. Too often these books focus on the popular kids, driving their parents' cars and living life without a care in the world. Audrey's life is probably far more realistic for many.
Frankly, the book had some holes and issues, but it was still worth the read for its portrayal of a real YA lesbian relationship and Audrey's overall situation. I enjoyed her character and read the entire book in one day - I'll certainly be recommending it to several of my friends.
(I received an ARC of this novel from Netgalley in return for an unbiased review.)
Emma @ The Movies (1786 KP) rated Eighth Grade (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Eighth Grade was quite difficult for me to watch. I absolutely hate watching things that are awkward, and if one word sums up this film it's "awkward". I'm throwing it in the pool with talk shows and reality TV in all their cringy glory. Between those awkward moments we do thankfully see some nicer moments.
Kayla is trying to navigate the move from eighth grade to high school, the perils of friends and enemies, and how to get noticed by the right people. Like many of us have done she tries stepping out of her comfort zone with varying degrees of success. But every one of those steps helps her learn something about herself and life, things that she hopes future Kayla will remember when life seems tough.
I'm just going to skip over the things I didn't like about the movie because honestly, it's all mainly issues to do with the awkwardness I've already mentioned.
Kayla's dad is probably my favourite character in this, he is involved in some of the scenes I didn't like but overall he brings a lot of heart to the film. When he makes his speech at Kayla towards the end it's a genuinely moving moment and it brought a tear to my eye. One of the only things that I came away wondering was where was mum, she's mentioned but I don't think anything is specifically mentioned apart from "she left". Part of me thinks it's frustrating, but there was no real way to bring it up out of context.
There's nothing particularly wrong with the film, the acting was fine and although the script was frustrating it was accurate to what was trying to be achieved. This is definitely not for me though. Partly for the awkward reason and partly because I don't entirely enjoy watching films that involve things I could, or have, done myself.
What you should do
It's not one that' I'd recommend for the obvious reason above. It does seem to be liked by lots of people though so it's probably one that's worth checking out when it goes to streaming services.
Movie thing you wish you could take home
I not sure there's actually anything from this I'd like to take home with me... I don't need any more angsty teen in my life.
Kayla is trying to navigate the move from eighth grade to high school, the perils of friends and enemies, and how to get noticed by the right people. Like many of us have done she tries stepping out of her comfort zone with varying degrees of success. But every one of those steps helps her learn something about herself and life, things that she hopes future Kayla will remember when life seems tough.
I'm just going to skip over the things I didn't like about the movie because honestly, it's all mainly issues to do with the awkwardness I've already mentioned.
Kayla's dad is probably my favourite character in this, he is involved in some of the scenes I didn't like but overall he brings a lot of heart to the film. When he makes his speech at Kayla towards the end it's a genuinely moving moment and it brought a tear to my eye. One of the only things that I came away wondering was where was mum, she's mentioned but I don't think anything is specifically mentioned apart from "she left". Part of me thinks it's frustrating, but there was no real way to bring it up out of context.
There's nothing particularly wrong with the film, the acting was fine and although the script was frustrating it was accurate to what was trying to be achieved. This is definitely not for me though. Partly for the awkward reason and partly because I don't entirely enjoy watching films that involve things I could, or have, done myself.
What you should do
It's not one that' I'd recommend for the obvious reason above. It does seem to be liked by lots of people though so it's probably one that's worth checking out when it goes to streaming services.
Movie thing you wish you could take home
I not sure there's actually anything from this I'd like to take home with me... I don't need any more angsty teen in my life.
Kirk Bage (1775 KP) rated Black Mirror - Season 5 in TV
Mar 3, 2020 (Updated Mar 3, 2020)
Contains spoilers, click to show
Striking Vipers - 5.5
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.
Kristy H (1252 KP) rated The Sea of Lost Girls in Books
Mar 19, 2020
Tessa has started her life over at Haywood, an elite boarding school in coastal Maine. She teaches English there and is married to a well-respected fellow professor, Harmon. Her seventeen-year-old son, Rudy, while troubled in the past, seems to be doing well. This is much in part to his girlfriend, Lila Zeller, a smart and focused teen. But then Tessa gets an early morning text from Rudy, asking her to pick him up. He and Lila had a fight, and Tessa finds him wet and shivering. Later that morning they receive the devastating news that Lila's dead body was found on the beach, not far from where Tessa picked Rudy up. Soon there are whispers of murder surrounding Lila's death, and both Tessa's husband and son find themselves under investigation. And the more she delves into Haywood's past, the more she realizes she isn't the only one keeping secrets.
"When we landed here in this pretty harbor town with its sailboats and white clapboard houses I'd thought we'd come to a place where we'd always be safe. But Rudy has always had a nose for darkness."
I love Carol Goodman's books, and I'm always into a good boarding school book, so picking up this one was a no-brainer. She doesn't disappoint. This is a quick, captivating story that keeps you guessing the entire time. While Tessa isn't always the most likeable character, I was certainly invested in her story.
Goodman deftly weaves two storylines together--the present, featuring Tessa's family and Lila's death and the past, which revolves around the titular lost girls, whom tie back to Haywood in its earlier days. We also learn more about Tessa's past and her long-hidden secrets, many of which also link into Haywood itself. Somehow all of this works together. It's a mysterious, sometimes dark story, and one that keeps you wondering. I changed my mind several times about who could have harmed Lila. I love a book that keeps me on my toes. I also enjoyed the story of the lost girls and the school's eerie stories.
Goodman is a master storyteller, and this book flies by. She brings in links such as "The Crucible," which the Haywood students are performing, and ties to the #metoo movement. They all augment this strong story about the power of lies and hidden secrets. The parallels between the past and present are expertly woven together. 4 stars.
"When we landed here in this pretty harbor town with its sailboats and white clapboard houses I'd thought we'd come to a place where we'd always be safe. But Rudy has always had a nose for darkness."
I love Carol Goodman's books, and I'm always into a good boarding school book, so picking up this one was a no-brainer. She doesn't disappoint. This is a quick, captivating story that keeps you guessing the entire time. While Tessa isn't always the most likeable character, I was certainly invested in her story.
Goodman deftly weaves two storylines together--the present, featuring Tessa's family and Lila's death and the past, which revolves around the titular lost girls, whom tie back to Haywood in its earlier days. We also learn more about Tessa's past and her long-hidden secrets, many of which also link into Haywood itself. Somehow all of this works together. It's a mysterious, sometimes dark story, and one that keeps you wondering. I changed my mind several times about who could have harmed Lila. I love a book that keeps me on my toes. I also enjoyed the story of the lost girls and the school's eerie stories.
Goodman is a master storyteller, and this book flies by. She brings in links such as "The Crucible," which the Haywood students are performing, and ties to the #metoo movement. They all augment this strong story about the power of lies and hidden secrets. The parallels between the past and present are expertly woven together. 4 stars.
David Wilkerson: The Cross, the Switchblade, and the Man Who Believed
Book
This is the story of David Wilkerson, the man who believed against the odds that God could do great...
Holding Up the Universe
8.0
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Book
From the author of the New York Times bestseller All the Bright Places comes a heart-wrenching story...