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The Holy Bible - King James Version
Book and Reference
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The Holy Bible - King James Version is a beautiful, easy to use, full featured Tecarta Bible app...
Tecarta Bible
Book and Reference
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The Tecarta Bible is a beautiful, easy to use, full featured Bible app designed for quick...
MSC1: Be Confident in Who You Are
Book and Education
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Now for iPhone and iPad! • “As you prepare for back to school, don't forget the anxiety...[this...
Little Nanny Parent - GPS Tracker
Lifestyle and Navigation
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Little Nanny – a high precision child tracker (GPS) and playground guard. Almost like a real nanny...
Kristy H (1252 KP) rated Cool for the Summer in Books
May 13, 2021
A simply wonderful book about finding yourself and love
Larissa "Lara" Bogdan has had a crush on one person for her entirety of high school: Chase Harding, the handsome, beloved football quarterback. But it's not until she comes back from a summer at the Outer Banks that he seems to take real notice of Lara. Like, flirting, asking her out notice. Now, she suddenly has everything she's ever wanted. But Lara can't seem to shake her memories of that Outer Banks summer and the girl she spent it with: Jasmine. Those memories come back in full force when Jasmine unexpectedly shows up at Lara's school on the first day and sees Chase flirting with Lara. Lara finally has Chase now. So why can't she stop thinking about Jasmine?
"How do you tell people who've listened to you babble about your crush on a guy for a thousand years that whoops, you spent the summer fooling around with a girl?"
Oh goodness, this was a great book. I'm so jealous there are so many wonderful YA LGTBQIA books out there now, which I would have devoured as a teen, yet incredibly happy too. I absolutely loved Lara as a character. She's sweet and bookish (addicted to romances) and in that stage where she's finding herself and coming out. It's hard not to relate to that. Adler's characters pop onto the pages--Lara, her mother, Jasmine, and Lara's cast of funny, overbearing, and loving friends. And even Chase, who is truly a good guy. (I appreciated that it wasn't "bad guy" versus "good girl" but two good kids, with their own personalities and flaws, whom Lara had to choose from.)
The book is told in a then and now format, starting out with Lara in high school and then flashing back to her summer in the Outer Banks with Jasmine. As someone who has spent some time in the Outer Banks, I loved the beachy setting, and the book just felt fun, summery, and exciting. You could feel the thrill of Lara and Jasmine falling for each other. It's so rare that we get this in our literature, and it brought back memories of my own first love and that fun, scared, happy feeling, along with all that uncertainly of realizing you were feeling these things for another girl. Adler captures it all so perfectly.
"If I somehow got Jasmine back--if I even wanted her back--what would it mean losing when everyone else found out the truth?"
The premise for this book is fascinating and lovely. Lara suddenly has everything she wants: she has pined after Chase for THREE YEARS. She comes back from vacation with a tan, a new haircut, and a newfound confidence (which no one knows the source of) and he suddenly takes notice of her. She should be in heaven--her friends certainly think so. Faced with having to make all these monumental life decisions, to realize whom she loves, and what she is--it's a lot. The book does such an excellent job of portraying bisexuality and the journey of figuring out who who you are. It's very well done, but also funny and witty. All the characters seem real and, for the most part, true to their age.
Overall, I loved this one. It portrays the queer community very well and does an excellent job capturing teens. The story is fun, sweet, and captivating. I feel like it would speak well to teens and adults who remember that spark of falling in love. I have to go read everything else by Adler now... 4.5 stars.
"How do you tell people who've listened to you babble about your crush on a guy for a thousand years that whoops, you spent the summer fooling around with a girl?"
Oh goodness, this was a great book. I'm so jealous there are so many wonderful YA LGTBQIA books out there now, which I would have devoured as a teen, yet incredibly happy too. I absolutely loved Lara as a character. She's sweet and bookish (addicted to romances) and in that stage where she's finding herself and coming out. It's hard not to relate to that. Adler's characters pop onto the pages--Lara, her mother, Jasmine, and Lara's cast of funny, overbearing, and loving friends. And even Chase, who is truly a good guy. (I appreciated that it wasn't "bad guy" versus "good girl" but two good kids, with their own personalities and flaws, whom Lara had to choose from.)
The book is told in a then and now format, starting out with Lara in high school and then flashing back to her summer in the Outer Banks with Jasmine. As someone who has spent some time in the Outer Banks, I loved the beachy setting, and the book just felt fun, summery, and exciting. You could feel the thrill of Lara and Jasmine falling for each other. It's so rare that we get this in our literature, and it brought back memories of my own first love and that fun, scared, happy feeling, along with all that uncertainly of realizing you were feeling these things for another girl. Adler captures it all so perfectly.
"If I somehow got Jasmine back--if I even wanted her back--what would it mean losing when everyone else found out the truth?"
The premise for this book is fascinating and lovely. Lara suddenly has everything she wants: she has pined after Chase for THREE YEARS. She comes back from vacation with a tan, a new haircut, and a newfound confidence (which no one knows the source of) and he suddenly takes notice of her. She should be in heaven--her friends certainly think so. Faced with having to make all these monumental life decisions, to realize whom she loves, and what she is--it's a lot. The book does such an excellent job of portraying bisexuality and the journey of figuring out who who you are. It's very well done, but also funny and witty. All the characters seem real and, for the most part, true to their age.
Overall, I loved this one. It portrays the queer community very well and does an excellent job capturing teens. The story is fun, sweet, and captivating. I feel like it would speak well to teens and adults who remember that spark of falling in love. I have to go read everything else by Adler now... 4.5 stars.
Bob Mann (459 KP) rated The New Mutants (2020) in Movies
Sep 9, 2020
Character-driven storyline rather than wham-bam Marvel action (1 more)
Illyana Rasputin - great character
"Glass" - Half Full.
So, I've heard a lot of bad word-of-mouth about this X-Men flick, but otherwise knew very little about it. As such, I went in with low expectations. And although there is nothing remotely novel about the movie, I didn't think it was too bad at all.
The plot: So, my review title suggests that the plot is very closely aligned to M Night Shymalan's "Glass" - his "Split" sequel from last year. A Victorian-style hospital-cum-prison similarly forms the claustrophobic setting for the majority of the movie. This is where the troubled teen Dani Moonstar (Blu Hunt) is taken after being suddenly orphaned in dramatic and mysterious circumstances. The only doctor present, Dr Reyes (Alice Braga), says she is being held there for her own - and society's safety - while her puberty-driven mutant tendencies emerge.
Locked away with her is Rahne (Maisie Williams), Charlie (Sam Guthrie), 'hot' Brazilian hunk Roberto (Henry Zaga) and the gloriously named Illyana Rasputin (Anya-Taylor Joy). Danni's arrival sparks a serious of escalating events that literally lead to all hell breaking loose.
Blu is the warmest colour: What made this Marvel movie stand-out for me, from the normal glass-shattering standard, is that it is predominantly a character-led piece. We spend quite a bit of time (for a Marvel movie) in building relationships between the teens, including a sweet lesbian-coming-out 'will they/won't they' tension between Rahne and Danni.
I was also very much attracted to the performance of Blu Hunt. I admit that this might not just be due to her interesting performance (the indigenous / LBGT angle is intriguing) but because she reminded me strongly of a girl at school who I had a mad crush on and completely failed to get off with! Blu is actually native American (from the Lakota tribe). Given she is the lead and has to carry the movie, it's a surprise that she is only about 5th in the billing: I'd have been upset with the director (Josh "A Fault in our Stars" Boone) about that.
Maisie Williams is also effective in this, and gets top billing, although arguably Anya-Taylor-Joy has emerged - with her wonderful "Emma" - as the bigger star since filming.
But it's Taylor-Joy's Rasputin that really stands out as the most interesting of the characters on show. There's a scene where she goes into action - eyes blazing and 'daemon' hovering - that would make a splendid PC screensaver! Stuff the "Black Widow" standalone movie: I'd go watch Illyana Rasputin kicking ass in her own follow-up movie! (Of course, Anya Taylor-Joy was also prominent in "Glass", which unfortunately cements the similarities between the films.)
The movie has had a long and tortuous path to its final release, being made waaaaaayyyyy back in 2017. As an X-Men movie, it's appeared after the X-Men universe finally imploded (with the disappointing whimper of "Dark Phoenix"). So in that sense it's a bit of a ghost of a flick.
Overall, it's a mixed bag. There's a sense of great familiarity with the contents - particularly with the strong echoes of "Glass", actually filmed after this one (but with 'inversion', who knows anymore?). Even the "Indian legend" that runs through the movie swaps a bear for a wolf but ends with a familiar, rather groan-inducing, motto. (It was used in "Tomorrowland" I think?)
But the young cast are attractive and entertained me for the (pleasantly short) running time. It's not going to win any prizes for originality, or indeed anything else. But it really wasn't the X-Men bust I expected it to be.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/09/08/x-men-the-new-mutants-2020-glass-half-full/ . Thanks.)
The plot: So, my review title suggests that the plot is very closely aligned to M Night Shymalan's "Glass" - his "Split" sequel from last year. A Victorian-style hospital-cum-prison similarly forms the claustrophobic setting for the majority of the movie. This is where the troubled teen Dani Moonstar (Blu Hunt) is taken after being suddenly orphaned in dramatic and mysterious circumstances. The only doctor present, Dr Reyes (Alice Braga), says she is being held there for her own - and society's safety - while her puberty-driven mutant tendencies emerge.
Locked away with her is Rahne (Maisie Williams), Charlie (Sam Guthrie), 'hot' Brazilian hunk Roberto (Henry Zaga) and the gloriously named Illyana Rasputin (Anya-Taylor Joy). Danni's arrival sparks a serious of escalating events that literally lead to all hell breaking loose.
Blu is the warmest colour: What made this Marvel movie stand-out for me, from the normal glass-shattering standard, is that it is predominantly a character-led piece. We spend quite a bit of time (for a Marvel movie) in building relationships between the teens, including a sweet lesbian-coming-out 'will they/won't they' tension between Rahne and Danni.
I was also very much attracted to the performance of Blu Hunt. I admit that this might not just be due to her interesting performance (the indigenous / LBGT angle is intriguing) but because she reminded me strongly of a girl at school who I had a mad crush on and completely failed to get off with! Blu is actually native American (from the Lakota tribe). Given she is the lead and has to carry the movie, it's a surprise that she is only about 5th in the billing: I'd have been upset with the director (Josh "A Fault in our Stars" Boone) about that.
Maisie Williams is also effective in this, and gets top billing, although arguably Anya-Taylor-Joy has emerged - with her wonderful "Emma" - as the bigger star since filming.
But it's Taylor-Joy's Rasputin that really stands out as the most interesting of the characters on show. There's a scene where she goes into action - eyes blazing and 'daemon' hovering - that would make a splendid PC screensaver! Stuff the "Black Widow" standalone movie: I'd go watch Illyana Rasputin kicking ass in her own follow-up movie! (Of course, Anya Taylor-Joy was also prominent in "Glass", which unfortunately cements the similarities between the films.)
The movie has had a long and tortuous path to its final release, being made waaaaaayyyyy back in 2017. As an X-Men movie, it's appeared after the X-Men universe finally imploded (with the disappointing whimper of "Dark Phoenix"). So in that sense it's a bit of a ghost of a flick.
Overall, it's a mixed bag. There's a sense of great familiarity with the contents - particularly with the strong echoes of "Glass", actually filmed after this one (but with 'inversion', who knows anymore?). Even the "Indian legend" that runs through the movie swaps a bear for a wolf but ends with a familiar, rather groan-inducing, motto. (It was used in "Tomorrowland" I think?)
But the young cast are attractive and entertained me for the (pleasantly short) running time. It's not going to win any prizes for originality, or indeed anything else. But it really wasn't the X-Men bust I expected it to be.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/09/08/x-men-the-new-mutants-2020-glass-half-full/ . Thanks.)
Lee (2222 KP) rated Max Winslow and the House of Secrets (2019) in Movies
Oct 13, 2020
Max Winslow and the House of Secrets is a family film, very much in the vein of Charlie and the Chocolate Factory. Maxine Winslow (Sydne Mikelle), or Max for short, is our Charlie Bucket, coming from a single-parent family and living with a mother who is struggling with debt. Tech-savvy Max is also a skilled hacker, demonstrating this by taking control of her neighbours video doorbell and making it ring so that he comes running outside. Kind of like a modern-day Knock-Down Ginger.
Max heads into school, where we’re introduced to some more teens who are set to join her later on, including a social-media obsessed girl, a boy addicted to gaming and a boy who enjoys trolling people online. As they settle down at their desks, the face of eccentric billionaire Atticus Virtue (Chad Michael Murray) takes over all of the TV screens throughout the school. He tells them that five students are to be selected to spend the night in his high tech mansion, and undertake a series of games, with the winner becoming the new owner of the mansion. When the confirmation text messages start coming through to the student phones later that day, we already know most of those that receive the big green tick on their screens, so they head off to the mansion, ready to spend the night.
Atticus himself isn’t at the mansion to greet the group. Instead, an AI named Haven (voiced by Marina Sirtis) opens the door for them, orders a takeaway delivery and gives them their instructions for the night. Basically, whoever solves the most puzzles and earns the highest score wins the mansion!
The puzzles start off ridiculously hard, with a locked door requiring a six-digit code to open, and only three attempts allowed. Max spots three jars of candy in the room and automatically decides that the total pieces of candy in each jar can be combined into a six-digit number, obviously. And you’re not supposed to think about how she managed to get them in the right order, or why the plate of cookies on the table wasn’t included in the code…
From there, the points come a lot easier for the team, such as simply putting on a pair of sunglasses(!), before turning slightly sinister as the group separates and everyone heads off on their own. Haven begins to go a little bit rogue, although with her monotone delivery of thinly veiled threats, she never really comes across as scary as I think she is meant to be. The games become a way of showing each individual the error of their ways - narcissistic Sophia is trapped in a bathroom talking to her mirror reflection, which has now turned into a nastier version of herself, while others are trapped in VR scenarios designed to show them where they’ve gone wrong in life.
It’s at this point that the movie struggles. The VR recreations are mostly dull, while other scenes utilise some pretty dodgy VFX and there’s never any real feeling of peril or threat. The young cast, for the most part, give some pretty good performances. However, with a mediocre script, none of them is really given very much to work with. Consequently, some of them, particularly the character of Max, feel a little wasted, not fleshed out enough.
While entertaining at times, Max Winslow and the House of Secrets is too scary for young children and not dramatic or scary enough for adults to really enjoy. Hopefully, though, the teen audience that this is squarely aimed at will pick up on the strong moral messages at the heart of the movie and will manage to gain some enjoyment from it.
Max heads into school, where we’re introduced to some more teens who are set to join her later on, including a social-media obsessed girl, a boy addicted to gaming and a boy who enjoys trolling people online. As they settle down at their desks, the face of eccentric billionaire Atticus Virtue (Chad Michael Murray) takes over all of the TV screens throughout the school. He tells them that five students are to be selected to spend the night in his high tech mansion, and undertake a series of games, with the winner becoming the new owner of the mansion. When the confirmation text messages start coming through to the student phones later that day, we already know most of those that receive the big green tick on their screens, so they head off to the mansion, ready to spend the night.
Atticus himself isn’t at the mansion to greet the group. Instead, an AI named Haven (voiced by Marina Sirtis) opens the door for them, orders a takeaway delivery and gives them their instructions for the night. Basically, whoever solves the most puzzles and earns the highest score wins the mansion!
The puzzles start off ridiculously hard, with a locked door requiring a six-digit code to open, and only three attempts allowed. Max spots three jars of candy in the room and automatically decides that the total pieces of candy in each jar can be combined into a six-digit number, obviously. And you’re not supposed to think about how she managed to get them in the right order, or why the plate of cookies on the table wasn’t included in the code…
From there, the points come a lot easier for the team, such as simply putting on a pair of sunglasses(!), before turning slightly sinister as the group separates and everyone heads off on their own. Haven begins to go a little bit rogue, although with her monotone delivery of thinly veiled threats, she never really comes across as scary as I think she is meant to be. The games become a way of showing each individual the error of their ways - narcissistic Sophia is trapped in a bathroom talking to her mirror reflection, which has now turned into a nastier version of herself, while others are trapped in VR scenarios designed to show them where they’ve gone wrong in life.
It’s at this point that the movie struggles. The VR recreations are mostly dull, while other scenes utilise some pretty dodgy VFX and there’s never any real feeling of peril or threat. The young cast, for the most part, give some pretty good performances. However, with a mediocre script, none of them is really given very much to work with. Consequently, some of them, particularly the character of Max, feel a little wasted, not fleshed out enough.
While entertaining at times, Max Winslow and the House of Secrets is too scary for young children and not dramatic or scary enough for adults to really enjoy. Hopefully, though, the teen audience that this is squarely aimed at will pick up on the strong moral messages at the heart of the movie and will manage to gain some enjoyment from it.
Bob Mann (459 KP) rated Endless (2020) in Movies
Oct 19, 2020
Alexandra Shipp's acting is OK (1 more)
The British Columbian scenary
A Ghost "Ditto" - but without the star quality
Riley (Alexandra Shipp) and Chris (Nicholas Hamilton) are teenage lovers about to be torn apart... but not in the way you think. Riley is about to turn her back on her talent for comic book art to follow her parent's wishes: to study law on the other side of the country in Georgetown. Chris is from the other side of the tracks - aren't they always in these films? - living in a one-parent family with his mother Lee (Bond-girl Famke Janssen).
But fate is about to push them even further apart as - with an advert as to why drinking, texting and driving don't mix - Chris is killed in a car crash. Tragedy - when the feeling's gone and you can't go on! Can their love for each other reach beyond death itself, and if so, at what cost?
We've been here before of course with the Demi Moore / Patrick Swayze hit "Ghost" from 1990. That was an Oscar winner (Best Supporting Actress for Whoopi Goldberg and screenplay by Bruce Joel Rubin). Will "Endless" - a teen-love version - match this potential? Unfortunately, without a potter's wheel in sight, it doesn't stand a ghost of a chance.
It feels like it's not for the want of trying from the five youngsters* at the heart of the action, with Eddie Ramos and Zoë Belkin playing the lover's best friends and DeRon Horton being the limbo-trapped ghost-guide equivalent to the subway dropout from "Ghost". (* I say "youngsters", but most seem to be in their late twenties!) )
All seem to invest their energy into the project. Unfortunately, with the exception of Alexandra Shipp, the energy is not matched with great acting talent. Poor Nicholas Hamilton (the bully from "It") seems to have a particularly limited range, with his resting expression being "gormless".
None of the adult actors fair much better, with Famke Janssen being particularly unconvincing.
As I said, the exception here is Alexandra Shipp, who had a supporting role in "Love, Simon" and a more centre-stage role as "Storm" in the otherwise disappointing "X-Men: Dark Phoenix". Here she remains eminently watchable, but is hog-bound by a seriously dodgy script.
If you read my bob-the-movie-man blog regularly, you will know I reach for my flame-thrower at the appearance of voiceovers. And the start of this movie made me shudder with fear as a "tell, not show" approach was followed. It's a mild blessing that the script - by Andre Case and O'Neil Sharma - used this device purely as a slightly lazy way to set the scene and the voiceover didn't rear its ugly head again.
However, on a broader basis, the screenplay doesn't excite - predictability is its middle name - and it contains lines of dialogue that are absolute stinkers. There are whole sections of the movie that defy belief, with a police investigation in particular appearing completely incompetent. The result is that it adds neither drama or tension.
Through my career in IT I've had the great fortune to travel to a number of small cities in Canada, and all have appealed with their consistently picturesque qualities and consistently quirky individuals! Here we have the cities of Kelowna and Vernon in British Columbia playing California, and the drone cinematography (by Frank Borin and Mark Dobrescu) displays the dramatic lake-filled scenery to the full.
With so many cookie-cutter movies out there, it feels like the non-horror "Ghost" recipe (or "Heaven Can Wait" / "It's a Wonderful Life" / "A Matter of Life and Death" / delete per your preference) is well overdue for a makeover. Unfortunately, director Scott Speer's attempt just isn't good enough to fill the void. And that's a shame.
(For the full graphical review, please check out the bob-the-movie-man review here - https://rb.gy/mzq6jx . Thanks.)
But fate is about to push them even further apart as - with an advert as to why drinking, texting and driving don't mix - Chris is killed in a car crash. Tragedy - when the feeling's gone and you can't go on! Can their love for each other reach beyond death itself, and if so, at what cost?
We've been here before of course with the Demi Moore / Patrick Swayze hit "Ghost" from 1990. That was an Oscar winner (Best Supporting Actress for Whoopi Goldberg and screenplay by Bruce Joel Rubin). Will "Endless" - a teen-love version - match this potential? Unfortunately, without a potter's wheel in sight, it doesn't stand a ghost of a chance.
It feels like it's not for the want of trying from the five youngsters* at the heart of the action, with Eddie Ramos and Zoë Belkin playing the lover's best friends and DeRon Horton being the limbo-trapped ghost-guide equivalent to the subway dropout from "Ghost". (* I say "youngsters", but most seem to be in their late twenties!) )
All seem to invest their energy into the project. Unfortunately, with the exception of Alexandra Shipp, the energy is not matched with great acting talent. Poor Nicholas Hamilton (the bully from "It") seems to have a particularly limited range, with his resting expression being "gormless".
None of the adult actors fair much better, with Famke Janssen being particularly unconvincing.
As I said, the exception here is Alexandra Shipp, who had a supporting role in "Love, Simon" and a more centre-stage role as "Storm" in the otherwise disappointing "X-Men: Dark Phoenix". Here she remains eminently watchable, but is hog-bound by a seriously dodgy script.
If you read my bob-the-movie-man blog regularly, you will know I reach for my flame-thrower at the appearance of voiceovers. And the start of this movie made me shudder with fear as a "tell, not show" approach was followed. It's a mild blessing that the script - by Andre Case and O'Neil Sharma - used this device purely as a slightly lazy way to set the scene and the voiceover didn't rear its ugly head again.
However, on a broader basis, the screenplay doesn't excite - predictability is its middle name - and it contains lines of dialogue that are absolute stinkers. There are whole sections of the movie that defy belief, with a police investigation in particular appearing completely incompetent. The result is that it adds neither drama or tension.
Through my career in IT I've had the great fortune to travel to a number of small cities in Canada, and all have appealed with their consistently picturesque qualities and consistently quirky individuals! Here we have the cities of Kelowna and Vernon in British Columbia playing California, and the drone cinematography (by Frank Borin and Mark Dobrescu) displays the dramatic lake-filled scenery to the full.
With so many cookie-cutter movies out there, it feels like the non-horror "Ghost" recipe (or "Heaven Can Wait" / "It's a Wonderful Life" / "A Matter of Life and Death" / delete per your preference) is well overdue for a makeover. Unfortunately, director Scott Speer's attempt just isn't good enough to fill the void. And that's a shame.
(For the full graphical review, please check out the bob-the-movie-man review here - https://rb.gy/mzq6jx . Thanks.)
Heather Cranmer (2721 KP) rated Five Total Strangers in Books
Dec 24, 2020
Browsing for my next digital read, I came across Five Total Strangers by Natalie D. Richards. The synopsis definitely had my interest piqued. I'm glad I decided to read this story because I enjoyed it very much.
High school senior Mira is trying to get home to her mother for Christmas. However, a severe snowstorm means that Mira's connecting flight has been cancelled until further notice. Desperate to get home to her mother, Mira decides to take a chance with the college girl who was sat beside her on the plane named Harper. Somehow, Harper manages to snag a rental car, but there are three other people besides Harper and Mira. When personal items start going missing and strange things begin happening, Mira wonders who can she actually trust that's sharing a car with her and just what is the end game.
I loved, loved, loved the plot. It sounds like it's such a simplistic storyline with just five people travelling together, but it was so much more than that. It's a mystery, horror, thriller, and suspense story all in one which are all of my favorite genres. The pacing was absolutely spot on, and I found myself closely following each word on the page to find out what would happen next. I felt like I was one of the people in the car. I started getting paranoid about who to trust in the car. There were a couple of plot twists which were interesting. I never could figure out who was the sender of the letters to Mira until it was revealed at the end, and I wasn't sure who the saboteur was either until the end. There were many times I realized I was holding my breath in anticipation while reading Five Total Strangers. I pretty much read the whole book in one sitting. The only thing that was a small disappointment was the ending. It didn't feel like it was rushed, but I felt like there could have been a bit more information. I would have loved to know what the other occupants of the car got up to after their disastrous trip. There were no cliffhangers though which I was grateful for.
I felt like the characters were fleshed out perfectly for Five Total Strangers. There isn't much backstory for Harper, Brecken, Kayla, and Josh besides little tidbits here and there, but that's what makes this book even better. It gives it more of a mysterious feel. I liked the book being in Mira's perspective. I felt like I was feeling everything right along with Mira. Even though she was only eighteen, she came across as much older. Sure, she still made some decisions with a teen brain, but for the most part, she did have a good head on her shoulders. I liked Harper, and I admired her bravado. However, I also liked the times she showed her human side and her vulnerability. I admired Josh and Brecken's desire to help out when things got really rough. I did love Kayla's dry humor peppered within the book. I would even go as far as saying she was my favorite character in Five Total Strangers.
Trigger warnings for Five Total Strangers include swearing, attempted murder, death, some violence, and some drug use.
All in all, Five Total Strangers is a fantastic read which will leave you guessing who to trust throughout the book. With a great set of characters and fantastic world building, this is not a book you want to miss. I would definitely recommend Five Total Strangers by Natalie D. Richards to those aged 15+ who are after a story that will captivate them the entire time.
High school senior Mira is trying to get home to her mother for Christmas. However, a severe snowstorm means that Mira's connecting flight has been cancelled until further notice. Desperate to get home to her mother, Mira decides to take a chance with the college girl who was sat beside her on the plane named Harper. Somehow, Harper manages to snag a rental car, but there are three other people besides Harper and Mira. When personal items start going missing and strange things begin happening, Mira wonders who can she actually trust that's sharing a car with her and just what is the end game.
I loved, loved, loved the plot. It sounds like it's such a simplistic storyline with just five people travelling together, but it was so much more than that. It's a mystery, horror, thriller, and suspense story all in one which are all of my favorite genres. The pacing was absolutely spot on, and I found myself closely following each word on the page to find out what would happen next. I felt like I was one of the people in the car. I started getting paranoid about who to trust in the car. There were a couple of plot twists which were interesting. I never could figure out who was the sender of the letters to Mira until it was revealed at the end, and I wasn't sure who the saboteur was either until the end. There were many times I realized I was holding my breath in anticipation while reading Five Total Strangers. I pretty much read the whole book in one sitting. The only thing that was a small disappointment was the ending. It didn't feel like it was rushed, but I felt like there could have been a bit more information. I would have loved to know what the other occupants of the car got up to after their disastrous trip. There were no cliffhangers though which I was grateful for.
I felt like the characters were fleshed out perfectly for Five Total Strangers. There isn't much backstory for Harper, Brecken, Kayla, and Josh besides little tidbits here and there, but that's what makes this book even better. It gives it more of a mysterious feel. I liked the book being in Mira's perspective. I felt like I was feeling everything right along with Mira. Even though she was only eighteen, she came across as much older. Sure, she still made some decisions with a teen brain, but for the most part, she did have a good head on her shoulders. I liked Harper, and I admired her bravado. However, I also liked the times she showed her human side and her vulnerability. I admired Josh and Brecken's desire to help out when things got really rough. I did love Kayla's dry humor peppered within the book. I would even go as far as saying she was my favorite character in Five Total Strangers.
Trigger warnings for Five Total Strangers include swearing, attempted murder, death, some violence, and some drug use.
All in all, Five Total Strangers is a fantastic read which will leave you guessing who to trust throughout the book. With a great set of characters and fantastic world building, this is not a book you want to miss. I would definitely recommend Five Total Strangers by Natalie D. Richards to those aged 15+ who are after a story that will captivate them the entire time.
Gareth von Kallenbach (971 KP) rated Spider-Man: Far From Home (2019) in Movies
Jun 27, 2019 (Updated Jun 28, 2019)
A Truly Amazing And Enjoyable Spider-Man
Sony and Marvel Studios have rounded out Phase Three of the Marvel Cinematic Universe in grand style with “Spider-man: Far From Home”. The film picks up shortly after the events of “Avengers: Endgame”, and finds Peter Parker (Tom Holland), attempting to deal with the aftermath of the final battle with Thanos and picking up his life as best as he is able.
As such; Peter is looking forward to a European trip as not only is his friend Ned (Jacob Batalon) coming along; but Peter also wants to use this trip to get closer to MJ (Zendaya) and express his feelings for her.
While the early part of the trip starts off as you would expect for a bunch of teens experiencing Venice for the first time; Peter soon finds himself struggling to save the day and keep his alter ego a secret when a dangerous Elemental creature attacks the city.
With the help of a powered individual named Mysterio (Jake Gyllenhaal); Peter is able to stop the attack but with the arrival of Maria Hill (Colbie Smulders), and Nick Fury (Samuel L. Jackson), Peter learns that there are bigger attacks on the way and that his skills are being pressed into service for the greater good.
This causes a great deal of conflict for Peter as after his recent experiences with the Avengers; he simply wants to enjoy a vacation as a 16 year old and feels that he needs time to have a life and recover from his recent ordeals.
As if this was not enough to deal with; Peter has also been entrusted with an unexpected gift which gives him access to new technology but also comes with a heavy sense of responsibility that forces him to question if he is truly up to the expectations that have been put upon him by Fury and society as a whole.
While Peter and Fury attempt to balance the delicate situation to their mutual advantage; a shocking turn of events happens, forcing Peter to step up and risk everything to save his friends and the public from a much larger threat than he imagined.
The film is a dynamic thrill ride that in a summer that has largely been filled with disappointments following “Avengers: Endgame”; delivers the goods.
The cast is great and the film mixes the action and humor of the character well as we get everything that fans have come to expect from the series.
The visuals are amazing and the audience was cheering for the twistingly nimble and gravity defying moves of the title character as well as laughing at the surprising amount of humor that is in the film which supports the action sequences well.
Holland truly owns the role as he encompasses the duality and conflict of the character so well. For all the quips and bravado Spider-man has; he is still an awkward and confused teen who deals with everyday issues despite having tremendous abilities and lives in a world filled with dangers most could never fathom.
The supporting cast is amazingly strong and it was so nice to see Jon Favreau back as Happy as he works so well within the Marvel Universe. There are two bonus scenes in the credits and rather than act as a bit of fun filler, they are filled with many surprise moments and cameos which not only delight; but setup some very interesting consequences and opportunities down the road when Phase 4 of the Marvel Cinematic Universe resumes.
5 stars out of 5
http://sknr.net/2019/06/27/spider-man-far-from-home/
As such; Peter is looking forward to a European trip as not only is his friend Ned (Jacob Batalon) coming along; but Peter also wants to use this trip to get closer to MJ (Zendaya) and express his feelings for her.
While the early part of the trip starts off as you would expect for a bunch of teens experiencing Venice for the first time; Peter soon finds himself struggling to save the day and keep his alter ego a secret when a dangerous Elemental creature attacks the city.
With the help of a powered individual named Mysterio (Jake Gyllenhaal); Peter is able to stop the attack but with the arrival of Maria Hill (Colbie Smulders), and Nick Fury (Samuel L. Jackson), Peter learns that there are bigger attacks on the way and that his skills are being pressed into service for the greater good.
This causes a great deal of conflict for Peter as after his recent experiences with the Avengers; he simply wants to enjoy a vacation as a 16 year old and feels that he needs time to have a life and recover from his recent ordeals.
As if this was not enough to deal with; Peter has also been entrusted with an unexpected gift which gives him access to new technology but also comes with a heavy sense of responsibility that forces him to question if he is truly up to the expectations that have been put upon him by Fury and society as a whole.
While Peter and Fury attempt to balance the delicate situation to their mutual advantage; a shocking turn of events happens, forcing Peter to step up and risk everything to save his friends and the public from a much larger threat than he imagined.
The film is a dynamic thrill ride that in a summer that has largely been filled with disappointments following “Avengers: Endgame”; delivers the goods.
The cast is great and the film mixes the action and humor of the character well as we get everything that fans have come to expect from the series.
The visuals are amazing and the audience was cheering for the twistingly nimble and gravity defying moves of the title character as well as laughing at the surprising amount of humor that is in the film which supports the action sequences well.
Holland truly owns the role as he encompasses the duality and conflict of the character so well. For all the quips and bravado Spider-man has; he is still an awkward and confused teen who deals with everyday issues despite having tremendous abilities and lives in a world filled with dangers most could never fathom.
The supporting cast is amazingly strong and it was so nice to see Jon Favreau back as Happy as he works so well within the Marvel Universe. There are two bonus scenes in the credits and rather than act as a bit of fun filler, they are filled with many surprise moments and cameos which not only delight; but setup some very interesting consequences and opportunities down the road when Phase 4 of the Marvel Cinematic Universe resumes.
5 stars out of 5
http://sknr.net/2019/06/27/spider-man-far-from-home/
