"They were very theatrical. Alex Harvey was 40 something, he was an old guy. And - at the time - that was ancient for rock n roll. He won the Scottish Tommy Steele competition in 1957. The prize? Meeting Tommy Steele! What a bizarre business. That was two years before I was born and he must have been in his late teens/early 20s by then. To be in your early 40s and starting out was unheard of. David Bowie and Alex Harvey knew each other, actually: they bonded over a shared love of Jacques Brel. 'Faith Healer' is one of the best things that ever came out of the 70s. And the end triplet of 'Last Of The Teenage Idols' – which is about the competition that he won. That was amazing. I loved his voice: he screamed his way through life. His version of 'Crazy Horses' is hilarious. He did a song called 'There's No Lights on the Xmas Tree Mother… They're Burning Big Louis Tonight'. It was about a guy in the electric chair who takes all the power off the grid on the night of his death. Nobody in this little town in America gets the Xmas lights. What a brilliant idea for a song. It was theatrics and bravado. Alex Harvey was off kilter - it wasn't like The Sweet or Mud, he was musically brilliant."

"The great British director Lindsay Anderson died 20 years ago and he only made five or six films, but they’re all very interesting, and I think his most famous is called If… It’s the film Malcolm McDowell did before A Clockwork Orange, and it’s kind of the ultimate teenage movie. It’s beautiful and very radical. It won Cannes that year, and it’s very much of its time, the ’60s, and Malcolm McDowell is brilliant in it. It’s the ultimate teen rebellion movie — and I like that genre — but it’s also very poetic, almost Brechtian, and there’s almost fantasy elements to it. Like, there’s this woman in the movie who might not even be real. It’s filmed in color and there are sections that are black-and-white and it’s kind of amazing. It’s the first film of a trilogy too. Malcolm McDowell’s character’s name is Mick Travis, and so a few years later, they did a film called O Lucky Man! and then ten years later they did Britannia Hospital together, Lindsay Anderson and Malcolm McDowell. So it’s one of the greater film trilogies in my opinion… It’s definitely worth watching. It used to be a bigger cult film in the ’70s and the ’80s, but I see it’s falling off. I don’t know if young people are watching it the way they used to."